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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6AB9F0 it is the complementary color #95460F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6AB9F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6AB9F0 shade: #6FB9EB, #80CBFE, #91DDFF, #A2EFFF and #B3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6AB9F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6AB9F0 shade: #6AB9F0, #59A7DD, #4895CA, #3783B7 and #2671A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6AB9F0 shade: #6AB9F0, #6A95F0, #6A71F0, #886AF0 and #AC6AF0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6AB9F0 shade: #6AB9F0, #6A95F0, #6A71F0 and #6A6AF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6AB9F0 shade matches the following richer shades: #6AB9F0 and #5DBCFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6AB9F0 shade: #6AB9F0, #78B7E3, #85B5D6, #92B2C9 and #9FB0BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6AB9F0 shade: #6AF0DE, #6ADEF0, #6ABBF0, #6A97F0 and #6A73F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6AB9F0 shade: #1F96E9, #45A8ED, #6AB9F0, #90CBF4 and #B6DDF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6AB9F0 shade: #6AB9F0, #BB6AF0 and #F0F06A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6AB9F0 shade: #6AB9F0, #F06ABB and #BBF06A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6AB9F0 shade: #6AB9F0, #BB6AF0, #F0A06A and #A0F06A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6AB9F0 shade: #6AB9F0, #E36AF0, #F0A06A and #78F06A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 23 / 0 / 6

HEX #6AB9F0

RGB 106 185 240

HSL 204.63, 0.82%, 0.68%

LAB 72.26, -8.84, -34.74

 

Complementary color

CMYK 0 / 53 / 90 / 42

HEX #95460F

RGB 149 70 15

HSL 24.63, 0.82%, 0.32%

LAB 39.25, 30.07, 44.65

 

CMYK 53 / 21 / 0 / 8

HEX #6FB9EB

RGB 111 185 235

HSL 204.19, 0.76%, 0.68%

LAB 72.28, -9.29, -31.99

 

CMYK 50 / 20 / 0 / 0

HEX #80CBFE

RGB 128 203 254

HSL 204.29, 0.98%, 0.75%

LAB 78.73, -9.73, -32.2

 

CMYK 43 / 13 / 0 / 0

HEX #91DDFF

RGB 145 221 255

HSL 198.55, 1%, 0.78%

LAB 84.46, -14.89, -23.89

 

CMYK 36 / 6 / 0 / 0

HEX #A2EFFF

RGB 162 239 255

HSL 190.32, 1%, 0.82%

LAB 90.15, -19.73, -15.22

 

CMYK 30 / 0 / 0 / 0

HEX #B3FFFF

RGB 179 255 255

HSL 180, 1%, 0.85%

LAB 95.3, -23.09, -7.47

 

CMYK 56 / 23 / 0 / 6

HEX #6AB9F0

RGB 106 185 240

HSL 204.63, 0.82%, 0.68%

LAB 72.26, -8.84, -34.74

 

CMYK 60 / 24 / 0 / 13

HEX #59A7DD

RGB 89 167 221

HSL 204.55, 0.66%, 0.61%

LAB 65.73, -8.17, -34.54

 

CMYK 64 / 26 / 0 / 21

HEX #4895CA

RGB 72 149 202

HSL 204.46, 0.55%, 0.54%

LAB 59.1, -7.33, -34.34

 

CMYK 70 / 28 / 0 / 28

HEX #3783B7

RGB 55 131 183

HSL 204.38, 0.54%, 0.47%

LAB 52.36, -6.25, -34.13

 

CMYK 77 / 31 / 0 / 36

HEX #2671A4

RGB 38 113 164

HSL 204.29, 0.62%, 0.4%

LAB 45.5, -4.82, -33.9

 

CMYK 56 / 23 / 0 / 6

HEX #6AB9F0

RGB 106 185 240

HSL 204.63, 0.82%, 0.68%

LAB 72.26, -8.84, -34.74

 

CMYK 56 / 38 / 0 / 6

HEX #6A95F0

RGB 106 149 240

HSL 220.75, 0.82%, 0.68%

LAB 62.38, 11.5, -50.22

 

CMYK 56 / 53 / 0 / 6

HEX #6A71F0

RGB 106 113 240

HSL 236.87, 0.82%, 0.68%

LAB 53.13, 33.03, -65.02

 

CMYK 43 / 56 / 0 / 6

HEX #886AF0

RGB 136 106 240

HSL 253.43, 0.82%, 0.68%

LAB 53.85, 43.23, -63.74

 

CMYK 28 / 56 / 0 / 6

HEX #AC6AF0

RGB 172 106 240

HSL 269.55, 0.82%, 0.68%

LAB 57.43, 51.48, -57.79

 

CMYK 56 / 23 / 0 / 6

HEX #6AB9F0

RGB 106 185 240

HSL 204.63, 0.82%, 0.68%

LAB 72.26, -8.84, -34.74

 

CMYK 56 / 38 / 0 / 6

HEX #6A95F0

RGB 106 149 240

HSL 220.75, 0.82%, 0.68%

LAB 62.38, 11.5, -50.22

 

CMYK 56 / 53 / 0 / 6

HEX #6A71F0

RGB 106 113 240

HSL 236.87, 0.82%, 0.68%

LAB 53.13, 33.03, -65.02

 

CMYK 56 / 56 / 0 / 6

HEX #6A6AF0

RGB 106 106 240

HSL 240, 0.82%, 0.68%

LAB 51.45, 37.22, -67.72

 

CMYK 56 / 23 / 0 / 6

HEX #6AB9F0

RGB 106 185 240

HSL 204.63, 0.82%, 0.68%

LAB 72.26, -8.84, -34.74

 

CMYK 63 / 26 / 0 / 0

HEX #5DBCFE

RGB 93 188 254

HSL 204.6, 0.99%, 0.68%

LAB 73.19, -8.53, -40.9

 

CMYK 56 / 23 / 0 / 6

HEX #6AB9F0

RGB 106 185 240

HSL 204.63, 0.82%, 0.68%

LAB 72.26, -8.84, -34.74

 

CMYK 47 / 19 / 0 / 11

HEX #78B7E3

RGB 120 183 227

HSL 204.67, 0.66%, 0.68%

LAB 71.83, -8.48, -28.3

 

CMYK 38 / 15 / 0 / 16

HEX #85B5D6

RGB 133 181 214

HSL 204.44, 0.5%, 0.68%

LAB 71.48, -7.65, -21.69

 

CMYK 27 / 11 / 0 / 21

HEX #92B2C9

RGB 146 178 201

HSL 205.09, 0.34%, 0.68%

LAB 70.99, -5.58, -15.24

 

CMYK 15 / 6 / 0 / 26

HEX #9FB0BC

RGB 159 176 188

HSL 204.83, 0.18%, 0.68%

LAB 70.91, -3.37, -8.12

 

CMYK 56 / 0 / 8 / 6

HEX #6AF0DE

RGB 106 240 222

HSL 171.94, 0.82%, 0.68%

LAB 87.32, -40.94, -2.41

 

CMYK 56 / 8 / 0 / 6

HEX #6ADEF0

RGB 106 222 240

HSL 188.06, 0.82%, 0.68%

LAB 82.7, -27.83, -18.78

 

CMYK 56 / 22 / 0 / 6

HEX #6ABBF0

RGB 106 187 240

HSL 203.73, 0.82%, 0.68%

LAB 72.82, -9.91, -33.87

 

CMYK 56 / 37 / 0 / 6

HEX #6A97F0

RGB 106 151 240

HSL 219.85, 0.82%, 0.68%

LAB 62.92, 10.33, -49.37

 

CMYK 56 / 52 / 0 / 6

HEX #6A73F0

RGB 106 115 240

HSL 235.97, 0.82%, 0.68%

LAB 53.62, 31.83, -64.23

 

CMYK 87 / 36 / 0 / 9

HEX #1F96E9

RGB 31 150 233

HSL 204.65, 0.82%, 0.52%

LAB 59.88, -1.74, -50.48

 

CMYK 71 / 29 / 0 / 7

HEX #45A8ED

RGB 69 168 237

HSL 204.64, 0.82%, 0.6%

LAB 66.05, -6.75, -42.89

 

CMYK 56 / 23 / 0 / 6

HEX #6AB9F0

RGB 106 185 240

HSL 204.63, 0.82%, 0.68%

LAB 72.26, -8.84, -34.74

 

CMYK 41 / 17 / 0 / 4

HEX #90CBF4

RGB 144 203 244

HSL 204.6, 0.82%, 0.76%

LAB 79.14, -8.66, -26.16

 

CMYK 27 / 11 / 0 / 3

HEX #B6DDF8

RGB 182 221 248

HSL 204.55, 0.83%, 0.84%

LAB 86.22, -6.78, -17.34

 

CMYK 56 / 23 / 0 / 6

HEX #6AB9F0

RGB 106 185 240

HSL 204.63, 0.82%, 0.68%

LAB 72.26, -8.84, -34.74

 

CMYK 22 / 56 / 0 / 6

HEX #BB6AF0

RGB 187 106 240

HSL 276.27, 0.82%, 0.68%

LAB 59.13, 55.12, -54.99

 

CMYK 0 / 0 / 56 / 6

HEX #F0F06A

RGB 240 240 106

HSL 60, 0.82%, 0.68%

LAB 92.52, -16.9, 63.4

 

CMYK 56 / 23 / 0 / 6

HEX #6AB9F0

RGB 106 185 240

HSL 204.63, 0.82%, 0.68%

LAB 72.26, -8.84, -34.74

 

CMYK 0 / 56 / 22 / 6

HEX #F06ABB

RGB 240 106 187

HSL 323.73, 0.82%, 0.68%

LAB 63.69, 60.3, -17.55

 

CMYK 22 / 0 / 56 / 6

HEX #BBF06A

RGB 187 240 106

HSL 83.73, 0.82%, 0.68%

LAB 88.89, -37.33, 58.3

 

CMYK 56 / 23 / 0 / 6

HEX #6AB9F0

RGB 106 185 240

HSL 204.63, 0.82%, 0.68%

LAB 72.26, -8.84, -34.74

 

CMYK 22 / 56 / 0 / 6

HEX #BB6AF0

RGB 187 106 240

HSL 276.27, 0.82%, 0.68%

LAB 59.13, 55.12, -54.99

 

CMYK 0 / 33 / 56 / 6

HEX #F0A06A

RGB 240 160 106

HSL 24.18, 0.82%, 0.68%

LAB 72.7, 24.26, 40.06

 

CMYK 33 / 0 / 56 / 6

HEX #A0F06A

RGB 160 240 106

HSL 95.82, 0.82%, 0.68%

LAB 87.4, -46.82, 56.2

 

CMYK 56 / 23 / 0 / 6

HEX #6AB9F0

RGB 106 185 240

HSL 204.63, 0.82%, 0.68%

LAB 72.26, -8.84, -34.74

 

CMYK 5 / 56 / 0 / 6

HEX #E36AF0

RGB 227 106 240

HSL 294.18, 0.82%, 0.68%

LAB 64.1, 65.13, -46.78

 

CMYK 0 / 33 / 56 / 6

HEX #F0A06A

RGB 240 160 106

HSL 24.18, 0.82%, 0.68%

LAB 72.7, 24.26, 40.06

 

CMYK 50 / 0 / 56 / 6

HEX #78F06A

RGB 120 240 106

HSL 113.73, 0.82%, 0.68%

LAB 85.68, -58.94, 53.75

 

Description

Color code: HEX #6AB9F0 | qconv.com Color code: HEX #6AB9F0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 185 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 185 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 23 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 23% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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