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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6AB623 it is the complementary color #9549DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6AB623. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6AB623: #6FB61E, #80C831, #91DA44, #A2EC57 and #B3FE6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6AB623. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6AB623: #6AB623, #59A410, #489200, #378000 and #266E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 81 / 29

HEX #6AB623

RGB 106 182 35

HSL 91.02, 0.68%, 0.43%

LAB 67.01, -46.32, 61.31

 

Complementary color

CMYK 32 / 67 / 0 / 14

HEX #9549DC

RGB 149 73 220

HSL 271.02, 0.68%, 0.57%

LAB 47.39, 58.23, -62.82

 

CMYK 39 / 0 / 84 / 29

HEX #6FB61E

RGB 111 182 30

HSL 88.03, 0.72%, 0.42%

LAB 67.22, -44.82, 62.93

 

CMYK 36 / 0 / 76 / 22

HEX #80C831

RGB 128 200 49

HSL 88.61, 0.61%, 0.49%

LAB 73.62, -45.46, 63.63

 

CMYK 33 / 0 / 69 / 15

HEX #91DA44

RGB 145 218 68

HSL 89.2, 0.67%, 0.56%

LAB 79.94, -45.88, 63.53

 

CMYK 31 / 0 / 63 / 7

HEX #A2EC57

RGB 162 236 87

HSL 89.8, 0.8%, 0.63%

LAB 86.19, -46.15, 62.96

 

CMYK 30 / 0 / 58 / 0

HEX #B3FE6A

RGB 179 254 106

HSL 90.41, 0.99%, 0.71%

LAB 92.36, -46.32, 62.14

 

CMYK 42 / 0 / 81 / 29

HEX #6AB623

RGB 106 182 35

HSL 91.02, 0.68%, 0.43%

LAB 67.01, -46.32, 61.31

 

CMYK 46 / 0 / 90 / 36

HEX #59A410

RGB 89 164 16

HSL 90.41, 0.82%, 0.35%

LAB 60.53, -45.47, 59.8

 

CMYK 51 / 0 / 100 / 43

HEX #489200

RGB 72 146 0

HSL 90.41, 1%, 0.29%

LAB 53.96, -44.25, 56.72

 

CMYK 57 / 0 / 100 / 50

HEX #378000

RGB 55 128 0

HSL 94.22, 1%, 0.25%

LAB 47.3, -42.49, 51.2

 

CMYK 65 / 0 / 100 / 57

HEX #266E00

RGB 38 110 0

HSL 99.27, 1%, 0.22%

LAB 40.51, -40.44, 45.6

 

CMYK 42 / 0 / 81 / 29

HEX #6AB623

RGB 106 182 35

HSL 91.02, 0.68%, 0.43%

LAB 67.01, -46.32, 61.31

 

CMYK 55 / 0 / 81 / 28

HEX #52B823

RGB 82 184 35

HSL 101.07, 0.68%, 0.43%

LAB 66.67, -54.43, 60.64

 

CMYK 69 / 0 / 81 / 28

HEX #39B823

RGB 57 184 35

HSL 111.14, 0.68%, 0.43%

LAB 65.96, -60.25, 59.73

 

CMYK 81 / 0 / 80 / 28

HEX #23B825

RGB 35 184 37

HSL 120.81, 0.68%, 0.43%

LAB 65.57, -63.58, 58.64

 

CMYK 81 / 0 / 66 / 28

HEX #23B83E

RGB 35 184 62

HSL 130.87, 0.68%, 0.43%

LAB 65.74, -61.5, 49.73

 

CMYK 42 / 0 / 81 / 29

HEX #6AB623

RGB 106 182 35

HSL 91.02, 0.68%, 0.43%

LAB 67.01, -46.32, 61.31

 

CMYK 42 / 0 / 81 / 9

HEX #88E92D

RGB 136 233 45

HSL 90.96, 0.81%, 0.55%

LAB 83.81, -56.25, 74.41

 

CMYK 41 / 0 / 79 / 89

HEX #111D06

RGB 17 29 6

HSL 91.3, 0.66%, 0.07%

LAB 9.08, -10.34, 10.94

 

CMYK 41 / 0 / 81 / 69

HEX #2F500F

RGB 47 80 15

HSL 90.46, 0.68%, 0.19%

LAB 30.34, -24.01, 32.33

 

CMYK 42 / 0 / 81 / 49

HEX #4C8319

RGB 76 131 25

HSL 91.13, 0.68%, 0.31%

LAB 49.3, -35.81, 47.41

 

CMYK 42 / 0 / 81 / 29

HEX #6AB623

RGB 106 182 35

HSL 91.02, 0.68%, 0.43%

LAB 67.01, -46.32, 61.31

 

CMYK 81 / 0 / 23 / 28

HEX #23B88D

RGB 35 184 141

HSL 162.68, 0.68%, 0.43%

LAB 66.95, -47.58, 11.35

 

CMYK 0 / 81 / 10 / 28

HEX #B823A6

RGB 184 35 166

HSL 307.25, 0.68%, 0.43%

LAB 44.44, 69.18, -35.82

 

CMYK 42 / 0 / 81 / 29

HEX #6AB623

RGB 106 182 35

HSL 91.02, 0.68%, 0.43%

LAB 67.01, -46.32, 61.31

 

CMYK 81 / 42 / 0 / 28

HEX #236BB8

RGB 35 107 184

HSL 211.01, 0.68%, 0.43%

LAB 44.71, 6.12, -46.85

 

CMYK 0 / 81 / 42 / 28

HEX #B8236B

RGB 184 35 107

HSL 331.01, 0.68%, 0.43%

LAB 41.93, 61.98, -3.65

 

CMYK 42 / 0 / 81 / 29

HEX #6AB623

RGB 106 182 35

HSL 91.02, 0.68%, 0.43%

LAB 67.01, -46.32, 61.31

 

CMYK 81 / 0 / 23 / 28

HEX #23B88D

RGB 35 184 141

HSL 162.68, 0.68%, 0.43%

LAB 66.95, -47.58, 11.35

 

CMYK 39 / 81 / 0 / 28

HEX #7023B8

RGB 112 35 184

HSL 271.01, 0.68%, 0.43%

LAB 34.21, 59.3, -63.59

 

CMYK 0 / 81 / 58 / 28

HEX #B8234D

RGB 184 35 77

HSL 343.09, 0.68%, 0.43%

LAB 41.1, 59.5, 14.06

 

CMYK 42 / 0 / 81 / 29

HEX #6AB623

RGB 106 182 35

HSL 91.02, 0.68%, 0.43%

LAB 67.01, -46.32, 61.31

 

CMYK 81 / 2 / 0 / 28

HEX #23B5B8

RGB 35 181 184

HSL 181.21, 0.68%, 0.43%

LAB 67.18, -34.49, -12.02

 

CMYK 39 / 81 / 0 / 28

HEX #7023B8

RGB 112 35 184

HSL 271.01, 0.68%, 0.43%

LAB 34.21, 59.3, -63.59

 

CMYK 0 / 80 / 81 / 28

HEX #B82523

RGB 184 37 35

HSL 0.81, 0.68%, 0.43%

LAB 40.63, 56.89, 39.01

 

Description

Color code: HEX #6AB623 | qconv.com Color code: HEX #6AB623 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 182 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 182 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 81 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 81% 29% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

45% - Herbalife - España -...
Link: http://www.herbalife.es

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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