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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6AA835 it is the complementary color #9557CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6AA835. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6AA835 shade: #6FA830, #80BA43, #91CC56, #A2DE69 and #B3F07C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6AA835. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6AA835 shade: #6AA835, #599622, #48840F, #377200 and #266000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6AA835 shade: #69A735, #88A735, #A7A735, #A78835 and #A76935

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6AA835 shade: #69A735, #4AA735, #35A73E, #35A75C and #35A77B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6AA835 shade matches the following richer shades: #69A735, #68B823 and #66CA11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6AA835 shade: #69A735, #6B9546, #6C8358, #6D716A and #6F607C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6AA835 shade: #A7A735, #88A735, #6AA735, #4BA735 and #35A73C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6AA835 shade: #426821, #55872B, #69A735, #7DC341 and #93CD61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6AA835 shade: #6AA835, #35A788 and #A73597

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6AA835 shade: #6AA835, #356AA7 and #A7356A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6AA835 shade: #6AA835, #35A788, #7135A7 and #A73553

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6AA835 shade: #6AA835, #35A3A7, #7135A7 and #A73835

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 68 / 34

HEX #6AA835

RGB 106 168 53

HSL 92.35, 0.52%, 0.43%

LAB 62.78, -39.29, 50.93

 

Complementary color

CMYK 26 / 57 / 0 / 21

HEX #9557CA

RGB 149 87 202

HSL 272.35, 0.52%, 0.57%

LAB 48.85, 46.98, -50.18

 

CMYK 34 / 0 / 71 / 34

HEX #6FA830

RGB 111 168 48

HSL 88.5, 0.56%, 0.42%

LAB 63.01, -37.85, 53.22

 

CMYK 31 / 0 / 64 / 27

HEX #80BA43

RGB 128 186 67

HSL 89.24, 0.47%, 0.5%

LAB 69.55, -38.15, 52.67

 

CMYK 29 / 0 / 58 / 20

HEX #91CC56

RGB 145 204 86

HSL 90, 0.54%, 0.57%

LAB 75.99, -38.32, 51.79

 

CMYK 27 / 0 / 53 / 13

HEX #A2DE69

RGB 162 222 105

HSL 90.77, 0.64%, 0.64%

LAB 82.35, -38.39, 50.75

 

CMYK 25 / 0 / 48 / 6

HEX #B3F07C

RGB 179 240 124

HSL 91.55, 0.79%, 0.71%

LAB 88.62, -38.4, 49.64

 

CMYK 37 / 0 / 68 / 34

HEX #6AA835

RGB 106 168 53

HSL 92.35, 0.52%, 0.43%

LAB 62.78, -39.29, 50.93

 

CMYK 41 / 0 / 77 / 41

HEX #599622

RGB 89 150 34

HSL 91.55, 0.63%, 0.36%

LAB 56.14, -38.87, 51.13

 

CMYK 45 / 0 / 89 / 48

HEX #48840F

RGB 72 132 15

HSL 90.77, 0.8%, 0.29%

LAB 49.39, -38.13, 50.2

 

CMYK 52 / 0 / 100 / 55

HEX #377200

RGB 55 114 0

HSL 91.05, 1%, 0.22%

LAB 42.53, -36.95, 47.46

 

CMYK 60 / 0 / 100 / 62

HEX #266000

RGB 38 96 0

HSL 96.25, 1%, 0.19%

LAB 35.55, -35.09, 41.68

 

CMYK 37 / 0 / 68 / 35

HEX #69A735

RGB 105 167 53

HSL 92.63, 0.52%, 0.43%

LAB 62.42, -39.21, 50.53

 

CMYK 19 / 0 / 68 / 35

HEX #88A735

RGB 136 167 53

HSL 76.32, 0.52%, 0.43%

LAB 64.26, -27.27, 53.03

 

CMYK 0 / 0 / 68 / 35

HEX #A7A735

RGB 167 167 53

HSL 60, 0.52%, 0.43%

LAB 66.6, -14.12, 56.16

 

CMYK 0 / 19 / 68 / 35

HEX #A78835

RGB 167 136 53

HSL 43.68, 0.52%, 0.43%

LAB 58.11, 2.53, 47.42

 

CMYK 0 / 37 / 68 / 35

HEX #A76935

RGB 167 105 53

HSL 27.37, 0.52%, 0.43%

LAB 50.19, 19.98, 38.8

 

CMYK 37 / 0 / 68 / 35

HEX #69A735

RGB 105 167 53

HSL 92.63, 0.52%, 0.43%

LAB 62.42, -39.21, 50.53

 

CMYK 56 / 0 / 68 / 35

HEX #4AA735

RGB 74 167 53

HSL 108.95, 0.52%, 0.43%

LAB 61.09, -49, 48.72

 

CMYK 68 / 0 / 63 / 35

HEX #35A73E

RGB 53 167 62

HSL 124.74, 0.52%, 0.43%

LAB 60.55, -53, 44.06

 

CMYK 68 / 0 / 45 / 35

HEX #35A75C

RGB 53 167 92

HSL 140.53, 0.52%, 0.43%

LAB 60.93, -48.67, 29.69

 

CMYK 68 / 0 / 26 / 35

HEX #35A77B

RGB 53 167 123

HSL 156.84, 0.52%, 0.43%

LAB 61.5, -42.42, 13.65

 

CMYK 37 / 0 / 68 / 35

HEX #69A735

RGB 105 167 53

HSL 92.63, 0.52%, 0.43%

LAB 62.42, -39.21, 50.53

 

CMYK 43 / 0 / 81 / 28

HEX #68B823

RGB 104 184 35

HSL 92.21, 0.68%, 0.43%

LAB 67.54, -47.8, 61.76

 

CMYK 50 / 0 / 92 / 21

HEX #66CA11

RGB 102 202 17

HSL 92.43, 0.84%, 0.43%

LAB 72.96, -55.99, 70.22

 

CMYK 37 / 0 / 68 / 35

HEX #69A735

RGB 105 167 53

HSL 92.63, 0.52%, 0.43%

LAB 62.42, -39.21, 50.53

 

CMYK 28 / 0 / 53 / 42

HEX #6B9546

RGB 107 149 70

HSL 91.9, 0.36%, 0.43%

LAB 57.14, -28.56, 36.81

 

CMYK 18 / 0 / 33 / 49

HEX #6C8358

RGB 108 131 88

HSL 92.09, 0.2%, 0.43%

LAB 51.98, -16.58, 20.6

 

CMYK 4 / 0 / 6 / 56

HEX #6D716A

RGB 109 113 106

HSL 94.29, 0.03%, 0.43%

LAB 47.11, -2.94, 3.35

 

CMYK 10 / 23 / 0 / 51

HEX #6F607C

RGB 111 96 124

HSL 272.14, 0.13%, 0.43%

LAB 43.06, 11.82, -13.46

 

CMYK 0 / 0 / 68 / 35

HEX #A7A735

RGB 167 167 53

HSL 60, 0.52%, 0.43%

LAB 66.6, -14.12, 56.16

 

CMYK 19 / 0 / 68 / 35

HEX #88A735

RGB 136 167 53

HSL 76.32, 0.52%, 0.43%

LAB 64.26, -27.27, 53.03

 

CMYK 37 / 0 / 68 / 35

HEX #6AA735

RGB 106 167 53

HSL 92.11, 0.52%, 0.43%

LAB 62.47, -38.85, 50.6

 

CMYK 55 / 0 / 68 / 35

HEX #4BA735

RGB 75 167 53

HSL 108.42, 0.52%, 0.43%

LAB 61.12, -48.73, 48.77

 

CMYK 68 / 0 / 64 / 35

HEX #35A73C

RGB 53 167 60

HSL 123.68, 0.52%, 0.43%

LAB 60.53, -53.22, 44.93

 

CMYK 37 / 0 / 68 / 59

HEX #426821

RGB 66 104 33

HSL 92.11, 0.52%, 0.27%

LAB 39.86, -26.6, 34.59

 

CMYK 37 / 0 / 68 / 47

HEX #55872B

RGB 85 135 43

HSL 92.61, 0.52%, 0.35%

LAB 51.19, -33.02, 42.55

 

CMYK 37 / 0 / 68 / 35

HEX #69A735

RGB 105 167 53

HSL 92.63, 0.52%, 0.43%

LAB 62.42, -39.21, 50.53

 

CMYK 36 / 0 / 67 / 24

HEX #7DC341

RGB 125 195 65

HSL 92.31, 0.52%, 0.51%

LAB 72.08, -43.31, 56.16

 

CMYK 28 / 0 / 53 / 20

HEX #93CD61

RGB 147 205 97

HSL 92.22, 0.52%, 0.59%

LAB 76.51, -36.93, 47.35

 

CMYK 37 / 0 / 68 / 34

HEX #6AA835

RGB 106 168 53

HSL 92.35, 0.52%, 0.43%

LAB 62.78, -39.29, 50.93

 

CMYK 68 / 0 / 19 / 35

HEX #35A788

RGB 53 167 136

HSL 163.68, 0.52%, 0.43%

LAB 61.8, -39.3, 6.84

 

CMYK 0 / 68 / 10 / 35

HEX #A73597

RGB 167 53 151

HSL 308.42, 0.52%, 0.43%

LAB 42.76, 57.39, -29.68

 

CMYK 37 / 0 / 68 / 34

HEX #6AA835

RGB 106 168 53

HSL 92.35, 0.52%, 0.43%

LAB 62.78, -39.29, 50.93

 

CMYK 68 / 37 / 0 / 35

HEX #356AA7

RGB 53 106 167

HSL 212.11, 0.52%, 0.43%

LAB 44.02, 2.78, -37.96

 

CMYK 0 / 68 / 37 / 35

HEX #A7356A

RGB 167 53 106

HSL 332.11, 0.52%, 0.43%

LAB 40.9, 51.2, -4.89

 

CMYK 37 / 0 / 68 / 34

HEX #6AA835

RGB 106 168 53

HSL 92.35, 0.52%, 0.43%

LAB 62.78, -39.29, 50.93

 

CMYK 68 / 0 / 19 / 35

HEX #35A788

RGB 53 167 136

HSL 163.68, 0.52%, 0.43%

LAB 61.8, -39.3, 6.84

 

CMYK 32 / 68 / 0 / 35

HEX #7135A7

RGB 113 53 167

HSL 271.58, 0.52%, 0.43%

LAB 35.69, 47.76, -51.04

 

CMYK 0 / 68 / 50 / 35

HEX #A73553

RGB 167 53 83

HSL 344.21, 0.52%, 0.43%

LAB 40.22, 48.83, 8.57

 

CMYK 37 / 0 / 68 / 34

HEX #6AA835

RGB 106 168 53

HSL 92.35, 0.52%, 0.43%

LAB 62.78, -39.29, 50.93

 

CMYK 68 / 2 / 0 / 35

HEX #35A3A7

RGB 53 163 167

HSL 182.11, 0.52%, 0.43%

LAB 61.43, -28.91, -11.12

 

CMYK 32 / 68 / 0 / 35

HEX #7135A7

RGB 113 53 167

HSL 271.58, 0.52%, 0.43%

LAB 35.69, 47.76, -51.04

 

CMYK 0 / 66 / 68 / 35

HEX #A73835

RGB 167 56 53

HSL 1.58, 0.52%, 0.43%

LAB 40.08, 45.36, 27.03

 

Description

Color code: HEX #6AA835 | qconv.com Color code: HEX #6AA835 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 168 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 168 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 68 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 68% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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