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Color name
HEX #6A970F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A970F it is the complementary color #9568F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A970F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A970F shade: #6F970A, #80A91D, #91BB30, #A2CD43 and #B3DF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A970F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A970F shade: #6A970F, #598500, #487300, #376100 and #264F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A970F shade: #6B990F, #91990F, #997C0F, #99570F and #99320F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A970F shade: #6B990F, #46990F, #21990F, #0F9922 and #0F9948

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A970F shade matches the following richer shades: #6B990F and #70A702

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A970F shade: #6B990F, #678C1D, #627E2A, #5E7038 and #596346

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A970F shade: #997B0F, #92990F, #6D990F, #49990F and #24990F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A970F shade: #374E08, #51740B, #6B990F, #86BF13 and #A0E417

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A970F shade: #6A970F, #0F9956 and #8E0F99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A970F shade: #6A970F, #0F6D99 and #990F6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A970F shade: #6A970F, #0F9956, #3B0F99 and #990F52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A970F shade: #6A970F, #0F9980, #3B0F99 and #990F28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 90 / 41

HEX #6A970F

RGB 106 151 15

HSL 79.85, 0.82%, 0.33%

LAB 57.3, -33.71, 57.64

 

Complementary color

CMYK 38 / 57 / 0 / 6

HEX #9568F0

RGB 149 104 240

HSL 259.85, 0.82%, 0.67%

LAB 54.64, 47.2, -62.4

 

CMYK 26 / 0 / 93 / 41

HEX #6F970A

RGB 111 151 10

HSL 77.02, 0.88%, 0.32%

LAB 57.59, -31.81, 58.86

 

CMYK 24 / 0 / 83 / 34

HEX #80A91D

RGB 128 169 29

HSL 77.57, 0.71%, 0.39%

LAB 64.2, -32.73, 60.87

 

CMYK 22 / 0 / 74 / 27

HEX #91BB30

RGB 145 187 48

HSL 78.13, 0.59%, 0.46%

LAB 70.71, -33.41, 61.49

 

CMYK 21 / 0 / 67 / 20

HEX #A2CD43

RGB 162 205 67

HSL 78.7, 0.58%, 0.53%

LAB 77.13, -33.91, 61.31

 

CMYK 20 / 0 / 61 / 13

HEX #B3DF56

RGB 179 223 86

HSL 79.27, 0.68%, 0.61%

LAB 83.46, -34.28, 60.69

 

CMYK 30 / 0 / 90 / 41

HEX #6A970F

RGB 106 151 15

HSL 79.85, 0.82%, 0.33%

LAB 57.3, -33.71, 57.64

 

CMYK 33 / 0 / 100 / 48

HEX #598500

RGB 89 133 0

HSL 79.85, 1%, 0.26%

LAB 50.57, -32.62, 54.44

 

CMYK 37 / 0 / 100 / 55

HEX #487300

RGB 72 115 0

HSL 82.43, 1%, 0.23%

LAB 43.71, -31.15, 48.74

 

CMYK 43 / 0 / 100 / 62

HEX #376100

RGB 55 97 0

HSL 85.98, 1%, 0.19%

LAB 36.67, -29.62, 42.88

 

CMYK 52 / 0 / 100 / 69

HEX #264F00

RGB 38 79 0

HSL 91.14, 1%, 0.15%

LAB 29.42, -27.94, 36.86

 

CMYK 30 / 0 / 90 / 40

HEX #6B990F

RGB 107 153 15

HSL 80, 0.82%, 0.33%

LAB 57.98, -34.22, 58.23

 

CMYK 5 / 0 / 90 / 40

HEX #91990F

RGB 145 153 15

HSL 63.48, 0.82%, 0.33%

LAB 60.64, -18.06, 61.49

 

CMYK 0 / 19 / 90 / 40

HEX #997C0F

RGB 153 124 15

HSL 47.39, 0.82%, 0.33%

LAB 53.19, 1.27, 55.88

 

CMYK 0 / 43 / 90 / 40

HEX #99570F

RGB 153 87 15

HSL 31.3, 0.82%, 0.33%

LAB 43.69, 22.39, 48.4

 

CMYK 0 / 67 / 90 / 40

HEX #99320F

RGB 153 50 15

HSL 15.22, 0.82%, 0.33%

LAB 36.15, 41.53, 42.52

 

CMYK 30 / 0 / 90 / 40

HEX #6B990F

RGB 107 153 15

HSL 80, 0.82%, 0.33%

LAB 57.98, -34.22, 58.23

 

CMYK 54 / 0 / 90 / 40

HEX #46990F

RGB 70 153 15

HSL 96.09, 0.82%, 0.33%

LAB 56.21, -47.16, 56.02

 

CMYK 78 / 0 / 90 / 40

HEX #21990F

RGB 33 153 15

HSL 112.17, 0.82%, 0.33%

LAB 55.22, -55.41, 54.78

 

CMYK 90 / 0 / 78 / 40

HEX #0F9922

RGB 15 153 34

HSL 128.26, 0.82%, 0.33%

LAB 55.07, -56.37, 49.39

 

CMYK 90 / 0 / 53 / 40

HEX #0F9948

RGB 15 153 72

HSL 144.78, 0.82%, 0.33%

LAB 55.43, -51.89, 33.03

 

CMYK 30 / 0 / 90 / 40

HEX #6B990F

RGB 107 153 15

HSL 80, 0.82%, 0.33%

LAB 57.98, -34.22, 58.23

 

CMYK 33 / 0 / 99 / 35

HEX #70A702

RGB 112 167 2

HSL 80, 0.98%, 0.33%

LAB 62.58, -38.8, 63.98

 

CMYK 30 / 0 / 90 / 40

HEX #6B990F

RGB 107 153 15

HSL 80, 0.82%, 0.33%

LAB 57.98, -34.22, 58.23

 

CMYK 26 / 0 / 79 / 45

HEX #678C1D

RGB 103 140 29

HSL 80, 0.66%, 0.33%

LAB 53.74, -29.24, 50.81

 

CMYK 22 / 0 / 67 / 51

HEX #627E2A

RGB 98 126 42

HSL 80, 0.5%, 0.33%

LAB 49.11, -23.6, 41.01

 

CMYK 16 / 0 / 50 / 56

HEX #5E7038

RGB 94 112 56

HSL 79.29, 0.33%, 0.33%

LAB 44.59, -16.61, 28.76

 

CMYK 10 / 0 / 29 / 61

HEX #596346

RGB 89 99 70

HSL 80.69, 0.17%, 0.33%

LAB 40.39, -9.52, 15.24

 

CMYK 0 / 20 / 90 / 40

HEX #997B0F

RGB 153 123 15

HSL 46.96, 0.82%, 0.33%

LAB 52.92, 1.84, 55.66

 

CMYK 5 / 0 / 90 / 40

HEX #92990F

RGB 146 153 15

HSL 63.04, 0.82%, 0.33%

LAB 60.72, -17.61, 61.59

 

CMYK 29 / 0 / 90 / 40

HEX #6D990F

RGB 109 153 15

HSL 79.13, 0.82%, 0.33%

LAB 58.1, -33.42, 58.38

 

CMYK 52 / 0 / 90 / 40

HEX #49990F

RGB 73 153 15

HSL 94.78, 0.82%, 0.33%

LAB 56.32, -46.26, 56.16

 

CMYK 76 / 0 / 90 / 40

HEX #24990F

RGB 36 153 15

HSL 110.87, 0.82%, 0.33%

LAB 55.27, -54.94, 54.85

 

CMYK 29 / 0 / 90 / 69

HEX #374E08

RGB 55 78 8

HSL 79.71, 0.81%, 0.17%

LAB 30.1, -19.96, 34.83

 

CMYK 30 / 0 / 91 / 55

HEX #51740B

RGB 81 116 11

HSL 80, 0.83%, 0.25%

LAB 44.61, -27.6, 47.21

 

CMYK 30 / 0 / 90 / 40

HEX #6B990F

RGB 107 153 15

HSL 80, 0.82%, 0.33%

LAB 57.98, -34.22, 58.23

 

CMYK 30 / 0 / 90 / 25

HEX #86BF13

RGB 134 191 19

HSL 79.88, 0.82%, 0.41%

LAB 71.13, -40.59, 69.01

 

CMYK 30 / 0 / 90 / 11

HEX #A0E417

RGB 160 228 23

HSL 79.9, 0.82%, 0.49%

LAB 83.45, -46.65, 79.06

 

CMYK 30 / 0 / 90 / 41

HEX #6A970F

RGB 106 151 15

HSL 79.85, 0.82%, 0.33%

LAB 57.3, -33.71, 57.64

 

CMYK 90 / 0 / 44 / 40

HEX #0F9956

RGB 15 153 86

HSL 150.87, 0.82%, 0.33%

LAB 55.64, -49.42, 25.92

 

CMYK 7 / 90 / 0 / 40

HEX #8E0F99

RGB 142 15 153

HSL 295.22, 0.82%, 0.33%

LAB 34.79, 63.22, -43.81

 

CMYK 30 / 0 / 90 / 41

HEX #6A970F

RGB 106 151 15

HSL 79.85, 0.82%, 0.33%

LAB 57.3, -33.71, 57.64

 

CMYK 90 / 29 / 0 / 40

HEX #0F6D99

RGB 15 109 153

HSL 199.13, 0.82%, 0.33%

LAB 43.27, -8.78, -30.94

 

CMYK 0 / 90 / 29 / 40

HEX #990F6D

RGB 153 15 109

HSL 319.13, 0.82%, 0.33%

LAB 34.43, 59.08, -16.81

 

CMYK 30 / 0 / 90 / 41

HEX #6A970F

RGB 106 151 15

HSL 79.85, 0.82%, 0.33%

LAB 57.3, -33.71, 57.64

 

CMYK 90 / 0 / 44 / 40

HEX #0F9956

RGB 15 153 86

HSL 150.87, 0.82%, 0.33%

LAB 55.64, -49.42, 25.92

 

CMYK 61 / 90 / 0 / 40

HEX #3B0F99

RGB 59 15 153

HSL 259.13, 0.82%, 0.33%

LAB 22.2, 51.92, -64.88

 

CMYK 0 / 90 / 46 / 40

HEX #990F52

RGB 153 15 82

HSL 330.87, 0.82%, 0.33%

LAB 33.4, 56.25, -0.94

 

CMYK 30 / 0 / 90 / 41

HEX #6A970F

RGB 106 151 15

HSL 79.85, 0.82%, 0.33%

LAB 57.3, -33.71, 57.64

 

CMYK 90 / 0 / 16 / 40

HEX #0F9980

RGB 15 153 128

HSL 169.13, 0.82%, 0.33%

LAB 56.53, -39.54, 3.69

 

CMYK 61 / 90 / 0 / 40

HEX #3B0F99

RGB 59 15 153

HSL 259.13, 0.82%, 0.33%

LAB 22.2, 51.92, -64.88

 

CMYK 0 / 90 / 74 / 40

HEX #990F28

RGB 153 15 40

HSL 349.13, 0.82%, 0.33%

LAB 32.41, 53.45, 25.22

 

Description

Color code: HEX #6A970F | qconv.com Color code: HEX #6A970F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 151 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 151 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 90 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 90% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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