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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A93EC it is the complementary color #956C13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A93EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A93EC shade: #6F93E7, #80A5FA, #91B7FF, #A2C9FF and #B3DBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A93EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A93EC shade: #6A93EC, #5981D9, #486FC6, #375DB3 and #264BA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A93EC shade: #6A93EC, #6A70EC, #876AEC, #AA6AEC and #CD6AEC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A93EC shade: #6A93EC, #6A70EC and #6A6AEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A93EC shade matches the following richer shades: #6A93EC and #5C8EF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A93EC shade: #6A93EC, #7898DE, #859DD0, #93A2C3 and #A1A7B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A93EC shade: #6AD8EC, #6AB6EC, #6A93EC, #6A71EC and #866AEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A93EC shade: #215EE2, #4678E7, #6A93EC, #8FADF0 and #B3C8F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A93EC shade: #6A93EC, #DD6AEC and #C7EC6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A93EC shade: #6A93EC, #EC6A93 and #93EC6A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A93EC shade: #6A93EC, #DD6AEC, #ECC36A and #79EC6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A93EC shade: #6A93EC, #EC6AD4, #ECC36A and #6AEC82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 38 / 0 / 7

HEX #6A93EC

RGB 106 147 236

HSL 221.08, 0.77%, 0.67%

LAB 61.64, 11.41, -49.18

 

Complementary color

CMYK 0 / 28 / 87 / 42

HEX #956C13

RGB 149 108 19

HSL 41.08, 0.77%, 0.33%

LAB 48.46, 8.6, 50.83

 

CMYK 52 / 36 / 0 / 9

HEX #6F93E7

RGB 111 147 231

HSL 222, 0.71%, 0.67%

LAB 61.67, 10.92, -46.36

 

CMYK 49 / 34 / 0 / 2

HEX #80A5FA

RGB 128 165 250

HSL 221.8, 0.92%, 0.74%

LAB 68.32, 10.05, -46.25

 

CMYK 43 / 28 / 0 / 0

HEX #91B7FF

RGB 145 183 255

HSL 219.27, 1%, 0.78%

LAB 74.26, 5.39, -39.59

 

CMYK 36 / 21 / 0 / 0

HEX #A2C9FF

RGB 162 201 255

HSL 214.84, 1%, 0.82%

LAB 80, -0.08, -30.64

 

CMYK 30 / 14 / 0 / 0

HEX #B3DBFF

RGB 179 219 255

HSL 208.42, 1%, 0.85%

LAB 85.74, -4.96, -21.78

 

CMYK 55 / 38 / 0 / 7

HEX #6A93EC

RGB 106 147 236

HSL 221.08, 0.77%, 0.67%

LAB 61.64, 11.41, -49.18

 

CMYK 59 / 41 / 0 / 15

HEX #5981D9

RGB 89 129 217

HSL 221.25, 0.63%, 0.6%

LAB 54.9, 12.58, -49.35

 

CMYK 64 / 44 / 0 / 22

HEX #486FC6

RGB 72 111 198

HSL 221.43, 0.53%, 0.53%

LAB 48.04, 14, -49.54

 

CMYK 69 / 48 / 0 / 30

HEX #375DB3

RGB 55 93 179

HSL 221.61, 0.53%, 0.46%

LAB 41.05, 15.79, -49.75

 

CMYK 76 / 53 / 0 / 37

HEX #264BA0

RGB 38 75 160

HSL 221.8, 0.62%, 0.39%

LAB 33.95, 18.06, -49.96

 

CMYK 55 / 38 / 0 / 7

HEX #6A93EC

RGB 106 147 236

HSL 221.08, 0.77%, 0.67%

LAB 61.64, 11.41, -49.18

 

CMYK 55 / 53 / 0 / 7

HEX #6A70EC

RGB 106 112 236

HSL 237.23, 0.77%, 0.67%

LAB 52.63, 32.37, -63.59

 

CMYK 43 / 55 / 0 / 7

HEX #876AEC

RGB 135 106 236

HSL 253.38, 0.77%, 0.67%

LAB 53.51, 41.9, -62.06

 

CMYK 28 / 55 / 0 / 7

HEX #AA6AEC

RGB 170 106 236

HSL 269.54, 0.77%, 0.67%

LAB 56.99, 50.06, -56.28

 

CMYK 13 / 55 / 0 / 7

HEX #CD6AEC

RGB 205 106 236

HSL 285.69, 0.77%, 0.67%

LAB 61.08, 58.8, -49.52

 

CMYK 55 / 38 / 0 / 7

HEX #6A93EC

RGB 106 147 236

HSL 221.08, 0.77%, 0.67%

LAB 61.64, 11.41, -49.18

 

CMYK 55 / 53 / 0 / 7

HEX #6A70EC

RGB 106 112 236

HSL 237.23, 0.77%, 0.67%

LAB 52.63, 32.37, -63.59

 

CMYK 55 / 55 / 0 / 7

HEX #6A6AEC

RGB 106 106 236

HSL 240, 0.77%, 0.67%

LAB 51.18, 35.97, -65.92

 

CMYK 55 / 38 / 0 / 7

HEX #6A93EC

RGB 106 147 236

HSL 221.08, 0.77%, 0.67%

LAB 61.64, 11.41, -49.18

 

CMYK 63 / 43 / 0 / 2

HEX #5C8EF9

RGB 92 142 249

HSL 220.89, 0.93%, 0.67%

LAB 60.3, 15.97, -58.52

 

CMYK 55 / 38 / 0 / 7

HEX #6A93EC

RGB 106 147 236

HSL 221.08, 0.77%, 0.67%

LAB 61.64, 11.41, -49.18

 

CMYK 46 / 32 / 0 / 13

HEX #7898DE

RGB 120 152 222

HSL 221.18, 0.61%, 0.67%

LAB 63.11, 7.4, -39.07

 

CMYK 36 / 25 / 0 / 18

HEX #859DD0

RGB 133 157 208

HSL 220.8, 0.44%, 0.67%

LAB 64.69, 4.04, -28.79

 

CMYK 25 / 17 / 0 / 24

HEX #93A2C3

RGB 147 162 195

HSL 221.25, 0.29%, 0.67%

LAB 66.51, 2.07, -18.69

 

CMYK 11 / 8 / 0 / 29

HEX #A1A7B5

RGB 161 167 181

HSL 222, 0.12%, 0.67%

LAB 68.42, 0.71, -7.93

 

CMYK 55 / 8 / 0 / 7

HEX #6AD8EC

RGB 106 216 236

HSL 189.23, 0.77%, 0.67%

LAB 80.87, -26, -19.42

 

CMYK 55 / 23 / 0 / 7

HEX #6AB6EC

RGB 106 182 236

HSL 204.92, 0.77%, 0.67%

LAB 71.27, -8.41, -34.11

 

CMYK 55 / 38 / 0 / 7

HEX #6A93EC

RGB 106 147 236

HSL 221.08, 0.77%, 0.67%

LAB 61.64, 11.41, -49.18

 

CMYK 55 / 52 / 0 / 7

HEX #6A71EC

RGB 106 113 236

HSL 236.77, 0.77%, 0.67%

LAB 52.87, 31.77, -63.2

 

CMYK 43 / 55 / 0 / 7

HEX #866AEC

RGB 134 106 236

HSL 252.92, 0.77%, 0.67%

LAB 53.42, 41.69, -62.2

 

CMYK 85 / 58 / 0 / 11

HEX #215EE2

RGB 33 94 226

HSL 221.04, 0.77%, 0.51%

LAB 43.97, 30.51, -72.16

 

CMYK 70 / 48 / 0 / 9

HEX #4678E7

RGB 70 120 231

HSL 221.37, 0.77%, 0.59%

LAB 52.4, 19.72, -61.26

 

CMYK 55 / 38 / 0 / 7

HEX #6A93EC

RGB 106 147 236

HSL 221.08, 0.77%, 0.67%

LAB 61.64, 11.41, -49.18

 

CMYK 40 / 28 / 0 / 6

HEX #8FADF0

RGB 143 173 240

HSL 221.44, 0.76%, 0.75%

LAB 70.88, 6.34, -36.73

 

CMYK 27 / 18 / 0 / 4

HEX #B3C8F5

RGB 179 200 245

HSL 220.91, 0.77%, 0.83%

LAB 80.45, 2.74, -24.51

 

CMYK 55 / 38 / 0 / 7

HEX #6A93EC

RGB 106 147 236

HSL 221.08, 0.77%, 0.67%

LAB 61.64, 11.41, -49.18

 

CMYK 6 / 55 / 0 / 7

HEX #DD6AEC

RGB 221 106 236

HSL 293.08, 0.77%, 0.67%

LAB 63.12, 62.88, -46.16

 

CMYK 16 / 0 / 55 / 7

HEX #C7EC6A

RGB 199 236 106

HSL 77.08, 0.77%, 0.67%

LAB 88.53, -31.02, 58.08

 

CMYK 55 / 38 / 0 / 7

HEX #6A93EC

RGB 106 147 236

HSL 221.08, 0.77%, 0.67%

LAB 61.64, 11.41, -49.18

 

CMYK 0 / 55 / 38 / 7

HEX #EC6A93

RGB 236 106 147

HSL 341.08, 0.77%, 0.67%

LAB 61.87, 54.1, 2.58

 

CMYK 38 / 0 / 55 / 7

HEX #93EC6A

RGB 147 236 106

HSL 101.08, 0.77%, 0.67%

LAB 85.62, -49.4, 53.96

 

CMYK 55 / 38 / 0 / 7

HEX #6A93EC

RGB 106 147 236

HSL 221.08, 0.77%, 0.67%

LAB 61.64, 11.41, -49.18

 

CMYK 6 / 55 / 0 / 7

HEX #DD6AEC

RGB 221 106 236

HSL 293.08, 0.77%, 0.67%

LAB 63.12, 62.88, -46.16

 

CMYK 0 / 17 / 55 / 7

HEX #ECC36A

RGB 236 195 106

HSL 41.08, 0.77%, 0.67%

LAB 80.69, 4.18, 49.65

 

CMYK 49 / 0 / 55 / 7

HEX #79EC6A

RGB 121 236 106

HSL 113.08, 0.77%, 0.67%

LAB 84.53, -57.14, 52.41

 

CMYK 55 / 38 / 0 / 7

HEX #6A93EC

RGB 106 147 236

HSL 221.08, 0.77%, 0.67%

LAB 61.64, 11.41, -49.18

 

CMYK 0 / 55 / 10 / 7

HEX #EC6AD4

RGB 236 106 212

HSL 311.08, 0.77%, 0.67%

LAB 64.08, 62.81, -31.13

 

CMYK 0 / 17 / 55 / 7

HEX #ECC36A

RGB 236 195 106

HSL 41.08, 0.77%, 0.67%

LAB 80.69, 4.18, 49.65

 

CMYK 55 / 0 / 45 / 7

HEX #6AEC82

RGB 106 236 130

HSL 131.08, 0.77%, 0.67%

LAB 84.31, -57.78, 40.68

 

Description

Color code: HEX #6A93EC | qconv.com Color code: HEX #6A93EC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 147 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 147 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 38 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 38% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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