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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A8024 it is the complementary color #957FDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A8024. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A8024 shade: #6F801F, #809232, #91A445, #A2B658 and #B3C86B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A8024. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A8024 shade: #6A8024, #596E11, #485C00, #374A00 and #263800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A8024 shade: #697F24, #7F7D24, #7F6424, #7F4B24 and #7F3324

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A8024 shade: #697F24, #517F24, #387F24, #247F28 and #247F41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A8024 shade matches the following richer shades: #697F24, #708C17 and #779A09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A8024 shade: #697F24, #637231, #5C653E, #55584C and #4E4A59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A8024 shade: #7F6424, #7F7C24, #6A7F24, #527F24 and #397F24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A8024 shade: #343F12, #4F5F1B, #697F24, #849F2D and #9FC036

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A8024 shade: #6A8024, #247F4C and #70247F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A8024 shade: #6A8024, #246A7F and #7F246A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A8024 shade: #6A8024, #247F4C, #39247F and #7F2458

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A8024 shade: #6A8024, #247F67, #39247F and #7F243C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 72 / 50

HEX #6A8024

RGB 106 128 36

HSL 74.35, 0.56%, 0.32%

LAB 50.25, -21.62, 44.93

 

Complementary color

CMYK 32 / 42 / 0 / 14

HEX #957FDB

RGB 149 127 219

HSL 254.35, 0.56%, 0.68%

LAB 58.68, 28.71, -44.22

 

CMYK 13 / 0 / 76 / 50

HEX #6F801F

RGB 111 128 31

HSL 70.52, 0.61%, 0.31%

LAB 50.59, -19.72, 47.33

 

CMYK 12 / 0 / 66 / 43

HEX #809232

RGB 128 146 50

HSL 71.25, 0.49%, 0.38%

LAB 57.44, -20.37, 46.98

 

CMYK 12 / 0 / 58 / 36

HEX #91A445

RGB 145 164 69

HSL 72, 0.41%, 0.46%

LAB 64.16, -20.84, 46.12

 

CMYK 11 / 0 / 52 / 29

HEX #A2B658

RGB 162 182 88

HSL 72.77, 0.39%, 0.53%

LAB 70.76, -21.17, 45.05

 

CMYK 11 / 0 / 47 / 22

HEX #B3C86B

RGB 179 200 107

HSL 73.55, 0.46%, 0.6%

LAB 77.25, -21.42, 43.9

 

CMYK 17 / 0 / 72 / 50

HEX #6A8024

RGB 106 128 36

HSL 74.35, 0.56%, 0.32%

LAB 50.25, -21.62, 44.93

 

CMYK 19 / 0 / 85 / 57

HEX #596E11

RGB 89 110 17

HSL 73.55, 0.73%, 0.25%

LAB 43.24, -20.89, 44.65

 

CMYK 22 / 0 / 100 / 64

HEX #485C00

RGB 72 92 0

HSL 73.04, 1%, 0.18%

LAB 36.05, -19.87, 42.87

 

CMYK 26 / 0 / 100 / 71

HEX #374A00

RGB 55 74 0

HSL 75.41, 1%, 0.15%

LAB 28.67, -18.27, 36.7

 

CMYK 32 / 0 / 100 / 78

HEX #263800

RGB 38 56 0

HSL 79.29, 1%, 0.11%

LAB 20.98, -16.62, 28.9

 

CMYK 17 / 0 / 72 / 50

HEX #697F24

RGB 105 127 36

HSL 74.51, 0.56%, 0.32%

LAB 49.87, -21.55, 44.53

 

CMYK 0 / 2 / 72 / 50

HEX #7F7D24

RGB 127 125 36

HSL 58.68, 0.56%, 0.32%

LAB 51.04, -10.6, 46.29

 

CMYK 0 / 21 / 72 / 50

HEX #7F6424

RGB 127 100 36

HSL 42.2, 0.56%, 0.32%

LAB 43.88, 3.61, 39.01

 

CMYK 0 / 41 / 72 / 50

HEX #7F4B24

RGB 127 75 36

HSL 25.71, 0.56%, 0.32%

LAB 37.25, 18.41, 31.9

 

CMYK 0 / 60 / 72 / 50

HEX #7F3324

RGB 127 51 36

HSL 9.89, 0.56%, 0.32%

LAB 31.82, 31.9, 25.75

 

CMYK 17 / 0 / 72 / 50

HEX #697F24

RGB 105 127 36

HSL 74.51, 0.56%, 0.32%

LAB 49.87, -21.55, 44.53

 

CMYK 36 / 0 / 72 / 50

HEX #517F24

RGB 81 127 36

HSL 90.33, 0.56%, 0.32%

LAB 48.33, -31.42, 42.46

 

CMYK 56 / 0 / 72 / 50

HEX #387F24

RGB 56 127 36

HSL 106.81, 0.56%, 0.32%

LAB 47.17, -39.91, 40.89

 

CMYK 72 / 0 / 69 / 50

HEX #247F28

RGB 36 127 40

HSL 122.64, 0.56%, 0.32%

LAB 46.59, -44.44, 38.35

 

CMYK 72 / 0 / 49 / 50

HEX #247F41

RGB 36 127 65

HSL 139.12, 0.56%, 0.32%

LAB 46.89, -40.91, 26.13

 

CMYK 17 / 0 / 72 / 50

HEX #697F24

RGB 105 127 36

HSL 74.51, 0.56%, 0.32%

LAB 49.87, -21.55, 44.53

 

CMYK 20 / 0 / 84 / 45

HEX #708C17

RGB 112 140 23

HSL 74.36, 0.72%, 0.32%

LAB 54.3, -25.73, 53.36

 

CMYK 23 / 0 / 94 / 40

HEX #779A09

RGB 119 154 9

HSL 74.48, 0.89%, 0.32%

LAB 59.02, -29.94, 60.37

 

CMYK 17 / 0 / 72 / 50

HEX #697F24

RGB 105 127 36

HSL 74.51, 0.56%, 0.32%

LAB 49.87, -21.55, 44.53

 

CMYK 13 / 0 / 57 / 55

HEX #637231

RGB 99 114 49

HSL 73.85, 0.4%, 0.32%

LAB 45.51, -16.28, 33.65

 

CMYK 9 / 0 / 39 / 60

HEX #5C653E

RGB 92 101 62

HSL 73.85, 0.24%, 0.32%

LAB 41.11, -10.6, 20.95

 

CMYK 3 / 0 / 14 / 65

HEX #55584C

RGB 85 88 76

HSL 75, 0.07%, 0.32%

LAB 36.8, -3.65, 6.55

 

CMYK 12 / 17 / 0 / 65

HEX #4E4A59

RGB 78 74 89

HSL 256, 0.09%, 0.32%

LAB 32.34, 5.06, -8.24

 

CMYK 0 / 21 / 72 / 50

HEX #7F6424

RGB 127 100 36

HSL 42.2, 0.56%, 0.32%

LAB 43.88, 3.61, 39.01

 

CMYK 0 / 2 / 72 / 50

HEX #7F7C24

RGB 127 124 36

HSL 58.02, 0.56%, 0.32%

LAB 50.75, -10.05, 46

 

CMYK 17 / 0 / 72 / 50

HEX #6A7F24

RGB 106 127 36

HSL 73.85, 0.56%, 0.32%

LAB 49.94, -21.11, 44.62

 

CMYK 35 / 0 / 72 / 50

HEX #527F24

RGB 82 127 36

HSL 89.67, 0.56%, 0.32%

LAB 48.39, -31.03, 42.54

 

CMYK 55 / 0 / 72 / 50

HEX #397F24

RGB 57 127 36

HSL 106.15, 0.56%, 0.32%

LAB 47.2, -39.62, 40.94

 

CMYK 17 / 0 / 71 / 75

HEX #343F12

RGB 52 63 18

HSL 74.67, 0.56%, 0.16%

LAB 24.73, -12.4, 25.3

 

CMYK 17 / 0 / 72 / 63

HEX #4F5F1B

RGB 79 95 27

HSL 74.12, 0.56%, 0.24%

LAB 37.71, -16.91, 35.33

 

CMYK 17 / 0 / 72 / 50

HEX #697F24

RGB 105 127 36

HSL 74.51, 0.56%, 0.32%

LAB 49.87, -21.55, 44.53

 

CMYK 17 / 0 / 72 / 38

HEX #849F2D

RGB 132 159 45

HSL 74.21, 0.56%, 0.4%

LAB 61.56, -25.52, 53.33

 

CMYK 17 / 0 / 72 / 25

HEX #9FC036

RGB 159 192 54

HSL 74.35, 0.56%, 0.48%

LAB 73.11, -29.82, 62.05

 

CMYK 17 / 0 / 72 / 50

HEX #6A8024

RGB 106 128 36

HSL 74.35, 0.56%, 0.32%

LAB 50.25, -21.62, 44.93

 

CMYK 72 / 0 / 40 / 50

HEX #247F4C

RGB 36 127 76

HSL 146.37, 0.56%, 0.32%

LAB 47.07, -38.84, 20.25

 

CMYK 12 / 72 / 0 / 50

HEX #70247F

RGB 112 36 127

HSL 290.11, 0.56%, 0.32%

LAB 30.01, 46.41, -35.67

 

CMYK 17 / 0 / 72 / 50

HEX #6A8024

RGB 106 128 36

HSL 74.35, 0.56%, 0.32%

LAB 50.25, -21.62, 44.93

 

CMYK 72 / 17 / 0 / 50

HEX #246A7F

RGB 36 106 127

HSL 193.85, 0.56%, 0.32%

LAB 41.56, -14.33, -17.99

 

CMYK 0 / 72 / 17 / 50

HEX #7F246A

RGB 127 36 106

HSL 313.85, 0.56%, 0.32%

LAB 31.38, 46.5, -20.02

 

CMYK 17 / 0 / 72 / 50

HEX #6A8024

RGB 106 128 36

HSL 74.35, 0.56%, 0.32%

LAB 50.25, -21.62, 44.93

 

CMYK 72 / 0 / 40 / 50

HEX #247F4C

RGB 36 127 76

HSL 146.37, 0.56%, 0.32%

LAB 47.07, -38.84, 20.25

 

CMYK 55 / 72 / 0 / 50

HEX #39247F

RGB 57 36 127

HSL 253.85, 0.56%, 0.32%

LAB 22.53, 34.65, -48.13

 

CMYK 0 / 72 / 31 / 50

HEX #7F2458

RGB 127 36 88

HSL 325.71, 0.56%, 0.32%

LAB 30.59, 43.91, -9.59

 

CMYK 17 / 0 / 72 / 50

HEX #6A8024

RGB 106 128 36

HSL 74.35, 0.56%, 0.32%

LAB 50.25, -21.62, 44.93

 

CMYK 72 / 0 / 19 / 50

HEX #247F67

RGB 36 127 103

HSL 164.18, 0.56%, 0.32%

LAB 47.67, -32.51, 5.44

 

CMYK 55 / 72 / 0 / 50

HEX #39247F

RGB 57 36 127

HSL 253.85, 0.56%, 0.32%

LAB 22.53, 34.65, -48.13

 

CMYK 0 / 72 / 53 / 50

HEX #7F243C

RGB 127 36 60

HSL 344.18, 0.56%, 0.32%

LAB 29.66, 40.77, 7.52

 

Description

Color code: HEX #6A8024 | qconv.com Color code: HEX #6A8024 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 128 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 128 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 72 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 72% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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