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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A4635 it is the complementary color #95B9CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A4635. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A4635 shade: #6F4630, #805843, #916A56, #A27C69 and #B38E7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A4635. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A4635 shade: #6A4635, #593422, #48220F, #371000 and #260000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A4635 shade: #694635, #693835 and #693535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A4635 shade: #694635, #695435, #696235, #626935 and #546935

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A4635 shade matches the following richer shades: #694635, #764128, #833D1B, #90380F and #9C3302

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A4635 shade: #694635, #5C4A42, #504F4F, #43535B and #365868

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A4635 shade: #693540, #693835, #694535, #695335 and #696135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A4635 shade: #322119, #4E3427, #694635, #855843 and #A06A51

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A4635 shade: #6A4635, #4E6935 and #353969

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A4635 shade: #6A4635, #356945 and #453569

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A4635 shade: #6A4635, #4E6935, #355969 and #503569

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A4635 shade: #6A4635, #3F6935, #355969 and #603569

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 50 / 58

HEX #6A4635

RGB 106 70 53

HSL 19.25, 0.33%, 0.31%

LAB 33.35, 13.27, 16.5

 

Complementary color

CMYK 26 / 8 / 0 / 21

HEX #95B9CA

RGB 149 185 202

HSL 199.25, 0.33%, 0.69%

LAB 73.12, -8.2, -12.56

 

CMYK 0 / 37 / 57 / 56

HEX #6F4630

RGB 111 70 48

HSL 20.95, 0.4%, 0.31%

LAB 33.93, 15.03, 20.46

 

CMYK 0 / 31 / 48 / 50

HEX #805843

RGB 128 88 67

HSL 20.66, 0.31%, 0.38%

LAB 41.17, 13.82, 18.78

 

CMYK 0 / 27 / 41 / 43

HEX #916A56

RGB 145 106 86

HSL 20.34, 0.26%, 0.45%

LAB 48.26, 12.84, 17.34

 

CMYK 0 / 23 / 35 / 36

HEX #A27C69

RGB 162 124 105

HSL 20, 0.23%, 0.52%

LAB 55.19, 12.03, 16.06

 

CMYK 0 / 21 / 31 / 30

HEX #B38E7C

RGB 179 142 124

HSL 19.64, 0.27%, 0.59%

LAB 61.98, 11.34, 14.91

 

CMYK 0 / 34 / 50 / 58

HEX #6A4635

RGB 106 70 53

HSL 19.25, 0.33%, 0.31%

LAB 33.35, 13.27, 16.5

 

CMYK 0 / 42 / 62 / 65

HEX #593422

RGB 89 52 34

HSL 19.64, 0.45%, 0.24%

LAB 25.85, 14.6, 18.33

 

CMYK 0 / 53 / 79 / 72

HEX #48220F

RGB 72 34 15

HSL 20, 0.66%, 0.17%

LAB 18.17, 16.33, 20.32

 

CMYK 0 / 71 / 100 / 78

HEX #371000

RGB 55 16 0

HSL 17.45, 1%, 0.11%

LAB 10.43, 18.38, 16.04

 

CMYK 0 / 100 / 100 / 85

HEX #260000

RGB 38 0 0

HSL 0, 1%, 0.07%

LAB 3.72, 16.7, 5.88

 

CMYK 0 / 33 / 50 / 59

HEX #694635

RGB 105 70 53

HSL 19.62, 0.33%, 0.31%

LAB 33.22, 12.81, 16.3

 

CMYK 0 / 47 / 50 / 59

HEX #693835

RGB 105 56 53

HSL 3.46, 0.33%, 0.31%

LAB 29.64, 21.34, 11.49

 

CMYK 0 / 50 / 50 / 59

HEX #693535

RGB 105 53 53

HSL 0, 0.33%, 0.31%

LAB 28.92, 23.12, 10.52

 

CMYK 0 / 33 / 50 / 59

HEX #694635

RGB 105 70 53

HSL 19.62, 0.33%, 0.31%

LAB 33.22, 12.81, 16.3

 

CMYK 0 / 20 / 50 / 59

HEX #695435

RGB 105 84 53

HSL 35.77, 0.33%, 0.31%

LAB 37.12, 4.21, 21.36

 

CMYK 0 / 7 / 50 / 59

HEX #696235

RGB 105 98 53

HSL 51.92, 0.33%, 0.31%

LAB 41.21, -4.15, 26.48

 

CMYK 7 / 0 / 50 / 59

HEX #626935

RGB 98 105 53

HSL 68.08, 0.33%, 0.31%

LAB 42.7, -11.35, 28.16

 

CMYK 20 / 0 / 50 / 59

HEX #546935

RGB 84 105 53

HSL 84.23, 0.33%, 0.31%

LAB 41.6, -17.47, 26.57

 

CMYK 0 / 33 / 50 / 59

HEX #694635

RGB 105 70 53

HSL 19.62, 0.33%, 0.31%

LAB 33.22, 12.81, 16.3

 

CMYK 0 / 45 / 66 / 54

HEX #764128

RGB 118 65 40

HSL 19.23, 0.49%, 0.31%

LAB 33.53, 20.52, 25.02

 

CMYK 0 / 53 / 79 / 49

HEX #833D1B

RGB 131 61 27

HSL 19.62, 0.66%, 0.31%

LAB 34.48, 27.73, 33.95

 

CMYK 0 / 61 / 90 / 44

HEX #90380F

RGB 144 56 15

HSL 19.07, 0.81%, 0.31%

LAB 35.58, 35.3, 41.38

 

CMYK 0 / 67 / 99 / 39

HEX #9C3302

RGB 156 51 2

HSL 19.09, 0.97%, 0.31%

LAB 36.82, 41.97, 47.91

 

CMYK 0 / 33 / 50 / 59

HEX #694635

RGB 105 70 53

HSL 19.62, 0.33%, 0.31%

LAB 33.22, 12.81, 16.3

 

CMYK 0 / 20 / 28 / 64

HEX #5C4A42

RGB 92 74 66

HSL 18.46, 0.16%, 0.31%

LAB 33.06, 6.23, 7.64

 

CMYK 0 / 1 / 1 / 69

HEX #504F4F

RGB 80 79 79

HSL 0, 0.01%, 0.31%

LAB 33.69, 0.41, 0.14

 

CMYK 26 / 9 / 0 / 64

HEX #43535B

RGB 67 83 91

HSL 200, 0.15%, 0.31%

LAB 34.26, -4.15, -6.72

 

CMYK 48 / 15 / 0 / 59

HEX #365868

RGB 54 88 104

HSL 199.2, 0.32%, 0.31%

LAB 35.52, -7.54, -13.04

 

CMYK 0 / 50 / 39 / 59

HEX #693540

RGB 105 53 64

HSL 347.31, 0.33%, 0.31%

LAB 29.21, 24.48, 3.7

 

CMYK 0 / 47 / 50 / 59

HEX #693835

RGB 105 56 53

HSL 3.46, 0.33%, 0.31%

LAB 29.64, 21.34, 11.49

 

CMYK 0 / 34 / 50 / 59

HEX #694535

RGB 105 69 53

HSL 18.46, 0.33%, 0.31%

LAB 32.96, 13.42, 15.95

 

CMYK 0 / 21 / 50 / 59

HEX #695335

RGB 105 83 53

HSL 34.62, 0.33%, 0.31%

LAB 36.83, 4.82, 20.99

 

CMYK 0 / 8 / 50 / 59

HEX #696135

RGB 105 97 53

HSL 50.77, 0.33%, 0.31%

LAB 40.91, -3.56, 26.12

 

CMYK 0 / 34 / 50 / 80

HEX #322119

RGB 50 33 25

HSL 19.2, 0.33%, 0.15%

LAB 14.6, 6.93, 8.67

 

CMYK 0 / 33 / 50 / 69

HEX #4E3427

RGB 78 52 39

HSL 20, 0.33%, 0.23%

LAB 24.39, 9.88, 12.91

 

CMYK 0 / 33 / 50 / 59

HEX #694635

RGB 105 70 53

HSL 19.62, 0.33%, 0.31%

LAB 33.22, 12.81, 16.3

 

CMYK 0 / 34 / 50 / 48

HEX #855843

RGB 133 88 67

HSL 19.09, 0.33%, 0.39%

LAB 41.8, 16.02, 19.72

 

CMYK 0 / 34 / 49 / 37

HEX #A06A51

RGB 160 106 81

HSL 18.99, 0.33%, 0.47%

LAB 49.95, 18.66, 22.82

 

CMYK 0 / 34 / 50 / 58

HEX #6A4635

RGB 106 70 53

HSL 19.25, 0.33%, 0.31%

LAB 33.35, 13.27, 16.5

 

CMYK 26 / 0 / 50 / 59

HEX #4E6935

RGB 78 105 53

HSL 91.15, 0.33%, 0.31%

LAB 41.18, -19.98, 25.96

 

CMYK 50 / 46 / 0 / 59

HEX #353969

RGB 53 57 105

HSL 235.38, 0.33%, 0.31%

LAB 25.87, 12.69, -28.71

 

CMYK 0 / 34 / 50 / 58

HEX #6A4635

RGB 106 70 53

HSL 19.25, 0.33%, 0.31%

LAB 33.35, 13.27, 16.5

 

CMYK 50 / 0 / 34 / 59

HEX #356945

RGB 53 105 69

HSL 138.46, 0.33%, 0.31%

LAB 40.06, -26.31, 15.01

 

CMYK 34 / 50 / 0 / 59

HEX #453569

RGB 69 53 105

HSL 258.46, 0.33%, 0.31%

LAB 26.25, 20, -28.02

 

CMYK 0 / 34 / 50 / 58

HEX #6A4635

RGB 106 70 53

HSL 19.25, 0.33%, 0.31%

LAB 33.35, 13.27, 16.5

 

CMYK 26 / 0 / 50 / 59

HEX #4E6935

RGB 78 105 53

HSL 91.15, 0.33%, 0.31%

LAB 41.18, -19.98, 25.96

 

CMYK 50 / 15 / 0 / 59

HEX #355969

RGB 53 89 105

HSL 198.46, 0.33%, 0.31%

LAB 35.83, -8.1, -13.2

 

CMYK 24 / 50 / 0 / 59

HEX #503569

RGB 80 53 105

HSL 271.15, 0.33%, 0.31%

LAB 27.49, 23.41, -25.97

 

CMYK 0 / 34 / 50 / 58

HEX #6A4635

RGB 106 70 53

HSL 19.25, 0.33%, 0.31%

LAB 33.35, 13.27, 16.5

 

CMYK 40 / 0 / 50 / 59

HEX #3F6935

RGB 63 105 53

HSL 108.46, 0.33%, 0.31%

LAB 40.27, -25.8, 24.63

 

CMYK 50 / 15 / 0 / 59

HEX #355969

RGB 53 89 105

HSL 198.46, 0.33%, 0.31%

LAB 35.83, -8.1, -13.2

 

CMYK 9 / 50 / 0 / 59

HEX #603569

RGB 96 53 105

HSL 289.62, 0.33%, 0.31%

LAB 29.55, 28.56, -22.6

 

Description

Color code: HEX #6A4635 | qconv.com Color code: HEX #6A4635 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 70 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 70 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 50 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 50% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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