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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A43BA it is the complementary color #95BC45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A43BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A43BA shade: #6F43B5, #8055C8, #9167DB, #A279EE and #B38BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A43BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A43BA shade: #6A43BA, #5931A7, #481F94, #370D81 and #26006E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A43BA shade: #6B44BB, #8B44BB, #AB44BB, #BB44AB and #BB448B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A43BA shade: #6B44BB, #4B44BB and #4444BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A43BA shade matches the following richer shades: #6B44BB, #642FD0, #5D1AE5 and #5606F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A43BA shade: #6B44BB, #7258A7, #796D92, #80817E and #879669

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A43BA shade: #445EBB, #4A44BB, #6A44BB, #8944BB and #A944BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A43BA shade: #482E7F, #5A399D, #6B44BB, #8362C6 and #9B80D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A43BA shade: #6A43BA, #BB447E and #4EBB44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A43BA shade: #6A43BA, #BB6A44 and #44BB6A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A43BA shade: #6A43BA, #BB447E, #95BB44 and #44BB81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A43BA shade: #6A43BA, #BB445A, #95BB44 and #44BBA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 64 / 0 / 27

HEX #6A43BA

RGB 106 67 186

HSL 259.66, 0.47%, 0.5%

LAB 38.94, 43.87, -57.09

 

Complementary color

CMYK 21 / 0 / 63 / 26

HEX #95BC45

RGB 149 188 69

HSL 79.66, 0.47%, 0.5%

LAB 71.41, -30.93, 54.2

 

CMYK 39 / 63 / 0 / 29

HEX #6F43B5

RGB 111 67 181

HSL 263.16, 0.46%, 0.49%

LAB 39.12, 43.58, -53.82

 

CMYK 36 / 58 / 0 / 22

HEX #8055C8

RGB 128 85 200

HSL 262.43, 0.51%, 0.56%

LAB 45.98, 42.48, -53.75

 

CMYK 34 / 53 / 0 / 14

HEX #9167DB

RGB 145 103 219

HSL 261.72, 0.62%, 0.63%

LAB 52.77, 41.4, -53.63

 

CMYK 32 / 49 / 0 / 7

HEX #A279EE

RGB 162 121 238

HSL 261.03, 0.77%, 0.7%

LAB 59.46, 40.38, -53.5

 

CMYK 30 / 45 / 0 / 0

HEX #B38BFF

RGB 179 139 255

HSL 260.69, 1%, 0.77%

LAB 65.96, 38.94, -52.45

 

CMYK 43 / 64 / 0 / 27

HEX #6A43BA

RGB 106 67 186

HSL 259.66, 0.47%, 0.5%

LAB 38.94, 43.87, -57.09

 

CMYK 47 / 71 / 0 / 35

HEX #5931A7

RGB 89 49 167

HSL 260.34, 0.55%, 0.42%

LAB 32.06, 45.03, -57.07

 

CMYK 51 / 79 / 0 / 42

HEX #481F94

RGB 72 31 148

HSL 261.03, 0.65%, 0.35%

LAB 25.25, 45.87, -56.72

 

CMYK 57 / 90 / 0 / 49

HEX #370D81

RGB 55 13 129

HSL 261.72, 0.82%, 0.28%

LAB 18.74, 45.78, -55.64

 

CMYK 65 / 100 / 0 / 57

HEX #26006E

RGB 38 0 110

HSL 260.73, 1%, 0.22%

LAB 12.85, 43.79, -53.23

 

CMYK 43 / 64 / 0 / 27

HEX #6B44BB

RGB 107 68 187

HSL 259.66, 0.47%, 0.5%

LAB 39.32, 43.8, -57.05

 

CMYK 26 / 64 / 0 / 27

HEX #8B44BB

RGB 139 68 187

HSL 275.8, 0.47%, 0.5%

LAB 43.08, 50.87, -50.8

 

CMYK 9 / 64 / 0 / 27

HEX #AB44BB

RGB 171 68 187

HSL 291.93, 0.47%, 0.5%

LAB 47.47, 58.45, -43.53

 

CMYK 0 / 64 / 9 / 27

HEX #BB44AB

RGB 187 68 171

HSL 308.07, 0.47%, 0.5%

LAB 49.06, 59.68, -31.5

 

CMYK 0 / 64 / 26 / 27

HEX #BB448B

RGB 187 68 139

HSL 324.2, 0.47%, 0.5%

LAB 47.7, 54.99, -14.54

 

CMYK 43 / 64 / 0 / 27

HEX #6B44BB

RGB 107 68 187

HSL 259.66, 0.47%, 0.5%

LAB 39.32, 43.8, -57.05

 

CMYK 60 / 64 / 0 / 27

HEX #4B44BB

RGB 75 68 187

HSL 243.53, 0.47%, 0.5%

LAB 36.4, 37.81, -61.93

 

CMYK 64 / 64 / 0 / 27

HEX #4444BB

RGB 68 68 187

HSL 240, 0.47%, 0.5%

LAB 35.89, 36.7, -62.79

 

CMYK 43 / 64 / 0 / 27

HEX #6B44BB

RGB 107 68 187

HSL 259.66, 0.47%, 0.5%

LAB 39.32, 43.8, -57.05

 

CMYK 52 / 77 / 0 / 18

HEX #642FD0

RGB 100 47 208

HSL 259.75, 0.63%, 0.5%

LAB 36.55, 58.79, -73.86

 

CMYK 59 / 89 / 0 / 10

HEX #5D1AE5

RGB 93 26 229

HSL 259.8, 0.8%, 0.5%

LAB 35.45, 70.74, -87.78

 

CMYK 65 / 98 / 0 / 2

HEX #5606F9

RGB 86 6 249

HSL 259.75, 0.95%, 0.5%

LAB 35.88, 78.64, -98.41

 

CMYK 43 / 64 / 0 / 27

HEX #6B44BB

RGB 107 68 187

HSL 259.66, 0.47%, 0.5%

LAB 39.32, 43.8, -57.05

 

CMYK 32 / 47 / 0 / 35

HEX #7258A7

RGB 114 88 167

HSL 259.75, 0.31%, 0.5%

LAB 43.28, 28.41, -38.87

 

CMYK 17 / 25 / 0 / 43

HEX #796D92

RGB 121 109 146

HSL 259.46, 0.15%, 0.5%

LAB 48.36, 12.58, -18.47

 

CMYK 1 / 0 / 2 / 49

HEX #80817E

RGB 128 129 126

HSL 80, 0.01%, 0.5%

LAB 53.81, -0.96, 1.49

 

CMYK 10 / 0 / 30 / 41

HEX #879669

RGB 135 150 105

HSL 80, 0.18%, 0.5%

LAB 59.87, -13.46, 22.01

 

CMYK 64 / 50 / 0 / 27

HEX #445EBB

RGB 68 94 187

HSL 226.89, 0.47%, 0.5%

LAB 42.49, 20.19, -52.08

 

CMYK 60 / 64 / 0 / 27

HEX #4A44BB

RGB 74 68 187

HSL 243.03, 0.47%, 0.5%

LAB 36.32, 37.64, -62.06

 

CMYK 43 / 64 / 0 / 27

HEX #6A44BB

RGB 106 68 187

HSL 259.16, 0.47%, 0.5%

LAB 39.22, 43.6, -57.22

 

CMYK 27 / 64 / 0 / 27

HEX #8944BB

RGB 137 68 187

HSL 274.79, 0.47%, 0.5%

LAB 42.82, 50.4, -51.22

 

CMYK 10 / 64 / 0 / 27

HEX #A944BB

RGB 169 68 187

HSL 290.92, 0.47%, 0.5%

LAB 47.18, 57.97, -44.01

 

CMYK 43 / 64 / 0 / 50

HEX #482E7F

RGB 72 46 127

HSL 259.26, 0.47%, 0.34%

LAB 26.34, 31.75, -41.85

 

CMYK 43 / 64 / 0 / 38

HEX #5A399D

RGB 90 57 157

HSL 259.8, 0.47%, 0.42%

LAB 32.99, 38.01, -49.51

 

CMYK 43 / 64 / 0 / 27

HEX #6B44BB

RGB 107 68 187

HSL 259.66, 0.47%, 0.5%

LAB 39.32, 43.8, -57.05

 

CMYK 34 / 51 / 0 / 22

HEX #8362C6

RGB 131 98 198

HSL 259.8, 0.47%, 0.58%

LAB 49.05, 35.28, -47.67

 

CMYK 26 / 39 / 0 / 18

HEX #9B80D1

RGB 155 128 209

HSL 260, 0.47%, 0.66%

LAB 58.98, 27.31, -38.08

 

CMYK 43 / 64 / 0 / 27

HEX #6A43BA

RGB 106 67 186

HSL 259.66, 0.47%, 0.5%

LAB 38.94, 43.87, -57.09

 

CMYK 0 / 64 / 33 / 27

HEX #BB447E

RGB 187 68 126

HSL 330.76, 0.47%, 0.5%

LAB 47.24, 53.33, -7.39

 

CMYK 58 / 0 / 64 / 27

HEX #4EBB44

RGB 78 187 68

HSL 114.96, 0.47%, 0.5%

LAB 67.71, -54.02, 49.61

 

CMYK 43 / 64 / 0 / 27

HEX #6A43BA

RGB 106 67 186

HSL 259.66, 0.47%, 0.5%

LAB 38.94, 43.87, -57.09

 

CMYK 0 / 43 / 64 / 27

HEX #BB6A44

RGB 187 106 68

HSL 19.16, 0.47%, 0.5%

LAB 53.27, 28.87, 35.06

 

CMYK 64 / 0 / 43 / 27

HEX #44BB6A

RGB 68 187 106

HSL 139.16, 0.47%, 0.5%

LAB 67.88, -51.08, 31.44

 

CMYK 43 / 64 / 0 / 27

HEX #6A43BA

RGB 106 67 186

HSL 259.66, 0.47%, 0.5%

LAB 38.94, 43.87, -57.09

 

CMYK 0 / 64 / 33 / 27

HEX #BB447E

RGB 187 68 126

HSL 330.76, 0.47%, 0.5%

LAB 47.24, 53.33, -7.39

 

CMYK 20 / 0 / 64 / 27

HEX #95BB44

RGB 149 187 68

HSL 79.16, 0.47%, 0.5%

LAB 71.11, -30.53, 54.31

 

CMYK 64 / 0 / 31 / 27

HEX #44BB81

RGB 68 187 129

HSL 150.76, 0.47%, 0.5%

LAB 68.28, -46.74, 19.82

 

CMYK 43 / 64 / 0 / 27

HEX #6A43BA

RGB 106 67 186

HSL 259.66, 0.47%, 0.5%

LAB 38.94, 43.87, -57.09

 

CMYK 0 / 64 / 52 / 27

HEX #BB445A

RGB 187 68 90

HSL 348.91, 0.47%, 0.5%

LAB 46.23, 49.58, 13.12

 

CMYK 20 / 0 / 64 / 27

HEX #95BB44

RGB 149 187 68

HSL 79.16, 0.47%, 0.5%

LAB 71.11, -30.53, 54.31

 

CMYK 64 / 0 / 12 / 27

HEX #44BBA5

RGB 68 187 165

HSL 168.91, 0.47%, 0.5%

LAB 69.1, -38.36, 1.37

 

Description

Color code: HEX #6A43BA | qconv.com Color code: HEX #6A43BA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 67 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 67 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 64 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 64% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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