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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A41BC it is the complementary color #95BE43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A41BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A41BC shade: #6F41B7, #8053CA, #9165DD, #A277F0 and #B389FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A41BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A41BC shade: #6A41BC, #592FA9, #481D96, #370B83 and #260070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A41BC shade: #6B41BE, #8C41BE, #AE41BE, #BE41AC and #BE418A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A41BC shade: #6B41BE, #4941BE and #4141BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A41BC shade matches the following richer shades: #6B41BE, #642CD3, #5D18E7 and #5603FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A41BC shade: #6B41BE, #7256A9, #786A95, #7F7F80 and #86946B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A41BC shade: #415ABE, #4941BE, #6B41BE, #8C41BE and #AD41BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A41BC shade: #482C80, #59379F, #6B41BE, #8360C8 and #9B7FD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A41BC shade: #6A41BC, #BE417B and #49BE41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A41BC shade: #6A41BC, #BE6B41 and #41BE6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A41BC shade: #6A41BC, #BE417B, #94BE41 and #41BE84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A41BC shade: #6A41BC, #BE4156, #94BE41 and #41BEA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 65 / 0 / 26

HEX #6A41BC

RGB 106 65 188

HSL 260, 0.49%, 0.5%

LAB 38.68, 45.52, -58.68

 

Complementary color

CMYK 22 / 0 / 65 / 25

HEX #95BE43

RGB 149 190 67

HSL 80, 0.49%, 0.5%

LAB 71.97, -32.02, 55.65

 

CMYK 39 / 64 / 0 / 28

HEX #6F41B7

RGB 111 65 183

HSL 263.39, 0.48%, 0.49%

LAB 38.86, 45.2, -55.42

 

CMYK 37 / 59 / 0 / 21

HEX #8053CA

RGB 128 83 202

HSL 262.69, 0.53%, 0.56%

LAB 45.69, 44.12, -55.38

 

CMYK 34 / 54 / 0 / 13

HEX #9165DD

RGB 145 101 221

HSL 262, 0.64%, 0.63%

LAB 52.45, 43.03, -55.27

 

CMYK 33 / 50 / 0 / 6

HEX #A277F0

RGB 162 119 240

HSL 261.32, 0.8%, 0.7%

LAB 59.13, 41.99, -55.14

 

CMYK 30 / 46 / 0 / 0

HEX #B389FF

RGB 179 137 255

HSL 261.36, 1%, 0.77%

LAB 65.51, 40.04, -53.16

 

CMYK 44 / 65 / 0 / 26

HEX #6A41BC

RGB 106 65 188

HSL 260, 0.49%, 0.5%

LAB 38.68, 45.52, -58.68

 

CMYK 47 / 72 / 0 / 34

HEX #592FA9

RGB 89 47 169

HSL 260.66, 0.56%, 0.42%

LAB 31.86, 46.62, -58.6

 

CMYK 52 / 81 / 0 / 41

HEX #481D96

RGB 72 29 150

HSL 261.32, 0.68%, 0.35%

LAB 25.13, 47.32, -58.15

 

CMYK 58 / 92 / 0 / 49

HEX #370B83

RGB 55 11 131

HSL 262, 0.85%, 0.28%

LAB 18.76, 46.94, -56.87

 

CMYK 66 / 100 / 0 / 56

HEX #260070

RGB 38 0 112

HSL 260.36, 1%, 0.22%

LAB 13.12, 44.31, -54.08

 

CMYK 44 / 66 / 0 / 25

HEX #6B41BE

RGB 107 65 190

HSL 260.16, 0.49%, 0.5%

LAB 38.94, 46.27, -59.43

 

CMYK 26 / 66 / 0 / 25

HEX #8C41BE

RGB 140 65 190

HSL 276, 0.49%, 0.5%

LAB 42.87, 53.23, -52.87

 

CMYK 8 / 66 / 0 / 25

HEX #AE41BE

RGB 174 65 190

HSL 292.32, 0.49%, 0.5%

LAB 47.62, 60.99, -45.01

 

CMYK 0 / 66 / 9 / 25

HEX #BE41AC

RGB 190 65 172

HSL 308.64, 0.49%, 0.5%

LAB 49.14, 61.82, -31.92

 

CMYK 0 / 66 / 27 / 25

HEX #BE418A

RGB 190 65 138

HSL 324.96, 0.49%, 0.5%

LAB 47.7, 56.96, -13.9

 

CMYK 44 / 66 / 0 / 25

HEX #6B41BE

RGB 107 65 190

HSL 260.16, 0.49%, 0.5%

LAB 38.94, 46.27, -59.43

 

CMYK 62 / 66 / 0 / 25

HEX #4941BE

RGB 73 65 190

HSL 243.84, 0.49%, 0.5%

LAB 35.82, 40.27, -64.65

 

CMYK 66 / 66 / 0 / 25

HEX #4141BE

RGB 65 65 190

HSL 240, 0.49%, 0.5%

LAB 35.25, 39.11, -65.61

 

CMYK 44 / 66 / 0 / 25

HEX #6B41BE

RGB 107 65 190

HSL 260.16, 0.49%, 0.5%

LAB 38.94, 46.27, -59.43

 

CMYK 53 / 79 / 0 / 17

HEX #642CD3

RGB 100 44 211

HSL 260.12, 0.65%, 0.5%

LAB 36.39, 60.84, -75.85

 

CMYK 60 / 90 / 0 / 9

HEX #5D18E7

RGB 93 24 231

HSL 260, 0.81%, 0.5%

LAB 35.5, 71.73, -88.83

 

CMYK 66 / 99 / 0 / 1

HEX #5603FC

RGB 86 3 252

HSL 260, 0.98%, 0.5%

LAB 36.12, 79.71, -99.7

 

CMYK 44 / 66 / 0 / 25

HEX #6B41BE

RGB 107 65 190

HSL 260.16, 0.49%, 0.5%

LAB 38.94, 46.27, -59.43

 

CMYK 33 / 49 / 0 / 34

HEX #7256A9

RGB 114 86 169

HSL 260.24, 0.33%, 0.5%

LAB 42.91, 30.14, -40.64

 

CMYK 19 / 29 / 0 / 42

HEX #786A95

RGB 120 106 149

HSL 259.53, 0.17%, 0.5%

LAB 47.59, 14.77, -21.44

 

CMYK 1 / 1 / 0 / 50

HEX #7F7F80

RGB 127 127 128

HSL 240, 0%, 0.5%

LAB 53.22, 0.2, -0.55

 

CMYK 9 / 0 / 28 / 42

HEX #86946B

RGB 134 148 107

HSL 80.49, 0.16%, 0.5%

LAB 59.26, -12.48, 20.06

 

CMYK 66 / 53 / 0 / 25

HEX #415ABE

RGB 65 90 190

HSL 228, 0.49%, 0.5%

LAB 41.46, 23.31, -55.5

 

CMYK 62 / 66 / 0 / 25

HEX #4941BE

RGB 73 65 190

HSL 243.84, 0.49%, 0.5%

LAB 35.82, 40.27, -64.65

 

CMYK 44 / 66 / 0 / 25

HEX #6B41BE

RGB 107 65 190

HSL 260.16, 0.49%, 0.5%

LAB 38.94, 46.27, -59.43

 

CMYK 26 / 66 / 0 / 25

HEX #8C41BE

RGB 140 65 190

HSL 276, 0.49%, 0.5%

LAB 42.87, 53.23, -52.87

 

CMYK 9 / 66 / 0 / 25

HEX #AD41BE

RGB 173 65 190

HSL 291.84, 0.49%, 0.5%

LAB 47.47, 60.75, -45.25

 

CMYK 44 / 66 / 0 / 50

HEX #482C80

RGB 72 44 128

HSL 260, 0.49%, 0.34%

LAB 25.97, 33.25, -43.08

 

CMYK 44 / 65 / 0 / 38

HEX #59379F

RGB 89 55 159

HSL 259.62, 0.49%, 0.42%

LAB 32.61, 39.5, -51.34

 

CMYK 44 / 66 / 0 / 25

HEX #6B41BE

RGB 107 65 190

HSL 260.16, 0.49%, 0.5%

LAB 38.94, 46.27, -59.43

 

CMYK 35 / 52 / 0 / 22

HEX #8360C8

RGB 131 96 200

HSL 260.19, 0.49%, 0.58%

LAB 48.71, 36.96, -49.36

 

CMYK 27 / 40 / 0 / 17

HEX #9B7FD3

RGB 155 127 211

HSL 260, 0.49%, 0.66%

LAB 58.84, 28.37, -39.44

 

CMYK 44 / 65 / 0 / 26

HEX #6A41BC

RGB 106 65 188

HSL 260, 0.49%, 0.5%

LAB 38.68, 45.52, -58.68

 

CMYK 0 / 66 / 35 / 25

HEX #BE417B

RGB 190 65 123

HSL 332.16, 0.49%, 0.5%

LAB 47.18, 55.13, -5.6

 

CMYK 62 / 0 / 66 / 25

HEX #49BE41

RGB 73 190 65

HSL 116.16, 0.49%, 0.5%

LAB 68.48, -56.6, 51.69

 

CMYK 44 / 65 / 0 / 26

HEX #6A41BC

RGB 106 65 188

HSL 260, 0.49%, 0.5%

LAB 38.68, 45.52, -58.68

 

CMYK 0 / 44 / 66 / 25

HEX #BE6B41

RGB 190 107 65

HSL 20.16, 0.49%, 0.5%

LAB 53.86, 29.36, 37.49

 

CMYK 66 / 0 / 44 / 25

HEX #41BE6B

RGB 65 190 107

HSL 140.16, 0.49%, 0.5%

LAB 68.76, -52.66, 32.04

 

CMYK 44 / 65 / 0 / 26

HEX #6A41BC

RGB 106 65 188

HSL 260, 0.49%, 0.5%

LAB 38.68, 45.52, -58.68

 

CMYK 0 / 66 / 35 / 25

HEX #BE417B

RGB 190 65 123

HSL 332.16, 0.49%, 0.5%

LAB 47.18, 55.13, -5.6

 

CMYK 22 / 0 / 66 / 25

HEX #94BE41

RGB 148 190 65

HSL 80.16, 0.49%, 0.5%

LAB 71.9, -32.55, 56.37

 

CMYK 66 / 0 / 31 / 25

HEX #41BE84

RGB 65 190 132

HSL 152.16, 0.49%, 0.5%

LAB 69.2, -47.9, 19.45

 

CMYK 44 / 65 / 0 / 26

HEX #6A41BC

RGB 106 65 188

HSL 260, 0.49%, 0.5%

LAB 38.68, 45.52, -58.68

 

CMYK 0 / 66 / 55 / 25

HEX #BE4156

RGB 190 65 86

HSL 349.92, 0.49%, 0.5%

LAB 46.18, 51.52, 15.58

 

CMYK 22 / 0 / 66 / 25

HEX #94BE41

RGB 148 190 65

HSL 80.16, 0.49%, 0.5%

LAB 71.9, -32.55, 56.37

 

CMYK 66 / 0 / 11 / 25

HEX #41BEA9

RGB 65 190 169

HSL 169.92, 0.49%, 0.5%

LAB 70.05, -39.17, 0.55

 

Description

Color code: HEX #6A41BC | qconv.com Color code: HEX #6A41BC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 65 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 65 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 65 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 65% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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