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Color name
HEX #6A2CE5

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A2CE5 it is the complementary color #95D31A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A2CE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A2CE5 shade: #6F2CE0, #803EF3, #9150FF, #A262FF and #B374FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A2CE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A2CE5 shade: #6A2CE5, #591AD2, #4808BF, #3700AC and #260099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A2CE5 shade: #6C2EE5, #9D2EE5, #CE2EE5, #E52ECB and #E52E99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A2CE5 shade: #6C2EE5, #3A2EE5 and #2E2EE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A2CE5 shade matches the following richer shades: #6C2EE5 and #651BF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A2CE5 shade: #6C2EE5, #7241D2, #7854BF, #7E67AC and #857A99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A2CE5 shade: #2E53E5, #3A2EE5, #6B2EE5, #9C2EE5 and #CD2EE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A2CE5 shade: #4815AC, #571AD0, #6C2EE5, #8553EA and #9F78EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A2CE5 shade: #6A2CE5, #E52E84 and #3AE52E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A2CE5 shade: #6A2CE5, #E56B2E and #2EE56B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A2CE5 shade: #6A2CE5, #E52E84, #A8E52E and #2EE590

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A2CE5 shade: #6A2CE5, #E52E4D, #A8E52E and #2EE5C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 81 / 0 / 10

HEX #6A2CE5

RGB 106 44 229

HSL 260.11, 0.78%, 0.54%

LAB 38.76, 66.16, -82.25

 

Complementary color

CMYK 29 / 0 / 88 / 17

HEX #95D31A

RGB 149 211 26

HSL 80.11, 0.78%, 0.46%

LAB 77.91, -43.42, 73.74

 

CMYK 50 / 80 / 0 / 12

HEX #6F2CE0

RGB 111 44 224

HSL 262.33, 0.74%, 0.53%

LAB 38.83, 65.49, -79.26

 

CMYK 47 / 74 / 0 / 5

HEX #803EF3

RGB 128 62 243

HSL 261.88, 0.88%, 0.6%

LAB 44.95, 65.17, -79.92

 

CMYK 43 / 69 / 0 / 0

HEX #9150FF

RGB 145 80 255

HSL 262.29, 1%, 0.66%

LAB 50.66, 62.65, -77.21

 

CMYK 36 / 62 / 0 / 0

HEX #A262FF

RGB 162 98 255

HSL 264.46, 1%, 0.69%

LAB 55.72, 56.98, -68.92

 

CMYK 30 / 55 / 0 / 0

HEX #B374FF

RGB 179 116 255

HSL 267.19, 1%, 0.73%

LAB 61.04, 51.42, -60.27

 

CMYK 54 / 81 / 0 / 10

HEX #6A2CE5

RGB 106 44 229

HSL 260.11, 0.78%, 0.54%

LAB 38.76, 66.16, -82.25

 

CMYK 58 / 88 / 0 / 18

HEX #591AD2

RGB 89 26 210

HSL 260.54, 0.78%, 0.46%

LAB 32.95, 65.77, -80.99

 

CMYK 62 / 96 / 0 / 25

HEX #4808BF

RGB 72 8 191

HSL 260.98, 0.92%, 0.39%

LAB 27.61, 64, -78.78

 

CMYK 68 / 100 / 0 / 33

HEX #3700AC

RGB 55 0 172

HSL 259.19, 1%, 0.34%

LAB 22.97, 60.12, -75.2

 

CMYK 75 / 100 / 0 / 40

HEX #260099

RGB 38 0 153

HSL 254.9, 1%, 0.3%

LAB 18.85, 54.76, -70.51

 

CMYK 53 / 80 / 0 / 10

HEX #6C2EE5

RGB 108 46 229

HSL 260.33, 0.78%, 0.54%

LAB 39.24, 65.62, -81.46

 

CMYK 31 / 80 / 0 / 10

HEX #9D2EE5

RGB 157 46 229

HSL 276.39, 0.78%, 0.54%

LAB 45.33, 72.35, -71.24

 

CMYK 10 / 80 / 0 / 10

HEX #CE2EE5

RGB 206 46 229

HSL 292.46, 0.78%, 0.54%

LAB 52.66, 80.55, -59.03

 

CMYK 0 / 80 / 11 / 10

HEX #E52ECB

RGB 229 46 203

HSL 308.52, 0.78%, 0.54%

LAB 54.99, 80.99, -40.28

 

CMYK 0 / 80 / 33 / 10

HEX #E52E99

RGB 229 46 153

HSL 324.92, 0.78%, 0.54%

LAB 52.85, 74.89, -14.42

 

CMYK 53 / 80 / 0 / 10

HEX #6C2EE5

RGB 108 46 229

HSL 260.33, 0.78%, 0.54%

LAB 39.24, 65.62, -81.46

 

CMYK 75 / 80 / 0 / 10

HEX #3A2EE5

RGB 58 46 229

HSL 243.93, 0.78%, 0.54%

LAB 35.02, 61.03, -88.56

 

CMYK 80 / 80 / 0 / 10

HEX #2E2EE5

RGB 46 46 229

HSL 240, 0.78%, 0.54%

LAB 34.38, 60.33, -89.65

 

CMYK 53 / 80 / 0 / 10

HEX #6C2EE5

RGB 108 46 229

HSL 260.33, 0.78%, 0.54%

LAB 39.24, 65.62, -81.46

 

CMYK 59 / 89 / 0 / 3

HEX #651BF8

RGB 101 27 248

HSL 260.09, 0.94%, 0.54%

LAB 38.42, 75.64, -93.59

 

CMYK 53 / 80 / 0 / 10

HEX #6C2EE5

RGB 108 46 229

HSL 260.33, 0.78%, 0.54%

LAB 39.24, 65.62, -81.46

 

CMYK 46 / 69 / 0 / 18

HEX #7241D2

RGB 114 65 210

HSL 260.28, 0.62%, 0.54%

LAB 41.23, 52.97, -67.28

 

CMYK 37 / 56 / 0 / 25

HEX #7854BF

RGB 120 84 191

HSL 260.19, 0.46%, 0.54%

LAB 44.37, 38.76, -51.18

 

CMYK 27 / 40 / 0 / 33

HEX #7E67AC

RGB 126 103 172

HSL 260, 0.29%, 0.54%

LAB 48.4, 24.19, -33.65

 

CMYK 13 / 20 / 0 / 40

HEX #857A99

RGB 133 122 153

HSL 261.29, 0.13%, 0.54%

LAB 53.17, 10.6, -15.15

 

CMYK 80 / 64 / 0 / 10

HEX #2E53E5

RGB 46 83 229

HSL 227.87, 0.78%, 0.54%

LAB 41.88, 39.55, -77.27

 

CMYK 75 / 80 / 0 / 10

HEX #3A2EE5

RGB 58 46 229

HSL 243.93, 0.78%, 0.54%

LAB 35.02, 61.03, -88.56

 

CMYK 53 / 80 / 0 / 10

HEX #6B2EE5

RGB 107 46 229

HSL 260, 0.78%, 0.54%

LAB 39.13, 65.5, -81.64

 

CMYK 32 / 80 / 0 / 10

HEX #9C2EE5

RGB 156 46 229

HSL 276.07, 0.78%, 0.54%

LAB 45.19, 72.19, -71.47

 

CMYK 10 / 80 / 0 / 10

HEX #CD2EE5

RGB 205 46 229

HSL 292.13, 0.78%, 0.54%

LAB 52.5, 80.37, -59.29

 

CMYK 58 / 88 / 0 / 33

HEX #4815AC

RGB 72 21 172

HSL 260.26, 0.78%, 0.38%

LAB 26.43, 56.18, -69.4

 

CMYK 58 / 88 / 0 / 18

HEX #571AD0

RGB 87 26 208

HSL 260.11, 0.78%, 0.46%

LAB 32.52, 65.1, -80.55

 

CMYK 53 / 80 / 0 / 10

HEX #6C2EE5

RGB 108 46 229

HSL 260.33, 0.78%, 0.54%

LAB 39.24, 65.62, -81.46

 

CMYK 43 / 65 / 0 / 8

HEX #8553EA

RGB 133 83 234

HSL 259.87, 0.78%, 0.62%

LAB 48.4, 53.57, -69.2

 

CMYK 33 / 50 / 0 / 7

HEX #9F78EE

RGB 159 120 238

HSL 259.83, 0.78%, 0.7%

LAB 58.95, 40.18, -54.33

 

CMYK 54 / 81 / 0 / 10

HEX #6A2CE5

RGB 106 44 229

HSL 260.11, 0.78%, 0.54%

LAB 38.76, 66.16, -82.25

 

CMYK 0 / 80 / 42 / 10

HEX #E52E84

RGB 229 46 132

HSL 331.8, 0.78%, 0.54%

LAB 52.15, 72.82, -2.93

 

CMYK 75 / 0 / 80 / 10

HEX #3AE52E

RGB 58 229 46

HSL 116.07, 0.78%, 0.54%

LAB 80.26, -73.49, 70.02

 

CMYK 54 / 81 / 0 / 10

HEX #6A2CE5

RGB 106 44 229

HSL 260.11, 0.78%, 0.54%

LAB 38.76, 66.16, -82.25

 

CMYK 0 / 53 / 80 / 10

HEX #E56B2E

RGB 229 107 46

HSL 20, 0.78%, 0.54%

LAB 59.32, 43.91, 54.34

 

CMYK 80 / 0 / 53 / 10

HEX #2EE56B

RGB 46 229 107

HSL 140, 0.78%, 0.54%

LAB 80.56, -69.1, 46.74

 

CMYK 54 / 81 / 0 / 10

HEX #6A2CE5

RGB 106 44 229

HSL 260.11, 0.78%, 0.54%

LAB 38.76, 66.16, -82.25

 

CMYK 0 / 80 / 42 / 10

HEX #E52E84

RGB 229 46 132

HSL 331.8, 0.78%, 0.54%

LAB 52.15, 72.82, -2.93

 

CMYK 27 / 0 / 80 / 10

HEX #A8E52E

RGB 168 229 46

HSL 80, 0.78%, 0.54%

LAB 84.26, -43.43, 75.16

 

CMYK 80 / 0 / 37 / 10

HEX #2EE590

RGB 46 229 144

HSL 152.13, 0.78%, 0.54%

LAB 81.09, -62.93, 29.23

 

CMYK 54 / 81 / 0 / 10

HEX #6A2CE5

RGB 106 44 229

HSL 260.11, 0.78%, 0.54%

LAB 38.76, 66.16, -82.25

 

CMYK 0 / 80 / 66 / 10

HEX #E52E4D

RGB 229 46 77

HSL 349.84, 0.78%, 0.54%

LAB 50.86, 68.93, 28.5

 

CMYK 27 / 0 / 80 / 10

HEX #A8E52E

RGB 168 229 46

HSL 80, 0.78%, 0.54%

LAB 84.26, -43.43, 75.16

 

CMYK 80 / 0 / 13 / 10

HEX #2EE5C7

RGB 46 229 199

HSL 170.16, 0.78%, 0.54%

LAB 82.24, -50.47, 2.13

 

Description

Color code: HEX #6A2CE5 | qconv.com Color code: HEX #6A2CE5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 44 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 44 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 81 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 81% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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