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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A25CF it is the complementary color #95DA30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A25CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A25CF shade: #6F25CA, #8037DD, #9149F0, #A25BFF and #B36DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A25CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A25CF shade: #6A25CF, #5913BC, #4801A9, #370096 and #260083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A25CF shade: #6A25D0, #9825D0, #C725D0, #D025AB and #D0257D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A25CF shade: #6A25D0, #3C25D0 and #2525D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A25CF shade matches the following richer shades: #6A25D0 and #6711E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A25CF shade: #6A25D0, #6E39BC, #724CA8, #756095 and #797481

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A25CF shade: #253CD0, #3C25D0, #6925D0, #9725D0 and #C525D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A25CF shade: #46188A, #581FAD, #6A25D0, #8041DD and #9864E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A25CF shade: #6A25CF, #D02569 and #25D025

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A25CF shade: #6A25CF, #D06925 and #25D069

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A25CF shade: #6A25CF, #D02569, #8CD025 and #25D08C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A25CF shade: #6A25CF, #D02536, #8CD025 and #25D0BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 82 / 0 / 19

HEX #6A25CF

RGB 106 37 207

HSL 264.35, 0.7%, 0.48%

LAB 35.78, 63.25, -74.52

 

Complementary color

CMYK 32 / 0 / 78 / 15

HEX #95DA30

RGB 149 218 48

HSL 84.35, 0.7%, 0.52%

LAB 80.04, -45.61, 70.37

 

CMYK 45 / 82 / 0 / 21

HEX #6F25CA

RGB 111 37 202

HSL 266.91, 0.69%, 0.47%

LAB 35.92, 62.69, -71.35

 

CMYK 42 / 75 / 0 / 13

HEX #8037DD

RGB 128 55 221

HSL 266.39, 0.71%, 0.54%

LAB 42.06, 62.73, -72.17

 

CMYK 40 / 70 / 0 / 6

HEX #9149F0

RGB 145 73 240

HSL 265.87, 0.85%, 0.61%

LAB 48.36, 62.23, -72.59

 

CMYK 36 / 64 / 0 / 0

HEX #A25BFF

RGB 162 91 255

HSL 265.98, 1%, 0.68%

LAB 54.43, 60.48, -71

 

CMYK 30 / 57 / 0 / 0

HEX #B36DFF

RGB 179 109 255

HSL 268.77, 1%, 0.71%

LAB 59.65, 55.07, -62.49

 

CMYK 49 / 82 / 0 / 19

HEX #6A25CF

RGB 106 37 207

HSL 264.35, 0.7%, 0.48%

LAB 35.78, 63.25, -74.52

 

CMYK 53 / 90 / 0 / 26

HEX #5913BC

RGB 89 19 188

HSL 264.85, 0.82%, 0.41%

LAB 29.96, 62.31, -73.04

 

CMYK 57 / 99 / 0 / 34

HEX #4801A9

RGB 72 1 169

HSL 265.36, 0.99%, 0.33%

LAB 24.53, 60.14, -70.74

 

CMYK 63 / 100 / 0 / 41

HEX #370096

RGB 55 0 150

HSL 262, 1%, 0.29%

LAB 20.1, 54.78, -66.53

 

CMYK 71 / 100 / 0 / 49

HEX #260083

RGB 38 0 131

HSL 257.4, 1%, 0.26%

LAB 15.75, 49.18, -61.92

 

CMYK 49 / 82 / 0 / 18

HEX #6A25D0

RGB 106 37 208

HSL 264.21, 0.7%, 0.48%

LAB 35.87, 63.5, -74.95

 

CMYK 27 / 82 / 0 / 18

HEX #9825D0

RGB 152 37 208

HSL 280.35, 0.7%, 0.48%

LAB 42.08, 69.99, -64.54

 

CMYK 4 / 82 / 0 / 18

HEX #C725D0

RGB 199 37 208

HSL 296.84, 0.7%, 0.48%

LAB 49.52, 78.01, -52.16

 

CMYK 0 / 82 / 18 / 18

HEX #D025AB

RGB 208 37 171

HSL 312.98, 0.7%, 0.48%

LAB 49.1, 74.43, -31.18

 

CMYK 0 / 82 / 40 / 18

HEX #D0257D

RGB 208 37 125

HSL 329.12, 0.7%, 0.48%

LAB 47.25, 69.2, -6.37

 

CMYK 49 / 82 / 0 / 18

HEX #6A25D0

RGB 106 37 208

HSL 264.21, 0.7%, 0.48%

LAB 35.87, 63.5, -74.95

 

CMYK 71 / 82 / 0 / 18

HEX #3C25D0

RGB 60 37 208

HSL 248.07, 0.7%, 0.48%

LAB 31.43, 59.03, -82.42

 

CMYK 82 / 82 / 0 / 18

HEX #2525D0

RGB 37 37 208

HSL 240, 0.7%, 0.48%

LAB 30.08, 57.71, -84.7

 

CMYK 49 / 82 / 0 / 18

HEX #6A25D0

RGB 106 37 208

HSL 264.21, 0.7%, 0.48%

LAB 35.87, 63.5, -74.95

 

CMYK 55 / 93 / 0 / 11

HEX #6711E4

RGB 103 17 228

HSL 264.45, 0.86%, 0.48%

LAB 35.76, 73.27, -86.65

 

CMYK 49 / 82 / 0 / 18

HEX #6A25D0

RGB 106 37 208

HSL 264.21, 0.7%, 0.48%

LAB 35.87, 63.5, -74.95

 

CMYK 41 / 70 / 0 / 26

HEX #6E39BC

RGB 110 57 188

HSL 264.27, 0.53%, 0.48%

LAB 37.61, 50.46, -60.4

 

CMYK 32 / 55 / 0 / 34

HEX #724CA8

RGB 114 76 168

HSL 264.78, 0.38%, 0.48%

LAB 40.53, 35.78, -43.84

 

CMYK 21 / 36 / 0 / 42

HEX #756095

RGB 117 96 149

HSL 263.77, 0.22%, 0.48%

LAB 44.68, 19.83, -25.95

 

CMYK 6 / 10 / 0 / 49

HEX #797481

RGB 121 116 129

HSL 263.08, 0.05%, 0.48%

LAB 49.67, 4.58, -6.44

 

CMYK 82 / 71 / 0 / 18

HEX #253CD0

RGB 37 60 208

HSL 231.93, 0.7%, 0.48%

LAB 34.35, 45.53, -77.63

 

CMYK 71 / 82 / 0 / 18

HEX #3C25D0

RGB 60 37 208

HSL 248.07, 0.7%, 0.48%

LAB 31.43, 59.03, -82.42

 

CMYK 50 / 82 / 0 / 18

HEX #6925D0

RGB 105 37 208

HSL 263.86, 0.7%, 0.48%

LAB 35.75, 63.38, -75.14

 

CMYK 27 / 82 / 0 / 18

HEX #9725D0

RGB 151 37 208

HSL 280, 0.7%, 0.48%

LAB 41.93, 69.83, -64.78

 

CMYK 5 / 82 / 0 / 18

HEX #C525D0

RGB 197 37 208

HSL 296.14, 0.7%, 0.48%

LAB 49.19, 77.65, -52.71

 

CMYK 49 / 83 / 0 / 46

HEX #46188A

RGB 70 24 138

HSL 264.21, 0.7%, 0.32%

LAB 22.97, 45.93, -54.27

 

CMYK 49 / 82 / 0 / 32

HEX #581FAD

RGB 88 31 173

HSL 264.08, 0.7%, 0.4%

LAB 29.59, 54.71, -64.72

 

CMYK 49 / 82 / 0 / 18

HEX #6A25D0

RGB 106 37 208

HSL 264.21, 0.7%, 0.48%

LAB 35.87, 63.5, -74.95

 

CMYK 42 / 71 / 0 / 13

HEX #8041DD

RGB 128 65 221

HSL 264.23, 0.7%, 0.56%

LAB 43.64, 58.27, -69.6

 

CMYK 33 / 56 / 0 / 11

HEX #9864E4

RGB 152 100 228

HSL 264.38, 0.7%, 0.64%

LAB 53.37, 47.02, -57.7

 

CMYK 49 / 82 / 0 / 19

HEX #6A25CF

RGB 106 37 207

HSL 264.35, 0.7%, 0.48%

LAB 35.78, 63.25, -74.52

 

CMYK 0 / 82 / 50 / 18

HEX #D02569

RGB 208 37 105

HSL 336.14, 0.7%, 0.48%

LAB 46.65, 67.43, 5.03

 

CMYK 82 / 0 / 82 / 18

HEX #25D025

RGB 37 208 37

HSL 120, 0.7%, 0.48%

LAB 73.31, -70.46, 65.86

 

CMYK 49 / 82 / 0 / 19

HEX #6A25CF

RGB 106 37 207

HSL 264.35, 0.7%, 0.48%

LAB 35.78, 63.25, -74.52

 

CMYK 0 / 50 / 82 / 18

HEX #D06925

RGB 208 105 37

HSL 23.86, 0.7%, 0.48%

LAB 55.73, 36.45, 53.72

 

CMYK 82 / 0 / 50 / 18

HEX #25D069

RGB 37 208 105

HSL 143.86, 0.7%, 0.48%

LAB 73.88, -63.41, 39.45

 

CMYK 49 / 82 / 0 / 19

HEX #6A25CF

RGB 106 37 207

HSL 264.35, 0.7%, 0.48%

LAB 35.78, 63.25, -74.52

 

CMYK 0 / 82 / 50 / 18

HEX #D02569

RGB 208 37 105

HSL 336.14, 0.7%, 0.48%

LAB 46.65, 67.43, 5.03

 

CMYK 33 / 0 / 82 / 18

HEX #8CD025

RGB 140 208 37

HSL 83.86, 0.7%, 0.48%

LAB 76.57, -45.1, 70.03

 

CMYK 82 / 0 / 33 / 18

HEX #25D08C

RGB 37 208 140

HSL 156.14, 0.7%, 0.48%

LAB 74.44, -56.94, 22.3

 

CMYK 49 / 82 / 0 / 19

HEX #6A25CF

RGB 106 37 207

HSL 264.35, 0.7%, 0.48%

LAB 35.78, 63.25, -74.52

 

CMYK 0 / 82 / 74 / 18

HEX #D02536

RGB 208 37 54

HSL 354.04, 0.7%, 0.48%

LAB 45.63, 64.4, 34.91

 

CMYK 33 / 0 / 82 / 18

HEX #8CD025

RGB 140 208 37

HSL 83.86, 0.7%, 0.48%

LAB 76.57, -45.1, 70.03

 

CMYK 82 / 0 / 8 / 18

HEX #25D0BF

RGB 37 208 191

HSL 174.04, 0.7%, 0.48%

LAB 75.62, -44.47, -3.3

 

Description

Color code: HEX #6A25CF | qconv.com Color code: HEX #6A25CF | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 37 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 37 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 82 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 82% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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