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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69F8C7 it is the complementary color #960738. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69F8C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69F8C7 shade: #6EF8C2, #7FFFD5, #90FFE8, #A1FFFB and #B2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69F8C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69F8C7 shade: #69F8C7, #58E6B4, #47D4A1, #36C28E and #25B07B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69F8C7 shade: #68F7C6, #68F79F, #68F778, #7DF768 and #A4F768

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69F8C7 shade: #68F7C6, #68F7ED, #68DBF7, #68B4F7 and #688DF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69F8C7 shade matches the following richer shades: #68F7C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69F8C7 shade: #68F7C6, #74EBC2, #81DEBE, #8ED1BA and #9BC4B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69F8C7 shade: #68F778, #68F79F, #68F7C5, #68F7EB and #68DDF7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69F8C7 shade: #19F4A9, #40F6B7, #68F7C6, #8FF9D5 and #B6FBE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69F8C7 shade: #69F8C7, #687DF7 and #F78B68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69F8C7 shade: #69F8C7, #C568F7 and #F7C568

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69F8C7 shade: #69F8C7, #687DF7, #F7689A and #F7E268

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69F8C7 shade: #69F8C7, #7D68F7, #F7689A and #E2F768

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 20 / 3

HEX #69F8C7

RGB 105 248 199

HSL 159.44, 0.91%, 0.69%

LAB 89.05, -49.96, 12.07

 

Complementary color

CMYK 0 / 95 / 63 / 41

HEX #960738

RGB 150 7 56

HSL 339.44, 0.91%, 0.31%

LAB 31.63, 54.73, 13.63

 

CMYK 56 / 0 / 22 / 3

HEX #6EF8C2

RGB 110 248 194

HSL 156.52, 0.91%, 0.7%

LAB 89.09, -50.04, 14.73

 

CMYK 50 / 0 / 16 / 0

HEX #7FFFD5

RGB 127 255 213

HSL 160.31, 1%, 0.75%

LAB 92.06, -45.3, 9.23

 

CMYK 44 / 0 / 9 / 0

HEX #90FFE8

RGB 144 255 232

HSL 167.57, 1%, 0.78%

LAB 93.13, -37.18, 1.05

 

CMYK 37 / 0 / 2 / 0

HEX #A1FFFB

RGB 161 255 251

HSL 177.45, 1%, 0.82%

LAB 94.34, -28.69, -6.91

 

CMYK 30 / 0 / 0 / 0

HEX #B2FFFF

RGB 178 255 255

HSL 180, 1%, 0.85%

LAB 95.25, -23.36, -7.55

 

CMYK 58 / 0 / 20 / 3

HEX #69F8C7

RGB 105 248 199

HSL 159.44, 0.91%, 0.69%

LAB 89.05, -49.96, 12.07

 

CMYK 62 / 0 / 22 / 10

HEX #58E6B4

RGB 88 230 180

HSL 158.87, 0.74%, 0.62%

LAB 82.89, -49.83, 13.18

 

CMYK 67 / 0 / 24 / 17

HEX #47D4A1

RGB 71 212 161

HSL 158.3, 0.62%, 0.55%

LAB 76.68, -49.57, 14.38

 

CMYK 72 / 0 / 27 / 24

HEX #36C28E

RGB 54 194 142

HSL 157.71, 0.56%, 0.49%

LAB 70.4, -49.11, 15.7

 

CMYK 79 / 0 / 30 / 31

HEX #25B07B

RGB 37 176 123

HSL 157.12, 0.65%, 0.42%

LAB 64.06, -48.36, 17.16

 

CMYK 58 / 0 / 20 / 3

HEX #68F7C6

RGB 104 247 198

HSL 159.44, 0.9%, 0.69%

LAB 88.71, -49.96, 12.1

 

CMYK 58 / 0 / 36 / 3

HEX #68F79F

RGB 104 247 159

HSL 143.08, 0.9%, 0.69%

LAB 87.95, -57.72, 31.02

 

CMYK 58 / 0 / 51 / 3

HEX #68F778

RGB 104 247 120

HSL 126.71, 0.9%, 0.69%

LAB 87.4, -63.76, 49.29

 

CMYK 49 / 0 / 58 / 3

HEX #7DF768

RGB 125 247 104

HSL 111.19, 0.9%, 0.69%

LAB 87.91, -60.47, 57.28

 

CMYK 34 / 0 / 58 / 3

HEX #A4F768

RGB 164 247 104

HSL 94.83, 0.9%, 0.69%

LAB 89.59, -48.63, 59.64

 

CMYK 58 / 0 / 20 / 3

HEX #68F7C6

RGB 104 247 198

HSL 159.44, 0.9%, 0.69%

LAB 88.71, -49.96, 12.1

 

CMYK 58 / 0 / 4 / 3

HEX #68F7ED

RGB 104 247 237

HSL 175.8, 0.9%, 0.69%

LAB 89.66, -40.68, -6.8

 

CMYK 58 / 11 / 0 / 3

HEX #68DBF7

RGB 104 219 247

HSL 191.75, 0.9%, 0.69%

LAB 82.01, -24.77, -23.53

 

CMYK 58 / 27 / 0 / 3

HEX #68B4F7

RGB 104 180 247

HSL 208.11, 0.9%, 0.69%

LAB 71.08, -4.37, -40.38

 

CMYK 58 / 43 / 0 / 3

HEX #688DF7

RGB 104 141 247

HSL 224.48, 0.9%, 0.69%

LAB 60.52, 18.07, -57.04

 

CMYK 58 / 0 / 20 / 3

HEX #68F7C6

RGB 104 247 198

HSL 159.44, 0.9%, 0.69%

LAB 88.71, -49.96, 12.1

 

CMYK 58 / 0 / 20 / 3

HEX #68F7C6

RGB 104 247 198

HSL 159.44, 0.9%, 0.69%

LAB 88.71, -49.96, 12.1

 

CMYK 51 / 0 / 17 / 8

HEX #74EBC2

RGB 116 235 194

HSL 159.33, 0.75%, 0.69%

LAB 85.52, -43.17, 9.69

 

CMYK 42 / 0 / 14 / 13

HEX #81DEBE

RGB 129 222 190

HSL 159.35, 0.58%, 0.69%

LAB 82.18, -35.02, 7.08

 

CMYK 32 / 0 / 11 / 18

HEX #8ED1BA

RGB 142 209 186

HSL 159.4, 0.42%, 0.69%

LAB 78.98, -26.11, 4.68

 

CMYK 21 / 0 / 7 / 23

HEX #9BC4B6

RGB 155 196 182

HSL 159.51, 0.26%, 0.69%

LAB 75.96, -16.46, 2.55

 

CMYK 58 / 0 / 51 / 3

HEX #68F778

RGB 104 247 120

HSL 126.71, 0.9%, 0.69%

LAB 87.4, -63.76, 49.29

 

CMYK 58 / 0 / 36 / 3

HEX #68F79F

RGB 104 247 159

HSL 143.08, 0.9%, 0.69%

LAB 87.95, -57.72, 31.02

 

CMYK 58 / 0 / 20 / 3

HEX #68F7C5

RGB 104 247 197

HSL 159.02, 0.9%, 0.69%

LAB 88.68, -50.17, 12.59

 

CMYK 58 / 0 / 5 / 3

HEX #68F7EB

RGB 104 247 235

HSL 174.97, 0.9%, 0.69%

LAB 89.61, -41.19, -5.83

 

CMYK 58 / 11 / 0 / 3

HEX #68DDF7

RGB 104 221 247

HSL 190.91, 0.9%, 0.69%

LAB 82.58, -25.76, -22.67

 

CMYK 90 / 0 / 31 / 4

HEX #19F4A9

RGB 25 244 169

HSL 159.45, 0.91%, 0.53%

LAB 85.89, -64.77, 22.92

 

CMYK 74 / 0 / 26 / 4

HEX #40F6B7

RGB 64 246 183

HSL 159.23, 0.91%, 0.61%

LAB 87.2, -59.17, 17.61

 

CMYK 58 / 0 / 20 / 3

HEX #68F7C6

RGB 104 247 198

HSL 159.44, 0.9%, 0.69%

LAB 88.71, -49.96, 12.1

 

CMYK 43 / 0 / 14 / 2

HEX #8FF9D5

RGB 143 249 213

HSL 159.62, 0.9%, 0.77%

LAB 90.96, -38.86, 7.73

 

CMYK 27 / 0 / 9 / 2

HEX #B6FBE4

RGB 182 251 228

HSL 160, 0.9%, 0.85%

LAB 93.68, -26.04, 4.13

 

CMYK 58 / 0 / 20 / 3

HEX #69F8C7

RGB 105 248 199

HSL 159.44, 0.91%, 0.69%

LAB 89.05, -49.96, 12.07

 

CMYK 58 / 49 / 0 / 3

HEX #687DF7

RGB 104 125 247

HSL 231.19, 0.9%, 0.69%

LAB 56.41, 27.67, -63.62

 

CMYK 0 / 44 / 58 / 3

HEX #F78B68

RGB 247 139 104

HSL 14.69, 0.9%, 0.69%

LAB 68.92, 37.82, 36.59

 

CMYK 58 / 0 / 20 / 3

HEX #69F8C7

RGB 105 248 199

HSL 159.44, 0.91%, 0.69%

LAB 89.05, -49.96, 12.07

 

CMYK 20 / 58 / 0 / 3

HEX #C568F7

RGB 197 104 247

HSL 279.02, 0.9%, 0.69%

LAB 60.33, 60.03, -56.89

 

CMYK 0 / 20 / 58 / 3

HEX #F7C568

RGB 247 197 104

HSL 39.02, 0.9%, 0.69%

LAB 82.22, 7.51, 52.69

 

CMYK 58 / 0 / 20 / 3

HEX #69F8C7

RGB 105 248 199

HSL 159.44, 0.91%, 0.69%

LAB 89.05, -49.96, 12.07

 

CMYK 58 / 49 / 0 / 3

HEX #687DF7

RGB 104 125 247

HSL 231.19, 0.9%, 0.69%

LAB 56.41, 27.67, -63.62

 

CMYK 0 / 58 / 38 / 3

HEX #F7689A

RGB 247 104 154

HSL 339.02, 0.9%, 0.69%

LAB 63.35, 59.28, 0.91

 

CMYK 0 / 9 / 58 / 3

HEX #F7E268

RGB 247 226 104

HSL 51.19, 0.9%, 0.69%

LAB 89.47, -7.31, 61

 

CMYK 58 / 0 / 20 / 3

HEX #69F8C7

RGB 105 248 199

HSL 159.44, 0.91%, 0.69%

LAB 89.05, -49.96, 12.07

 

CMYK 49 / 58 / 0 / 3

HEX #7D68F7

RGB 125 104 247

HSL 248.81, 0.9%, 0.69%

LAB 52.92, 44.09, -69.18

 

CMYK 0 / 58 / 38 / 3

HEX #F7689A

RGB 247 104 154

HSL 339.02, 0.9%, 0.69%

LAB 63.35, 59.28, 0.91

 

CMYK 9 / 0 / 58 / 3

HEX #E2F768

RGB 226 247 104

HSL 68.81, 0.9%, 0.69%

LAB 93.32, -25.93, 64.85

 

Description

Color code: HEX #69F8C7 | qconv.com Color code: HEX #69F8C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 248 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 248 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 20 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 20% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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