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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69F8B9 it is the complementary color #960746. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69F8B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69F8B9 shade: #6EF8B4, #7FFFC7, #90FFDA, #A1FFED and #B2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69F8B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69F8B9 shade: #69F8B9, #58E6A6, #47D493, #36C280 and #25B06D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69F8B9 shade: #68F8B9, #68F892, #68F86B, #8CF868 and #B3F868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69F8B9 shade: #68F8B9, #68F8DF, #68EAF8, #68C3F8 and #689CF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69F8B9 shade matches the following richer shades: #68F8B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69F8B9 shade: #68F8B9, #75EBB7, #82DEB5, #8ED2B4 and #9BC5B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69F8B9 shade: #68F86A, #68F891, #68F8B7, #68F8DE and #68ECF8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69F8B9 shade: #19F494, #41F6A6, #68F8B9, #8FFACB and #B7FCDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69F8B9 shade: #69F8B9, #688CF8 and #F87E68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69F8B9 shade: #69F8B9, #B768F8 and #F8B768

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69F8B9 shade: #69F8B9, #688CF8, #F868A9 and #F8D468

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69F8B9 shade: #69F8B9, #6F68F8, #F868A9 and #F1F868

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 25 / 3

HEX #69F8B9

RGB 105 248 185

HSL 153.57, 0.91%, 0.69%

LAB 88.75, -52.93, 18.88

 

Complementary color

CMYK 0 / 95 / 53 / 41

HEX #960746

RGB 150 7 70

HSL 333.57, 0.91%, 0.31%

LAB 31.98, 55.71, 4.83

 

CMYK 56 / 0 / 27 / 3

HEX #6EF8B4

RGB 110 248 180

HSL 150.43, 0.91%, 0.7%

LAB 88.8, -52.91, 21.54

 

CMYK 50 / 0 / 22 / 0

HEX #7FFFC7

RGB 127 255 199

HSL 153.75, 1%, 0.75%

LAB 91.75, -48.26, 16

 

CMYK 44 / 0 / 15 / 0

HEX #90FFDA

RGB 144 255 218

HSL 160, 1%, 0.78%

LAB 92.8, -40.25, 7.8

 

CMYK 37 / 0 / 7 / 0

HEX #A1FFED

RGB 161 255 237

HSL 168.51, 1%, 0.82%

LAB 93.97, -31.84, -0.22

 

CMYK 30 / 0 / 0 / 0

HEX #B2FFFF

RGB 178 255 255

HSL 180, 1%, 0.85%

LAB 95.25, -23.36, -7.55

 

CMYK 58 / 0 / 25 / 3

HEX #69F8B9

RGB 105 248 185

HSL 153.57, 0.91%, 0.69%

LAB 88.75, -52.93, 18.88

 

CMYK 62 / 0 / 28 / 10

HEX #58E6A6

RGB 88 230 166

HSL 152.96, 0.74%, 0.62%

LAB 82.6, -52.83, 20.08

 

CMYK 67 / 0 / 31 / 17

HEX #47D493

RGB 71 212 147

HSL 152.34, 0.62%, 0.55%

LAB 76.4, -52.58, 21.39

 

CMYK 72 / 0 / 34 / 24

HEX #36C280

RGB 54 194 128

HSL 151.71, 0.56%, 0.49%

LAB 70.12, -52.11, 22.81

 

CMYK 79 / 0 / 38 / 31

HEX #25B06D

RGB 37 176 109

HSL 151.08, 0.65%, 0.42%

LAB 63.79, -51.33, 24.37

 

CMYK 58 / 0 / 25 / 3

HEX #68F8B9

RGB 104 248 185

HSL 153.75, 0.91%, 0.69%

LAB 88.72, -53.13, 18.83

 

CMYK 58 / 0 / 41 / 3

HEX #68F892

RGB 104 248 146

HSL 137.5, 0.91%, 0.69%

LAB 88.04, -60.31, 37.62

 

CMYK 58 / 0 / 57 / 3

HEX #68F86B

RGB 104 248 107

HSL 121.25, 0.91%, 0.69%

LAB 87.55, -65.72, 55.37

 

CMYK 44 / 0 / 58 / 3

HEX #8CF868

RGB 140 248 104

HSL 105, 0.91%, 0.69%

LAB 88.79, -56.61, 58.44

 

CMYK 28 / 0 / 58 / 3

HEX #B3F868

RGB 179 248 104

HSL 88.75, 0.91%, 0.69%

LAB 90.65, -43.92, 61.06

 

CMYK 58 / 0 / 25 / 3

HEX #68F8B9

RGB 104 248 185

HSL 153.75, 0.91%, 0.69%

LAB 88.72, -53.13, 18.83

 

CMYK 58 / 0 / 10 / 3

HEX #68F8DF

RGB 104 248 223

HSL 169.58, 0.91%, 0.69%

LAB 89.58, -44.6, 0.38

 

CMYK 58 / 6 / 0 / 3

HEX #68EAF8

RGB 104 234 248

HSL 185.83, 0.91%, 0.69%

LAB 86.29, -31.76, -17.59

 

CMYK 58 / 21 / 0 / 3

HEX #68C3F8

RGB 104 195 248

HSL 202.08, 0.91%, 0.69%

LAB 75.3, -12.17, -34.37

 

CMYK 58 / 37 / 0 / 3

HEX #689CF8

RGB 104 156 248

HSL 218.33, 0.91%, 0.69%

LAB 64.56, 9.56, -51.17

 

CMYK 58 / 0 / 25 / 3

HEX #68F8B9

RGB 104 248 185

HSL 153.75, 0.91%, 0.69%

LAB 88.72, -53.13, 18.83

 

CMYK 58 / 0 / 25 / 3

HEX #68F8B9

RGB 104 248 185

HSL 153.75, 0.91%, 0.69%

LAB 88.72, -53.13, 18.83

 

CMYK 50 / 0 / 22 / 8

HEX #75EBB7

RGB 117 235 183

HSL 153.56, 0.75%, 0.69%

LAB 85.31, -45.28, 15.15

 

CMYK 41 / 0 / 18 / 13

HEX #82DEB5

RGB 130 222 181

HSL 153.26, 0.58%, 0.69%

LAB 82.01, -36.66, 11.61

 

CMYK 32 / 0 / 14 / 18

HEX #8ED2B4

RGB 142 210 180

HSL 153.53, 0.43%, 0.69%

LAB 79.12, -27.84, 8.09

 

CMYK 21 / 0 / 10 / 23

HEX #9BC5B2

RGB 155 197 178

HSL 152.86, 0.27%, 0.69%

LAB 76.14, -17.77, 4.97

 

CMYK 58 / 0 / 57 / 3

HEX #68F86A

RGB 104 248 106

HSL 120.83, 0.91%, 0.69%

LAB 87.54, -65.84, 55.8

 

CMYK 58 / 0 / 42 / 3

HEX #68F891

RGB 104 248 145

HSL 137.08, 0.91%, 0.69%

LAB 88.03, -60.47, 38.09

 

CMYK 58 / 0 / 26 / 3

HEX #68F8B7

RGB 104 248 183

HSL 152.92, 0.91%, 0.69%

LAB 88.68, -53.54, 19.81

 

CMYK 58 / 0 / 10 / 3

HEX #68F8DE

RGB 104 248 222

HSL 169.17, 0.91%, 0.69%

LAB 89.56, -44.85, 0.86

 

CMYK 58 / 5 / 0 / 3

HEX #68ECF8

RGB 104 236 248

HSL 185, 0.91%, 0.69%

LAB 86.86, -32.71, -16.74

 

CMYK 90 / 0 / 39 / 4

HEX #19F494

RGB 25 244 148

HSL 153.7, 0.91%, 0.53%

LAB 85.53, -68.96, 33.07

 

CMYK 74 / 0 / 33 / 4

HEX #41F6A6

RGB 65 246 166

HSL 153.48, 0.91%, 0.61%

LAB 86.89, -62.61, 25.9

 

CMYK 58 / 0 / 25 / 3

HEX #68F8B9

RGB 104 248 185

HSL 153.75, 0.91%, 0.69%

LAB 88.72, -53.13, 18.83

 

CMYK 43 / 0 / 19 / 2

HEX #8FFACB

RGB 143 250 203

HSL 153.64, 0.91%, 0.77%

LAB 91.02, -41.39, 12.98

 

CMYK 27 / 0 / 12 / 1

HEX #B7FCDD

RGB 183 252 221

HSL 153.04, 0.92%, 0.85%

LAB 93.84, -27.61, 7.98

 

CMYK 58 / 0 / 25 / 3

HEX #69F8B9

RGB 105 248 185

HSL 153.57, 0.91%, 0.69%

LAB 88.75, -52.93, 18.88

 

CMYK 58 / 44 / 0 / 3

HEX #688CF8

RGB 104 140 248

HSL 225, 0.91%, 0.69%

LAB 60.32, 18.99, -57.92

 

CMYK 0 / 49 / 58 / 3

HEX #F87E68

RGB 248 126 104

HSL 9.17, 0.91%, 0.69%

LAB 66.43, 44.73, 33.46

 

CMYK 58 / 0 / 25 / 3

HEX #69F8B9

RGB 105 248 185

HSL 153.57, 0.91%, 0.69%

LAB 88.75, -52.93, 18.88

 

CMYK 26 / 58 / 0 / 3

HEX #B768F8

RGB 183 104 248

HSL 272.92, 0.91%, 0.69%

LAB 58.74, 56.94, -60.07

 

CMYK 0 / 26 / 58 / 3

HEX #F8B768

RGB 248 183 104

HSL 32.92, 0.91%, 0.69%

LAB 78.94, 15.23, 48.85

 

CMYK 58 / 0 / 25 / 3

HEX #69F8B9

RGB 105 248 185

HSL 153.57, 0.91%, 0.69%

LAB 88.75, -52.93, 18.88

 

CMYK 58 / 44 / 0 / 3

HEX #688CF8

RGB 104 140 248

HSL 225, 0.91%, 0.69%

LAB 60.32, 18.99, -57.92

 

CMYK 0 / 58 / 32 / 3

HEX #F868A9

RGB 248 104 169

HSL 332.92, 0.91%, 0.69%

LAB 63.93, 61.28, -6.81

 

CMYK 0 / 15 / 58 / 3

HEX #F8D468

RGB 248 212 104

HSL 45, 0.91%, 0.69%

LAB 86.03, 0.18, 57.11

 

CMYK 58 / 0 / 25 / 3

HEX #69F8B9

RGB 105 248 185

HSL 153.57, 0.91%, 0.69%

LAB 88.75, -52.93, 18.88

 

CMYK 55 / 58 / 0 / 3

HEX #6F68F8

RGB 111 104 248

HSL 242.92, 0.91%, 0.69%

LAB 51.9, 41.78, -71.44

 

CMYK 0 / 58 / 32 / 3

HEX #F868A9

RGB 248 104 169

HSL 332.92, 0.91%, 0.69%

LAB 63.93, 61.28, -6.81

 

CMYK 3 / 0 / 58 / 3

HEX #F1F868

RGB 241 248 104

HSL 62.92, 0.91%, 0.69%

LAB 94.67, -20.5, 66.66

 

Description

Color code: HEX #69F8B9 | qconv.com Color code: HEX #69F8B9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 248 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 248 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 25 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 25% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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