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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69F3FD it is the complementary color #960C02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69F3FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #69F3FD: #6EF3F8, #7FFFFF, #90FFFF, #A1FFFF and #B2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69F3FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #69F3FD: #69F3FD, #58E1EA, #47CFD7, #36BDC4 and #25ABB1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 4 / 0 / 1

HEX #69F3FD

RGB 105 243 253

HSL 184.05, 0.97%, 0.7%

LAB 89.02, -34.47, -16.1

 

Complementary color

CMYK 0 / 92 / 99 / 41

HEX #960C02

RGB 150 12 2

HSL 4.05, 0.97%, 0.3%

LAB 31.23, 52.16, 43.98

 

CMYK 56 / 2 / 0 / 3

HEX #6EF3F8

RGB 110 243 248

HSL 182.17, 0.91%, 0.7%

LAB 89.01, -34.92, -13.48

 

CMYK 50 / 0 / 0 / 0

HEX #7FFFFF

RGB 127 255 255

HSL 180, 1%, 0.75%

LAB 93.12, -35.43, -10.93

 

CMYK 44 / 0 / 0 / 0

HEX #90FFFF

RGB 144 255 255

HSL 180, 1%, 0.78%

LAB 93.74, -31.8, -9.95

 

CMYK 37 / 0 / 0 / 0

HEX #A1FFFF

RGB 161 255 255

HSL 180, 1%, 0.82%

LAB 94.45, -27.77, -8.82

 

CMYK 30 / 0 / 0 / 0

HEX #B2FFFF

RGB 178 255 255

HSL 180, 1%, 0.85%

LAB 95.25, -23.36, -7.55

 

CMYK 58 / 4 / 0 / 1

HEX #69F3FD

RGB 105 243 253

HSL 184.05, 0.97%, 0.7%

LAB 89.02, -34.47, -16.1

 

CMYK 62 / 4 / 0 / 8

HEX #58E1EA

RGB 88 225 234

HSL 183.7, 0.78%, 0.63%

LAB 82.84, -34.05, -15.43

 

CMYK 67 / 4 / 0 / 16

HEX #47CFD7

RGB 71 207 215

HSL 183.33, 0.64%, 0.56%

LAB 76.6, -33.48, -14.71

 

CMYK 72 / 4 / 0 / 23

HEX #36BDC4

RGB 54 189 196

HSL 182.96, 0.57%, 0.49%

LAB 70.29, -32.72, -13.91

 

CMYK 79 / 3 / 0 / 31

HEX #25ABB1

RGB 37 171 177

HSL 182.57, 0.65%, 0.42%

LAB 63.91, -31.69, -13.03

 

CMYK 58 / 4 / 0 / 1

HEX #69F3FD

RGB 105 243 253

HSL 184.05, 0.97%, 0.7%

LAB 89.02, -34.47, -16.1

 

CMYK 59 / 13 / 0 / 1

HEX #68DAFC

RGB 104 218 252

HSL 193.78, 0.96%, 0.7%

LAB 81.9, -22.84, -26.36

 

CMYK 59 / 23 / 0 / 1

HEX #68C1FC

RGB 104 193 252

HSL 203.92, 0.96%, 0.7%

LAB 74.9, -9.9, -37.14

 

CMYK 59 / 33 / 0 / 1

HEX #68A8FC

RGB 104 168 252

HSL 214.05, 0.96%, 0.7%

LAB 68, 3.93, -47.91

 

CMYK 59 / 43 / 0 / 1

HEX #688FFC

RGB 104 143 252

HSL 224.19, 0.96%, 0.7%

LAB 61.32, 18.5, -58.51

 

CMYK 58 / 4 / 0 / 1

HEX #69F3FD

RGB 105 243 253

HSL 184.05, 0.97%, 0.7%

LAB 89.02, -34.47, -16.1

 

CMYK 59 / 4 / 0 / 81

HEX #142F31

RGB 20 47 49

HSL 184.14, 0.42%, 0.14%

LAB 17.48, -9.57, -4.46

 

CMYK 58 / 4 / 0 / 61

HEX #2A6064

RGB 42 96 100

HSL 184.14, 0.41%, 0.28%

LAB 37.44, -16.48, -7.72

 

CMYK 58 / 4 / 0 / 41

HEX #3F9197

RGB 63 145 151

HSL 184.09, 0.41%, 0.42%

LAB 55.63, -22.88, -10.69

 

CMYK 58 / 4 / 0 / 21

HEX #54C2CA

RGB 84 194 202

HSL 184.07, 0.53%, 0.56%

LAB 72.72, -28.83, -13.47

 

CMYK 58 / 4 / 0 / 1

HEX #69F3FD

RGB 105 243 253

HSL 184.05, 0.97%, 0.7%

LAB 89.02, -34.47, -16.1

 

CMYK 43 / 59 / 0 / 1

HEX #8F68FC

RGB 143 104 252

HSL 255.81, 0.96%, 0.7%

LAB 54.83, 49.09, -68.79

 

CMYK 0 / 19 / 59 / 1

HEX #FCCB68

RGB 252 203 104

HSL 40.14, 0.96%, 0.7%

LAB 84.18, 6.45, 55.08

 

CMYK 58 / 4 / 0 / 1

HEX #69F3FD

RGB 105 243 253

HSL 184.05, 0.97%, 0.7%

LAB 89.02, -34.47, -16.1

 

CMYK 0 / 59 / 4 / 1

HEX #FC68F2

RGB 252 104 242

HSL 304.05, 0.96%, 0.7%

LAB 67.28, 72.6, -42.65

 

CMYK 4 / 0 / 59 / 1

HEX #F2FC68

RGB 242 252 104

HSL 64.05, 0.96%, 0.7%

LAB 95.79, -22.02, 67.91

 

CMYK 58 / 4 / 0 / 1

HEX #69F3FD

RGB 105 243 253

HSL 184.05, 0.97%, 0.7%

LAB 89.02, -34.47, -16.1

 

CMYK 43 / 59 / 0 / 1

HEX #8F68FC

RGB 143 104 252

HSL 255.81, 0.96%, 0.7%

LAB 54.83, 49.09, -68.79

 

CMYK 0 / 55 / 59 / 1

HEX #FC7268

RGB 252 114 104

HSL 4.05, 0.96%, 0.7%

LAB 64.75, 51.94, 31.44

 

CMYK 15 / 0 / 59 / 1

HEX #D5FC68

RGB 213 252 104

HSL 75.81, 0.96%, 0.7%

LAB 93.78, -33.25, 65.13

 

CMYK 58 / 4 / 0 / 1

HEX #69F3FD

RGB 105 243 253

HSL 184.05, 0.97%, 0.7%

LAB 89.02, -34.47, -16.1

 

CMYK 25 / 59 / 0 / 1

HEX #BC68FC

RGB 188 104 252

HSL 274.05, 0.96%, 0.7%

LAB 59.54, 58.99, -60.96

 

CMYK 0 / 55 / 59 / 1

HEX #FC7268

RGB 252 114 104

HSL 4.05, 0.96%, 0.7%

LAB 64.75, 51.94, 31.44

 

CMYK 33 / 0 / 59 / 1

HEX #A8FC68

RGB 168 252 104

HSL 94.05, 0.96%, 0.7%

LAB 91.21, -49.39, 61.54

 

Description

Color code: HEX #69F3FD | qconv.com Color code: HEX #69F3FD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 243 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 243 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 4 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 4% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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