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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69EAA6 it is the complementary color #961559. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69EAA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69EAA6 shade: #6EEAA1, #7FFCB4, #90FFC7, #A1FFDA and #B2FFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69EAA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69EAA6 shade: #69EAA6, #58D893, #47C680, #36B46D and #25A25A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69EAA6 shade: #67E9A5, #67E982, #70E967, #93E967 and #B6E967

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69EAA6 shade: #67E9A5, #67E9C8, #67E8E9, #67C5E9 and #67A2E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69EAA6 shade matches the following richer shades: #67E9A5 and #59F7A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69EAA6 shade: #67E9A5, #75DBA6, #83CDA6, #91BFA7 and #9FB1A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69EAA6 shade: #70E967, #67E981, #67E9A4, #67E9C7 and #67E9E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69EAA6 shade: #20DE7A, #43E48F, #67E9A5, #8BEEBA and #AFF4D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69EAA6 shade: #69EAA6, #6793E9 and #E97067

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69EAA6 shade: #69EAA6, #A467E9 and #E9A467

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69EAA6 shade: #69EAA6, #6793E9, #E967AD and #E9BE67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69EAA6 shade: #69EAA6, #676CE9, #E967AD and #E9E567

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 29 / 8

HEX #69EAA6

RGB 105 234 166

HSL 148.37, 0.75%, 0.66%

LAB 84.28, -51, 22.47

 

Complementary color

CMYK 0 / 86 / 41 / 41

HEX #961559

RGB 150 21 89

HSL 328.37, 0.75%, 0.34%

LAB 33.44, 54.98, -5.51

 

CMYK 53 / 0 / 31 / 8

HEX #6EEAA1

RGB 110 234 161

HSL 144.68, 0.75%, 0.67%

LAB 84.35, -50.83, 25.17

 

CMYK 50 / 0 / 29 / 1

HEX #7FFCB4

RGB 127 252 180

HSL 145.44, 0.95%, 0.74%

LAB 90.52, -50.71, 23.99

 

CMYK 44 / 0 / 22 / 0

HEX #90FFC7

RGB 144 255 199

HSL 149.73, 1%, 0.78%

LAB 92.39, -44.13, 16.98

 

CMYK 37 / 0 / 15 / 0

HEX #A1FFDA

RGB 161 255 218

HSL 156.38, 1%, 0.82%

LAB 93.52, -35.86, 8.92

 

CMYK 30 / 0 / 7 / 0

HEX #B2FFED

RGB 178 255 237

HSL 165.97, 1%, 0.85%

LAB 94.78, -27.25, 1.05

 

CMYK 55 / 0 / 29 / 8

HEX #69EAA6

RGB 105 234 166

HSL 148.37, 0.75%, 0.66%

LAB 84.28, -51, 22.47

 

CMYK 59 / 0 / 32 / 15

HEX #58D893

RGB 88 216 147

HSL 147.66, 0.62%, 0.6%

LAB 78.05, -50.98, 23.72

 

CMYK 64 / 0 / 35 / 22

HEX #47C680

RGB 71 198 128

HSL 146.93, 0.53%, 0.53%

LAB 71.75, -50.81, 25.07

 

CMYK 70 / 0 / 39 / 29

HEX #36B46D

RGB 54 180 109

HSL 146.19, 0.54%, 0.46%

LAB 65.38, -50.43, 26.53

 

CMYK 77 / 0 / 44 / 36

HEX #25A25A

RGB 37 162 90

HSL 145.44, 0.63%, 0.39%

LAB 58.95, -49.71, 28.13

 

CMYK 56 / 0 / 29 / 9

HEX #67E9A5

RGB 103 233 165

HSL 148.62, 0.75%, 0.66%

LAB 83.9, -51.22, 22.46

 

CMYK 56 / 0 / 44 / 9

HEX #67E982

RGB 103 233 130

HSL 132.46, 0.75%, 0.66%

LAB 83.32, -57.33, 39.4

 

CMYK 52 / 0 / 56 / 9

HEX #70E967

RGB 112 233 103

HSL 115.85, 0.75%, 0.66%

LAB 83.29, -58.74, 52.21

 

CMYK 37 / 0 / 56 / 9

HEX #93E967

RGB 147 233 103

HSL 99.69, 0.75%, 0.66%

LAB 84.72, -48.47, 54.26

 

CMYK 22 / 0 / 56 / 9

HEX #B6E967

RGB 182 233 103

HSL 83.54, 0.75%, 0.66%

LAB 86.6, -36.28, 56.92

 

CMYK 56 / 0 / 29 / 9

HEX #67E9A5

RGB 103 233 165

HSL 148.62, 0.75%, 0.66%

LAB 83.9, -51.22, 22.46

 

CMYK 56 / 0 / 14 / 9

HEX #67E9C8

RGB 103 233 200

HSL 164.77, 0.75%, 0.66%

LAB 84.65, -43.7, 5.25

 

CMYK 56 / 0 / 0 / 9

HEX #67E8E9

RGB 103 232 233

HSL 180.46, 0.75%, 0.66%

LAB 85.24, -35.03, -11.27

 

CMYK 56 / 15 / 0 / 9

HEX #67C5E9

RGB 103 197 233

HSL 196.62, 0.75%, 0.66%

LAB 75.26, -17.85, -26.35

 

CMYK 56 / 30 / 0 / 9

HEX #67A2E9

RGB 103 162 233

HSL 212.77, 0.75%, 0.66%

LAB 65.44, 1.16, -41.56

 

CMYK 56 / 0 / 29 / 9

HEX #67E9A5

RGB 103 233 165

HSL 148.62, 0.75%, 0.66%

LAB 83.9, -51.22, 22.46

 

CMYK 64 / 0 / 34 / 3

HEX #59F7A4

RGB 89 247 164

HSL 148.48, 0.91%, 0.66%

LAB 87.64, -59.71, 28.01

 

CMYK 56 / 0 / 29 / 9

HEX #67E9A5

RGB 103 233 165

HSL 148.62, 0.75%, 0.66%

LAB 83.9, -51.22, 22.46

 

CMYK 47 / 0 / 24 / 14

HEX #75DBA6

RGB 117 219 166

HSL 148.82, 0.59%, 0.66%

LAB 80.29, -41.76, 17.01

 

CMYK 36 / 0 / 19 / 20

HEX #83CDA6

RGB 131 205 166

HSL 148.38, 0.43%, 0.66%

LAB 76.82, -31.52, 12.22

 

CMYK 24 / 0 / 13 / 25

HEX #91BFA7

RGB 145 191 167

HSL 148.7, 0.26%, 0.66%

LAB 73.59, -20.16, 7.18

 

CMYK 10 / 0 / 5 / 31

HEX #9FB1A8

RGB 159 177 168

HSL 150, 0.1%, 0.66%

LAB 70.62, -8.01, 2.47

 

CMYK 52 / 0 / 56 / 9

HEX #70E967

RGB 112 233 103

HSL 115.85, 0.75%, 0.66%

LAB 83.29, -58.74, 52.21

 

CMYK 56 / 0 / 45 / 9

HEX #67E981

RGB 103 233 129

HSL 132, 0.75%, 0.66%

LAB 83.31, -57.48, 39.88

 

CMYK 56 / 0 / 30 / 9

HEX #67E9A4

RGB 103 233 164

HSL 148.15, 0.75%, 0.66%

LAB 83.88, -51.41, 22.95

 

CMYK 56 / 0 / 15 / 9

HEX #67E9C7

RGB 103 233 199

HSL 164.31, 0.75%, 0.66%

LAB 84.63, -43.93, 5.74

 

CMYK 56 / 0 / 0 / 9

HEX #67E9E9

RGB 103 233 233

HSL 180, 0.75%, 0.66%

LAB 85.53, -35.5, -10.84

 

CMYK 86 / 0 / 45 / 13

HEX #20DE7A

RGB 32 222 122

HSL 148.42, 0.75%, 0.5%

LAB 78.44, -65.75, 36.81

 

CMYK 71 / 0 / 37 / 11

HEX #43E48F

RGB 67 228 143

HSL 148.32, 0.75%, 0.58%

LAB 81.11, -60.12, 29.82

 

CMYK 56 / 0 / 29 / 9

HEX #67E9A5

RGB 103 233 165

HSL 148.62, 0.75%, 0.66%

LAB 83.9, -51.22, 22.46

 

CMYK 42 / 0 / 22 / 7

HEX #8BEEBA

RGB 139 238 186

HSL 148.48, 0.74%, 0.74%

LAB 87.09, -40.48, 16.21

 

CMYK 28 / 0 / 15 / 4

HEX #AFF4D0

RGB 175 244 208

HSL 148.7, 0.76%, 0.82%

LAB 90.95, -28.72, 10.5

 

CMYK 55 / 0 / 29 / 8

HEX #69EAA6

RGB 105 234 166

HSL 148.37, 0.75%, 0.66%

LAB 84.28, -51, 22.47

 

CMYK 56 / 37 / 0 / 9

HEX #6793E9

RGB 103 147 233

HSL 219.69, 0.75%, 0.66%

LAB 61.34, 9.84, -48.02

 

CMYK 0 / 52 / 56 / 9

HEX #E97067

RGB 233 112 103

HSL 4.15, 0.75%, 0.66%

LAB 61.56, 46.06, 27.32

 

CMYK 55 / 0 / 29 / 8

HEX #69EAA6

RGB 105 234 166

HSL 148.37, 0.75%, 0.66%

LAB 84.28, -51, 22.47

 

CMYK 30 / 56 / 0 / 9

HEX #A467E9

RGB 164 103 233

HSL 268.15, 0.75%, 0.66%

LAB 55.56, 49.49, -56.93

 

CMYK 0 / 30 / 56 / 9

HEX #E9A467

RGB 233 164 103

HSL 28.15, 0.75%, 0.66%

LAB 72.8, 19.07, 41.55

 

CMYK 55 / 0 / 29 / 8

HEX #69EAA6

RGB 105 234 166

HSL 148.37, 0.75%, 0.66%

LAB 84.28, -51, 22.47

 

CMYK 56 / 37 / 0 / 9

HEX #6793E9

RGB 103 147 233

HSL 219.69, 0.75%, 0.66%

LAB 61.34, 9.84, -48.02

 

CMYK 0 / 56 / 26 / 9

HEX #E967AD

RGB 233 103 173

HSL 327.69, 0.75%, 0.66%

LAB 61.69, 57.69, -12.68

 

CMYK 0 / 18 / 56 / 9

HEX #E9BE67

RGB 233 190 103

HSL 40.15, 0.75%, 0.66%

LAB 79.12, 5.32, 49.17

 

CMYK 55 / 0 / 29 / 8

HEX #69EAA6

RGB 105 234 166

HSL 148.37, 0.75%, 0.66%

LAB 84.28, -51, 22.47

 

CMYK 56 / 54 / 0 / 9

HEX #676CE9

RGB 103 108 233

HSL 237.69, 0.75%, 0.66%

LAB 51.26, 33.27, -64.13

 

CMYK 0 / 56 / 26 / 9

HEX #E967AD

RGB 233 103 173

HSL 327.69, 0.75%, 0.66%

LAB 61.69, 57.69, -12.68

 

CMYK 0 / 2 / 56 / 9

HEX #E9E567

RGB 233 229 103

HSL 58.15, 0.75%, 0.66%

LAB 89.08, -14.54, 60.69

 

Description

Color code: HEX #69EAA6 | qconv.com Color code: HEX #69EAA6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 234 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 234 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 29 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 29% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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