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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69E5E3 it is the complementary color #961A1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69E5E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69E5E3 shade: #6EE5DE, #7FF7F1, #90FFFF, #A1FFFF and #B2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69E5E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69E5E3 shade: #69E5E3, #58D3D0, #47C1BD, #36AFAA and #259D97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69E5E3 shade: #67E4E2, #67E4C1, #67E49F, #67E47D and #73E467

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69E5E3 shade: #67E4E2, #67C5E4, #67A3E4, #6781E4 and #6767E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69E5E3 shade matches the following richer shades: #67E4E2 and #59F3F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69E5E3 shade: #67E4E2, #76D6D4, #84C7C6, #93B9B8 and #A1AAAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69E5E3 shade: #67E4A0, #67E4C1, #67E4E2, #67C5E4 and #67A4E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69E5E3 shade: #25D4D1, #44DEDC, #67E4E2, #8AEAE9 and #ADF1F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69E5E3 shade: #69E5E3, #7E67E4 and #E4B067

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69E5E3 shade: #69E5E3, #E267E4 and #E4E267

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69E5E3 shade: #69E5E3, #7E67E4, #E46769 and #CDE467

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69E5E3 shade: #69E5E3, #A467E4, #E46769 and #A8E467

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 1 / 10

HEX #69E5E3

RGB 105 229 227

HSL 179.03, 0.7%, 0.65%

LAB 84.27, -34.83, -9.54

 

Complementary color

CMYK 0 / 83 / 81 / 41

HEX #961A1C

RGB 150 26 28

HSL 359.03, 0.7%, 0.35%

LAB 32.5, 49.62, 32.52

 

CMYK 52 / 0 / 3 / 10

HEX #6EE5DE

RGB 110 229 222

HSL 176.47, 0.7%, 0.66%

LAB 84.29, -35.13, -6.85

 

CMYK 49 / 0 / 2 / 3

HEX #7FF7F1

RGB 127 247 241

HSL 177, 0.88%, 0.73%

LAB 90.5, -35.21, -7.56

 

CMYK 44 / 0 / 0 / 0

HEX #90FFFF

RGB 144 255 255

HSL 180, 1%, 0.78%

LAB 93.74, -31.8, -9.95

 

CMYK 37 / 0 / 0 / 0

HEX #A1FFFF

RGB 161 255 255

HSL 180, 1%, 0.82%

LAB 94.45, -27.77, -8.82

 

CMYK 30 / 0 / 0 / 0

HEX #B2FFFF

RGB 178 255 255

HSL 180, 1%, 0.85%

LAB 95.25, -23.36, -7.55

 

CMYK 54 / 0 / 1 / 10

HEX #69E5E3

RGB 105 229 227

HSL 179.03, 0.7%, 0.65%

LAB 84.27, -34.83, -9.54

 

CMYK 58 / 0 / 1 / 17

HEX #58D3D0

RGB 88 211 208

HSL 178.54, 0.58%, 0.59%

LAB 78, -34.58, -8.8

 

CMYK 63 / 0 / 2 / 24

HEX #47C1BD

RGB 71 193 189

HSL 178.03, 0.5%, 0.52%

LAB 71.66, -34.21, -8

 

CMYK 69 / 0 / 3 / 31

HEX #36AFAA

RGB 54 175 170

HSL 177.52, 0.53%, 0.45%

LAB 65.24, -33.66, -7.11

 

CMYK 76 / 0 / 4 / 38

HEX #259D97

RGB 37 157 151

HSL 177, 0.62%, 0.38%

LAB 58.73, -32.86, -6.12

 

CMYK 55 / 0 / 1 / 11

HEX #67E4E2

RGB 103 228 226

HSL 179.04, 0.7%, 0.65%

LAB 83.89, -35.01, -9.58

 

CMYK 55 / 0 / 15 / 11

HEX #67E4C1

RGB 103 228 193

HSL 163.2, 0.7%, 0.65%

LAB 83.03, -43.13, 6.59

 

CMYK 55 / 0 / 30 / 11

HEX #67E49F

RGB 103 228 159

HSL 146.88, 0.7%, 0.65%

LAB 82.31, -50.33, 23.38

 

CMYK 55 / 0 / 45 / 11

HEX #67E47D

RGB 103 228 125

HSL 130.56, 0.7%, 0.65%

LAB 81.76, -56.16, 39.86

 

CMYK 50 / 0 / 55 / 11

HEX #73E467

RGB 115 228 103

HSL 114.24, 0.7%, 0.65%

LAB 81.9, -56.03, 50.6

 

CMYK 55 / 0 / 1 / 11

HEX #67E4E2

RGB 103 228 226

HSL 179.04, 0.7%, 0.65%

LAB 83.89, -35.01, -9.58

 

CMYK 55 / 14 / 0 / 11

HEX #67C5E4

RGB 103 197 228

HSL 194.88, 0.7%, 0.65%

LAB 75.09, -19.29, -23.92

 

CMYK 55 / 29 / 0 / 11

HEX #67A3E4

RGB 103 163 228

HSL 211.2, 0.7%, 0.65%

LAB 65.5, -0.95, -38.72

 

CMYK 55 / 43 / 0 / 11

HEX #6781E4

RGB 103 129 228

HSL 227.52, 0.7%, 0.65%

LAB 56.27, 18.97, -53.28

 

CMYK 55 / 55 / 0 / 11

HEX #6767E4

RGB 103 103 228

HSL 240, 0.7%, 0.65%

LAB 49.72, 34.7, -63.8

 

CMYK 55 / 0 / 1 / 11

HEX #67E4E2

RGB 103 228 226

HSL 179.04, 0.7%, 0.65%

LAB 83.89, -35.01, -9.58

 

CMYK 63 / 0 / 1 / 5

HEX #59F3F0

RGB 89 243 240

HSL 178.83, 0.87%, 0.65%

LAB 88.22, -40.54, -10.55

 

CMYK 55 / 0 / 1 / 11

HEX #67E4E2

RGB 103 228 226

HSL 179.04, 0.7%, 0.65%

LAB 83.89, -35.01, -9.58

 

CMYK 45 / 0 / 1 / 16

HEX #76D6D4

RGB 118 214 212

HSL 178.75, 0.54%, 0.65%

LAB 80.01, -28.81, -7.85

 

CMYK 34 / 0 / 1 / 22

HEX #84C7C6

RGB 132 199 198

HSL 179.1, 0.37%, 0.65%

LAB 75.96, -21.29, -6.25

 

CMYK 21 / 0 / 1 / 27

HEX #93B9B8

RGB 147 185 184

HSL 178.42, 0.21%, 0.65%

LAB 72.47, -12.88, -3.7

 

CMYK 5 / 0 / 0 / 33

HEX #A1AAAA

RGB 161 170 170

HSL 180, 0.05%, 0.65%

LAB 68.92, -3.16, -1.1

 

CMYK 55 / 0 / 30 / 11

HEX #67E4A0

RGB 103 228 160

HSL 147.36, 0.7%, 0.65%

LAB 82.33, -50.13, 22.89

 

CMYK 55 / 0 / 15 / 11

HEX #67E4C1

RGB 103 228 193

HSL 163.2, 0.7%, 0.65%

LAB 83.03, -43.13, 6.59

 

CMYK 55 / 0 / 1 / 11

HEX #67E4E2

RGB 103 228 226

HSL 179.04, 0.7%, 0.65%

LAB 83.89, -35.01, -9.58

 

CMYK 55 / 14 / 0 / 11

HEX #67C5E4

RGB 103 197 228

HSL 194.88, 0.7%, 0.65%

LAB 75.09, -19.29, -23.92

 

CMYK 55 / 28 / 0 / 11

HEX #67A4E4

RGB 103 164 228

HSL 210.72, 0.7%, 0.65%

LAB 65.78, -1.52, -38.29

 

CMYK 83 / 0 / 1 / 17

HEX #25D4D1

RGB 37 212 209

HSL 178.97, 0.7%, 0.49%

LAB 77.33, -41.15, -10.45

 

CMYK 69 / 0 / 1 / 13

HEX #44DEDC

RGB 68 222 220

HSL 179.22, 0.7%, 0.57%

LAB 81.09, -39.42, -10.67

 

CMYK 55 / 0 / 1 / 11

HEX #67E4E2

RGB 103 228 226

HSL 179.04, 0.7%, 0.65%

LAB 83.89, -35.01, -9.58

 

CMYK 41 / 0 / 0 / 8

HEX #8AEAE9

RGB 138 234 233

HSL 179.38, 0.7%, 0.73%

LAB 87.06, -28.56, -8.43

 

CMYK 28 / 0 / 0 / 5

HEX #ADF1F0

RGB 173 241 240

HSL 179.12, 0.71%, 0.81%

LAB 90.82, -21.23, -6.34

 

CMYK 54 / 0 / 1 / 10

HEX #69E5E3

RGB 105 229 227

HSL 179.03, 0.7%, 0.65%

LAB 84.27, -34.83, -9.54

 

CMYK 45 / 55 / 0 / 11

HEX #7E67E4

RGB 126 103 228

HSL 251.04, 0.7%, 0.65%

LAB 51.54, 39.41, -60.78

 

CMYK 0 / 23 / 55 / 11

HEX #E4B067

RGB 228 176 103

HSL 35.04, 0.7%, 0.65%

LAB 75.15, 10.64, 44.3

 

CMYK 54 / 0 / 1 / 10

HEX #69E5E3

RGB 105 229 227

HSL 179.03, 0.7%, 0.65%

LAB 84.27, -34.83, -9.54

 

CMYK 1 / 55 / 0 / 11

HEX #E267E4

RGB 226 103 228

HSL 299.04, 0.7%, 0.65%

LAB 62.9, 64.11, -42.01

 

CMYK 0 / 1 / 55 / 11

HEX #E4E267

RGB 228 226 103

HSL 59.04, 0.7%, 0.65%

LAB 87.9, -15.07, 59.25

 

CMYK 54 / 0 / 1 / 10

HEX #69E5E3

RGB 105 229 227

HSL 179.03, 0.7%, 0.65%

LAB 84.27, -34.83, -9.54

 

CMYK 45 / 55 / 0 / 11

HEX #7E67E4

RGB 126 103 228

HSL 251.04, 0.7%, 0.65%

LAB 51.54, 39.41, -60.78

 

CMYK 0 / 55 / 54 / 11

HEX #E46769

RGB 228 103 105

HSL 359.04, 0.7%, 0.65%

LAB 59.17, 48.78, 22.89

 

CMYK 10 / 0 / 55 / 11

HEX #CDE467

RGB 205 228 103

HSL 71.04, 0.7%, 0.65%

LAB 86.72, -25.19, 57.45

 

CMYK 54 / 0 / 1 / 10

HEX #69E5E3

RGB 105 229 227

HSL 179.03, 0.7%, 0.65%

LAB 84.27, -34.83, -9.54

 

CMYK 28 / 55 / 0 / 11

HEX #A467E4

RGB 164 103 228

HSL 269.28, 0.7%, 0.65%

LAB 55.27, 48.3, -54.59

 

CMYK 0 / 55 / 54 / 11

HEX #E46769

RGB 228 103 105

HSL 359.04, 0.7%, 0.65%

LAB 59.17, 48.78, 22.89

 

CMYK 26 / 0 / 55 / 11

HEX #A8E467

RGB 168 228 103

HSL 88.8, 0.7%, 0.65%

LAB 84.38, -39.13, 54.13

 

Description

Color code: HEX #69E5E3 | qconv.com Color code: HEX #69E5E3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 229 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 229 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 1 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 1% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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