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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69E549 it is the complementary color #961AB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69E549. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69E549 shade: #6EE544, #7FF757, #90FF6A, #A1FF7D and #B2FF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69E549. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69E549 shade: #69E549, #58D336, #47C123, #36AF10 and #259D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69E549 shade: #68E548, #93E548, #BDE548, #E5E348 and #E5B848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69E549 shade: #68E548, #48E552, #48E57C, #48E5A7 and #48E5D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69E549 shade matches the following richer shades: #68E548 and #5EF637

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69E549 shade: #68E548, #72D459, #7CC36A, #86B27B and #90A18C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69E549 shade: #BEE548, #94E548, #6AE548, #48E550 and #48E57A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69E549 shade: #3DBF1B, #4AE024, #68E548, #86EA6C and #A4EF90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69E549 shade: #69E549, #48E5E2 and #E548A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69E549 shade: #69E549, #486AE5 and #E5486A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69E549 shade: #69E549, #48E5E2, #C348E5 and #E5484B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69E549 shade: #69E549, #48B8E5, #C348E5 and #E57448

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 68 / 10

HEX #69E549

RGB 105 229 73

HSL 107.69, 0.75%, 0.59%

LAB 81.58, -62.05, 62.82

 

Complementary color

CMYK 18 / 86 / 0 / 29

HEX #961AB6

RGB 150 26 182

HSL 287.69, 0.75%, 0.41%

LAB 38.9, 67.5, -54.51

 

CMYK 52 / 0 / 70 / 10

HEX #6EE544

RGB 110 229 68

HSL 104.35, 0.76%, 0.58%

LAB 81.71, -61.12, 64.87

 

CMYK 49 / 0 / 65 / 3

HEX #7FF757

RGB 127 247 87

HSL 105, 0.91%, 0.65%

LAB 87.83, -61.56, 64.29

 

CMYK 44 / 0 / 58 / 0

HEX #90FF6A

RGB 144 255 106

HSL 104.7, 1%, 0.71%

LAB 91, -57.96, 60.16

 

CMYK 37 / 0 / 51 / 0

HEX #A1FF7D

RGB 161 255 125

HSL 103.38, 1%, 0.75%

LAB 91.94, -50.75, 53

 

CMYK 30 / 0 / 44 / 0

HEX #B2FF90

RGB 178 255 144

HSL 101.62, 1%, 0.78%

LAB 93.01, -42.99, 45.57

 

CMYK 54 / 0 / 68 / 10

HEX #69E549

RGB 105 229 73

HSL 107.69, 0.75%, 0.59%

LAB 81.58, -62.05, 62.82

 

CMYK 58 / 0 / 74 / 17

HEX #58D336

RGB 88 211 54

HSL 107.01, 0.64%, 0.52%

LAB 75.41, -61.37, 63.17

 

CMYK 63 / 0 / 82 / 24

HEX #47C123

RGB 71 193 35

HSL 106.33, 0.69%, 0.45%

LAB 69.18, -60.31, 62.84

 

CMYK 69 / 0 / 91 / 31

HEX #36AF10

RGB 54 175 16

HSL 105.66, 0.83%, 0.37%

LAB 62.91, -58.73, 61.35

 

CMYK 76 / 0 / 100 / 38

HEX #259D00

RGB 37 157 0

HSL 105.86, 1%, 0.31%

LAB 56.59, -56.48, 58.37

 

CMYK 55 / 0 / 69 / 10

HEX #68E548

RGB 104 229 72

HSL 107.77, 0.75%, 0.59%

LAB 81.54, -62.39, 63.15

 

CMYK 36 / 0 / 69 / 10

HEX #93E548

RGB 147 229 72

HSL 91.34, 0.75%, 0.59%

LAB 83.29, -49.5, 65.51

 

CMYK 17 / 0 / 69 / 10

HEX #BDE548

RGB 189 229 72

HSL 75.29, 0.75%, 0.59%

LAB 85.67, -34.13, 68.7

 

CMYK 0 / 1 / 69 / 10

HEX #E5E348

RGB 229 227 72

HSL 59.24, 0.75%, 0.59%

LAB 88, -17.1, 71.98

 

CMYK 0 / 20 / 69 / 10

HEX #E5B848

RGB 229 184 72

HSL 42.8, 0.75%, 0.59%

LAB 76.92, 4.76, 60.77

 

CMYK 55 / 0 / 69 / 10

HEX #68E548

RGB 104 229 72

HSL 107.77, 0.75%, 0.59%

LAB 81.54, -62.39, 63.15

 

CMYK 69 / 0 / 64 / 10

HEX #48E552

RGB 72 229 82

HSL 123.82, 0.75%, 0.59%

LAB 80.75, -68.43, 58.11

 

CMYK 69 / 0 / 46 / 10

HEX #48E57C

RGB 72 229 124

HSL 139.87, 0.75%, 0.59%

LAB 81.22, -62.98, 39.5

 

CMYK 69 / 0 / 27 / 10

HEX #48E5A7

RGB 72 229 167

HSL 156.31, 0.75%, 0.59%

LAB 81.95, -54.94, 18.6

 

CMYK 69 / 0 / 9 / 10

HEX #48E5D1

RGB 72 229 209

HSL 172.36, 0.75%, 0.59%

LAB 82.92, -44.95, -2.11

 

CMYK 55 / 0 / 69 / 10

HEX #68E548

RGB 104 229 72

HSL 107.77, 0.75%, 0.59%

LAB 81.54, -62.39, 63.15

 

CMYK 62 / 0 / 78 / 4

HEX #5EF637

RGB 94 246 55

HSL 107.75, 0.91%, 0.59%

LAB 86.29, -71.72, 73.45

 

CMYK 55 / 0 / 69 / 10

HEX #68E548

RGB 104 229 72

HSL 107.77, 0.75%, 0.59%

LAB 81.54, -62.39, 63.15

 

CMYK 46 / 0 / 58 / 17

HEX #72D459

RGB 114 212 89

HSL 107.8, 0.59%, 0.59%

LAB 76.91, -51.61, 51.11

 

CMYK 36 / 0 / 46 / 24

HEX #7CC36A

RGB 124 195 106

HSL 107.87, 0.43%, 0.59%

LAB 72.47, -39.27, 37.72

 

CMYK 25 / 0 / 31 / 30

HEX #86B27B

RGB 134 178 123

HSL 108, 0.26%, 0.59%

LAB 68.27, -25.36, 23.49

 

CMYK 11 / 0 / 13 / 37

HEX #90A18C

RGB 144 161 140

HSL 108.57, 0.1%, 0.59%

LAB 64.41, -10.08, 8.92

 

CMYK 17 / 0 / 69 / 10

HEX #BEE548

RGB 190 229 72

HSL 74.9, 0.75%, 0.59%

LAB 85.73, -33.74, 68.79

 

CMYK 35 / 0 / 69 / 10

HEX #94E548

RGB 148 229 72

HSL 90.96, 0.75%, 0.59%

LAB 83.34, -49.16, 65.58

 

CMYK 54 / 0 / 69 / 10

HEX #6AE548

RGB 106 229 72

HSL 107.01, 0.75%, 0.59%

LAB 81.6, -61.87, 63.23

 

CMYK 69 / 0 / 65 / 10

HEX #48E550

RGB 72 229 80

HSL 123.06, 0.75%, 0.59%

LAB 80.74, -68.63, 58.9

 

CMYK 69 / 0 / 47 / 10

HEX #48E57A

RGB 72 229 122

HSL 139.11, 0.75%, 0.59%

LAB 81.19, -63.29, 40.45

 

CMYK 68 / 0 / 86 / 25

HEX #3DBF1B

RGB 61 191 27

HSL 107.56, 0.75%, 0.43%

LAB 68.27, -62.13, 63.88

 

CMYK 67 / 0 / 84 / 12

HEX #4AE024

RGB 74 224 36

HSL 107.87, 0.75%, 0.51%

LAB 78.98, -69.73, 71.48

 

CMYK 55 / 0 / 69 / 10

HEX #68E548

RGB 104 229 72

HSL 107.77, 0.75%, 0.59%

LAB 81.54, -62.39, 63.15

 

CMYK 43 / 0 / 54 / 8

HEX #86EA6C

RGB 134 234 108

HSL 107.62, 0.75%, 0.67%

LAB 84.48, -52.39, 51.56

 

CMYK 31 / 0 / 40 / 6

HEX #A4EF90

RGB 164 239 144

HSL 107.37, 0.75%, 0.75%

LAB 87.79, -40.53, 38.75

 

CMYK 54 / 0 / 68 / 10

HEX #69E549

RGB 105 229 73

HSL 107.69, 0.75%, 0.59%

LAB 81.58, -62.05, 62.82

 

CMYK 69 / 0 / 1 / 10

HEX #48E5E2

RGB 72 229 226

HSL 178.85, 0.75%, 0.59%

LAB 83.39, -40.41, -10.41

 

CMYK 0 / 69 / 26 / 10

HEX #E548A9

RGB 229 72 169

HSL 322.93, 0.75%, 0.59%

LAB 56.24, 68.81, -18.67

 

CMYK 54 / 0 / 68 / 10

HEX #69E549

RGB 105 229 73

HSL 107.69, 0.75%, 0.59%

LAB 81.58, -62.05, 62.82

 

CMYK 69 / 54 / 0 / 10

HEX #486AE5

RGB 72 106 229

HSL 227.01, 0.75%, 0.59%

LAB 48.69, 28.02, -66.13

 

CMYK 0 / 69 / 54 / 10

HEX #E5486A

RGB 229 72 106

HSL 347.01, 0.75%, 0.59%

LAB 54.38, 62.49, 15.84

 

CMYK 54 / 0 / 68 / 10

HEX #69E549

RGB 105 229 73

HSL 107.69, 0.75%, 0.59%

LAB 81.58, -62.05, 62.82

 

CMYK 69 / 0 / 1 / 10

HEX #48E5E2

RGB 72 229 226

HSL 178.85, 0.75%, 0.59%

LAB 83.39, -40.41, -10.41

 

CMYK 15 / 69 / 0 / 10

HEX #C348E5

RGB 195 72 229

HSL 287.01, 0.75%, 0.59%

LAB 53.91, 70.08, -57.1

 

CMYK 0 / 69 / 67 / 10

HEX #E5484B

RGB 229 72 75

HSL 358.85, 0.75%, 0.59%

LAB 53.81, 60.5, 33.34

 

CMYK 54 / 0 / 68 / 10

HEX #69E549

RGB 105 229 73

HSL 107.69, 0.75%, 0.59%

LAB 81.58, -62.05, 62.82

 

CMYK 69 / 20 / 0 / 10

HEX #48B8E5

RGB 72 184 229

HSL 197.2, 0.75%, 0.59%

LAB 70.4, -17.62, -31.75

 

CMYK 15 / 69 / 0 / 10

HEX #C348E5

RGB 195 72 229

HSL 287.01, 0.75%, 0.59%

LAB 53.91, 70.08, -57.1

 

CMYK 0 / 49 / 69 / 10

HEX #E57448

RGB 229 116 72

HSL 16.82, 0.75%, 0.59%

LAB 61.32, 40.56, 43.83

 

Description

Color code: HEX #69E549 | qconv.com Color code: HEX #69E549 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 229 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 229 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 68 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 68% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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