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Color name
HEX #69DD28

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69DD28 it is the complementary color #9622D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69DD28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69DD28 shade: #6EDD23, #7FEF36, #90FF49, #A1FF5C and #B2FF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69DD28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69DD28 shade: #69DD28, #58CB15, #47B902, #36A700 and #259500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69DD28 shade: #68DD27, #9ADD27, #CBDD27, #DDBF27 and #DD8D27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69DD28 shade: #68DD27, #37DD27, #27DD48, #27DD79 and #27DDAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69DD28 shade matches the following richer shades: #68DD27 and #63F113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69DD28 shade: #68DD27, #6EC93B, #74B54F, #79A163 and #7F8C78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69DD28 shade: #CBDD27, #9ADD27, #6ADD27, #39DD27 and #27DD45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69DD28 shade: #479A18, #57BD1E, #68DD27, #81E34B and #9AE86E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69DD28 shade: #69DD28, #27DDBF and #DD27B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69DD28 shade: #69DD28, #276ADD and #DD276A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69DD28 shade: #69DD28, #27DDBF, #9A27DD and #DD2745

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69DD28 shade: #69DD28, #27C5DD, #9A27DD and #DD3F27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 82 / 13

HEX #69DD28

RGB 105 221 40

HSL 98.45, 0.73%, 0.51%

LAB 78.97, -61.26, 70.85

 

Complementary color

CMYK 30 / 84 / 0 / 16

HEX #9622D7

RGB 150 34 215

HSL 278.45, 0.73%, 0.49%

LAB 42.05, 71.9, -68.63

 

CMYK 50 / 0 / 84 / 13

HEX #6EDD23

RGB 110 221 35

HSL 95.81, 0.73%, 0.5%

LAB 79.13, -60.07, 72.25

 

CMYK 47 / 0 / 77 / 6

HEX #7FEF36

RGB 127 239 54

HSL 96.32, 0.85%, 0.57%

LAB 85.26, -60.87, 73.15

 

CMYK 44 / 0 / 71 / 0

HEX #90FF49

RGB 144 255 73

HSL 96.59, 1%, 0.64%

LAB 90.75, -60.67, 72.7

 

CMYK 37 / 0 / 64 / 0

HEX #A1FF5C

RGB 161 255 92

HSL 94.6, 1%, 0.68%

LAB 91.63, -53.95, 66.83

 

CMYK 30 / 0 / 56 / 0

HEX #B2FF6F

RGB 178 255 111

HSL 92.08, 1%, 0.72%

LAB 92.63, -46.63, 60.28

 

CMYK 52 / 0 / 82 / 13

HEX #69DD28

RGB 105 221 40

HSL 98.45, 0.73%, 0.51%

LAB 78.97, -61.26, 70.85

 

CMYK 57 / 0 / 90 / 20

HEX #58CB15

RGB 88 203 21

HSL 97.91, 0.81%, 0.44%

LAB 72.79, -60.15, 69.24

 

CMYK 62 / 0 / 99 / 27

HEX #47B902

RGB 71 185 2

HSL 97.38, 0.98%, 0.37%

LAB 66.55, -58.64, 66.38

 

CMYK 68 / 0 / 100 / 35

HEX #36A700

RGB 54 167 0

HSL 100.6, 1%, 0.33%

LAB 60.27, -56.51, 61.45

 

CMYK 75 / 0 / 100 / 42

HEX #259500

RGB 37 149 0

HSL 105.1, 1%, 0.29%

LAB 53.91, -53.95, 56.23

 

CMYK 53 / 0 / 82 / 13

HEX #68DD27

RGB 104 221 39

HSL 98.57, 0.73%, 0.51%

LAB 78.93, -61.58, 71.05

 

CMYK 30 / 0 / 82 / 13

HEX #9ADD27

RGB 154 221 39

HSL 82.09, 0.73%, 0.51%

LAB 81.14, -45.44, 73.86

 

CMYK 8 / 0 / 82 / 13

HEX #CBDD27

RGB 203 221 39

HSL 65.93, 0.73%, 0.51%

LAB 84.25, -26.23, 77.77

 

CMYK 0 / 14 / 82 / 13

HEX #DDBF27

RGB 221 191 39

HSL 50.11, 0.73%, 0.51%

LAB 77.75, -3.66, 72.82

 

CMYK 0 / 36 / 82 / 13

HEX #DD8D27

RGB 221 141 39

HSL 33.63, 0.73%, 0.51%

LAB 65.41, 22.88, 62.2

 

CMYK 53 / 0 / 82 / 13

HEX #68DD27

RGB 104 221 39

HSL 98.57, 0.73%, 0.51%

LAB 78.93, -61.58, 71.05

 

CMYK 75 / 0 / 82 / 13

HEX #37DD27

RGB 55 221 39

HSL 114.73, 0.73%, 0.51%

LAB 77.68, -71.9, 69.45

 

CMYK 82 / 0 / 67 / 13

HEX #27DD48

RGB 39 221 72

HSL 130.88, 0.73%, 0.51%

LAB 77.65, -71.5, 58.58

 

CMYK 82 / 0 / 45 / 13

HEX #27DD79

RGB 39 221 121

HSL 147.03, 0.73%, 0.51%

LAB 78.18, -64.99, 37

 

CMYK 82 / 0 / 23 / 13

HEX #27DDAA

RGB 39 221 170

HSL 163.19, 0.73%, 0.51%

LAB 79.07, -55.02, 12.9

 

CMYK 53 / 0 / 82 / 13

HEX #68DD27

RGB 104 221 39

HSL 98.57, 0.73%, 0.51%

LAB 78.93, -61.58, 71.05

 

CMYK 59 / 0 / 92 / 5

HEX #63F113

RGB 99 241 19

HSL 98.38, 0.89%, 0.51%

LAB 84.8, -70.32, 79.68

 

CMYK 53 / 0 / 82 / 13

HEX #68DD27

RGB 104 221 39

HSL 98.57, 0.73%, 0.51%

LAB 78.93, -61.58, 71.05

 

CMYK 45 / 0 / 71 / 21

HEX #6EC93B

RGB 110 201 59

HSL 98.45, 0.57%, 0.51%

LAB 73.16, -51.18, 59.4

 

CMYK 36 / 0 / 56 / 29

HEX #74B54F

RGB 116 181 79

HSL 98.24, 0.41%, 0.51%

LAB 67.52, -39.06, 44.82

 

CMYK 25 / 0 / 39 / 37

HEX #79A163

RGB 121 161 99

HSL 98.71, 0.25%, 0.51%

LAB 62.05, -25.36, 27.98

 

CMYK 9 / 0 / 14 / 45

HEX #7F8C78

RGB 127 140 120

HSL 99, 0.08%, 0.51%

LAB 56.71, -8.65, 9.1

 

CMYK 8 / 0 / 82 / 13

HEX #CBDD27

RGB 203 221 39

HSL 65.93, 0.73%, 0.51%

LAB 84.25, -26.23, 77.77

 

CMYK 30 / 0 / 82 / 13

HEX #9ADD27

RGB 154 221 39

HSL 82.09, 0.73%, 0.51%

LAB 81.14, -45.44, 73.86

 

CMYK 52 / 0 / 82 / 13

HEX #6ADD27

RGB 106 221 39

HSL 97.91, 0.73%, 0.51%

LAB 79, -61.03, 71.14

 

CMYK 74 / 0 / 82 / 13

HEX #39DD27

RGB 57 221 39

HSL 114.07, 0.73%, 0.51%

LAB 77.71, -71.61, 69.5

 

CMYK 82 / 0 / 69 / 13

HEX #27DD45

RGB 39 221 69

HSL 129.89, 0.73%, 0.51%

LAB 77.62, -71.78, 59.72

 

CMYK 54 / 0 / 84 / 40

HEX #479A18

RGB 71 154 24

HSL 98.31, 0.73%, 0.35%

LAB 56.6, -46.89, 54.32

 

CMYK 54 / 0 / 84 / 26

HEX #57BD1E

RGB 87 189 30

HSL 98.49, 0.73%, 0.43%

LAB 68.4, -55.12, 63.59

 

CMYK 53 / 0 / 82 / 13

HEX #68DD27

RGB 104 221 39

HSL 98.57, 0.73%, 0.51%

LAB 78.93, -61.58, 71.05

 

CMYK 43 / 0 / 67 / 11

HEX #81E34B

RGB 129 227 75

HSL 98.68, 0.73%, 0.59%

LAB 81.9, -54.31, 62.67

 

CMYK 34 / 0 / 53 / 9

HEX #9AE86E

RGB 154 232 110

HSL 98.36, 0.73%, 0.67%

LAB 84.85, -45, 51.3

 

CMYK 52 / 0 / 82 / 13

HEX #69DD28

RGB 105 221 40

HSL 98.45, 0.73%, 0.51%

LAB 78.97, -61.26, 70.85

 

CMYK 82 / 0 / 14 / 13

HEX #27DDBF

RGB 39 221 191

HSL 170.11, 0.73%, 0.51%

LAB 79.56, -49.81, 2.47

 

CMYK 0 / 82 / 19 / 13

HEX #DD27B3

RGB 221 39 179

HSL 313.85, 0.73%, 0.51%

LAB 51.93, 77.75, -31.29

 

CMYK 52 / 0 / 82 / 13

HEX #69DD28

RGB 105 221 40

HSL 98.45, 0.73%, 0.51%

LAB 78.97, -61.26, 70.85

 

CMYK 82 / 52 / 0 / 13

HEX #276ADD

RGB 39 106 221

HSL 217.91, 0.73%, 0.51%

LAB 46.92, 21.35, -64.52

 

CMYK 0 / 82 / 52 / 13

HEX #DD276A

RGB 221 39 106

HSL 337.91, 0.73%, 0.51%

LAB 49.33, 70.34, 8.58

 

CMYK 52 / 0 / 82 / 13

HEX #69DD28

RGB 105 221 40

HSL 98.45, 0.73%, 0.51%

LAB 78.97, -61.26, 70.85

 

CMYK 82 / 0 / 14 / 13

HEX #27DDBF

RGB 39 221 191

HSL 170.11, 0.73%, 0.51%

LAB 79.56, -49.81, 2.47

 

CMYK 30 / 82 / 0 / 13

HEX #9A27DD

RGB 154 39 221

HSL 277.91, 0.73%, 0.51%

LAB 43.57, 72.34, -69.57

 

CMYK 0 / 82 / 69 / 13

HEX #DD2745

RGB 221 39 69

HSL 350.11, 0.73%, 0.51%

LAB 48.58, 68.1, 30.11

 

CMYK 52 / 0 / 82 / 13

HEX #69DD28

RGB 105 221 40

HSL 98.45, 0.73%, 0.51%

LAB 78.97, -61.26, 70.85

 

CMYK 82 / 11 / 0 / 13

HEX #27C5DD

RGB 39 197 221

HSL 187.91, 0.73%, 0.51%

LAB 73.27, -30.38, -23.04

 

CMYK 30 / 82 / 0 / 13

HEX #9A27DD

RGB 154 39 221

HSL 277.91, 0.73%, 0.51%

LAB 43.57, 72.34, -69.57

 

CMYK 0 / 71 / 82 / 13

HEX #DD3F27

RGB 221 63 39

HSL 7.91, 0.73%, 0.51%

LAB 50.77, 59.88, 49.11

 

Description

Color code: HEX #69DD28 | qconv.com Color code: HEX #69DD28 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 221 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 221 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 82 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 82% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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