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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69DC93 it is the complementary color #96236C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69DC93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69DC93 shade: #6EDC8E, #7FEEA1, #90FFB4, #A1FFC7 and #B2FFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69DC93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69DC93 shade: #69DC93, #58CA80, #47B86D, #36A65A and #259447

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69DC93 shade: #6ADC94, #6ADC75, #7EDC6A, #9DDC6A and #BCDC6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69DC93 shade: #6ADC94, #6ADCB3, #6ADCD1, #6AC8DC and #6AAADC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69DC93 shade matches the following richer shades: #6ADC94, #5BEB90 and #4DFA8C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69DC93 shade: #6ADC94, #79CD98, #88BE9C, #97B0A0 and #A6A1A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69DC93 shade: #7FDC6A, #6ADC74, #6ADC92, #6ADCB0 and #6ADCCF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69DC93 shade: #2EC666, #49D47C, #6ADC94, #8CE4AC and #ADECC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69DC93 shade: #69DC93, #6A9EDC and #DC6A70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69DC93 shade: #69DC93, #926ADC and #DC926A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69DC93 shade: #69DC93, #6A9EDC, #DC6AB4 and #DCA96A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69DC93 shade: #69DC93, #6A7BDC, #DC6AB4 and #DCCB6A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 33 / 14

HEX #69DC93

RGB 105 220 147

HSL 141.91, 0.62%, 0.64%

LAB 79.78, -48.81, 26.16

 

Complementary color

CMYK 0 / 77 / 28 / 41

HEX #96236C

RGB 150 35 108

HSL 321.91, 0.62%, 0.36%

LAB 35.54, 53.28, -14.54

 

CMYK 50 / 0 / 35 / 14

HEX #6EDC8E

RGB 110 220 142

HSL 137.45, 0.61%, 0.65%

LAB 79.87, -48.47, 28.89

 

CMYK 47 / 0 / 32 / 7

HEX #7FEEA1

RGB 127 238 161

HSL 138.38, 0.77%, 0.72%

LAB 86.12, -48.31, 27.68

 

CMYK 44 / 0 / 29 / 0

HEX #90FFB4

RGB 144 255 180

HSL 139.46, 1%, 0.78%

LAB 92.02, -47.68, 26.15

 

CMYK 37 / 0 / 22 / 0

HEX #A1FFC7

RGB 161 255 199

HSL 144.26, 1%, 0.82%

LAB 93.11, -39.57, 18.1

 

CMYK 30 / 0 / 15 / 0

HEX #B2FFDA

RGB 178 255 218

HSL 151.17, 1%, 0.85%

LAB 94.33, -31.08, 10.2

 

CMYK 52 / 0 / 33 / 14

HEX #69DC93

RGB 105 220 147

HSL 141.91, 0.62%, 0.64%

LAB 79.78, -48.81, 26.16

 

CMYK 56 / 0 / 37 / 21

HEX #58CA80

RGB 88 202 128

HSL 141.05, 0.52%, 0.57%

LAB 73.46, -48.85, 27.45

 

CMYK 61 / 0 / 41 / 28

HEX #47B86D

RGB 71 184 109

HSL 140.18, 0.44%, 0.5%

LAB 67.07, -48.76, 28.84

 

CMYK 67 / 0 / 46 / 35

HEX #36A65A

RGB 54 166 90

HSL 139.29, 0.51%, 0.43%

LAB 60.6, -48.44, 30.33

 

CMYK 75 / 0 / 52 / 42

HEX #259447

RGB 37 148 71

HSL 138.38, 0.6%, 0.36%

LAB 54.06, -47.77, 31.91

 

CMYK 52 / 0 / 33 / 14

HEX #6ADC94

RGB 106 220 148

HSL 142.11, 0.62%, 0.64%

LAB 79.83, -48.38, 25.72

 

CMYK 52 / 0 / 47 / 14

HEX #6ADC75

RGB 106 220 117

HSL 125.79, 0.62%, 0.64%

LAB 79.35, -53.46, 40.76

 

CMYK 43 / 0 / 52 / 14

HEX #7EDC6A

RGB 126 220 106

HSL 109.47, 0.62%, 0.64%

LAB 79.99, -49.33, 47.02

 

CMYK 29 / 0 / 52 / 14

HEX #9DDC6A

RGB 157 220 106

HSL 93.16, 0.62%, 0.64%

LAB 81.51, -39.16, 49.21

 

CMYK 15 / 0 / 52 / 14

HEX #BCDC6A

RGB 188 220 106

HSL 76.84, 0.62%, 0.64%

LAB 83.4, -27.71, 51.92

 

CMYK 52 / 0 / 33 / 14

HEX #6ADC94

RGB 106 220 148

HSL 142.11, 0.62%, 0.64%

LAB 79.83, -48.38, 25.72

 

CMYK 52 / 0 / 19 / 14

HEX #6ADCB3

RGB 106 220 179

HSL 158.42, 0.62%, 0.64%

LAB 80.46, -42.12, 10.33

 

CMYK 52 / 0 / 5 / 14

HEX #6ADCD1

RGB 106 220 209

HSL 174.21, 0.62%, 0.64%

LAB 81.21, -35.04, -4.52

 

CMYK 52 / 9 / 0 / 14

HEX #6AC8DC

RGB 106 200 220

HSL 190.53, 0.62%, 0.64%

LAB 75.79, -22.45, -18.53

 

CMYK 52 / 23 / 0 / 14

HEX #6AAADC

RGB 106 170 220

HSL 206.32, 0.62%, 0.64%

LAB 67.26, -6.63, -31.57

 

CMYK 52 / 0 / 33 / 14

HEX #6ADC94

RGB 106 220 148

HSL 142.11, 0.62%, 0.64%

LAB 79.83, -48.38, 25.72

 

CMYK 61 / 0 / 39 / 8

HEX #5BEB90

RGB 91 235 144

HSL 142.08, 0.78%, 0.64%

LAB 83.79, -58.38, 32.97

 

CMYK 69 / 0 / 44 / 2

HEX #4DFA8C

RGB 77 250 140

HSL 141.85, 0.95%, 0.64%

LAB 87.89, -67.04, 40.24

 

CMYK 52 / 0 / 33 / 14

HEX #6ADC94

RGB 106 220 148

HSL 142.11, 0.62%, 0.64%

LAB 79.83, -48.38, 25.72

 

CMYK 41 / 0 / 26 / 20

HEX #79CD98

RGB 121 205 152

HSL 142.14, 0.46%, 0.64%

LAB 76.07, -37.15, 18.55

 

CMYK 28 / 0 / 18 / 25

HEX #88BE9C

RGB 136 190 156

HSL 142.22, 0.29%, 0.64%

LAB 72.54, -24.72, 11.57

 

CMYK 14 / 0 / 9 / 31

HEX #97B0A0

RGB 151 176 160

HSL 141.6, 0.14%, 0.64%

LAB 69.59, -11.79, 5.31

 

CMYK 0 / 3 / 1 / 35

HEX #A6A1A4

RGB 166 161 164

HSL 324, 0.03%, 0.64%

LAB 66.73, 2.37, -0.92

 

CMYK 42 / 0 / 52 / 14

HEX #7FDC6A

RGB 127 220 106

HSL 108.95, 0.62%, 0.64%

LAB 80.03, -49.03, 47.09

 

CMYK 52 / 0 / 47 / 14

HEX #6ADC74

RGB 106 220 116

HSL 125.26, 0.62%, 0.64%

LAB 79.34, -53.61, 41.24

 

CMYK 52 / 0 / 34 / 14

HEX #6ADC92

RGB 106 220 146

HSL 141.05, 0.62%, 0.64%

LAB 79.8, -48.75, 26.71

 

CMYK 52 / 0 / 20 / 14

HEX #6ADCB0

RGB 106 220 176

HSL 156.84, 0.62%, 0.64%

LAB 80.4, -42.77, 11.82

 

CMYK 52 / 0 / 6 / 14

HEX #6ADCCF

RGB 106 220 207

HSL 173.16, 0.62%, 0.64%

LAB 81.16, -35.54, -3.54

 

CMYK 77 / 0 / 48 / 22

HEX #2EC666

RGB 46 198 102

HSL 142.11, 0.62%, 0.48%

LAB 70.82, -59.44, 37.13

 

CMYK 66 / 0 / 42 / 17

HEX #49D47C

RGB 73 212 124

HSL 142.01, 0.62%, 0.56%

LAB 76.04, -56.58, 32.84

 

CMYK 52 / 0 / 33 / 14

HEX #6ADC94

RGB 106 220 148

HSL 142.11, 0.62%, 0.64%

LAB 79.83, -48.38, 25.72

 

CMYK 39 / 0 / 25 / 11

HEX #8CE4AC

RGB 140 228 172

HSL 141.82, 0.62%, 0.72%

LAB 83.99, -38.4, 19.16

 

CMYK 27 / 0 / 17 / 7

HEX #ADECC4

RGB 173 236 196

HSL 141.9, 0.62%, 0.8%

LAB 88.38, -27.8, 13.07

 

CMYK 52 / 0 / 33 / 14

HEX #69DC93

RGB 105 220 147

HSL 141.91, 0.62%, 0.64%

LAB 79.78, -48.81, 26.16

 

CMYK 52 / 28 / 0 / 14

HEX #6A9EDC

RGB 106 158 220

HSL 212.63, 0.62%, 0.64%

LAB 63.91, 0.08, -36.78

 

CMYK 0 / 52 / 49 / 14

HEX #DC6A70

RGB 220 106 112

HSL 356.84, 0.62%, 0.64%

LAB 58.69, 45.09, 18

 

CMYK 52 / 0 / 33 / 14

HEX #69DC93

RGB 105 220 147

HSL 141.91, 0.62%, 0.64%

LAB 79.78, -48.81, 26.16

 

CMYK 34 / 52 / 0 / 14

HEX #926ADC

RGB 146 106 220

HSL 261.05, 0.62%, 0.64%

LAB 53.59, 40.22, -52.89

 

CMYK 0 / 34 / 52 / 14

HEX #DC926A

RGB 220 146 106

HSL 21.05, 0.62%, 0.64%

LAB 67.14, 23.68, 32.55

 

CMYK 52 / 0 / 33 / 14

HEX #69DC93

RGB 105 220 147

HSL 141.91, 0.62%, 0.64%

LAB 79.78, -48.81, 26.16

 

CMYK 52 / 28 / 0 / 14

HEX #6A9EDC

RGB 106 158 220

HSL 212.63, 0.62%, 0.64%

LAB 63.91, 0.08, -36.78

 

CMYK 0 / 52 / 18 / 14

HEX #DC6AB4

RGB 220 106 180

HSL 321.05, 0.62%, 0.64%

LAB 60.62, 53.3, -18.49

 

CMYK 0 / 23 / 52 / 14

HEX #DCA96A

RGB 220 169 106

HSL 33.16, 0.62%, 0.64%

LAB 72.65, 11.32, 39.51

 

CMYK 52 / 0 / 33 / 14

HEX #69DC93

RGB 105 220 147

HSL 141.91, 0.62%, 0.64%

LAB 79.78, -48.81, 26.16

 

CMYK 52 / 44 / 0 / 14

HEX #6A7BDC

RGB 106 123 220

HSL 231.05, 0.62%, 0.64%

LAB 54.45, 20.7, -51.7

 

CMYK 0 / 52 / 18 / 14

HEX #DC6AB4

RGB 220 106 180

HSL 321.05, 0.62%, 0.64%

LAB 60.62, 53.3, -18.49

 

CMYK 0 / 8 / 52 / 14

HEX #DCCB6A

RGB 220 203 106

HSL 51.05, 0.62%, 0.64%

LAB 81.27, -6.52, 50

 

Description

Color code: HEX #69DC93 | qconv.com Color code: HEX #69DC93 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 220 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 220 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 33 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 33% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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