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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69D69C it is the complementary color #962963. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69D69C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69D69C shade: #6ED697, #7FE8AA, #90FABD, #A1FFD0 and #B2FFE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69D69C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69D69C shade: #69D69C, #58C489, #47B276, #36A063 and #258E50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69D69C shade: #6BD69D, #6BD680, #73D66B, #90D66B and #ADD66B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69D69C shade: #6BD69D, #6BD6BA, #6BD6D6, #6BB9D6 and #6B9CD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69D69C shade matches the following richer shades: #6BD69D, #5CE69C and #4CF59B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69D69C shade: #6BD69D, #7AC79E, #89B89F, #99A9A0 and #A899A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69D69C shade: #72D66B, #6BD680, #6BD69D, #6BD6BA and #6BD6D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69D69C shade: #33BB73, #4ACE88, #6BD69D, #8BDFB3 and #ACE8C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69D69C shade: #69D69C, #6B8FD6 and #D6726B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69D69C shade: #69D69C, #9D6BD6 and #D69D6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69D69C shade: #69D69C, #6B8FD6, #D66BA4 and #D6B36B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69D69C shade: #69D69C, #6B6ED6, #D66BA4 and #D6D36B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 27 / 16

HEX #69D69C

RGB 105 214 156

HSL 148.07, 0.57%, 0.63%

LAB 78.17, -44.56, 19.25

 

Complementary color

CMYK 0 / 73 / 34 / 41

HEX #962963

RGB 150 41 99

HSL 328.07, 0.57%, 0.37%

LAB 35.93, 50.06, -8.22

 

CMYK 49 / 0 / 29 / 16

HEX #6ED697

RGB 110 214 151

HSL 143.65, 0.56%, 0.64%

LAB 78.25, -44.29, 22.03

 

CMYK 45 / 0 / 27 / 9

HEX #7FE8AA

RGB 127 232 170

HSL 144.57, 0.7%, 0.7%

LAB 84.55, -44.1, 20.9

 

CMYK 42 / 0 / 24 / 2

HEX #90FABD

RGB 144 250 189

HSL 145.47, 0.91%, 0.77%

LAB 90.77, -43.87, 19.84

 

CMYK 37 / 0 / 18 / 0

HEX #A1FFD0

RGB 161 255 208

HSL 150, 1%, 0.82%

LAB 93.3, -37.85, 13.75

 

CMYK 30 / 0 / 11 / 0

HEX #B2FFE3

RGB 178 255 227

HSL 158.18, 1%, 0.85%

LAB 94.54, -29.3, 5.86

 

CMYK 51 / 0 / 27 / 16

HEX #69D69C

RGB 105 214 156

HSL 148.07, 0.57%, 0.63%

LAB 78.17, -44.56, 19.25

 

CMYK 55 / 0 / 30 / 23

HEX #58C489

RGB 88 196 137

HSL 147.22, 0.48%, 0.56%

LAB 71.8, -44.65, 20.45

 

CMYK 60 / 0 / 34 / 30

HEX #47B276

RGB 71 178 118

HSL 146.36, 0.43%, 0.49%

LAB 65.35, -44.63, 21.76

 

CMYK 66 / 0 / 38 / 37

HEX #36A063

RGB 54 160 99

HSL 145.47, 0.5%, 0.42%

LAB 58.81, -44.43, 23.18

 

CMYK 74 / 0 / 44 / 44

HEX #258E50

RGB 37 142 80

HSL 144.57, 0.59%, 0.35%

LAB 52.2, -43.92, 24.76

 

CMYK 50 / 0 / 27 / 16

HEX #6BD69D

RGB 107 214 157

HSL 148.04, 0.57%, 0.63%

LAB 78.26, -43.87, 18.86

 

CMYK 50 / 0 / 40 / 16

HEX #6BD680

RGB 107 214 128

HSL 131.78, 0.57%, 0.63%

LAB 77.74, -49.11, 33.22

 

CMYK 46 / 0 / 50 / 16

HEX #73D66B

RGB 115 214 107

HSL 115.51, 0.57%, 0.63%

LAB 77.76, -49.99, 43.72

 

CMYK 33 / 0 / 50 / 16

HEX #90D66B

RGB 144 214 107

HSL 99.25, 0.57%, 0.63%

LAB 79.09, -40.88, 45.66

 

CMYK 19 / 0 / 50 / 16

HEX #ADD66B

RGB 173 214 107

HSL 82.99, 0.57%, 0.63%

LAB 80.76, -30.47, 48.07

 

CMYK 50 / 0 / 27 / 16

HEX #6BD69D

RGB 107 214 157

HSL 148.04, 0.57%, 0.63%

LAB 78.26, -43.87, 18.86

 

CMYK 50 / 0 / 13 / 16

HEX #6BD6BA

RGB 107 214 186

HSL 164.3, 0.57%, 0.63%

LAB 78.91, -37.61, 4.38

 

CMYK 50 / 0 / 0 / 16

HEX #6BD6D6

RGB 107 214 214

HSL 180, 0.57%, 0.63%

LAB 79.66, -30.73, -9.49

 

CMYK 50 / 14 / 0 / 16

HEX #6BB9D6

RGB 107 185 214

HSL 196.26, 0.57%, 0.63%

LAB 71.34, -16.2, -22.02

 

CMYK 50 / 27 / 0 / 16

HEX #6B9CD6

RGB 107 156 214

HSL 212.52, 0.57%, 0.63%

LAB 63.14, -0.36, -34.64

 

CMYK 50 / 0 / 27 / 16

HEX #6BD69D

RGB 107 214 157

HSL 148.04, 0.57%, 0.63%

LAB 78.26, -43.87, 18.86

 

CMYK 60 / 0 / 32 / 10

HEX #5CE69C

RGB 92 230 156

HSL 147.83, 0.73%, 0.63%

LAB 82.52, -54.04, 25.16

 

CMYK 69 / 0 / 37 / 4

HEX #4CF59B

RGB 76 245 155

HSL 148.05, 0.89%, 0.63%

LAB 86.61, -62.8, 31.11

 

CMYK 50 / 0 / 27 / 16

HEX #6BD69D

RGB 107 214 157

HSL 148.04, 0.57%, 0.63%

LAB 78.26, -43.87, 18.86

 

CMYK 39 / 0 / 21 / 22

HEX #7AC79E

RGB 122 199 158

HSL 148.05, 0.41%, 0.63%

LAB 74.48, -32.91, 13.14

 

CMYK 26 / 0 / 14 / 28

HEX #89B89F

RGB 137 184 159

HSL 148.09, 0.25%, 0.63%

LAB 70.94, -20.81, 7.68

 

CMYK 9 / 0 / 5 / 34

HEX #99A9A0

RGB 153 169 160

HSL 146.25, 0.09%, 0.63%

LAB 67.79, -7.37, 2.72

 

CMYK 0 / 9 / 4 / 34

HEX #A899A1

RGB 168 153 161

HSL 328, 0.08%, 0.63%

LAB 64.71, 6.96, -2.19

 

CMYK 47 / 0 / 50 / 16

HEX #72D66B

RGB 114 214 107

HSL 116.07, 0.57%, 0.63%

LAB 77.72, -50.27, 43.66

 

CMYK 50 / 0 / 40 / 16

HEX #6BD680

RGB 107 214 128

HSL 131.78, 0.57%, 0.63%

LAB 77.74, -49.11, 33.22

 

CMYK 50 / 0 / 27 / 16

HEX #6BD69D

RGB 107 214 157

HSL 148.04, 0.57%, 0.63%

LAB 78.26, -43.87, 18.86

 

CMYK 50 / 0 / 13 / 16

HEX #6BD6BA

RGB 107 214 186

HSL 164.3, 0.57%, 0.63%

LAB 78.91, -37.61, 4.38

 

CMYK 50 / 0 / 0 / 16

HEX #6BD6D6

RGB 107 214 214

HSL 180, 0.57%, 0.63%

LAB 79.66, -30.73, -9.49

 

CMYK 73 / 0 / 39 / 27

HEX #33BB73

RGB 51 187 115

HSL 148.24, 0.57%, 0.47%

LAB 67.64, -52.44, 26.34

 

CMYK 64 / 0 / 34 / 19

HEX #4ACE88

RGB 74 206 136

HSL 148.18, 0.57%, 0.55%

LAB 74.43, -51.87, 24.5

 

CMYK 50 / 0 / 27 / 16

HEX #6BD69D

RGB 107 214 157

HSL 148.04, 0.57%, 0.63%

LAB 78.26, -43.87, 18.86

 

CMYK 38 / 0 / 20 / 13

HEX #8BDFB3

RGB 139 223 179

HSL 148.57, 0.57%, 0.71%

LAB 82.66, -35.05, 13.63

 

CMYK 26 / 0 / 14 / 9

HEX #ACE8C8

RGB 172 232 200

HSL 148, 0.57%, 0.79%

LAB 87.32, -25.43, 9.46

 

CMYK 51 / 0 / 27 / 16

HEX #69D69C

RGB 105 214 156

HSL 148.07, 0.57%, 0.63%

LAB 78.17, -44.56, 19.25

 

CMYK 50 / 33 / 0 / 16

HEX #6B8FD6

RGB 107 143 214

HSL 219.81, 0.57%, 0.63%

LAB 59.55, 7.14, -40.25

 

CMYK 0 / 47 / 50 / 16

HEX #D6726B

RGB 214 114 107

HSL 3.93, 0.57%, 0.63%

LAB 59.34, 38.38, 21.61

 

CMYK 51 / 0 / 27 / 16

HEX #69D69C

RGB 105 214 156

HSL 148.07, 0.57%, 0.63%

LAB 78.17, -44.56, 19.25

 

CMYK 27 / 50 / 0 / 16

HEX #9D6BD6

RGB 157 107 214

HSL 268.04, 0.57%, 0.63%

LAB 54.59, 41, -47.82

 

CMYK 0 / 27 / 50 / 16

HEX #D69D6B

RGB 214 157 107

HSL 28.04, 0.57%, 0.63%

LAB 69.09, 15.4, 34.38

 

CMYK 51 / 0 / 27 / 16

HEX #69D69C

RGB 105 214 156

HSL 148.07, 0.57%, 0.63%

LAB 78.17, -44.56, 19.25

 

CMYK 50 / 33 / 0 / 16

HEX #6B8FD6

RGB 107 143 214

HSL 219.81, 0.57%, 0.63%

LAB 59.55, 7.14, -40.25

 

CMYK 0 / 50 / 23 / 16

HEX #D66BA4

RGB 214 107 164

HSL 328.04, 0.57%, 0.63%

LAB 59.43, 48.61, -11.18

 

CMYK 0 / 16 / 50 / 16

HEX #D6B36B

RGB 214 179 107

HSL 40.37, 0.57%, 0.63%

LAB 74.57, 3.61, 41.26

 

CMYK 51 / 0 / 27 / 16

HEX #69D69C

RGB 105 214 156

HSL 148.07, 0.57%, 0.63%

LAB 78.17, -44.56, 19.25

 

CMYK 50 / 49 / 0 / 16

HEX #6B6ED6

RGB 107 110 214

HSL 238.32, 0.57%, 0.63%

LAB 50.84, 26.93, -54.07

 

CMYK 0 / 50 / 23 / 16

HEX #D66BA4

RGB 214 107 164

HSL 328.04, 0.57%, 0.63%

LAB 59.43, 48.61, -11.18

 

CMYK 0 / 1 / 50 / 16

HEX #D6D36B

RGB 214 211 107

HSL 58.32, 0.57%, 0.63%

LAB 82.88, -12.93, 51.32

 

Description

Color code: HEX #69D69C | qconv.com Color code: HEX #69D69C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 214 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 214 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 27 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 27% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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