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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69CFEB it is the complementary color #963014. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69CFEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69CFEB shade: #6ECFE6, #7FE1F9, #90F3FF, #A1FFFF and #B2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69CFEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69CFEB shade: #69CFEB, #58BDD8, #47ABC5, #3699B2 and #25879F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69CFEB shade: #6BCFEB, #6BADEB, #6B8AEB, #6E6BEB and #916BEB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69CFEB shade: #6BCFEB, #6BADEB, #6B8AEB and #6B6BEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69CFEB shade matches the following richer shades: #6BCFEB and #5DD7F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69CFEB shade: #6BCFEB, #79C8DD, #86C0D0, #94B8C2 and #A1B0B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69CFEB shade: #6BEBC0, #6BEBE2, #6BD1EB, #6BAFEB and #6B8DEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69CFEB shade: #22B8E1, #47C4E6, #6BCFEB, #8FDBF0 and #B4E7F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69CFEB shade: #69CFEB, #9E6BEB and #EBD16B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69CFEB shade: #69CFEB, #EB6BD1 and #D1EB6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69CFEB shade: #69CFEB, #9E6BEB, #EB846B and #B8EB6B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69CFEB shade: #69CFEB, #C46BEB, #EB846B and #91EB6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 12 / 0 / 8

HEX #69CFEB

RGB 105 207 235

HSL 192.92, 0.76%, 0.67%

LAB 78.24, -21.99, -22.87

 

Complementary color

CMYK 0 / 68 / 87 / 41

HEX #963014

RGB 150 48 20

HSL 12.92, 0.76%, 0.33%

LAB 35.3, 41.43, 39.4

 

CMYK 52 / 10 / 0 / 10

HEX #6ECFE6

RGB 110 207 230

HSL 191.5, 0.71%, 0.67%

LAB 78.26, -22.38, -20.15

 

CMYK 49 / 10 / 0 / 2

HEX #7FE1F9

RGB 127 225 249

HSL 191.8, 0.91%, 0.74%

LAB 84.59, -22.6, -20.61

 

CMYK 44 / 5 / 0 / 0

HEX #90F3FF

RGB 144 243 255

HSL 186.49, 1%, 0.78%

LAB 90.44, -26.08, -14.88

 

CMYK 37 / 0 / 0 / 0

HEX #A1FFFF

RGB 161 255 255

HSL 180, 1%, 0.82%

LAB 94.45, -27.77, -8.82

 

CMYK 30 / 0 / 0 / 0

HEX #B2FFFF

RGB 178 255 255

HSL 180, 1%, 0.85%

LAB 95.25, -23.36, -7.55

 

CMYK 55 / 12 / 0 / 8

HEX #69CFEB

RGB 105 207 235

HSL 192.92, 0.76%, 0.67%

LAB 78.24, -21.99, -22.87

 

CMYK 59 / 13 / 0 / 15

HEX #58BDD8

RGB 88 189 216

HSL 192.66, 0.62%, 0.6%

LAB 71.84, -21.57, -22.4

 

CMYK 64 / 13 / 0 / 23

HEX #47ABC5

RGB 71 171 197

HSL 192.38, 0.52%, 0.53%

LAB 65.35, -21.01, -21.9

 

CMYK 70 / 14 / 0 / 30

HEX #3699B2

RGB 54 153 178

HSL 192.1, 0.53%, 0.45%

LAB 58.77, -20.27, -21.36

 

CMYK 77 / 15 / 0 / 38

HEX #25879F

RGB 37 135 159

HSL 191.8, 0.62%, 0.38%

LAB 52.09, -19.24, -20.74

 

CMYK 54 / 12 / 0 / 8

HEX #6BCFEB

RGB 107 207 235

HSL 193.13, 0.76%, 0.67%

LAB 78.32, -21.59, -22.75

 

CMYK 54 / 26 / 0 / 8

HEX #6BADEB

RGB 107 173 235

HSL 209.06, 0.76%, 0.67%

LAB 68.76, -3.57, -37.46

 

CMYK 54 / 41 / 0 / 8

HEX #6B8AEB

RGB 107 138 235

HSL 225.47, 0.76%, 0.67%

LAB 59.25, 16.63, -52.42

 

CMYK 53 / 54 / 0 / 8

HEX #6E6BEB

RGB 110 107 235

HSL 241.41, 0.76%, 0.67%

LAB 51.64, 35.83, -64.61

 

CMYK 38 / 54 / 0 / 8

HEX #916BEB

RGB 145 107 235

HSL 257.81, 0.76%, 0.67%

LAB 54.59, 43.32, -59.71

 

CMYK 54 / 12 / 0 / 8

HEX #6BCFEB

RGB 107 207 235

HSL 193.13, 0.76%, 0.67%

LAB 78.32, -21.59, -22.75

 

CMYK 54 / 26 / 0 / 8

HEX #6BADEB

RGB 107 173 235

HSL 209.06, 0.76%, 0.67%

LAB 68.76, -3.57, -37.46

 

CMYK 54 / 41 / 0 / 8

HEX #6B8AEB

RGB 107 138 235

HSL 225.47, 0.76%, 0.67%

LAB 59.25, 16.63, -52.42

 

CMYK 54 / 54 / 0 / 8

HEX #6B6BEB

RGB 107 107 235

HSL 240, 0.76%, 0.67%

LAB 51.43, 35.25, -64.97

 

CMYK 54 / 12 / 0 / 8

HEX #6BCFEB

RGB 107 207 235

HSL 193.13, 0.76%, 0.67%

LAB 78.32, -21.59, -22.75

 

CMYK 63 / 13 / 0 / 3

HEX #5DD7F8

RGB 93 215 248

HSL 192.77, 0.92%, 0.67%

LAB 80.57, -24.4, -26.29

 

CMYK 54 / 12 / 0 / 8

HEX #6BCFEB

RGB 107 207 235

HSL 193.13, 0.76%, 0.67%

LAB 78.32, -21.59, -22.75

 

CMYK 45 / 10 / 0 / 13

HEX #79C8DD

RGB 121 200 221

HSL 192.6, 0.6%, 0.67%

LAB 76.43, -18.82, -18.03

 

CMYK 36 / 8 / 0 / 18

HEX #86C0D0

RGB 134 192 208

HSL 192.97, 0.44%, 0.67%

LAB 74.4, -14.73, -14

 

CMYK 24 / 5 / 0 / 24

HEX #94B8C2

RGB 148 184 194

HSL 193.04, 0.27%, 0.67%

LAB 72.54, -9.82, -9.06

 

CMYK 11 / 2 / 0 / 29

HEX #A1B0B4

RGB 161 176 180

HSL 192.63, 0.11%, 0.67%

LAB 70.82, -4.39, -3.83

 

CMYK 54 / 0 / 18 / 8

HEX #6BEBC0

RGB 107 235 192

HSL 159.84, 0.76%, 0.67%

LAB 85.17, -45.57, 10.21

 

CMYK 54 / 0 / 4 / 8

HEX #6BEBE2

RGB 107 235 226

HSL 175.78, 0.76%, 0.67%

LAB 86.02, -37.48, -6.41

 

CMYK 54 / 11 / 0 / 8

HEX #6BD1EB

RGB 107 209 235

HSL 192.19, 0.76%, 0.67%

LAB 78.88, -22.6, -21.89

 

CMYK 54 / 26 / 0 / 8

HEX #6BAFEB

RGB 107 175 235

HSL 208.13, 0.76%, 0.67%

LAB 69.32, -4.68, -36.59

 

CMYK 54 / 40 / 0 / 8

HEX #6B8DEB

RGB 107 141 235

HSL 224.06, 0.76%, 0.67%

LAB 60.05, 14.84, -51.16

 

CMYK 85 / 18 / 0 / 12

HEX #22B8E1

RGB 34 184 225

HSL 192.88, 0.76%, 0.51%

LAB 69.51, -22.97, -30.99

 

CMYK 69 / 15 / 0 / 10

HEX #47C4E6

RGB 71 196 230

HSL 192.83, 0.76%, 0.59%

LAB 73.89, -23.62, -26.92

 

CMYK 54 / 12 / 0 / 8

HEX #6BCFEB

RGB 107 207 235

HSL 193.13, 0.76%, 0.67%

LAB 78.32, -21.59, -22.75

 

CMYK 40 / 9 / 0 / 6

HEX #8FDBF0

RGB 143 219 240

HSL 192.99, 0.76%, 0.75%

LAB 83.33, -18.21, -17.67

 

CMYK 27 / 6 / 0 / 4

HEX #B4E7F5

RGB 180 231 245

HSL 192.92, 0.76%, 0.83%

LAB 88.66, -13.15, -12.12

 

CMYK 55 / 12 / 0 / 8

HEX #69CFEB

RGB 105 207 235

HSL 192.92, 0.76%, 0.67%

LAB 78.24, -21.99, -22.87

 

CMYK 33 / 54 / 0 / 8

HEX #9E6BEB

RGB 158 107 235

HSL 263.91, 0.76%, 0.67%

LAB 55.87, 46.38, -57.59

 

CMYK 0 / 11 / 54 / 8

HEX #EBD16B

RGB 235 209 107

HSL 47.81, 0.76%, 0.67%

LAB 84.13, -3.38, 53.23

 

CMYK 55 / 12 / 0 / 8

HEX #69CFEB

RGB 105 207 235

HSL 192.92, 0.76%, 0.67%

LAB 78.24, -21.99, -22.87

 

CMYK 0 / 54 / 11 / 8

HEX #EB6BD1

RGB 235 107 209

HSL 312.19, 0.76%, 0.67%

LAB 63.98, 61.62, -29.6

 

CMYK 11 / 0 / 54 / 8

HEX #D1EB6B

RGB 209 235 107

HSL 72.19, 0.76%, 0.67%

LAB 88.94, -26.63, 58.28

 

CMYK 55 / 12 / 0 / 8

HEX #69CFEB

RGB 105 207 235

HSL 192.92, 0.76%, 0.67%

LAB 78.24, -21.99, -22.87

 

CMYK 33 / 54 / 0 / 8

HEX #9E6BEB

RGB 158 107 235

HSL 263.91, 0.76%, 0.67%

LAB 55.87, 46.38, -57.59

 

CMYK 0 / 44 / 54 / 8

HEX #EB846B

RGB 235 132 107

HSL 11.72, 0.76%, 0.67%

LAB 65.92, 37.05, 30.82

 

CMYK 22 / 0 / 54 / 8

HEX #B8EB6B

RGB 184 235 107

HSL 83.91, 0.76%, 0.67%

LAB 87.32, -36.08, 56

 

CMYK 55 / 12 / 0 / 8

HEX #69CFEB

RGB 105 207 235

HSL 192.92, 0.76%, 0.67%

LAB 78.24, -21.99, -22.87

 

CMYK 17 / 54 / 0 / 8

HEX #C46BEB

RGB 196 107 235

HSL 281.72, 0.76%, 0.67%

LAB 60.11, 55.82, -50.57

 

CMYK 0 / 44 / 54 / 8

HEX #EB846B

RGB 235 132 107

HSL 11.72, 0.76%, 0.67%

LAB 65.92, 37.05, 30.82

 

CMYK 38 / 0 / 54 / 8

HEX #91EB6B

RGB 145 235 107

HSL 102.19, 0.76%, 0.67%

LAB 85.25, -49.52, 53.05

 

Description

Color code: HEX #69CFEB | qconv.com Color code: HEX #69CFEB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 207 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 207 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 12 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 12% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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