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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69CA3F it is the complementary color #9635C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69CA3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69CA3F shade: #6ECA3A, #7FDC4D, #90EE60, #A1FF73 and #B2FF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69CA3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69CA3F shade: #69CA3F, #58B82C, #47A619, #369406 and #258200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69CA3F shade: #69CA3F, #8FCA3F, #B4CA3F, #CABB3F and #CA953F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69CA3F shade: #69CA3F, #43CA3F, #3FCA60, #3FCA86 and #3FCAAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69CA3F shade matches the following richer shades: #69CA3F, #61DE2B and #59F217

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69CA3F shade: #69CA3F, #71B753, #79A366, #818F7A and #887B8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69CA3F shade: #B5CA3F, #90CA3F, #6BCA3F, #46CA3F and #3FCA5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69CA3F shade: #478F27, #57B030, #69CA3F, #82D35F and #9CDC80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69CA3F shade: #69CA3F, #3FCABA and #CA3FA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69CA3F shade: #69CA3F, #3F6BCA and #CA3F6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69CA3F shade: #69CA3F, #3FCABA, #9E3FCA and #CA3F4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69CA3F shade: #69CA3F, #3FB1CA, #9E3FCA and #CA583F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 69 / 21

HEX #69CA3F

RGB 105 202 63

HSL 101.87, 0.57%, 0.52%

LAB 73.29, -52.79, 57.95

 

Complementary color

CMYK 22 / 72 / 0 / 25

HEX #9635C0

RGB 150 53 192

HSL 281.87, 0.57%, 0.48%

LAB 42.52, 61, -54.55

 

CMYK 46 / 0 / 71 / 21

HEX #6ECA3A

RGB 110 202 58

HSL 98.33, 0.58%, 0.51%

LAB 73.46, -51.65, 60.07

 

CMYK 42 / 0 / 65 / 14

HEX #7FDC4D

RGB 127 220 77

HSL 99.02, 0.67%, 0.58%

LAB 79.75, -52, 59.55

 

CMYK 39 / 0 / 60 / 7

HEX #90EE60

RGB 144 238 96

HSL 99.72, 0.81%, 0.65%

LAB 85.97, -52.18, 58.72

 

CMYK 37 / 0 / 55 / 0

HEX #A1FF73

RGB 161 255 115

HSL 100.29, 1%, 0.73%

LAB 91.83, -51.84, 57.39

 

CMYK 30 / 0 / 47 / 0

HEX #B2FF86

RGB 178 255 134

HSL 98.18, 1%, 0.76%

LAB 92.89, -44.21, 50.16

 

CMYK 48 / 0 / 69 / 21

HEX #69CA3F

RGB 105 202 63

HSL 101.87, 0.57%, 0.52%

LAB 73.29, -52.79, 57.95

 

CMYK 52 / 0 / 76 / 28

HEX #58B82C

RGB 88 184 44

HSL 101.14, 0.61%, 0.45%

LAB 66.93, -52.24, 58.19

 

CMYK 57 / 0 / 85 / 35

HEX #47A619

RGB 71 166 25

HSL 100.43, 0.74%, 0.37%

LAB 60.5, -51.33, 57.56

 

CMYK 64 / 0 / 96 / 42

HEX #369406

RGB 54 148 6

HSL 99.72, 0.92%, 0.3%

LAB 54, -49.9, 55.48

 

CMYK 72 / 0 / 100 / 49

HEX #258200

RGB 37 130 0

HSL 102.92, 1%, 0.25%

LAB 47.44, -47.73, 51.08

 

CMYK 48 / 0 / 69 / 21

HEX #69CA3F

RGB 105 202 63

HSL 101.87, 0.57%, 0.52%

LAB 73.29, -52.79, 57.95

 

CMYK 29 / 0 / 69 / 21

HEX #8FCA3F

RGB 143 202 63

HSL 85.47, 0.57%, 0.52%

LAB 75.1, -40.03, 60.4

 

CMYK 11 / 0 / 69 / 21

HEX #B4CA3F

RGB 180 202 63

HSL 69.5, 0.57%, 0.52%

LAB 77.46, -25.55, 63.56

 

CMYK 0 / 7 / 69 / 21

HEX #CABB3F

RGB 202 187 63

HSL 53.53, 0.57%, 0.52%

LAB 75.11, -8.81, 61.77

 

CMYK 0 / 26 / 69 / 21

HEX #CA953F

RGB 202 149 63

HSL 37.12, 0.57%, 0.52%

LAB 65.29, 11.39, 51.61

 

CMYK 48 / 0 / 69 / 21

HEX #69CA3F

RGB 105 202 63

HSL 101.87, 0.57%, 0.52%

LAB 73.29, -52.79, 57.95

 

CMYK 67 / 0 / 69 / 21

HEX #43CA3F

RGB 67 202 63

HSL 118.27, 0.57%, 0.52%

LAB 72.09, -62.22, 56.33

 

CMYK 69 / 0 / 52 / 21

HEX #3FCA60

RGB 63 202 96

HSL 134.24, 0.57%, 0.52%

LAB 72.32, -59.15, 42

 

CMYK 69 / 0 / 34 / 21

HEX #3FCA86

RGB 63 202 134

HSL 150.65, 0.57%, 0.52%

LAB 72.9, -52.61, 23.44

 

CMYK 69 / 0 / 15 / 21

HEX #3FCAAB

RGB 63 202 171

HSL 166.62, 0.57%, 0.52%

LAB 73.7, -44.24, 4.75

 

CMYK 48 / 0 / 69 / 21

HEX #69CA3F

RGB 105 202 63

HSL 101.87, 0.57%, 0.52%

LAB 73.29, -52.79, 57.95

 

CMYK 56 / 0 / 81 / 13

HEX #61DE2B

RGB 97 222 43

HSL 101.9, 0.73%, 0.52%

LAB 79.02, -63.59, 70.02

 

CMYK 63 / 0 / 90 / 5

HEX #59F217

RGB 89 242 23

HSL 101.92, 0.89%, 0.52%

LAB 84.84, -72.79, 79.07

 

CMYK 48 / 0 / 69 / 21

HEX #69CA3F

RGB 105 202 63

HSL 101.87, 0.57%, 0.52%

LAB 73.29, -52.79, 57.95

 

CMYK 38 / 0 / 55 / 28

HEX #71B753

RGB 113 183 83

HSL 102, 0.41%, 0.52%

LAB 68.02, -40.51, 43.48

 

CMYK 26 / 0 / 37 / 36

HEX #79A366

RGB 121 163 102

HSL 101.31, 0.25%, 0.52%

LAB 62.69, -25.9, 27.22

 

CMYK 10 / 0 / 15 / 44

HEX #818F7A

RGB 129 143 122

HSL 100, 0.09%, 0.52%

LAB 57.77, -9.17, 9.48

 

CMYK 4 / 13 / 0 / 44

HEX #887B8E

RGB 136 123 142

HSL 281.05, 0.08%, 0.52%

LAB 53.33, 8.69, -8.46

 

CMYK 10 / 0 / 69 / 21

HEX #B5CA3F

RGB 181 202 63

HSL 69.06, 0.57%, 0.52%

LAB 77.53, -25.14, 63.66

 

CMYK 29 / 0 / 69 / 21

HEX #90CA3F

RGB 144 202 63

HSL 85.04, 0.57%, 0.52%

LAB 75.16, -39.66, 60.48

 

CMYK 47 / 0 / 69 / 21

HEX #6BCA3F

RGB 107 202 63

HSL 101.01, 0.57%, 0.52%

LAB 73.37, -52.19, 58.06

 

CMYK 65 / 0 / 69 / 21

HEX #46CA3F

RGB 70 202 63

HSL 116.98, 0.57%, 0.52%

LAB 72.16, -61.62, 56.43

 

CMYK 69 / 0 / 54 / 21

HEX #3FCA5D

RGB 63 202 93

HSL 132.95, 0.57%, 0.52%

LAB 72.29, -59.57, 43.4

 

CMYK 50 / 0 / 73 / 44

HEX #478F27

RGB 71 143 39

HSL 101.54, 0.57%, 0.36%

LAB 53.09, -41.61, 45.99

 

CMYK 51 / 0 / 73 / 31

HEX #57B030

RGB 87 176 48

HSL 101.72, 0.57%, 0.44%

LAB 64.4, -49.19, 54.26

 

CMYK 48 / 0 / 69 / 21

HEX #69CA3F

RGB 105 202 63

HSL 101.87, 0.57%, 0.52%

LAB 73.29, -52.79, 57.95

 

CMYK 38 / 0 / 55 / 17

HEX #82D35F

RGB 130 211 95

HSL 101.9, 0.57%, 0.6%

LAB 77.38, -45.59, 49.09

 

CMYK 29 / 0 / 42 / 14

HEX #9CDC80

RGB 156 220 128

HSL 101.74, 0.57%, 0.68%

LAB 81.74, -36.85, 38.82

 

CMYK 48 / 0 / 69 / 21

HEX #69CA3F

RGB 105 202 63

HSL 101.87, 0.57%, 0.52%

LAB 73.29, -52.79, 57.95

 

CMYK 69 / 0 / 8 / 21

HEX #3FCABA

RGB 63 202 186

HSL 173.09, 0.57%, 0.52%

LAB 74.09, -40.36, -2.8

 

CMYK 0 / 69 / 19 / 21

HEX #CA3FA3

RGB 202 63 163

HSL 316.83, 0.57%, 0.52%

LAB 50.4, 64.31, -24.51

 

CMYK 48 / 0 / 69 / 21

HEX #69CA3F

RGB 105 202 63

HSL 101.87, 0.57%, 0.52%

LAB 73.29, -52.79, 57.95

 

CMYK 69 / 47 / 0 / 21

HEX #3F6BCA

RGB 63 107 202

HSL 221.01, 0.57%, 0.52%

LAB 46.76, 16.45, -53.91

 

CMYK 0 / 69 / 47 / 21

HEX #CA3F6B

RGB 202 63 107

HSL 341.01, 0.57%, 0.52%

LAB 48.48, 57.87, 6.28

 

CMYK 48 / 0 / 69 / 21

HEX #69CA3F

RGB 105 202 63

HSL 101.87, 0.57%, 0.52%

LAB 73.29, -52.79, 57.95

 

CMYK 69 / 0 / 8 / 21

HEX #3FCABA

RGB 63 202 186

HSL 173.09, 0.57%, 0.52%

LAB 74.09, -40.36, -2.8

 

CMYK 22 / 69 / 0 / 21

HEX #9E3FCA

RGB 158 63 202

HSL 281.01, 0.57%, 0.52%

LAB 45.76, 60.62, -55.08

 

CMYK 0 / 69 / 61 / 21

HEX #CA3F4F

RGB 202 63 79

HSL 353.09, 0.57%, 0.52%

LAB 47.85, 55.67, 22.44

 

CMYK 48 / 0 / 69 / 21

HEX #69CA3F

RGB 105 202 63

HSL 101.87, 0.57%, 0.52%

LAB 73.29, -52.79, 57.95

 

CMYK 69 / 12 / 0 / 21

HEX #3FB1CA

RGB 63 177 202

HSL 190.79, 0.57%, 0.52%

LAB 67.1, -23.79, -22.02

 

CMYK 22 / 69 / 0 / 21

HEX #9E3FCA

RGB 158 63 202

HSL 281.01, 0.57%, 0.52%

LAB 45.76, 60.62, -55.08

 

CMYK 0 / 56 / 69 / 21

HEX #CA583F

RGB 202 88 63

HSL 10.79, 0.57%, 0.52%

LAB 51.72, 43.73, 36.53

 

Description

Color code: HEX #69CA3F | qconv.com Color code: HEX #69CA3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 202 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 202 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 69 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 69% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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