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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69C939 it is the complementary color #9636C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69C939. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69C939 shade: #6EC934, #7FDB47, #90ED5A, #A1FF6D and #B2FF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69C939. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69C939 shade: #69C939, #58B726, #47A513, #369300 and #258100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69C939 shade: #6AC93B, #91C93B, #B7C93B, #C9B53B and #C98F3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69C939 shade: #6AC93B, #44C93B, #3BC958, #3BC97F and #3BC9A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69C939 shade matches the following richer shades: #6AC93B, #64DD27 and #5DF212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69C939 shade: #6AC93B, #71B54F, #78A163, #7F8D77 and #85788C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69C939 shade: #B6C93B, #90C93B, #6AC93B, #44C93B and #3BC957

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69C939 shade: #488B26, #59AC2F, #6AC93B, #83D25B and #9BDB7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69C939 shade: #69C939, #3BC9B6 and #C93BA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69C939 shade: #69C939, #3B6AC9 and #C93B6A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69C939 shade: #69C939, #3BC9B6, #9A3BC9 and #C93B4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69C939 shade: #69C939, #3BB2C9, #9A3BC9 and #C9533B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 72 / 21

HEX #69C939

RGB 105 201 57

HSL 100, 0.57%, 0.51%

LAB 72.94, -52.86, 59.85

 

Complementary color

CMYK 24 / 73 / 0 / 22

HEX #9636C6

RGB 150 54 198

HSL 280, 0.57%, 0.49%

LAB 43.06, 61.84, -57.16

 

CMYK 45 / 0 / 74 / 21

HEX #6EC934

RGB 110 201 52

HSL 96.64, 0.59%, 0.5%

LAB 73.11, -51.66, 61.85

 

CMYK 42 / 0 / 68 / 14

HEX #7FDB47

RGB 127 219 71

HSL 97.3, 0.67%, 0.57%

LAB 79.4, -52.08, 61.56

 

CMYK 39 / 0 / 62 / 7

HEX #90ED5A

RGB 144 237 90

HSL 97.96, 0.8%, 0.64%

LAB 85.62, -52.32, 60.86

 

CMYK 37 / 0 / 57 / 0

HEX #A1FF6D

RGB 161 255 109

HSL 98.63, 1%, 0.71%

LAB 91.78, -52.44, 59.95

 

CMYK 30 / 0 / 50 / 0

HEX #B2FF80

RGB 178 255 128

HSL 96.38, 1%, 0.75%

LAB 92.81, -44.89, 52.87

 

CMYK 48 / 0 / 72 / 21

HEX #69C939

RGB 105 201 57

HSL 100, 0.57%, 0.51%

LAB 72.94, -52.86, 59.85

 

CMYK 52 / 0 / 79 / 28

HEX #58B726

RGB 88 183 38

HSL 99.31, 0.66%, 0.43%

LAB 66.58, -52.22, 59.77

 

CMYK 57 / 0 / 88 / 35

HEX #47A513

RGB 71 165 19

HSL 98.63, 0.79%, 0.36%

LAB 60.16, -51.2, 58.62

 

CMYK 63 / 0 / 100 / 42

HEX #369300

RGB 54 147 0

HSL 97.96, 1%, 0.29%

LAB 53.66, -49.72, 56.21

 

CMYK 71 / 0 / 100 / 49

HEX #258100

RGB 37 129 0

HSL 102.79, 1%, 0.25%

LAB 47.1, -47.39, 50.81

 

CMYK 47 / 0 / 71 / 21

HEX #6AC93B

RGB 106 201 59

HSL 100.14, 0.57%, 0.51%

LAB 72.99, -52.41, 59.18

 

CMYK 28 / 0 / 71 / 21

HEX #91C93B

RGB 145 201 59

HSL 83.66, 0.57%, 0.51%

LAB 74.89, -39.11, 61.72

 

CMYK 9 / 0 / 71 / 21

HEX #B7C93B

RGB 183 201 59

HSL 67.61, 0.57%, 0.51%

LAB 77.37, -24.06, 65.01

 

CMYK 0 / 10 / 71 / 21

HEX #C9B53B

RGB 201 181 59

HSL 51.55, 0.57%, 0.51%

LAB 73.4, -6.34, 61.59

 

CMYK 0 / 29 / 71 / 21

HEX #C98F3B

RGB 201 143 59

HSL 35.49, 0.57%, 0.51%

LAB 63.65, 14.02, 51.66

 

CMYK 47 / 0 / 71 / 21

HEX #6AC93B

RGB 106 201 59

HSL 100.14, 0.57%, 0.51%

LAB 72.99, -52.41, 59.18

 

CMYK 66 / 0 / 71 / 21

HEX #44C93B

RGB 68 201 59

HSL 116.2, 0.57%, 0.51%

LAB 71.77, -62.03, 57.53

 

CMYK 71 / 0 / 56 / 21

HEX #3BC958

RGB 59 201 88

HSL 132.25, 0.57%, 0.51%

LAB 71.83, -60.58, 45.19

 

CMYK 71 / 0 / 37 / 21

HEX #3BC97F

RGB 59 201 127

HSL 148.73, 0.57%, 0.51%

LAB 72.39, -54.24, 26.4

 

CMYK 71 / 0 / 18 / 21

HEX #3BC9A5

RGB 59 201 165

HSL 164.79, 0.57%, 0.51%

LAB 73.17, -45.88, 7.22

 

CMYK 47 / 0 / 71 / 21

HEX #6AC93B

RGB 106 201 59

HSL 100.14, 0.57%, 0.51%

LAB 72.99, -52.41, 59.18

 

CMYK 55 / 0 / 82 / 13

HEX #64DD27

RGB 100 221 39

HSL 99.89, 0.73%, 0.51%

LAB 78.79, -62.65, 70.87

 

CMYK 62 / 0 / 93 / 5

HEX #5DF212

RGB 93 242 18

HSL 99.91, 0.9%, 0.51%

LAB 84.93, -72.04, 79.84

 

CMYK 47 / 0 / 71 / 21

HEX #6AC93B

RGB 106 201 59

HSL 100.14, 0.57%, 0.51%

LAB 72.99, -52.41, 59.18

 

CMYK 38 / 0 / 56 / 29

HEX #71B54F

RGB 113 181 79

HSL 100, 0.41%, 0.51%

LAB 67.37, -40.08, 44.61

 

CMYK 25 / 0 / 39 / 37

HEX #78A163

RGB 120 161 99

HSL 99.68, 0.25%, 0.51%

LAB 61.98, -25.73, 27.89

 

CMYK 10 / 0 / 16 / 45

HEX #7F8D77

RGB 127 141 119

HSL 98.18, 0.09%, 0.51%

LAB 56.97, -9.38, 10.04

 

CMYK 5 / 14 / 0 / 45

HEX #85788C

RGB 133 120 140

HSL 279, 0.08%, 0.51%

LAB 52.19, 8.94, -9.04

 

CMYK 9 / 0 / 71 / 21

HEX #B6C93B

RGB 182 201 59

HSL 68.03, 0.57%, 0.51%

LAB 77.3, -24.47, 64.92

 

CMYK 28 / 0 / 71 / 21

HEX #90C93B

RGB 144 201 59

HSL 84.08, 0.57%, 0.51%

LAB 74.84, -39.49, 61.65

 

CMYK 47 / 0 / 71 / 21

HEX #6AC93B

RGB 106 201 59

HSL 100.14, 0.57%, 0.51%

LAB 72.99, -52.41, 59.18

 

CMYK 66 / 0 / 71 / 21

HEX #44C93B

RGB 68 201 59

HSL 116.2, 0.57%, 0.51%

LAB 71.77, -62.03, 57.53

 

CMYK 71 / 0 / 57 / 21

HEX #3BC957

RGB 59 201 87

HSL 131.83, 0.57%, 0.51%

LAB 71.82, -60.71, 45.64

 

CMYK 48 / 0 / 73 / 45

HEX #488B26

RGB 72 139 38

HSL 99.8, 0.57%, 0.35%

LAB 51.82, -39.72, 45.09

 

CMYK 48 / 0 / 73 / 33

HEX #59AC2F

RGB 89 172 47

HSL 99.84, 0.57%, 0.43%

LAB 63.21, -47.09, 53.45

 

CMYK 47 / 0 / 71 / 21

HEX #6AC93B

RGB 106 201 59

HSL 100.14, 0.57%, 0.51%

LAB 72.99, -52.41, 59.18

 

CMYK 38 / 0 / 57 / 18

HEX #83D25B

RGB 131 210 91

HSL 99.83, 0.57%, 0.59%

LAB 77.09, -45.27, 50.6

 

CMYK 29 / 0 / 43 / 14

HEX #9BDB7C

RGB 155 219 124

HSL 100.42, 0.57%, 0.67%

LAB 81.34, -37.26, 40.29

 

CMYK 48 / 0 / 72 / 21

HEX #69C939

RGB 105 201 57

HSL 100, 0.57%, 0.51%

LAB 72.94, -52.86, 59.85

 

CMYK 71 / 0 / 9 / 21

HEX #3BC9B6

RGB 59 201 182

HSL 171.97, 0.57%, 0.51%

LAB 73.6, -41.53, -1.36

 

CMYK 0 / 71 / 19 / 21

HEX #C93BA3

RGB 201 59 163

HSL 316.06, 0.57%, 0.51%

LAB 49.73, 65.48, -25.56

 

CMYK 48 / 0 / 72 / 21

HEX #69C939

RGB 105 201 57

HSL 100, 0.57%, 0.51%

LAB 72.94, -52.86, 59.85

 

CMYK 71 / 47 / 0 / 21

HEX #3B6AC9

RGB 59 106 201

HSL 220.14, 0.57%, 0.51%

LAB 46.25, 16.13, -54.16

 

CMYK 0 / 71 / 47 / 21

HEX #C93B6A

RGB 201 59 106

HSL 340.14, 0.57%, 0.51%

LAB 47.73, 58.98, 5.8

 

CMYK 48 / 0 / 72 / 21

HEX #69C939

RGB 105 201 57

HSL 100, 0.57%, 0.51%

LAB 72.94, -52.86, 59.85

 

CMYK 71 / 0 / 9 / 21

HEX #3BC9B6

RGB 59 201 182

HSL 171.97, 0.57%, 0.51%

LAB 73.6, -41.53, -1.36

 

CMYK 23 / 71 / 0 / 21

HEX #9A3BC9

RGB 154 59 201

HSL 280.14, 0.57%, 0.51%

LAB 44.54, 61.25, -56.49

 

CMYK 0 / 71 / 61 / 21

HEX #C93B4E

RGB 201 59 78

HSL 351.97, 0.57%, 0.51%

LAB 47.1, 56.81, 22.03

 

CMYK 48 / 0 / 72 / 21

HEX #69C939

RGB 105 201 57

HSL 100, 0.57%, 0.51%

LAB 72.94, -52.86, 59.85

 

CMYK 71 / 11 / 0 / 21

HEX #3BB2C9

RGB 59 178 201

HSL 189.72, 0.57%, 0.51%

LAB 67.27, -25.17, -21.23

 

CMYK 23 / 71 / 0 / 21

HEX #9A3BC9

RGB 154 59 201

HSL 280.14, 0.57%, 0.51%

LAB 44.54, 61.25, -56.49

 

CMYK 0 / 59 / 71 / 21

HEX #C9533B

RGB 201 83 59

HSL 10.14, 0.57%, 0.51%

LAB 50.59, 45.53, 37.4

 

Description

Color code: HEX #69C939 | qconv.com Color code: HEX #69C939 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 201 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 201 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 72 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 72% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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