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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69C441 it is the complementary color #963BBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69C441. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69C441 shade: #6EC43C, #7FD64F, #90E862, #A1FA75 and #B2FF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69C441. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69C441 shade: #69C441, #58B22E, #47A01B, #368E08 and #257C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69C441 shade: #68C440, #8CC440, #B0C440, #C4B540 and #C49140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69C441 shade: #68C440, #45C440, #40C45F, #40C483 and #40C4A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69C441 shade matches the following richer shades: #68C440, #60D82C and #59ED17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69C441 shade: #68C440, #70B054, #789C68, #80887C and #887391

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69C441 shade: #B0C440, #8DC440, #6AC440, #46C440 and #40C45D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69C441 shade: #46882A, #57A733, #68C440, #81CE5F and #9AD87F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69C441 shade: #69C441, #40C4B5 and #C4409F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69C441 shade: #69C441, #406AC4 and #C4406A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69C441 shade: #69C441, #40C4B5, #9A40C4 and #C4404F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69C441 shade: #69C441, #40ACC4, #9A40C4 and #C45840

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 67 / 23

HEX #69C441

RGB 105 196 65

HSL 101.68, 0.53%, 0.51%

LAB 71.46, -50.27, 55.24

 

Complementary color

CMYK 21 / 69 / 0 / 25

HEX #963BBE

RGB 150 59 190

HSL 281.68, 0.53%, 0.49%

LAB 43.26, 58.12, -52.19

 

CMYK 44 / 0 / 69 / 23

HEX #6EC43C

RGB 110 196 60

HSL 97.94, 0.54%, 0.5%

LAB 71.64, -49.12, 57.46

 

CMYK 41 / 0 / 63 / 16

HEX #7FD64F

RGB 127 214 79

HSL 98.67, 0.62%, 0.57%

LAB 77.98, -49.4, 56.8

 

CMYK 38 / 0 / 58 / 9

HEX #90E862

RGB 144 232 98

HSL 99.4, 0.74%, 0.65%

LAB 84.24, -49.53, 55.88

 

CMYK 36 / 0 / 53 / 2

HEX #A1FA75

RGB 161 250 117

HSL 100.15, 0.93%, 0.72%

LAB 90.43, -49.56, 54.83

 

CMYK 30 / 0 / 47 / 0

HEX #B2FF88

RGB 178 255 136

HSL 98.82, 1%, 0.77%

LAB 92.91, -43.97, 49.25

 

CMYK 46 / 0 / 67 / 23

HEX #69C441

RGB 105 196 65

HSL 101.68, 0.53%, 0.51%

LAB 71.46, -50.27, 55.24

 

CMYK 51 / 0 / 74 / 30

HEX #58B22E

RGB 88 178 46

HSL 100.91, 0.59%, 0.44%

LAB 65.05, -49.81, 55.66

 

CMYK 56 / 0 / 83 / 37

HEX #47A01B

RGB 71 160 27

HSL 100.15, 0.71%, 0.37%

LAB 58.57, -49.01, 55.29

 

CMYK 62 / 0 / 94 / 44

HEX #368E08

RGB 54 142 8

HSL 99.4, 0.89%, 0.29%

LAB 52, -47.71, 53.5

 

CMYK 70 / 0 / 100 / 51

HEX #257C00

RGB 37 124 0

HSL 102.1, 1%, 0.24%

LAB 45.37, -45.68, 49.44

 

CMYK 47 / 0 / 67 / 23

HEX #68C440

RGB 104 196 64

HSL 101.82, 0.53%, 0.51%

LAB 71.41, -50.66, 55.58

 

CMYK 29 / 0 / 67 / 23

HEX #8CC440

RGB 140 196 64

HSL 85.45, 0.53%, 0.51%

LAB 73.17, -38.42, 57.96

 

CMYK 10 / 0 / 67 / 23

HEX #B0C440

RGB 176 196 64

HSL 69.09, 0.53%, 0.51%

LAB 75.5, -24.23, 61.1

 

CMYK 0 / 8 / 67 / 23

HEX #C4B540

RGB 196 181 64

HSL 53.18, 0.53%, 0.51%

LAB 72.99, -8.23, 59.04

 

CMYK 0 / 26 / 67 / 23

HEX #C49140

RGB 196 145 64

HSL 36.82, 0.53%, 0.51%

LAB 63.64, 11.03, 49.18

 

CMYK 47 / 0 / 67 / 23

HEX #68C440

RGB 104 196 64

HSL 101.82, 0.53%, 0.51%

LAB 71.41, -50.66, 55.58

 

CMYK 65 / 0 / 67 / 23

HEX #45C440

RGB 69 196 64

HSL 117.73, 0.53%, 0.51%

LAB 70.26, -59.68, 53.99

 

CMYK 67 / 0 / 52 / 23

HEX #40C45F

RGB 64 196 95

HSL 134.09, 0.53%, 0.51%

LAB 70.45, -56.96, 40.2

 

CMYK 67 / 0 / 33 / 23

HEX #40C483

RGB 64 196 131

HSL 150.45, 0.53%, 0.51%

LAB 71.01, -50.69, 22.46

 

CMYK 67 / 0 / 15 / 23

HEX #40C4A6

RGB 64 196 166

HSL 166.36, 0.53%, 0.51%

LAB 71.77, -42.75, 4.69

 

CMYK 47 / 0 / 67 / 23

HEX #68C440

RGB 104 196 64

HSL 101.82, 0.53%, 0.51%

LAB 71.41, -50.66, 55.58

 

CMYK 56 / 0 / 80 / 15

HEX #60D82C

RGB 96 216 44

HSL 101.86, 0.69%, 0.51%

LAB 77.15, -61.7, 68.01

 

CMYK 62 / 0 / 90 / 7

HEX #59ED17

RGB 89 237 23

HSL 101.5, 0.86%, 0.51%

LAB 83.31, -71.2, 77.79

 

CMYK 47 / 0 / 67 / 23

HEX #68C440

RGB 104 196 64

HSL 101.82, 0.53%, 0.51%

LAB 71.41, -50.66, 55.58

 

CMYK 36 / 0 / 52 / 31

HEX #70B054

RGB 112 176 84

HSL 101.74, 0.37%, 0.51%

LAB 65.85, -37.64, 40.39

 

CMYK 23 / 0 / 33 / 39

HEX #789C68

RGB 120 156 104

HSL 101.54, 0.21%, 0.51%

LAB 60.58, -22.46, 23.33

 

CMYK 6 / 0 / 9 / 47

HEX #80887C

RGB 128 136 124

HSL 100, 0.05%, 0.51%

LAB 55.74, -5.3, 5.43

 

CMYK 6 / 21 / 0 / 43

HEX #887391

RGB 136 115 145

HSL 282, 0.12%, 0.51%

LAB 51.31, 14.01, -13.26

 

CMYK 10 / 0 / 67 / 23

HEX #B0C440

RGB 176 196 64

HSL 69.09, 0.53%, 0.51%

LAB 75.5, -24.23, 61.1

 

CMYK 28 / 0 / 67 / 23

HEX #8DC440

RGB 141 196 64

HSL 85, 0.53%, 0.51%

LAB 73.23, -38.04, 58.04

 

CMYK 46 / 0 / 67 / 23

HEX #6AC440

RGB 106 196 64

HSL 100.91, 0.53%, 0.51%

LAB 71.5, -50.05, 55.69

 

CMYK 64 / 0 / 67 / 23

HEX #46C440

RGB 70 196 64

HSL 117.27, 0.53%, 0.51%

LAB 70.28, -59.47, 54.03

 

CMYK 67 / 0 / 53 / 23

HEX #40C45D

RGB 64 196 93

HSL 133.18, 0.53%, 0.51%

LAB 70.43, -57.25, 41.14

 

CMYK 49 / 0 / 69 / 47

HEX #46882A

RGB 70 136 42

HSL 102.13, 0.53%, 0.35%

LAB 50.78, -38.77, 42.32

 

CMYK 48 / 0 / 69 / 35

HEX #57A733

RGB 87 167 51

HSL 101.38, 0.53%, 0.43%

LAB 61.57, -45.39, 50.2

 

CMYK 47 / 0 / 67 / 23

HEX #68C440

RGB 104 196 64

HSL 101.82, 0.53%, 0.51%

LAB 71.41, -50.66, 55.58

 

CMYK 37 / 0 / 54 / 19

HEX #81CE5F

RGB 129 206 95

HSL 101.62, 0.53%, 0.59%

LAB 75.85, -43.79, 47.27

 

CMYK 29 / 0 / 41 / 15

HEX #9AD87F

RGB 154 216 127

HSL 101.8, 0.53%, 0.67%

LAB 80.47, -35.84, 37.67

 

CMYK 46 / 0 / 67 / 23

HEX #69C441

RGB 105 196 65

HSL 101.68, 0.53%, 0.51%

LAB 71.46, -50.27, 55.24

 

CMYK 67 / 0 / 8 / 23

HEX #40C4B5

RGB 64 196 181

HSL 173.18, 0.53%, 0.51%

LAB 72.17, -38.86, -2.9

 

CMYK 0 / 67 / 19 / 23

HEX #C4409F

RGB 196 64 159

HSL 316.82, 0.53%, 0.51%

LAB 49.38, 61.82, -23.79

 

CMYK 46 / 0 / 67 / 23

HEX #69C441

RGB 105 196 65

HSL 101.68, 0.53%, 0.51%

LAB 71.46, -50.27, 55.24

 

CMYK 67 / 46 / 0 / 23

HEX #406AC4

RGB 64 106 196

HSL 220.91, 0.53%, 0.51%

LAB 46.16, 15.08, -51.42

 

CMYK 0 / 67 / 46 / 23

HEX #C4406A

RGB 196 64 106

HSL 340.91, 0.53%, 0.51%

LAB 47.55, 55.57, 5.42

 

CMYK 46 / 0 / 67 / 23

HEX #69C441

RGB 105 196 65

HSL 101.68, 0.53%, 0.51%

LAB 71.46, -50.27, 55.24

 

CMYK 67 / 0 / 8 / 23

HEX #40C4B5

RGB 64 196 181

HSL 173.18, 0.53%, 0.51%

LAB 72.17, -38.86, -2.9

 

CMYK 21 / 67 / 0 / 23

HEX #9A40C4

RGB 154 64 196

HSL 280.91, 0.53%, 0.51%

LAB 44.97, 58.07, -52.89

 

CMYK 0 / 67 / 60 / 23

HEX #C4404F

RGB 196 64 79

HSL 353.18, 0.53%, 0.51%

LAB 46.93, 53.36, 21.03

 

CMYK 46 / 0 / 67 / 23

HEX #69C441

RGB 105 196 65

HSL 101.68, 0.53%, 0.51%

LAB 71.46, -50.27, 55.24

 

CMYK 67 / 12 / 0 / 23

HEX #40ACC4

RGB 64 172 196

HSL 190.91, 0.53%, 0.51%

LAB 65.42, -22.96, -21.26

 

CMYK 21 / 67 / 0 / 23

HEX #9A40C4

RGB 154 64 196

HSL 280.91, 0.53%, 0.51%

LAB 44.97, 58.07, -52.89

 

CMYK 0 / 55 / 67 / 23

HEX #C45840

RGB 196 88 64

HSL 10.91, 0.53%, 0.51%

LAB 50.79, 41.54, 34.64

 

Description

Color code: HEX #69C441 | qconv.com Color code: HEX #69C441 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 196 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 196 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 67 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 67% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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