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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69C2D3 it is the complementary color #963D2C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69C2D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69C2D3 shade: #6EC2CE, #7FD4E1, #90E6F4, #A1F8FF and #B2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69C2D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69C2D3 shade: #69C2D3, #58B0C0, #479EAD, #368C9A and #257A87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69C2D3 shade: #69C2D3, #69A6D3, #6989D3, #696CD3 and #8269D3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69C2D3 shade: #69C2D3, #69A6D3, #6989D3, #696CD3 and #6969D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69C2D3 shade matches the following richer shades: #69C2D3, #59CDE3 and #49D8F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69C2D3 shade: #69C2D3, #78B8C4, #88ADB4, #98A2A4 and #A89895

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69C2D3 shade: #69D3AB, #69D3C7, #69C3D3, #69A7D3 and #698BD3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69C2D3 shade: #35A0B5, #49B5CA, #69C2D3, #89CFDD and #A9DCE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69C2D3 shade: #69C2D3, #8E69D3 and #D3B969

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69C2D3 shade: #69C2D3, #D369C3 and #C3D369

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69C2D3 shade: #69C2D3, #8E69D3, #D37969 and #AED369

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69C2D3 shade: #69C2D3, #AE69D3, #D37969 and #8ED369

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 8 / 0 / 17

HEX #69C2D3

RGB 105 194 211

HSL 189.62, 0.55%, 0.62%

LAB 73.73, -22.11, -16.76

 

Complementary color

CMYK 0 / 59 / 71 / 41

HEX #963D2C

RGB 150 61 44

HSL 9.62, 0.55%, 0.38%

LAB 37.85, 36.29, 29.02

 

CMYK 47 / 6 / 0 / 19

HEX #6EC2CE

RGB 110 194 206

HSL 187.5, 0.49%, 0.62%

LAB 73.78, -22.33, -13.96

 

CMYK 44 / 6 / 0 / 12

HEX #7FD4E1

RGB 127 212 225

HSL 187.96, 0.62%, 0.69%

LAB 80.2, -22.41, -14.48

 

CMYK 41 / 6 / 0 / 4

HEX #90E6F4

RGB 144 230 244

HSL 188.4, 0.82%, 0.76%

LAB 86.53, -22.46, -14.97

 

CMYK 37 / 3 / 0 / 0

HEX #A1F8FF

RGB 161 248 255

HSL 184.47, 1%, 0.82%

LAB 92.54, -24.4, -11.65

 

CMYK 30 / 0 / 0 / 0

HEX #B2FFFF

RGB 178 255 255

HSL 180, 1%, 0.85%

LAB 95.25, -23.36, -7.55

 

CMYK 50 / 8 / 0 / 17

HEX #69C2D3

RGB 105 194 211

HSL 189.62, 0.55%, 0.62%

LAB 73.73, -22.11, -16.76

 

CMYK 54 / 8 / 0 / 25

HEX #58B0C0

RGB 88 176 192

HSL 189.23, 0.45%, 0.55%

LAB 67.23, -21.87, -16.24

 

CMYK 59 / 9 / 0 / 32

HEX #479EAD

RGB 71 158 173

HSL 188.82, 0.42%, 0.48%

LAB 60.61, -21.53, -15.68

 

CMYK 65 / 9 / 0 / 40

HEX #368C9A

RGB 54 140 154

HSL 188.4, 0.48%, 0.41%

LAB 53.89, -21.04, -15.06

 

CMYK 73 / 10 / 0 / 47

HEX #257A87

RGB 37 122 135

HSL 187.96, 0.57%, 0.34%

LAB 47.06, -20.29, -14.38

 

CMYK 50 / 8 / 0 / 17

HEX #69C2D3

RGB 105 194 211

HSL 189.62, 0.55%, 0.62%

LAB 73.73, -22.11, -16.76

 

CMYK 50 / 21 / 0 / 17

HEX #69A6D3

RGB 105 166 211

HSL 205.47, 0.55%, 0.62%

LAB 65.73, -7.31, -28.97

 

CMYK 50 / 35 / 0 / 17

HEX #6989D3

RGB 105 137 211

HSL 221.89, 0.55%, 0.62%

LAB 57.65, 9.29, -41.56

 

CMYK 50 / 49 / 0 / 17

HEX #696CD3

RGB 105 108 211

HSL 238.3, 0.55%, 0.62%

LAB 50.02, 26.79, -53.69

 

CMYK 38 / 50 / 0 / 17

HEX #8269D3

RGB 130 105 211

HSL 254.15, 0.55%, 0.62%

LAB 51.33, 34.44, -51.48

 

CMYK 50 / 8 / 0 / 17

HEX #69C2D3

RGB 105 194 211

HSL 189.62, 0.55%, 0.62%

LAB 73.73, -22.11, -16.76

 

CMYK 50 / 21 / 0 / 17

HEX #69A6D3

RGB 105 166 211

HSL 205.47, 0.55%, 0.62%

LAB 65.73, -7.31, -28.97

 

CMYK 50 / 35 / 0 / 17

HEX #6989D3

RGB 105 137 211

HSL 221.89, 0.55%, 0.62%

LAB 57.65, 9.29, -41.56

 

CMYK 50 / 49 / 0 / 17

HEX #696CD3

RGB 105 108 211

HSL 238.3, 0.55%, 0.62%

LAB 50.02, 26.79, -53.69

 

CMYK 50 / 50 / 0 / 17

HEX #6969D3

RGB 105 105 211

HSL 240, 0.55%, 0.62%

LAB 49.26, 28.61, -54.9

 

CMYK 50 / 8 / 0 / 17

HEX #69C2D3

RGB 105 194 211

HSL 189.62, 0.55%, 0.62%

LAB 73.73, -22.11, -16.76

 

CMYK 61 / 10 / 0 / 11

HEX #59CDE3

RGB 89 205 227

HSL 189.57, 0.71%, 0.62%

LAB 76.88, -26.23, -20.69

 

CMYK 70 / 11 / 0 / 5

HEX #49D8F3

RGB 73 216 243

HSL 189.53, 0.88%, 0.62%

LAB 80.18, -29.3, -24.28

 

CMYK 50 / 8 / 0 / 17

HEX #69C2D3

RGB 105 194 211

HSL 189.62, 0.55%, 0.62%

LAB 73.73, -22.11, -16.76

 

CMYK 39 / 6 / 0 / 23

HEX #78B8C4

RGB 120 184 196

HSL 189.47, 0.39%, 0.62%

LAB 71.05, -17.34, -12.55

 

CMYK 24 / 4 / 0 / 29

HEX #88ADB4

RGB 136 173 180

HSL 189.55, 0.23%, 0.62%

LAB 68.33, -10.87, -7.71

 

CMYK 7 / 1 / 0 / 36

HEX #98A2A4

RGB 152 162 164

HSL 190, 0.06%, 0.62%

LAB 65.9, -3.13, -2.27

 

CMYK 0 / 10 / 11 / 34

HEX #A89895

RGB 168 152 149

HSL 9.47, 0.1%, 0.62%

LAB 64.12, 5.36, 3.71

 

CMYK 50 / 0 / 19 / 17

HEX #69D3AB

RGB 105 211 171

HSL 157.36, 0.55%, 0.62%

LAB 77.6, -40.11, 10.5

 

CMYK 50 / 0 / 6 / 17

HEX #69D3C7

RGB 105 211 199

HSL 173.21, 0.55%, 0.62%

LAB 78.3, -33.54, -3.48

 

CMYK 50 / 8 / 0 / 17

HEX #69C3D3

RGB 105 195 211

HSL 189.06, 0.55%, 0.62%

LAB 74.02, -22.61, -16.32

 

CMYK 50 / 21 / 0 / 17

HEX #69A7D3

RGB 105 167 211

HSL 204.91, 0.55%, 0.62%

LAB 66.02, -7.86, -28.53

 

CMYK 50 / 34 / 0 / 17

HEX #698BD3

RGB 105 139 211

HSL 220.75, 0.55%, 0.62%

LAB 58.2, 8.11, -40.7

 

CMYK 71 / 12 / 0 / 29

HEX #35A0B5

RGB 53 160 181

HSL 189.84, 0.55%, 0.46%

LAB 60.99, -23.1, -19.67

 

CMYK 64 / 10 / 0 / 21

HEX #49B5CA

RGB 73 181 202

HSL 189.77, 0.55%, 0.54%

LAB 68.55, -24.28, -19.79

 

CMYK 50 / 8 / 0 / 17

HEX #69C2D3

RGB 105 194 211

HSL 189.62, 0.55%, 0.62%

LAB 73.73, -22.11, -16.76

 

CMYK 38 / 6 / 0 / 13

HEX #89CFDD

RGB 137 207 221

HSL 190, 0.55%, 0.7%

LAB 79.14, -18.42, -13.89

 

CMYK 27 / 4 / 0 / 10

HEX #A9DCE6

RGB 169 220 230

HSL 189.84, 0.55%, 0.78%

LAB 84.66, -14.1, -10.26

 

CMYK 50 / 8 / 0 / 17

HEX #69C2D3

RGB 105 194 211

HSL 189.62, 0.55%, 0.62%

LAB 73.73, -22.11, -16.76

 

CMYK 33 / 50 / 0 / 17

HEX #8E69D3

RGB 142 105 211

HSL 260.94, 0.55%, 0.62%

LAB 52.46, 37.46, -49.6

 

CMYK 0 / 12 / 50 / 17

HEX #D3B969

RGB 211 185 105

HSL 45.28, 0.55%, 0.62%

LAB 75.8, -0.98, 43.71

 

CMYK 50 / 8 / 0 / 17

HEX #69C2D3

RGB 105 194 211

HSL 189.62, 0.55%, 0.62%

LAB 73.73, -22.11, -16.76

 

CMYK 0 / 50 / 8 / 17

HEX #D369C3

RGB 211 105 195

HSL 309.06, 0.55%, 0.62%

LAB 59.79, 53.44, -28.43

 

CMYK 8 / 0 / 50 / 17

HEX #C3D369

RGB 195 211 105

HSL 69.06, 0.55%, 0.62%

LAB 81.41, -20.72, 50.15

 

CMYK 50 / 8 / 0 / 17

HEX #69C2D3

RGB 105 194 211

HSL 189.62, 0.55%, 0.62%

LAB 73.73, -22.11, -16.76

 

CMYK 33 / 50 / 0 / 17

HEX #8E69D3

RGB 142 105 211

HSL 260.94, 0.55%, 0.62%

LAB 52.46, 37.46, -49.6

 

CMYK 0 / 43 / 50 / 17

HEX #D37969

RGB 211 121 105

HSL 9.06, 0.55%, 0.62%

LAB 60.38, 33.39, 24.07

 

CMYK 18 / 0 / 50 / 17

HEX #AED369

RGB 174 211 105

HSL 80.94, 0.55%, 0.62%

LAB 79.96, -28.89, 48.07

 

CMYK 50 / 8 / 0 / 17

HEX #69C2D3

RGB 105 194 211

HSL 189.62, 0.55%, 0.62%

LAB 73.73, -22.11, -16.76

 

CMYK 18 / 50 / 0 / 17

HEX #AE69D3

RGB 174 105 211

HSL 279.06, 0.55%, 0.62%

LAB 55.89, 45.98, -43.95

 

CMYK 0 / 43 / 50 / 17

HEX #D37969

RGB 211 121 105

HSL 9.06, 0.55%, 0.62%

LAB 60.38, 33.39, 24.07

 

CMYK 33 / 0 / 50 / 17

HEX #8ED369

RGB 142 211 105

HSL 99.06, 0.55%, 0.62%

LAB 78.09, -40.47, 45.37

 

Description

Color code: HEX #69C2D3 | qconv.com Color code: HEX #69C2D3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 194 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 194 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 8 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 8% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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