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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69AC14 it is the complementary color #9653EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69AC14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69AC14 shade: #6EAC0F, #7FBE22, #90D035, #A1E248 and #B2F45B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69AC14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69AC14 shade: #69AC14, #589A01, #478800, #367600 and #256400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69AC14 shade: #6AAD14, #93AD14, #AD9E14, #AD7514 and #AD4C14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69AC14 shade: #6AAD14, #41AD14, #17AD14, #14AD3B and #14AD64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69AC14 shade matches the following richer shades: #6AAD14 and #6CBD05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69AC14 shade: #6AAD14, #689E24, #668E34, #647E43 and #636F53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69AC14 shade: #AD9E14, #94AD14, #6BAD14, #42AD14 and #19AD14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69AC14 shade: #3D640C, #538910, #6AAD14, #81D219 and #95E62E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69AC14 shade: #69AC14, #14AD75 and #AD14A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69AC14 shade: #69AC14, #146BAD and #AD146B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69AC14 shade: #69AC14, #14AD75, #5714AD and #AD144C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69AC14 shade: #69AC14, #14ADA3, #5714AD and #AD141F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 88 / 33

HEX #69AC14

RGB 105 172 20

HSL 86.45, 0.79%, 0.38%

LAB 63.8, -43.13, 62.1

 

Complementary color

CMYK 36 / 65 / 0 / 8

HEX #9653EB

RGB 150 83 235

HSL 266.45, 0.79%, 0.62%

LAB 50.3, 57.17, -66.6

 

CMYK 36 / 0 / 91 / 33

HEX #6EAC0F

RGB 110 172 15

HSL 83.69, 0.84%, 0.37%

LAB 64.04, -41.46, 63.31

 

CMYK 33 / 0 / 82 / 25

HEX #7FBE22

RGB 127 190 34

HSL 84.23, 0.7%, 0.44%

LAB 70.49, -42.3, 65.12

 

CMYK 31 / 0 / 75 / 18

HEX #90D035

RGB 144 208 53

HSL 84.77, 0.62%, 0.51%

LAB 76.86, -42.9, 65.73

 

CMYK 29 / 0 / 68 / 11

HEX #A1E248

RGB 161 226 72

HSL 85.32, 0.73%, 0.58%

LAB 83.15, -43.32, 65.59

 

CMYK 27 / 0 / 63 / 4

HEX #B2F45B

RGB 178 244 91

HSL 85.88, 0.87%, 0.66%

LAB 89.36, -43.62, 65.03

 

CMYK 39 / 0 / 88 / 33

HEX #69AC14

RGB 105 172 20

HSL 86.45, 0.79%, 0.38%

LAB 63.8, -43.13, 62.1

 

CMYK 43 / 0 / 99 / 40

HEX #589A01

RGB 88 154 1

HSL 85.88, 0.99%, 0.3%

LAB 57.26, -42.1, 59.44

 

CMYK 48 / 0 / 100 / 47

HEX #478800

RGB 71 136 0

HSL 88.68, 1%, 0.27%

LAB 50.63, -40.58, 54.09

 

CMYK 54 / 0 / 100 / 54

HEX #367600

RGB 54 118 0

HSL 92.54, 1%, 0.23%

LAB 43.86, -38.89, 48.48

 

CMYK 63 / 0 / 100 / 61

HEX #256400

RGB 37 100 0

HSL 97.8, 1%, 0.2%

LAB 36.94, -36.94, 42.76

 

CMYK 39 / 0 / 88 / 32

HEX #6AAD14

RGB 106 173 20

HSL 86.27, 0.79%, 0.38%

LAB 64.16, -43.19, 62.43

 

CMYK 15 / 0 / 88 / 32

HEX #93AD14

RGB 147 173 20

HSL 70.2, 0.79%, 0.38%

LAB 66.63, -27.05, 65.48

 

CMYK 0 / 9 / 88 / 32

HEX #AD9E14

RGB 173 158 20

HSL 54.12, 0.79%, 0.38%

LAB 64.47, -8.01, 64.61

 

CMYK 0 / 32 / 88 / 32

HEX #AD7514

RGB 173 117 20

HSL 38.04, 0.79%, 0.38%

LAB 53.66, 14.54, 55.96

 

CMYK 0 / 56 / 88 / 32

HEX #AD4C14

RGB 173 76 20

HSL 21.96, 0.79%, 0.38%

LAB 44.38, 36.86, 48.56

 

CMYK 39 / 0 / 88 / 32

HEX #6AAD14

RGB 106 173 20

HSL 86.27, 0.79%, 0.38%

LAB 64.16, -43.19, 62.43

 

CMYK 62 / 0 / 88 / 32

HEX #41AD14

RGB 65 173 20

HSL 102.35, 0.79%, 0.38%

LAB 62.56, -55.53, 60.42

 

CMYK 87 / 0 / 88 / 32

HEX #17AD14

RGB 23 173 20

HSL 118.82, 0.79%, 0.38%

LAB 61.76, -62.44, 59.41

 

CMYK 88 / 0 / 66 / 32

HEX #14AD3B

RGB 20 173 59

HSL 135.29, 0.79%, 0.38%

LAB 61.96, -59.82, 46.8

 

CMYK 88 / 0 / 42 / 32

HEX #14AD64

RGB 20 173 100

HSL 151.37, 0.79%, 0.38%

LAB 62.47, -53.61, 27.37

 

CMYK 39 / 0 / 88 / 32

HEX #6AAD14

RGB 106 173 20

HSL 86.27, 0.79%, 0.38%

LAB 64.16, -43.19, 62.43

 

CMYK 43 / 0 / 97 / 26

HEX #6CBD05

RGB 108 189 5

HSL 86.41, 0.95%, 0.38%

LAB 69.18, -49.34, 68.7

 

CMYK 39 / 0 / 88 / 32

HEX #6AAD14

RGB 106 173 20

HSL 86.27, 0.79%, 0.38%

LAB 64.16, -43.19, 62.43

 

CMYK 34 / 0 / 77 / 38

HEX #689E24

RGB 104 158 36

HSL 86.56, 0.63%, 0.38%

LAB 59.46, -36.77, 53.91

 

CMYK 28 / 0 / 63 / 44

HEX #668E34

RGB 102 142 52

HSL 86.67, 0.46%, 0.38%

LAB 54.47, -28.98, 42.36

 

CMYK 21 / 0 / 47 / 51

HEX #647E43

RGB 100 126 67

HSL 86.44, 0.31%, 0.38%

LAB 49.54, -20.15, 29

 

CMYK 11 / 0 / 25 / 56

HEX #636F53

RGB 99 111 83

HSL 85.71, 0.14%, 0.38%

LAB 45.15, -10.03, 14.13

 

CMYK 0 / 9 / 88 / 32

HEX #AD9E14

RGB 173 158 20

HSL 54.12, 0.79%, 0.38%

LAB 64.47, -8.01, 64.61

 

CMYK 14 / 0 / 88 / 32

HEX #94AD14

RGB 148 173 20

HSL 69.8, 0.79%, 0.38%

LAB 66.7, -26.63, 65.57

 

CMYK 38 / 0 / 88 / 32

HEX #6BAD14

RGB 107 173 20

HSL 85.88, 0.79%, 0.38%

LAB 64.21, -42.83, 62.49

 

CMYK 62 / 0 / 88 / 32

HEX #42AD14

RGB 66 173 20

HSL 101.96, 0.79%, 0.38%

LAB 62.59, -55.29, 60.46

 

CMYK 86 / 0 / 88 / 32

HEX #19AD14

RGB 25 173 20

HSL 118.04, 0.79%, 0.38%

LAB 61.78, -62.25, 59.44

 

CMYK 39 / 0 / 88 / 61

HEX #3D640C

RGB 61 100 12

HSL 86.59, 0.79%, 0.22%

LAB 38.08, -28.13, 40.84

 

CMYK 39 / 0 / 88 / 46

HEX #538910

RGB 83 137 16

HSL 86.78, 0.79%, 0.3%

LAB 51.57, -36.28, 52.07

 

CMYK 39 / 0 / 88 / 32

HEX #6AAD14

RGB 106 173 20

HSL 86.27, 0.79%, 0.38%

LAB 64.16, -43.19, 62.43

 

CMYK 39 / 0 / 88 / 18

HEX #81D219

RGB 129 210 25

HSL 86.27, 0.79%, 0.46%

LAB 76.58, -50.21, 72.4

 

CMYK 35 / 0 / 80 / 10

HEX #95E62E

RGB 149 230 46

HSL 86.41, 0.79%, 0.54%

LAB 83.54, -50.68, 74.13

 

CMYK 39 / 0 / 88 / 33

HEX #69AC14

RGB 105 172 20

HSL 86.45, 0.79%, 0.38%

LAB 63.8, -43.13, 62.1

 

CMYK 88 / 0 / 32 / 32

HEX #14AD75

RGB 20 173 117

HSL 158.04, 0.79%, 0.38%

LAB 62.78, -50.09, 18.64

 

CMYK 0 / 88 / 3 / 32

HEX #AD14A8

RGB 173 20 168

HSL 301.96, 0.79%, 0.38%

LAB 41.55, 70.37, -41.72

 

CMYK 39 / 0 / 88 / 33

HEX #69AC14

RGB 105 172 20

HSL 86.45, 0.79%, 0.38%

LAB 63.8, -43.13, 62.1

 

CMYK 88 / 38 / 0 / 32

HEX #146BAD

RGB 20 107 173

HSL 205.88, 0.79%, 0.38%

LAB 43.77, 0.56, -41.94

 

CMYK 0 / 88 / 38 / 32

HEX #AD146B

RGB 173 20 107

HSL 325.88, 0.79%, 0.38%

LAB 38.63, 62.6, -8.79

 

CMYK 39 / 0 / 88 / 33

HEX #69AC14

RGB 105 172 20

HSL 86.45, 0.79%, 0.38%

LAB 63.8, -43.13, 62.1

 

CMYK 88 / 0 / 32 / 32

HEX #14AD75

RGB 20 173 117

HSL 158.04, 0.79%, 0.38%

LAB 62.78, -50.09, 18.64

 

CMYK 50 / 88 / 0 / 32

HEX #5714AD

RGB 87 20 173

HSL 266.27, 0.79%, 0.38%

LAB 28.23, 58.24, -66.96

 

CMYK 0 / 88 / 56 / 32

HEX #AD144C

RGB 173 20 76

HSL 338.04, 0.79%, 0.38%

LAB 37.67, 59.91, 9.62

 

CMYK 39 / 0 / 88 / 33

HEX #69AC14

RGB 105 172 20

HSL 86.45, 0.79%, 0.38%

LAB 63.8, -43.13, 62.1

 

CMYK 88 / 0 / 6 / 32

HEX #14ADA3

RGB 20 173 163

HSL 176.08, 0.79%, 0.38%

LAB 63.9, -38.14, -5.25

 

CMYK 50 / 88 / 0 / 32

HEX #5714AD

RGB 87 20 173

HSL 266.27, 0.79%, 0.38%

LAB 28.23, 58.24, -66.96

 

CMYK 0 / 88 / 82 / 32

HEX #AD141F

RGB 173 20 31

HSL 355.69, 0.79%, 0.38%

LAB 36.9, 57.68, 36.8

 

Description

Color code: HEX #69AC14 | qconv.com Color code: HEX #69AC14 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 172 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 172 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 88 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 88% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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