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Color name
HEX #69AA48

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69AA48 it is the complementary color #9655B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69AA48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69AA48 shade: #6EAA43, #7FBC56, #90CE69, #A1E07C and #B2F28F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69AA48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69AA48 shade: #69AA48, #589835, #478622, #36740F and #256200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69AA48 shade: #68A848, #82A848, #9CA848, #A89A48 and #A88048

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69AA48 shade: #68A848, #4EA848, #48A85B, #48A875 and #48A88F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69AA48 shade matches the following richer shades: #68A848, #62BB35, #5CCF21 and #55E20E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69AA48 shade: #68A848, #6F945B, #75816F, #7B6E82 and #825A95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69AA48 shade: #9DA848, #83A848, #69A848, #50A848 and #48A859

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69AA48 shade: #446E2F, #568B3C, #68A848, #7EBA5F and #95C77C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69AA48 shade: #69AA48, #48A899 and #A84890

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69AA48 shade: #69AA48, #4869A8 and #A84869

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69AA48 shade: #69AA48, #48A899, #8648A8 and #A84856

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69AA48 shade: #69AA48, #4899A8, #8648A8 and #A85648

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 58 / 33

HEX #69AA48

RGB 105 170 72

HSL 99.8, 0.4%, 0.47%

LAB 63.52, -38.74, 43.34

 

Complementary color

CMYK 18 / 54 / 0 / 28

HEX #9655B7

RGB 150 85 183

HSL 279.8, 0.4%, 0.53%

LAB 47.49, 43.98, -41.33

 

CMYK 35 / 0 / 61 / 33

HEX #6EAA43

RGB 110 170 67

HSL 94.95, 0.43%, 0.46%

LAB 63.73, -37.51, 45.96

 

CMYK 32 / 0 / 54 / 26

HEX #7FBC56

RGB 127 188 86

HSL 95.88, 0.43%, 0.54%

LAB 70.28, -37.57, 44.9

 

CMYK 30 / 0 / 49 / 19

HEX #90CE69

RGB 144 206 105

HSL 96.83, 0.51%, 0.61%

LAB 76.73, -37.54, 43.75

 

CMYK 28 / 0 / 45 / 12

HEX #A1E07C

RGB 161 224 124

HSL 97.8, 0.62%, 0.68%

LAB 83.1, -37.46, 42.57

 

CMYK 26 / 0 / 41 / 5

HEX #B2F28F

RGB 178 242 143

HSL 98.79, 0.79%, 0.75%

LAB 89.37, -37.35, 41.42

 

CMYK 38 / 0 / 58 / 33

HEX #69AA48

RGB 105 170 72

HSL 99.8, 0.4%, 0.47%

LAB 63.52, -38.74, 43.34

 

CMYK 42 / 0 / 65 / 40

HEX #589835

RGB 88 152 53

HSL 98.79, 0.48%, 0.4%

LAB 56.87, -38.61, 44.33

 

CMYK 47 / 0 / 75 / 47

HEX #478622

RGB 71 134 34

HSL 97.8, 0.6%, 0.33%

LAB 50.1, -38.26, 44.91

 

CMYK 53 / 0 / 87 / 55

HEX #36740F

RGB 54 116 15

HSL 96.83, 0.77%, 0.26%

LAB 43.23, -37.51, 44.47

 

CMYK 62 / 0 / 100 / 62

HEX #256200

RGB 37 98 0

HSL 97.35, 1%, 0.19%

LAB 36.23, -36.17, 42.2

 

CMYK 38 / 0 / 57 / 34

HEX #68A848

RGB 104 168 72

HSL 100, 0.4%, 0.47%

LAB 62.86, -38.2, 42.55

 

CMYK 23 / 0 / 57 / 34

HEX #82A848

RGB 130 168 72

HSL 83.75, 0.4%, 0.47%

LAB 64.34, -28.6, 44.64

 

CMYK 7 / 0 / 57 / 34

HEX #9CA848

RGB 156 168 72

HSL 67.5, 0.4%, 0.47%

LAB 66.17, -18.02, 47.22

 

CMYK 0 / 8 / 57 / 34

HEX #A89A48

RGB 168 154 72

HSL 51.25, 0.4%, 0.47%

LAB 63.26, -5.53, 44.17

 

CMYK 0 / 24 / 57 / 34

HEX #A88048

RGB 168 128 72

HSL 35, 0.4%, 0.47%

LAB 56.32, 8.8, 36.02

 

CMYK 38 / 0 / 57 / 34

HEX #68A848

RGB 104 168 72

HSL 100, 0.4%, 0.47%

LAB 62.86, -38.2, 42.55

 

CMYK 54 / 0 / 57 / 34

HEX #4EA848

RGB 78 168 72

HSL 116.25, 0.4%, 0.47%

LAB 61.73, -46.27, 40.95

 

CMYK 57 / 0 / 46 / 34

HEX #48A85B

RGB 72 168 91

HSL 131.88, 0.4%, 0.47%

LAB 61.77, -45.13, 31.41

 

CMYK 57 / 0 / 30 / 34

HEX #48A875

RGB 72 168 117

HSL 148.13, 0.4%, 0.47%

LAB 62.23, -40.35, 18.05

 

CMYK 57 / 0 / 15 / 34

HEX #48A88F

RGB 72 168 143

HSL 164.38, 0.4%, 0.47%

LAB 62.82, -34.44, 4.46

 

CMYK 38 / 0 / 57 / 34

HEX #68A848

RGB 104 168 72

HSL 100, 0.4%, 0.47%

LAB 62.86, -38.2, 42.55

 

CMYK 48 / 0 / 72 / 27

HEX #62BB35

RGB 98 187 53

HSL 99.85, 0.56%, 0.47%

LAB 68.31, -49.81, 56.52

 

CMYK 56 / 0 / 84 / 19

HEX #5CCF21

RGB 92 207 33

HSL 99.66, 0.73%, 0.47%

LAB 74.2, -60.09, 68.1

 

CMYK 62 / 0 / 94 / 11

HEX #55E20E

RGB 85 226 14

HSL 99.91, 0.88%, 0.47%

LAB 79.82, -68.74, 76

 

CMYK 38 / 0 / 57 / 34

HEX #68A848

RGB 104 168 72

HSL 100, 0.4%, 0.47%

LAB 62.86, -38.2, 42.55

 

CMYK 25 / 0 / 39 / 42

HEX #6F945B

RGB 111 148 91

HSL 98.95, 0.24%, 0.47%

LAB 57.38, -23.77, 26.1

 

CMYK 9 / 0 / 14 / 49

HEX #75816F

RGB 117 129 111

HSL 100, 0.08%, 0.47%

LAB 52.54, -8.01, 8.27

 

CMYK 5 / 15 / 0 / 49

HEX #7B6E82

RGB 123 110 130

HSL 279, 0.08%, 0.47%

LAB 48.23, 9.08, -9.16

 

CMYK 13 / 40 / 0 / 42

HEX #825A95

RGB 130 90 149

HSL 280.68, 0.25%, 0.47%

LAB 44.56, 27.62, -26.04

 

CMYK 7 / 0 / 57 / 34

HEX #9DA848

RGB 157 168 72

HSL 66.88, 0.4%, 0.47%

LAB 66.24, -17.6, 47.32

 

CMYK 22 / 0 / 57 / 34

HEX #83A848

RGB 131 168 72

HSL 83.13, 0.4%, 0.47%

LAB 64.4, -28.21, 44.73

 

CMYK 38 / 0 / 57 / 34

HEX #69A848

RGB 105 168 72

HSL 99.38, 0.4%, 0.47%

LAB 62.91, -37.86, 42.62

 

CMYK 52 / 0 / 57 / 34

HEX #50A848

RGB 80 168 72

HSL 115, 0.4%, 0.47%

LAB 61.81, -45.71, 41.05

 

CMYK 57 / 0 / 47 / 34

HEX #48A859

RGB 72 168 89

HSL 130.63, 0.4%, 0.47%

LAB 61.74, -45.45, 32.41

 

CMYK 38 / 0 / 57 / 57

HEX #446E2F

RGB 68 110 47

HSL 100, 0.4%, 0.31%

LAB 42.13, -27.21, 30.21

 

CMYK 38 / 0 / 57 / 45

HEX #568B3C

RGB 86 139 60

HSL 100.25, 0.4%, 0.39%

LAB 52.7, -32.77, 36.27

 

CMYK 38 / 0 / 57 / 34

HEX #68A848

RGB 104 168 72

HSL 100, 0.4%, 0.47%

LAB 62.86, -38.2, 42.55

 

CMYK 32 / 0 / 49 / 27

HEX #7EBA5F

RGB 126 186 95

HSL 99.56, 0.4%, 0.55%

LAB 69.74, -35.97, 39.85

 

CMYK 25 / 0 / 38 / 22

HEX #95C77C

RGB 149 199 124

HSL 100, 0.4%, 0.63%

LAB 75.26, -30.07, 32.4

 

CMYK 38 / 0 / 58 / 33

HEX #69AA48

RGB 105 170 72

HSL 99.8, 0.4%, 0.47%

LAB 63.52, -38.74, 43.34

 

CMYK 57 / 0 / 9 / 34

HEX #48A899

RGB 72 168 153

HSL 170.63, 0.4%, 0.47%

LAB 63.08, -31.9, -0.75

 

CMYK 0 / 57 / 14 / 34

HEX #A84890

RGB 168 72 144

HSL 315, 0.4%, 0.47%

LAB 45.6, 48.31, -21.04

 

CMYK 38 / 0 / 58 / 33

HEX #69AA48

RGB 105 170 72

HSL 99.8, 0.4%, 0.47%

LAB 63.52, -38.74, 43.34

 

CMYK 57 / 38 / 0 / 34

HEX #4869A8

RGB 72 105 168

HSL 219.38, 0.4%, 0.47%

LAB 44.67, 7.43, -37.46

 

CMYK 0 / 57 / 38 / 34

HEX #A84869

RGB 168 72 105

HSL 339.38, 0.4%, 0.47%

LAB 44.2, 42.85, 0.61

 

CMYK 38 / 0 / 58 / 33

HEX #69AA48

RGB 105 170 72

HSL 99.8, 0.4%, 0.47%

LAB 63.52, -38.74, 43.34

 

CMYK 57 / 0 / 9 / 34

HEX #48A899

RGB 72 168 153

HSL 170.63, 0.4%, 0.47%

LAB 63.08, -31.9, -0.75

 

CMYK 20 / 57 / 0 / 34

HEX #8648A8

RGB 134 72 168

HSL 278.75, 0.4%, 0.47%

LAB 42.05, 43.26, -41.29

 

CMYK 0 / 57 / 49 / 34

HEX #A84856

RGB 168 72 86

HSL 351.25, 0.4%, 0.47%

LAB 43.7, 40.79, 11.59

 

CMYK 38 / 0 / 58 / 33

HEX #69AA48

RGB 105 170 72

HSL 99.8, 0.4%, 0.47%

LAB 63.52, -38.74, 43.34

 

CMYK 57 / 9 / 0 / 34

HEX #4899A8

RGB 72 153 168

HSL 189.38, 0.4%, 0.47%

LAB 58.96, -20.21, -15.34

 

CMYK 20 / 57 / 0 / 34

HEX #8648A8

RGB 134 72 168

HSL 278.75, 0.4%, 0.47%

LAB 42.05, 43.26, -41.29

 

CMYK 0 / 49 / 57 / 34

HEX #A85648

RGB 168 86 72

HSL 8.75, 0.4%, 0.47%

LAB 46.24, 32.28, 23.46

 

Description

Color code: HEX #69AA48 | qconv.com Color code: HEX #69AA48 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 170 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 170 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 58 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 58% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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