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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69A8C6 it is the complementary color #965739. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69A8C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69A8C6 shade: #6EA8C1, #7FBAD4, #90CCE7, #A1DEFA and #B2F0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69A8C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69A8C6 shade: #69A8C6, #5896B3, #4784A0, #36728D and #25607A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69A8C6 shade: #67A7C5, #678DC5, #6774C5, #7367C5 and #8D67C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69A8C6 shade: #67A7C5, #678DC5, #6774C5 and #6767C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69A8C6 shade matches the following richer shades: #67A7C5, #56ADD6, #45B3E7 and #34B9F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69A8C6 shade: #67A7C5, #78A1B4, #899BA3, #9A9592 and #AB8F81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69A8C6 shade: #67C5B1, #67C0C5, #67A7C5, #678EC5 and #6775C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69A8C6 shade: #3C7E9E, #4995BA, #67A7C5, #85B8D0 and #A3C9DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69A8C6 shade: #69A8C6, #9867C5 and #C5BD67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69A8C6 shade: #69A8C6, #C567A7 and #A7C567

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69A8C6 shade: #69A8C6, #9867C5, #C58567 and #94C567

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69A8C6 shade: #69A8C6, #B467C5, #C58567 and #78C567

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 15 / 0 / 22

HEX #69A8C6

RGB 105 168 198

HSL 199.35, 0.45%, 0.59%

LAB 65.82, -12.14, -21.64

 

Complementary color

CMYK 0 / 42 / 62 / 41

HEX #965739

RGB 150 87 57

HSL 19.35, 0.45%, 0.41%

LAB 43.65, 23.08, 28.4

 

CMYK 43 / 13 / 0 / 24

HEX #6EA8C1

RGB 110 168 193

HSL 198.07, 0.4%, 0.59%

LAB 65.88, -12.28, -18.74

 

CMYK 40 / 12 / 0 / 17

HEX #7FBAD4

RGB 127 186 212

HSL 198.35, 0.5%, 0.66%

LAB 72.48, -12.43, -19.1

 

CMYK 38 / 12 / 0 / 9

HEX #90CCE7

RGB 144 204 231

HSL 198.62, 0.64%, 0.74%

LAB 78.97, -12.54, -19.45

 

CMYK 36 / 11 / 0 / 2

HEX #A1DEFA

RGB 161 222 250

HSL 198.88, 0.9%, 0.81%

LAB 85.36, -12.63, -19.81

 

CMYK 30 / 6 / 0 / 0

HEX #B2F0FF

RGB 178 240 255

HSL 191.69, 1%, 0.85%

LAB 91.24, -15.98, -13.51

 

CMYK 47 / 15 / 0 / 22

HEX #69A8C6

RGB 105 168 198

HSL 199.35, 0.45%, 0.59%

LAB 65.82, -12.14, -21.64

 

CMYK 51 / 16 / 0 / 30

HEX #5896B3

RGB 88 150 179

HSL 199.12, 0.37%, 0.52%

LAB 59.11, -11.85, -21.3

 

CMYK 56 / 18 / 0 / 37

HEX #4784A0

RGB 71 132 160

HSL 198.88, 0.39%, 0.45%

LAB 52.26, -11.46, -20.96

 

CMYK 62 / 19 / 0 / 45

HEX #36728D

RGB 54 114 141

HSL 198.62, 0.45%, 0.38%

LAB 45.28, -10.91, -20.61

 

CMYK 70 / 21 / 0 / 52

HEX #25607A

RGB 37 96 122

HSL 198.35, 0.53%, 0.31%

LAB 38.14, -10.11, -20.22

 

CMYK 48 / 15 / 0 / 23

HEX #67A7C5

RGB 103 167 197

HSL 199.15, 0.45%, 0.59%

LAB 65.4, -12.36, -21.73

 

CMYK 48 / 28 / 0 / 23

HEX #678DC5

RGB 103 141 197

HSL 215.74, 0.45%, 0.59%

LAB 58, 2.22, -33.13

 

CMYK 48 / 41 / 0 / 23

HEX #6774C5

RGB 103 116 197

HSL 231.7, 0.45%, 0.59%

LAB 51.16, 17.13, -43.89

 

CMYK 42 / 48 / 0 / 23

HEX #7367C5

RGB 115 103 197

HSL 247.66, 0.45%, 0.59%

LAB 48.73, 27.98, -47.69

 

CMYK 28 / 48 / 0 / 23

HEX #8D67C5

RGB 141 103 197

HSL 264.26, 0.45%, 0.59%

LAB 51.15, 34.79, -43.71

 

CMYK 48 / 15 / 0 / 23

HEX #67A7C5

RGB 103 167 197

HSL 199.15, 0.45%, 0.59%

LAB 65.4, -12.36, -21.73

 

CMYK 48 / 28 / 0 / 23

HEX #678DC5

RGB 103 141 197

HSL 215.74, 0.45%, 0.59%

LAB 58, 2.22, -33.13

 

CMYK 48 / 41 / 0 / 23

HEX #6774C5

RGB 103 116 197

HSL 231.7, 0.45%, 0.59%

LAB 51.16, 17.13, -43.89

 

CMYK 48 / 48 / 0 / 23

HEX #6767C5

RGB 103 103 197

HSL 240, 0.45%, 0.59%

LAB 47.77, 25.08, -49.28

 

CMYK 48 / 15 / 0 / 23

HEX #67A7C5

RGB 103 167 197

HSL 199.15, 0.45%, 0.59%

LAB 65.4, -12.36, -21.73

 

CMYK 60 / 19 / 0 / 16

HEX #56ADD6

RGB 86 173 214

HSL 199.22, 0.61%, 0.59%

LAB 67.07, -14.17, -28.63

 

CMYK 70 / 23 / 0 / 9

HEX #45B3E7

RGB 69 179 231

HSL 199.26, 0.77%, 0.59%

LAB 68.95, -14.75, -35.08

 

CMYK 79 / 25 / 0 / 3

HEX #34B9F8

RGB 52 185 248

HSL 199.29, 0.93%, 0.59%

LAB 71.01, -14.27, -41.14

 

CMYK 48 / 15 / 0 / 23

HEX #67A7C5

RGB 103 167 197

HSL 199.15, 0.45%, 0.59%

LAB 65.4, -12.36, -21.73

 

CMYK 33 / 11 / 0 / 29

HEX #78A1B4

RGB 120 161 180

HSL 199, 0.29%, 0.59%

LAB 63.98, -9.19, -14.31

 

CMYK 16 / 5 / 0 / 36

HEX #899BA3

RGB 137 155 163

HSL 198.46, 0.12%, 0.59%

LAB 62.85, -4.62, -6.34

 

CMYK 0 / 3 / 5 / 40

HEX #9A9592

RGB 154 149 146

HSL 22.5, 0.04%, 0.59%

LAB 62.03, 1.27, 2.22

 

CMYK 0 / 16 / 25 / 33

HEX #AB8F81

RGB 171 143 129

HSL 20, 0.2%, 0.59%

LAB 61.56, 8.31, 11.37

 

CMYK 48 / 0 / 10 / 23

HEX #67C5B1

RGB 103 197 177

HSL 167.23, 0.45%, 0.59%

LAB 73.54, -32.77, 1.42

 

CMYK 48 / 3 / 0 / 23

HEX #67C0C5

RGB 103 192 197

HSL 183.19, 0.45%, 0.59%

LAB 72.64, -25.32, -10.79

 

CMYK 48 / 15 / 0 / 23

HEX #67A7C5

RGB 103 167 197

HSL 199.15, 0.45%, 0.59%

LAB 65.4, -12.36, -21.73

 

CMYK 48 / 28 / 0 / 23

HEX #678EC5

RGB 103 142 197

HSL 215.11, 0.45%, 0.59%

LAB 58.28, 1.64, -32.69

 

CMYK 48 / 41 / 0 / 23

HEX #6775C5

RGB 103 117 197

HSL 231.06, 0.45%, 0.59%

LAB 51.42, 16.52, -43.47

 

CMYK 62 / 20 / 0 / 38

HEX #3C7E9E

RGB 60 126 158

HSL 199.59, 0.45%, 0.43%

LAB 49.92, -10.99, -23.45

 

CMYK 61 / 20 / 0 / 27

HEX #4995BA

RGB 73 149 186

HSL 199.65, 0.45%, 0.51%

LAB 58.47, -12.33, -26.3

 

CMYK 48 / 15 / 0 / 23

HEX #67A7C5

RGB 103 167 197

HSL 199.15, 0.45%, 0.59%

LAB 65.4, -12.36, -21.73

 

CMYK 36 / 12 / 0 / 18

HEX #85B8D0

RGB 133 184 208

HSL 199.2, 0.44%, 0.67%

LAB 72.11, -10.8, -17.45

 

CMYK 26 / 9 / 0 / 14

HEX #A3C9DC

RGB 163 201 220

HSL 200, 0.45%, 0.75%

LAB 78.88, -8.31, -13.58

 

CMYK 47 / 15 / 0 / 22

HEX #69A8C6

RGB 105 168 198

HSL 199.35, 0.45%, 0.59%

LAB 65.82, -12.14, -21.64

 

CMYK 23 / 48 / 0 / 23

HEX #9867C5

RGB 152 103 197

HSL 271.28, 0.45%, 0.59%

LAB 52.29, 37.83, -41.81

 

CMYK 0 / 4 / 48 / 23

HEX #C5BD67

RGB 197 189 103

HSL 54.89, 0.45%, 0.59%

LAB 75.6, -9.02, 44.18

 

CMYK 47 / 15 / 0 / 22

HEX #69A8C6

RGB 105 168 198

HSL 199.35, 0.45%, 0.59%

LAB 65.82, -12.14, -21.64

 

CMYK 0 / 48 / 15 / 23

HEX #C567A7

RGB 197 103 167

HSL 319.15, 0.45%, 0.59%

LAB 56.45, 45.6, -17.64

 

CMYK 15 / 0 / 48 / 23

HEX #A7C567

RGB 167 197 103

HSL 79.15, 0.45%, 0.59%

LAB 75.53, -25.06, 43.57

 

CMYK 47 / 15 / 0 / 22

HEX #69A8C6

RGB 105 168 198

HSL 199.35, 0.45%, 0.59%

LAB 65.82, -12.14, -21.64

 

CMYK 23 / 48 / 0 / 23

HEX #9867C5

RGB 152 103 197

HSL 271.28, 0.45%, 0.59%

LAB 52.29, 37.83, -41.81

 

CMYK 0 / 32 / 48 / 23

HEX #C58567

RGB 197 133 103

HSL 19.15, 0.45%, 0.59%

LAB 61.33, 21.14, 26.13

 

CMYK 25 / 0 / 48 / 23

HEX #94C567

RGB 148 197 103

HSL 91.28, 0.45%, 0.59%

LAB 74.32, -32.22, 41.81

 

CMYK 47 / 15 / 0 / 22

HEX #69A8C6

RGB 105 168 198

HSL 199.35, 0.45%, 0.59%

LAB 65.82, -12.14, -21.64

 

CMYK 9 / 48 / 0 / 23

HEX #B467C5

RGB 180 103 197

HSL 289.15, 0.45%, 0.59%

LAB 55.52, 45.8, -36.52

 

CMYK 0 / 32 / 48 / 23

HEX #C58567

RGB 197 133 103

HSL 19.15, 0.45%, 0.59%

LAB 61.33, 21.14, 26.13

 

CMYK 39 / 0 / 48 / 23

HEX #78C567

RGB 120 197 103

HSL 109.15, 0.45%, 0.59%

LAB 72.83, -41.85, 39.64

 

Description

Color code: HEX #69A8C6 | qconv.com Color code: HEX #69A8C6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 168 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 168 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 15 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 15% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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