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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69A6D8 it is the complementary color #965927. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69A6D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69A6D8 shade: #6EA6D3, #7FB8E6, #90CAF9, #A1DCFF and #B2EEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69A6D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69A6D8 shade: #69A6D8, #5894C5, #4782B2, #36709F and #255E8C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69A6D8 shade: #69A6D8, #6988D8, #696AD8, #8669D8 and #A469D8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69A6D8 shade: #69A6D8, #6988D8, #696AD8 and #6969D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69A6D8 shade matches the following richer shades: #69A6D8, #5AA8E8 and #4AA9F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69A6D8 shade: #69A6D8, #78A5C9, #88A3BA, #97A2AB and #A6A09B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69A6D8 shade: #69D8CF, #69C4D8, #69A6D8, #6989D8 and #696BD8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69A6D8 shade: #317EBE, #4893D0, #69A6D8, #8ABAE1 and #ABCDE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69A6D8 shade: #69A6D8, #B169D8 and #D3D869

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69A6D8 shade: #69A6D8, #D869A6 and #A6D869

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69A6D8 shade: #69A6D8, #B169D8, #D89B69 and #90D869

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69A6D8 shade: #69A6D8, #D369D8, #D89B69 and #6FD869

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 23 / 0 / 15

HEX #69A6D8

RGB 105 166 216

HSL 207.03, 0.59%, 0.63%

LAB 65.93, -5.83, -31.43

 

Complementary color

CMYK 0 / 41 / 74 / 41

HEX #965927

RGB 150 89 39

HSL 27.03, 0.59%, 0.37%

LAB 43.91, 20.79, 38.47

 

CMYK 48 / 21 / 0 / 17

HEX #6EA6D3

RGB 110 166 211

HSL 206.73, 0.53%, 0.63%

LAB 65.97, -6.14, -28.58

 

CMYK 45 / 20 / 0 / 10

HEX #7FB8E6

RGB 127 184 230

HSL 206.8, 0.67%, 0.7%

LAB 72.57, -6.51, -28.77

 

CMYK 42 / 19 / 0 / 2

HEX #90CAF9

RGB 144 202 249

HSL 206.86, 0.9%, 0.77%

LAB 79.05, -6.81, -28.98

 

CMYK 37 / 14 / 0 / 0

HEX #A1DCFF

RGB 161 220 255

HSL 202.34, 1%, 0.82%

LAB 84.99, -10.36, -23.02

 

CMYK 30 / 7 / 0 / 0

HEX #B2EEFF

RGB 178 238 255

HSL 193.25, 1%, 0.85%

LAB 90.7, -14.98, -14.31

 

CMYK 51 / 23 / 0 / 15

HEX #69A6D8

RGB 105 166 216

HSL 207.03, 0.59%, 0.63%

LAB 65.93, -5.83, -31.43

 

CMYK 55 / 25 / 0 / 23

HEX #5894C5

RGB 88 148 197

HSL 206.97, 0.48%, 0.56%

LAB 59.24, -5.26, -31.27

 

CMYK 60 / 27 / 0 / 30

HEX #4782B2

RGB 71 130 178

HSL 206.92, 0.43%, 0.49%

LAB 52.42, -4.53, -31.12

 

CMYK 66 / 30 / 0 / 38

HEX #36709F

RGB 54 112 159

HSL 206.86, 0.49%, 0.42%

LAB 45.46, -3.58, -30.98

 

CMYK 74 / 33 / 0 / 45

HEX #255E8C

RGB 37 94 140

HSL 206.8, 0.58%, 0.35%

LAB 38.36, -2.28, -30.82

 

CMYK 51 / 23 / 0 / 15

HEX #69A6D8

RGB 105 166 216

HSL 207.03, 0.59%, 0.63%

LAB 65.93, -5.83, -31.43

 

CMYK 51 / 37 / 0 / 15

HEX #6988D8

RGB 105 136 216

HSL 223.24, 0.59%, 0.63%

LAB 57.63, 11.43, -44.41

 

CMYK 51 / 51 / 0 / 15

HEX #696AD8

RGB 105 106 216

HSL 239.46, 0.59%, 0.63%

LAB 49.82, 29.55, -56.85

 

CMYK 38 / 51 / 0 / 15

HEX #8669D8

RGB 134 105 216

HSL 255.68, 0.59%, 0.63%

LAB 51.98, 36.78, -53.25

 

CMYK 24 / 51 / 0 / 15

HEX #A469D8

RGB 164 105 216

HSL 271.89, 0.59%, 0.63%

LAB 55.02, 44.41, -48.22

 

CMYK 51 / 23 / 0 / 15

HEX #69A6D8

RGB 105 166 216

HSL 207.03, 0.59%, 0.63%

LAB 65.93, -5.83, -31.43

 

CMYK 51 / 37 / 0 / 15

HEX #6988D8

RGB 105 136 216

HSL 223.24, 0.59%, 0.63%

LAB 57.63, 11.43, -44.41

 

CMYK 51 / 51 / 0 / 15

HEX #696AD8

RGB 105 106 216

HSL 239.46, 0.59%, 0.63%

LAB 49.82, 29.55, -56.85

 

CMYK 51 / 51 / 0 / 15

HEX #6969D8

RGB 105 105 216

HSL 240, 0.59%, 0.63%

LAB 49.57, 30.15, -57.24

 

CMYK 51 / 23 / 0 / 15

HEX #69A6D8

RGB 105 166 216

HSL 207.03, 0.59%, 0.63%

LAB 65.93, -5.83, -31.43

 

CMYK 61 / 28 / 0 / 9

HEX #5AA8E8

RGB 90 168 232

HSL 207.04, 0.76%, 0.63%

LAB 66.52, -5.05, -39.36

 

CMYK 70 / 32 / 0 / 3

HEX #4AA9F7

RGB 74 169 247

HSL 207.05, 0.92%, 0.63%

LAB 66.94, -3.24, -46.95

 

CMYK 51 / 23 / 0 / 15

HEX #69A6D8

RGB 105 166 216

HSL 207.03, 0.59%, 0.63%

LAB 65.93, -5.83, -31.43

 

CMYK 40 / 18 / 0 / 21

HEX #78A5C9

RGB 120 165 201

HSL 206.67, 0.43%, 0.63%

LAB 65.84, -5.86, -23.19

 

CMYK 27 / 12 / 0 / 27

HEX #88A3BA

RGB 136 163 186

HSL 207.6, 0.27%, 0.63%

LAB 65.73, -4.03, -14.93

 

CMYK 12 / 5 / 0 / 33

HEX #97A2AB

RGB 151 162 171

HSL 207, 0.11%, 0.63%

LAB 66.03, -2.03, -6

 

CMYK 0 / 4 / 7 / 35

HEX #A6A09B

RGB 166 160 155

HSL 27.27, 0.06%, 0.63%

LAB 66.22, 1.26, 3.37

 

CMYK 51 / 0 / 4 / 15

HEX #69D8CF

RGB 105 216 207

HSL 175.14, 0.59%, 0.63%

LAB 79.97, -33.88, -5.3

 

CMYK 51 / 9 / 0 / 15

HEX #69C4D8

RGB 105 196 216

HSL 190.81, 0.59%, 0.63%

LAB 74.47, -21.75, -18.36

 

CMYK 51 / 23 / 0 / 15

HEX #69A6D8

RGB 105 166 216

HSL 207.03, 0.59%, 0.63%

LAB 65.93, -5.83, -31.43

 

CMYK 51 / 37 / 0 / 15

HEX #6989D8

RGB 105 137 216

HSL 222.7, 0.59%, 0.63%

LAB 57.9, 10.84, -43.98

 

CMYK 51 / 50 / 0 / 15

HEX #696BD8

RGB 105 107 216

HSL 238.92, 0.59%, 0.63%

LAB 50.07, 28.94, -56.45

 

CMYK 74 / 34 / 0 / 25

HEX #317EBE

RGB 49 126 190

HSL 207.23, 0.59%, 0.47%

LAB 51.03, -1.66, -40.25

 

CMYK 65 / 29 / 0 / 18

HEX #4893D0

RGB 72 147 208

HSL 206.91, 0.59%, 0.55%

LAB 58.79, -4.19, -38.2

 

CMYK 51 / 23 / 0 / 15

HEX #69A6D8

RGB 105 166 216

HSL 207.03, 0.59%, 0.63%

LAB 65.93, -5.83, -31.43

 

CMYK 39 / 17 / 0 / 12

HEX #8ABAE1

RGB 138 186 225

HSL 206.9, 0.59%, 0.71%

LAB 73.52, -6.13, -24.54

 

CMYK 27 / 12 / 0 / 9

HEX #ABCDE9

RGB 171 205 233

HSL 207.1, 0.58%, 0.79%

LAB 80.85, -5.06, -17.54

 

CMYK 51 / 23 / 0 / 15

HEX #69A6D8

RGB 105 166 216

HSL 207.03, 0.59%, 0.63%

LAB 65.93, -5.83, -31.43

 

CMYK 18 / 51 / 0 / 15

HEX #B169D8

RGB 177 105 216

HSL 278.92, 0.59%, 0.63%

LAB 56.49, 47.87, -45.8

 

CMYK 2 / 0 / 51 / 15

HEX #D3D869

RGB 211 216 105

HSL 62.7, 0.59%, 0.63%

LAB 83.96, -16.81, 53.45

 

CMYK 51 / 23 / 0 / 15

HEX #69A6D8

RGB 105 166 216

HSL 207.03, 0.59%, 0.63%

LAB 65.93, -5.83, -31.43

 

CMYK 0 / 51 / 23 / 15

HEX #D869A6

RGB 216 105 166

HSL 327.03, 0.59%, 0.63%

LAB 59.39, 50.51, -12.36

 

CMYK 23 / 0 / 51 / 15

HEX #A6D869

RGB 166 216 105

HSL 87.03, 0.59%, 0.63%

LAB 80.87, -34.21, 49.04

 

CMYK 51 / 23 / 0 / 15

HEX #69A6D8

RGB 105 166 216

HSL 207.03, 0.59%, 0.63%

LAB 65.93, -5.83, -31.43

 

CMYK 18 / 51 / 0 / 15

HEX #B169D8

RGB 177 105 216

HSL 278.92, 0.59%, 0.63%

LAB 56.49, 47.87, -45.8

 

CMYK 0 / 28 / 51 / 15

HEX #D89B69

RGB 216 155 105

HSL 27.03, 0.59%, 0.63%

LAB 68.8, 17.11, 35.11

 

CMYK 33 / 0 / 51 / 15

HEX #90D869

RGB 144 216 105

HSL 98.92, 0.59%, 0.63%

LAB 79.65, -41.98, 47.28

 

CMYK 51 / 23 / 0 / 15

HEX #69A6D8

RGB 105 166 216

HSL 207.03, 0.59%, 0.63%

LAB 65.93, -5.83, -31.43

 

CMYK 2 / 51 / 0 / 15

HEX #D369D8

RGB 211 105 216

HSL 297.3, 0.59%, 0.63%

LAB 60.7, 57.08, -38.89

 

CMYK 0 / 28 / 51 / 15

HEX #D89B69

RGB 216 155 105

HSL 27.03, 0.59%, 0.63%

LAB 68.8, 17.11, 35.11

 

CMYK 49 / 0 / 51 / 15

HEX #6FD869

RGB 111 216 105

HSL 116.76, 0.59%, 0.63%

LAB 78.18, -52.18, 45.16

 

Description

Color code: HEX #69A6D8 | qconv.com Color code: HEX #69A6D8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 166 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 166 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 23 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 23% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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