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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #699CFF3F it is the complementary color #9663003F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #699CFF3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #699CFF3F shade: #6E9CFA3F, #7FAEFF3F, #90C0FF3F, #A1D2FF3F and #B2E4FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #699CFF3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #699CFF3F shade: #699CFF3F, #588AEC3F, #4778D93F, #3666C63F and #2554B33F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #699CFF3F shade: #6B9DFF, #6B76FF, #896BFF, #B06BFF and #D86BFF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #699CFF3F shade: #6B9DFF, #6B76FF and #6B6BFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #699CFF3F shade matches the following richer shades: #6B9DFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #699CFF3F shade: #6B9DFF, #77A1F3, #83A5E7, #8FA9DB and #9BADCF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #699CFF3F shade: #6BEEFF, #6BC6FF, #6B9FFF, #6B77FF and #866BFF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #699CFF3F shade: #1967FF, #4282FF, #6B9DFF, #94B9FF and #BED4FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #699CFF3F shade: #699CFF, #E96BFF and #DAFF6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #699CFF3F shade: #699CFF, #FF6B9F and #9FFF6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #699CFF3F shade: #699CFF, #E96BFF, #FFCB6B and #81FF6B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #699CFF3F shade: #699CFF, #FF6BE9, #FFCB6B and #6BFF81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 10 / 0 / 0

HEX #699CFF3F

RGBA 105 156 255 0.25

HSLA 219.6, 1%, 0.71%, 0.25

LABA 64.96, 11.99, -54.35, 0.25

 

Complementary color

CMYK 0 / 9 / 25 / 10

HEX #9663003F

RGBA 150 99 0 0.25

HSLA 39.6, 1%, 0.29%, 0.25

LABA 46.19, 13.88, 53.79, 0.25

 

CMYK 14 / 9 / 0 / 0

HEX #6E9CFA3F

RGBA 110 156 250 0.25

HSLA 220.29, 0.93%, 0.71%, 0.25

LABA 64.96, 11.38, -51.61, 0.25

 

CMYK 13 / 8 / 0 / 0

HEX #7FAEFF3F

RGBA 127 174 255 0.25

HSLA 217.97, 1%, 0.75%, 0.25

LABA 70.87, 6.2, -44.95, 0.25

 

CMYK 11 / 6 / 0 / 0

HEX #90C0FF3F

RGBA 144 192 255 0.25

HSLA 214.05, 1%, 0.78%, 0.25

LABA 76.59, 0.2, -35.98, 0.25

 

CMYK 9 / 4 / 0 / 0

HEX #A1D2FF3F

RGBA 161 210 255 0.25

HSLA 208.72, 1%, 0.82%, 0.25

LABA 82.32, -5.14, -27.08, 0.25

 

CMYK 8 / 3 / 0 / 0

HEX #B2E4FF3F

RGBA 178 228 255 0.25

HSLA 201.04, 1%, 0.85%, 0.25

LABA 88.05, -9.9, -18.29, 0.25

 

CMYK 15 / 10 / 0 / 0

HEX #699CFF3F

RGBA 105 156 255 0.25

HSLA 219.6, 1%, 0.71%, 0.25

LABA 64.96, 11.99, -54.35, 0.25

 

CMYK 16 / 10 / 0 / 2

HEX #588AEC3F

RGBA 88 138 236 0.25

HSLA 219.73, 0.8%, 0.64%, 0.25

LABA 58.33, 13.31, -54.51, 0.25

 

CMYK 17 / 11 / 0 / 4

HEX #4778D93F

RGBA 71 120 217 0.25

HSLA 219.86, 0.66%, 0.56%, 0.25

LABA 51.59, 14.91, -54.68, 0.25

 

CMYK 18 / 12 / 0 / 6

HEX #3666C63F

RGBA 54 102 198 0.25

HSLA 220, 0.57%, 0.49%, 0.25

LABA 44.75, 16.87, -54.86, 0.25

 

CMYK 20 / 13 / 0 / 7

HEX #2554B33F

RGBA 37 84 179 0.25

HSLA 220.14, 0.66%, 0.42%, 0.25

LABA 37.82, 19.33, -55, 0.25

 

CMYK 58 / 38 / 0 / 0

HEX #6B9DFF

RGB 107 157 255

HSL 219.73, 1%, 0.71%

LAB 65.33, 11.79, -53.77

 

CMYK 58 / 54 / 0 / 0

HEX #6B76FF

RGB 107 118 255

HSL 235.54, 1%, 0.71%

LAB 55.38, 34.97, -69.69

 

CMYK 46 / 58 / 0 / 0

HEX #896BFF

RGB 137 107 255

HSL 252.16, 1%, 0.71%

LAB 55.13, 47.04, -70

 

CMYK 31 / 58 / 0 / 0

HEX #B06BFF

RGB 176 107 255

HSL 267.97, 1%, 0.71%

LAB 58.94, 55.41, -63.65

 

CMYK 15 / 58 / 0 / 0

HEX #D86BFF

RGB 216 107 255

HSL 284.19, 1%, 0.71%

LAB 63.62, 64.78, -55.91

 

CMYK 58 / 38 / 0 / 0

HEX #6B9DFF

RGB 107 157 255

HSL 219.73, 1%, 0.71%

LAB 65.33, 11.79, -53.77

 

CMYK 58 / 54 / 0 / 0

HEX #6B76FF

RGB 107 118 255

HSL 235.54, 1%, 0.71%

LAB 55.38, 34.97, -69.69

 

CMYK 58 / 58 / 0 / 0

HEX #6B6BFF

RGB 107 107 255

HSL 240, 1%, 0.71%

LAB 52.8, 41.5, -73.88

 

CMYK 58 / 38 / 0 / 0

HEX #6B9DFF

RGB 107 157 255

HSL 219.73, 1%, 0.71%

LAB 65.33, 11.79, -53.77

 

CMYK 58 / 38 / 0 / 0

HEX #6B9DFF

RGB 107 157 255

HSL 219.73, 1%, 0.71%

LAB 65.33, 11.79, -53.77

 

CMYK 51 / 34 / 0 / 5

HEX #77A1F3

RGB 119 161 243

HSL 219.68, 0.84%, 0.71%

LAB 66.43, 8.23, -45.43

 

CMYK 43 / 29 / 0 / 9

HEX #83A5E7

RGB 131 165 231

HSL 219.6, 0.68%, 0.71%

LAB 67.65, 5.29, -36.9

 

CMYK 35 / 23 / 0 / 14

HEX #8FA9DB

RGB 143 169 219

HSL 219.47, 0.51%, 0.71%

LAB 68.99, 2.98, -28.18

 

CMYK 25 / 16 / 0 / 19

HEX #9BADCF

RGB 155 173 207

HSL 219.23, 0.35%, 0.71%

LAB 70.43, 1.3, -19.32

 

CMYK 58 / 7 / 0 / 0

HEX #6BEEFF

RGB 107 238 255

HSL 186.89, 1%, 0.71%

LAB 87.72, -31.22, -19.09

 

CMYK 58 / 22 / 0 / 0

HEX #6BC6FF

RGB 107 198 255

HSL 203.11, 1%, 0.71%

LAB 76.52, -11.09, -36.22

 

CMYK 58 / 38 / 0 / 0

HEX #6B9FFF

RGB 107 159 255

HSL 218.92, 1%, 0.71%

LAB 65.86, 10.63, -52.92

 

CMYK 58 / 53 / 0 / 0

HEX #6B77FF

RGB 107 119 255

HSL 235.14, 1%, 0.71%

LAB 55.62, 34.38, -69.3

 

CMYK 47 / 58 / 0 / 0

HEX #866BFF

RGB 134 107 255

HSL 250.95, 1%, 0.71%

LAB 54.87, 46.44, -70.43

 

CMYK 90 / 60 / 0 / 0

HEX #1967FF

RGB 25 103 255

HSL 219.65, 1%, 0.55%

LAB 48.42, 35.26, -81.17

 

CMYK 74 / 49 / 0 / 0

HEX #4282FF

RGB 66 130 255

HSL 219.68, 1%, 0.63%

LAB 56.43, 21.6, -68.1

 

CMYK 58 / 38 / 0 / 0

HEX #6B9DFF

RGB 107 157 255

HSL 219.73, 1%, 0.71%

LAB 65.33, 11.79, -53.77

 

CMYK 42 / 27 / 0 / 0

HEX #94B9FF

RGB 148 185 255

HSL 219.25, 1%, 0.79%

LAB 74.96, 5.03, -38.49

 

CMYK 25 / 17 / 0 / 0

HEX #BED4FF

RGB 190 212 255

HSL 219.69, 1%, 0.87%

LAB 84.61, 1.87, -23.42

 

CMYK 59 / 39 / 0 / 0

HEX #699CFF

RGB 105 156 255

HSL 219.6, 1%, 0.71%

LAB 64.96, 11.99, -54.35

 

CMYK 9 / 58 / 0 / 0

HEX #E96BFF

RGB 233 107 255

HSL 291.08, 1%, 0.71%

LAB 65.79, 68.87, -52.32

 

CMYK 15 / 0 / 58 / 0

HEX #DAFF6B

RGB 218 255 107

HSL 75, 1%, 0.71%

LAB 94.94, -32.5, 65.25

 

CMYK 59 / 39 / 0 / 0

HEX #699CFF

RGB 105 156 255

HSL 219.6, 1%, 0.71%

LAB 64.96, 11.99, -54.35

 

CMYK 0 / 58 / 38 / 0

HEX #FF6B9F

RGB 255 107 159

HSL 338.92, 1%, 0.71%

LAB 65.18, 60.98, 0.86

 

CMYK 38 / 0 / 58 / 0

HEX #9FFF6B

RGB 159 255 107

HSL 98.92, 1%, 0.71%

LAB 91.66, -53.27, 60.66

 

CMYK 59 / 39 / 0 / 0

HEX #699CFF

RGB 105 156 255

HSL 219.6, 1%, 0.71%

LAB 64.96, 11.99, -54.35

 

CMYK 9 / 58 / 0 / 0

HEX #E96BFF

RGB 233 107 255

HSL 291.08, 1%, 0.71%

LAB 65.79, 68.87, -52.32

 

CMYK 0 / 20 / 58 / 0

HEX #FFCB6B

RGB 255 203 107

HSL 38.92, 1%, 0.71%

LAB 84.5, 7.89, 54.13

 

CMYK 49 / 0 / 58 / 0

HEX #81FF6B

RGB 129 255 107

HSL 111.08, 1%, 0.71%

LAB 90.44, -62.08, 58.93

 

CMYK 59 / 39 / 0 / 0

HEX #699CFF

RGB 105 156 255

HSL 219.6, 1%, 0.71%

LAB 64.96, 11.99, -54.35

 

CMYK 0 / 58 / 9 / 0

HEX #FF6BE9

RGB 255 107 233

HSL 308.92, 1%, 0.71%

LAB 67.77, 70.7, -36.89

 

CMYK 0 / 20 / 58 / 0

HEX #FFCB6B

RGB 255 203 107

HSL 38.92, 1%, 0.71%

LAB 84.5, 7.89, 54.13

 

CMYK 58 / 0 / 49 / 0

HEX #6BFF81

RGB 107 255 129

HSL 128.92, 1%, 0.71%

LAB 89.97, -64.8, 48.26

 

Description

Color code: HEX #699CFF3F | qconv.com Color code: HEX #699CFF3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 156 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 156 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 10 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 10% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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