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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #699CD83F it is the complementary color #9663273F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #699CD83F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #699CD83F shade: #6E9CD33F, #7FAEE63F, #90C0F93F, #A1D2FF3F and #B2E4FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #699CD83F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #699CD83F shade: #699CD83F, #588AC53F, #4778B23F, #36669F3F and #25548C3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #699CD83F shade: #699CD8, #697ED8, #7269D8, #9069D8 and #AE69D8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #699CD83F shade: #699CD8, #697ED8 and #6969D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #699CD83F shade matches the following richer shades: #699CD8, #5A9BE8 and #4A9AF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #699CD83F shade: #699CD8, #789DC9, #889FBA, #97A0AB and #A6A19B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #699CD83F shade: #69D8D8, #69BBD8, #699DD8, #697FD8 and #7069D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #699CD83F shade: #3172BE, #4887D0, #699CD8, #8AB2E1 and #ABC7E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #699CD83F shade: #699CD8, #BB69D8 and #C9D869

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #699CD83F shade: #699CD8, #D8699D and #9DD869

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #699CD83F shade: #699CD8, #BB69D8, #D8A469 and #87D869

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #699CD83F shade: #699CD8, #D869D5, #D8A469 and #69D86D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 7 / 0 / 4

HEX #699CD83F

RGBA 105 156 216 0.25

HSLA 212.43, 0.59%, 0.63%, 0.25

LABA 63.13, -0.22, -35.78, 0.25

 

Complementary color

CMYK 0 / 9 / 19 / 10

HEX #9663273F

RGBA 150 99 39 0.25

HSLA 32.43, 0.59%, 0.37%, 0.25

LABA 46.38, 15.04, 41.05, 0.25

 

CMYK 12 / 7 / 0 / 4

HEX #6E9CD33F

RGBA 110 156 211 0.25

HSLA 212.67, 0.53%, 0.63%, 0.25

LABA 63.17, -0.54, -32.91, 0.25

 

CMYK 11 / 6 / 0 / 2

HEX #7FAEE63F

RGBA 127 174 230 0.25

HSLA 212.62, 0.67%, 0.7%, 0.25

LABA 69.82, -1.03, -33, 0.25

 

CMYK 11 / 6 / 0 / 1

HEX #90C0F93F

RGBA 144 192 249 0.25

HSLA 212.57, 0.9%, 0.77%, 0.25

LABA 76.36, -1.44, -33.12, 0.25

 

CMYK 9 / 4 / 0 / 0

HEX #A1D2FF3F

RGBA 161 210 255 0.25

HSLA 208.72, 1%, 0.82%, 0.25

LABA 82.32, -5.14, -27.08, 0.25

 

CMYK 8 / 3 / 0 / 0

HEX #B2E4FF3F

RGBA 178 228 255 0.25

HSLA 201.04, 1%, 0.85%, 0.25

LABA 88.05, -9.9, -18.29, 0.25

 

CMYK 13 / 7 / 0 / 4

HEX #699CD83F

RGBA 105 156 216 0.25

HSLA 212.43, 0.59%, 0.63%, 0.25

LABA 63.13, -0.22, -35.78, 0.25

 

CMYK 14 / 7 / 0 / 6

HEX #588AC53F

RGBA 88 138 197 0.25

HSLA 212.48, 0.48%, 0.56%, 0.25

LABA 56.37, 0.5, -35.74, 0.25

 

CMYK 15 / 8 / 0 / 8

HEX #4778B23F

RGBA 71 120 178 0.25

HSLA 212.52, 0.43%, 0.49%, 0.25

LABA 49.48, 1.4, -35.72, 0.25

 

CMYK 17 / 9 / 0 / 9

HEX #36669F3F

RGBA 54 102 159 0.25

HSLA 212.57, 0.49%, 0.42%, 0.25

LABA 42.45, 2.56, -35.72, 0.25

 

CMYK 18 / 10 / 0 / 11

HEX #25548C3F

RGBA 37 84 140 0.25

HSLA 212.62, 0.58%, 0.35%, 0.25

LABA 35.26, 4.12, -35.74, 0.25

 

CMYK 51 / 28 / 0 / 15

HEX #699CD8

RGB 105 156 216

HSL 212.43, 0.59%, 0.63%

LAB 63.13, -0.22, -35.78

 

CMYK 51 / 42 / 0 / 15

HEX #697ED8

RGB 105 126 216

HSL 228.65, 0.59%, 0.63%

LAB 54.95, 17.42, -48.65

 

CMYK 47 / 51 / 0 / 15

HEX #7269D8

RGB 114 105 216

HSL 244.86, 0.59%, 0.63%

LAB 50.26, 32.1, -56.1

 

CMYK 33 / 51 / 0 / 15

HEX #9069D8

RGB 144 105 216

HSL 261.08, 0.59%, 0.63%

LAB 52.94, 39.25, -51.67

 

CMYK 19 / 51 / 0 / 15

HEX #AE69D8

RGB 174 105 216

HSL 277.3, 0.59%, 0.63%

LAB 56.15, 47.07, -46.37

 

CMYK 51 / 28 / 0 / 15

HEX #699CD8

RGB 105 156 216

HSL 212.43, 0.59%, 0.63%

LAB 63.13, -0.22, -35.78

 

CMYK 51 / 42 / 0 / 15

HEX #697ED8

RGB 105 126 216

HSL 228.65, 0.59%, 0.63%

LAB 54.95, 17.42, -48.65

 

CMYK 51 / 51 / 0 / 15

HEX #6969D8

RGB 105 105 216

HSL 240, 0.59%, 0.63%

LAB 49.57, 30.15, -57.24

 

CMYK 51 / 28 / 0 / 15

HEX #699CD8

RGB 105 156 216

HSL 212.43, 0.59%, 0.63%

LAB 63.13, -0.22, -35.78

 

CMYK 61 / 33 / 0 / 9

HEX #5A9BE8

RGB 90 155 232

HSL 212.54, 0.76%, 0.63%

LAB 62.88, 2.33, -45.08

 

CMYK 70 / 38 / 0 / 3

HEX #4A9AF7

RGB 74 154 247

HSL 212.25, 0.92%, 0.63%

LAB 62.75, 5.38, -53.58

 

CMYK 51 / 28 / 0 / 15

HEX #699CD8

RGB 105 156 216

HSL 212.43, 0.59%, 0.63%

LAB 63.13, -0.22, -35.78

 

CMYK 40 / 22 / 0 / 21

HEX #789DC9

RGB 120 157 201

HSL 212.59, 0.43%, 0.63%

LAB 63.61, -1.41, -26.62

 

CMYK 27 / 15 / 0 / 27

HEX #889FBA

RGB 136 159 186

HSL 212.4, 0.27%, 0.63%

LAB 64.62, -1.82, -16.6

 

CMYK 12 / 6 / 0 / 33

HEX #97A0AB

RGB 151 160 171

HSL 213, 0.11%, 0.63%

LAB 65.48, -0.93, -6.81

 

CMYK 0 / 3 / 7 / 35

HEX #A6A19B

RGB 166 161 155

HSL 32.73, 0.06%, 0.63%

LAB 66.49, 0.71, 3.75

 

CMYK 51 / 0 / 0 / 15

HEX #69D8D8

RGB 105 216 216

HSL 180, 0.59%, 0.63%

LAB 80.22, -31.57, -9.73

 

CMYK 51 / 13 / 0 / 15

HEX #69BBD8

RGB 105 187 216

HSL 195.68, 0.59%, 0.63%

LAB 71.89, -17.12, -22.27

 

CMYK 51 / 27 / 0 / 15

HEX #699DD8

RGB 105 157 216

HSL 211.89, 0.59%, 0.63%

LAB 63.4, -0.78, -35.35

 

CMYK 51 / 41 / 0 / 15

HEX #697FD8

RGB 105 127 216

HSL 228.11, 0.59%, 0.63%

LAB 55.22, 16.82, -48.23

 

CMYK 48 / 51 / 0 / 15

HEX #7069D8

RGB 112 105 216

HSL 243.78, 0.59%, 0.63%

LAB 50.1, 31.66, -56.36

 

CMYK 74 / 40 / 0 / 25

HEX #3172BE

RGB 49 114 190

HSL 212.34, 0.59%, 0.47%

LAB 47.5, 5.65, -45.84

 

CMYK 65 / 35 / 0 / 18

HEX #4887D0

RGB 72 135 208

HSL 212.21, 0.59%, 0.55%

LAB 55.34, 2.82, -43.63

 

CMYK 51 / 28 / 0 / 15

HEX #699CD8

RGB 105 156 216

HSL 212.43, 0.59%, 0.63%

LAB 63.13, -0.22, -35.78

 

CMYK 39 / 21 / 0 / 12

HEX #8AB2E1

RGB 138 178 225

HSL 212.41, 0.59%, 0.71%

LAB 71.34, -1.78, -27.88

 

CMYK 27 / 15 / 0 / 9

HEX #ABC7E9

RGB 171 199 233

HSL 212.9, 0.58%, 0.79%

LAB 79.26, -1.88, -19.94

 

CMYK 51 / 28 / 0 / 15

HEX #699CD8

RGB 105 156 216

HSL 212.43, 0.59%, 0.63%

LAB 63.13, -0.22, -35.78

 

CMYK 13 / 51 / 0 / 15

HEX #BB69D8

RGB 187 105 216

HSL 284.32, 0.59%, 0.63%

LAB 57.68, 50.56, -43.85

 

CMYK 7 / 0 / 51 / 15

HEX #C9D869

RGB 201 216 105

HSL 68.11, 0.59%, 0.63%

LAB 83.2, -20.79, 52.38

 

CMYK 51 / 28 / 0 / 15

HEX #699CD8

RGB 105 156 216

HSL 212.43, 0.59%, 0.63%

LAB 63.13, -0.22, -35.78

 

CMYK 0 / 51 / 27 / 15

HEX #D8699D

RGB 216 105 157

HSL 331.89, 0.59%, 0.63%

LAB 59.1, 49.28, -7.59

 

CMYK 27 / 0 / 51 / 15

HEX #9DD869

RGB 157 216 105

HSL 91.89, 0.59%, 0.63%

LAB 80.35, -37.47, 48.29

 

CMYK 51 / 28 / 0 / 15

HEX #699CD8

RGB 105 156 216

HSL 212.43, 0.59%, 0.63%

LAB 63.13, -0.22, -35.78

 

CMYK 13 / 51 / 0 / 15

HEX #BB69D8

RGB 187 105 216

HSL 284.32, 0.59%, 0.63%

LAB 57.68, 50.56, -43.85

 

CMYK 0 / 24 / 51 / 15

HEX #D8A469

RGB 216 164 105

HSL 31.89, 0.59%, 0.63%

LAB 70.99, 12.26, 37.87

 

CMYK 38 / 0 / 51 / 15

HEX #87D869

RGB 135 216 105

HSL 103.78, 0.59%, 0.63%

LAB 79.2, -44.96, 46.64

 

CMYK 51 / 28 / 0 / 15

HEX #699CD8

RGB 105 156 216

HSL 212.43, 0.59%, 0.63%

LAB 63.13, -0.22, -35.78

 

CMYK 0 / 51 / 1 / 15

HEX #D869D5

RGB 216 105 213

HSL 301.62, 0.59%, 0.63%

LAB 61.23, 57.92, -36.33

 

CMYK 0 / 24 / 51 / 15

HEX #D8A469

RGB 216 164 105

HSL 31.89, 0.59%, 0.63%

LAB 70.99, 12.26, 37.87

 

CMYK 51 / 0 / 50 / 15

HEX #69D86D

RGB 105 216 109

HSL 122.16, 0.59%, 0.63%

LAB 78, -53.27, 42.98

 

Description

Color code: HEX #699CD83F | qconv.com Color code: HEX #699CD83F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 156 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 156 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 7 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 7% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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