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Color name
HEX #698E12

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #698E12 it is the complementary color #9671ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #698E12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #698E12 shade: #6E8E0D, #7FA020, #90B233, #A1C446 and #B2D659

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #698E12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #698E12 shade: #698E12, #587C00, #476A00, #365800 and #254600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #698E12 shade: #688D11, #898D11, #8D6F11, #8D4E11 and #8D2C11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #698E12 shade: #688D11, #478D11, #258D11, #118D1F and #118D40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #698E12 shade matches the following richer shades: #688D11 and #6D9905

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #698E12 shade: #688D11, #63801E, #5E732B, #586638 and #535A45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #698E12 shade: #8D6E11, #8B8D11, #6A8D11, #498D11 and #288D11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #698E12 shade: #324308, #4D680D, #688D11, #83B116 and #9ED61A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #698E12 shade: #698E12, #118D4D and #7E118D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #698E12 shade: #698E12, #116A8D and #8D116A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #698E12 shade: #698E12, #118D4D, #34118D and #8D1151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #698E12 shade: #698E12, #118D72, #34118D and #8D112C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 87 / 44

HEX #698E12

RGB 105 142 18

HSL 77.9, 0.78%, 0.31%

LAB 54.44, -29.82, 54.57

 

Complementary color

CMYK 37 / 52 / 0 / 7

HEX #9671ED

RGB 150 113 237

HSL 257.9, 0.78%, 0.69%

LAB 56.49, 41.65, -57.75

 

CMYK 23 / 0 / 91 / 44

HEX #6E8E0D

RGB 110 142 13

HSL 74.88, 0.83%, 0.3%

LAB 54.75, -27.88, 56.01

 

CMYK 21 / 0 / 80 / 37

HEX #7FA020

RGB 127 160 32

HSL 75.47, 0.67%, 0.38%

LAB 61.44, -28.77, 57.53

 

CMYK 19 / 0 / 71 / 30

HEX #90B233

RGB 144 178 51

HSL 76.06, 0.55%, 0.45%

LAB 68.03, -29.42, 57.78

 

CMYK 18 / 0 / 64 / 23

HEX #A1C446

RGB 161 196 70

HSL 76.67, 0.52%, 0.52%

LAB 74.51, -29.89, 57.34

 

CMYK 17 / 0 / 58 / 16

HEX #B2D659

RGB 178 214 89

HSL 77.28, 0.6%, 0.59%

LAB 80.89, -30.24, 56.55

 

CMYK 26 / 0 / 87 / 44

HEX #698E12

RGB 105 142 18

HSL 77.9, 0.78%, 0.31%

LAB 54.44, -29.82, 54.57

 

CMYK 29 / 0 / 100 / 51

HEX #587C00

RGB 88 124 0

HSL 77.42, 1%, 0.24%

LAB 47.61, -28.82, 52.15

 

CMYK 33 / 0 / 100 / 58

HEX #476A00

RGB 71 106 0

HSL 79.81, 1%, 0.21%

LAB 40.65, -27.34, 46.35

 

CMYK 39 / 0 / 100 / 65

HEX #365800

RGB 54 88 0

HSL 83.18, 1%, 0.17%

LAB 33.49, -25.82, 40.39

 

CMYK 47 / 0 / 100 / 73

HEX #254600

RGB 37 70 0

HSL 88.29, 1%, 0.14%

LAB 26.08, -24.19, 34.01

 

CMYK 26 / 0 / 88 / 45

HEX #688D11

RGB 104 141 17

HSL 77.9, 0.78%, 0.31%

LAB 54.06, -29.79, 54.45

 

CMYK 3 / 0 / 88 / 45

HEX #898D11

RGB 137 141 17

HSL 61.94, 0.78%, 0.31%

LAB 56.49, -15.37, 57.47

 

CMYK 0 / 21 / 88 / 45

HEX #8D6F11

RGB 141 111 17

HSL 45.48, 0.78%, 0.31%

LAB 48.35, 3.06, 50.94

 

CMYK 0 / 45 / 88 / 45

HEX #8D4E11

RGB 141 78 17

HSL 29.52, 0.78%, 0.31%

LAB 39.84, 22.19, 43.9

 

CMYK 0 / 69 / 88 / 45

HEX #8D2C11

RGB 141 44 17

HSL 13.06, 0.78%, 0.31%

LAB 32.93, 39.84, 38.1

 

CMYK 26 / 0 / 88 / 45

HEX #688D11

RGB 104 141 17

HSL 77.9, 0.78%, 0.31%

LAB 54.06, -29.79, 54.45

 

CMYK 50 / 0 / 88 / 45

HEX #478D11

RGB 71 141 17

HSL 93.87, 0.78%, 0.31%

LAB 52.32, -42.09, 52.27

 

CMYK 74 / 0 / 88 / 45

HEX #258D11

RGB 37 141 17

HSL 110.32, 0.78%, 0.31%

LAB 51.25, -50.8, 50.91

 

CMYK 88 / 0 / 78 / 45

HEX #118D1F

RGB 17 141 31

HSL 126.77, 0.78%, 0.31%

LAB 51, -52.72, 46.43

 

CMYK 88 / 0 / 55 / 45

HEX #118D40

RGB 17 141 64

HSL 142.74, 0.78%, 0.31%

LAB 51.31, -48.85, 32.08

 

CMYK 26 / 0 / 88 / 45

HEX #688D11

RGB 104 141 17

HSL 77.9, 0.78%, 0.31%

LAB 54.06, -29.79, 54.45

 

CMYK 29 / 0 / 97 / 40

HEX #6D9905

RGB 109 153 5

HSL 77.84, 0.94%, 0.31%

LAB 58.08, -33.64, 59.95

 

CMYK 26 / 0 / 88 / 45

HEX #688D11

RGB 104 141 17

HSL 77.9, 0.78%, 0.31%

LAB 54.06, -29.79, 54.45

 

CMYK 23 / 0 / 77 / 50

HEX #63801E

RGB 99 128 30

HSL 77.76, 0.62%, 0.31%

LAB 49.72, -25.01, 46.56

 

CMYK 18 / 0 / 63 / 55

HEX #5E732B

RGB 94 115 43

HSL 77.5, 0.46%, 0.31%

LAB 45.38, -19.57, 36.4

 

CMYK 14 / 0 / 45 / 60

HEX #586638

RGB 88 102 56

HSL 78.26, 0.29%, 0.31%

LAB 41, -13.72, 24.2

 

CMYK 8 / 0 / 23 / 65

HEX #535A45

RGB 83 90 69

HSL 80, 0.13%, 0.31%

LAB 37.08, -6.98, 11.24

 

CMYK 0 / 22 / 88 / 45

HEX #8D6E11

RGB 141 110 17

HSL 45, 0.78%, 0.31%

LAB 48.08, 3.64, 50.71

 

CMYK 1 / 0 / 88 / 45

HEX #8B8D11

RGB 139 141 17

HSL 60.97, 0.78%, 0.31%

LAB 56.66, -14.46, 57.67

 

CMYK 25 / 0 / 88 / 45

HEX #6A8D11

RGB 106 141 17

HSL 76.94, 0.78%, 0.31%

LAB 54.19, -28.96, 54.61

 

CMYK 48 / 0 / 88 / 45

HEX #498D11

RGB 73 141 17

HSL 92.9, 0.78%, 0.31%

LAB 52.41, -41.44, 52.37

 

CMYK 72 / 0 / 88 / 45

HEX #288D11

RGB 40 141 17

HSL 108.87, 0.78%, 0.31%

LAB 51.31, -50.23, 51

 

CMYK 25 / 0 / 88 / 74

HEX #324308

RGB 50 67 8

HSL 77.29, 0.79%, 0.15%

LAB 25.89, -16.37, 30.89

 

CMYK 26 / 0 / 88 / 59

HEX #4D680D

RGB 77 104 13

HSL 77.8, 0.78%, 0.23%

LAB 40.42, -23.32, 43.01

 

CMYK 26 / 0 / 88 / 45

HEX #688D11

RGB 104 141 17

HSL 77.9, 0.78%, 0.31%

LAB 54.06, -29.79, 54.45

 

CMYK 26 / 0 / 88 / 31

HEX #83B116

RGB 131 177 22

HSL 77.81, 0.78%, 0.39%

LAB 66.77, -35.44, 64.78

 

CMYK 26 / 0 / 88 / 16

HEX #9ED61A

RGB 158 214 26

HSL 77.87, 0.78%, 0.47%

LAB 79.29, -41.33, 75.1

 

CMYK 26 / 0 / 87 / 44

HEX #698E12

RGB 105 142 18

HSL 77.9, 0.78%, 0.31%

LAB 54.44, -29.82, 54.57

 

CMYK 88 / 0 / 45 / 45

HEX #118D4D

RGB 17 141 77

HSL 149.03, 0.78%, 0.31%

LAB 51.5, -46.59, 25.43

 

CMYK 11 / 88 / 0 / 45

HEX #7E118D

RGB 126 17 141

HSL 292.74, 0.78%, 0.31%

LAB 31.25, 57.92, -42.27

 

CMYK 26 / 0 / 87 / 44

HEX #698E12

RGB 105 142 18

HSL 77.9, 0.78%, 0.31%

LAB 54.44, -29.82, 54.57

 

CMYK 88 / 25 / 0 / 45

HEX #116A8D

RGB 17 106 141

HSL 196.94, 0.78%, 0.31%

LAB 41.77, -11.45, -26.12

 

CMYK 0 / 88 / 25 / 45

HEX #8D116A

RGB 141 17 106

HSL 316.94, 0.78%, 0.31%

LAB 32.04, 55.63, -18.78

 

CMYK 26 / 0 / 87 / 44

HEX #698E12

RGB 105 142 18

HSL 77.9, 0.78%, 0.31%

LAB 54.44, -29.82, 54.57

 

CMYK 88 / 0 / 45 / 45

HEX #118D4D

RGB 17 141 77

HSL 149.03, 0.78%, 0.31%

LAB 51.5, -46.59, 25.43

 

CMYK 63 / 88 / 0 / 45

HEX #34118D

RGB 52 17 141

HSL 256.94, 0.78%, 0.31%

LAB 20.26, 47.38, -60.68

 

CMYK 0 / 88 / 43 / 45

HEX #8D1151

RGB 141 17 81

HSL 329.03, 0.78%, 0.31%

LAB 31.01, 52.77, -4.09

 

CMYK 26 / 0 / 87 / 44

HEX #698E12

RGB 105 142 18

HSL 77.9, 0.78%, 0.31%

LAB 54.44, -29.82, 54.57

 

CMYK 88 / 0 / 19 / 45

HEX #118D72

RGB 17 141 114

HSL 166.94, 0.78%, 0.31%

LAB 52.27, -38.02, 5.59

 

CMYK 63 / 88 / 0 / 45

HEX #34118D

RGB 52 17 141

HSL 256.94, 0.78%, 0.31%

LAB 20.26, 47.38, -60.68

 

CMYK 0 / 88 / 69 / 45

HEX #8D112C

RGB 141 17 44

HSL 346.94, 0.78%, 0.31%

LAB 30.02, 49.92, 19.11

 

Description

Color code: HEX #698E12 | qconv.com Color code: HEX #698E12 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 142 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 142 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 87 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 87% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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