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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #698D2E it is the complementary color #9672D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #698D2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #698D2E shade: #6E8D29, #7F9F3C, #90B14F, #A1C362 and #B2D575

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #698D2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #698D2E shade: #698D2E, #587B1B, #476908, #365700 and #254500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #698D2E shade: #6A8E2E, #848E2E, #8E7F2E, #8E652E and #8E4B2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #698D2E shade: #6A8E2E, #508E2E, #368E2E, #2E8E40 and #2E8E5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #698D2E shade matches the following richer shades: #6A8E2E, #6E9E1F, #71AD10 and #75BC00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #698D2E shade: #6A8E2E, #667F3D, #63704D, #5F615C and #5B516B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #698D2E shade: #8E7E2E, #858E2E, #6B8E2E, #528E2E and #388E2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #698D2E shade: #3C501A, #536F24, #6A8E2E, #81AE38 and #96C44B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #698D2E shade: #698D2E, #2E8E65 and #8B2E8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #698D2E shade: #698D2E, #2E6B8E and #8E2E6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #698D2E shade: #698D2E, #2E8E65, #522E8E and #8E2E58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #698D2E shade: #698D2E, #2E8E82, #522E8E and #8E2E3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 67 / 45

HEX #698D2E

RGB 105 141 46

HSL 82.74, 0.51%, 0.37%

LAB 54.29, -27.81, 44.9

 

Complementary color

CMYK 28 / 45 / 0 / 18

HEX #9672D1

RGB 150 114 209

HSL 262.74, 0.51%, 0.63%

LAB 55.2, 33.94, -44.08

 

CMYK 22 / 0 / 71 / 45

HEX #6E8D29

RGB 110 141 41

HSL 78.6, 0.55%, 0.36%

LAB 54.58, -26.11, 47.38

 

CMYK 20 / 0 / 62 / 38

HEX #7F9F3C

RGB 127 159 60

HSL 79.39, 0.45%, 0.43%

LAB 61.34, -26.51, 46.75

 

CMYK 19 / 0 / 55 / 31

HEX #90B14F

RGB 144 177 79

HSL 80.2, 0.39%, 0.5%

LAB 67.97, -26.77, 45.77

 

CMYK 17 / 0 / 50 / 24

HEX #A1C362

RGB 161 195 98

HSL 81.03, 0.45%, 0.57%

LAB 74.5, -26.94, 44.66

 

CMYK 16 / 0 / 45 / 16

HEX #B2D575

RGB 178 213 117

HSL 81.88, 0.53%, 0.65%

LAB 80.93, -27.04, 43.52

 

CMYK 26 / 0 / 67 / 45

HEX #698D2E

RGB 105 141 46

HSL 82.74, 0.51%, 0.37%

LAB 54.29, -27.81, 44.9

 

CMYK 28 / 0 / 78 / 52

HEX #587B1B

RGB 88 123 27

HSL 81.88, 0.64%, 0.29%

LAB 47.39, -27.34, 45.16

 

CMYK 32 / 0 / 92 / 59

HEX #476908

RGB 71 105 8

HSL 81.03, 0.86%, 0.22%

LAB 40.35, -26.58, 44.06

 

CMYK 38 / 0 / 100 / 66

HEX #365700

RGB 54 87 0

HSL 82.76, 1%, 0.17%

LAB 33.14, -25.33, 40.12

 

CMYK 46 / 0 / 100 / 73

HEX #254500

RGB 37 69 0

HSL 87.83, 1%, 0.14%

LAB 25.71, -23.71, 33.67

 

CMYK 25 / 0 / 68 / 44

HEX #6A8E2E

RGB 106 142 46

HSL 82.5, 0.51%, 0.37%

LAB 54.67, -27.88, 45.31

 

CMYK 7 / 0 / 68 / 44

HEX #848E2E

RGB 132 142 46

HSL 66.25, 0.51%, 0.37%

LAB 56.53, -16.84, 47.84

 

CMYK 0 / 11 / 68 / 44

HEX #8E7F2E

RGB 142 127 46

HSL 50.63, 0.51%, 0.37%

LAB 53.09, -4.22, 44.53

 

CMYK 0 / 29 / 68 / 44

HEX #8E652E

RGB 142 101 46

HSL 34.38, 0.51%, 0.37%

LAB 45.98, 10.64, 36.86

 

CMYK 0 / 47 / 68 / 44

HEX #8E4B2E

RGB 142 75 46

HSL 18.13, 0.51%, 0.37%

LAB 39.55, 25.66, 29.52

 

CMYK 25 / 0 / 68 / 44

HEX #6A8E2E

RGB 106 142 46

HSL 82.5, 0.51%, 0.37%

LAB 54.67, -27.88, 45.31

 

CMYK 44 / 0 / 68 / 44

HEX #508E2E

RGB 80 142 46

HSL 98.75, 0.51%, 0.37%

LAB 53.22, -37.65, 43.34

 

CMYK 62 / 0 / 68 / 44

HEX #368E2E

RGB 54 142 46

HSL 115, 0.51%, 0.37%

LAB 52.21, -45.35, 41.95

 

CMYK 68 / 0 / 55 / 44

HEX #2E8E40

RGB 46 142 64

HSL 131.25, 0.51%, 0.37%

LAB 52.17, -44.94, 33.25

 

CMYK 68 / 0 / 37 / 44

HEX #2E8E5A

RGB 46 142 90

HSL 147.5, 0.51%, 0.37%

LAB 52.58, -40.36, 19.77

 

CMYK 25 / 0 / 68 / 44

HEX #6A8E2E

RGB 106 142 46

HSL 82.5, 0.51%, 0.37%

LAB 54.67, -27.88, 45.31

 

CMYK 30 / 0 / 80 / 38

HEX #6E9E1F

RGB 110 158 31

HSL 82.68, 0.67%, 0.37%

LAB 59.77, -34.73, 55.91

 

CMYK 35 / 0 / 91 / 32

HEX #71AD10

RGB 113 173 16

HSL 82.93, 0.83%, 0.37%

LAB 64.51, -40.75, 63.59

 

CMYK 38 / 0 / 100 / 26

HEX #75BC00

RGB 117 188 0

HSL 82.66, 1%, 0.37%

LAB 69.29, -45.91, 69.54

 

CMYK 25 / 0 / 68 / 44

HEX #6A8E2E

RGB 106 142 46

HSL 82.5, 0.51%, 0.37%

LAB 54.67, -27.88, 45.31

 

CMYK 20 / 0 / 52 / 50

HEX #667F3D

RGB 102 127 61

HSL 82.73, 0.35%, 0.37%

LAB 49.91, -20.58, 32.67

 

CMYK 12 / 0 / 31 / 56

HEX #63704D

RGB 99 112 77

HSL 82.29, 0.19%, 0.37%

LAB 45.33, -11.58, 17.89

 

CMYK 2 / 0 / 5 / 62

HEX #5F615C

RGB 95 97 92

HSL 84, 0.03%, 0.37%

LAB 40.82, -1.82, 2.57

 

CMYK 15 / 24 / 0 / 58

HEX #5B516B

RGB 91 81 107

HSL 263.08, 0.14%, 0.37%

LAB 36.31, 9.86, -13.46

 

CMYK 0 / 11 / 68 / 44

HEX #8E7E2E

RGB 142 126 46

HSL 50, 0.51%, 0.37%

LAB 52.81, -3.67, 44.23

 

CMYK 6 / 0 / 68 / 44

HEX #858E2E

RGB 133 142 46

HSL 65.63, 0.51%, 0.37%

LAB 56.61, -16.4, 47.95

 

CMYK 25 / 0 / 68 / 44

HEX #6B8E2E

RGB 107 142 46

HSL 81.88, 0.51%, 0.37%

LAB 54.73, -27.48, 45.4

 

CMYK 42 / 0 / 68 / 44

HEX #528E2E

RGB 82 142 46

HSL 97.5, 0.51%, 0.37%

LAB 53.32, -36.97, 43.47

 

CMYK 61 / 0 / 68 / 44

HEX #388E2E

RGB 56 142 46

HSL 113.75, 0.51%, 0.37%

LAB 52.27, -44.85, 42.03

 

CMYK 25 / 0 / 68 / 69

HEX #3C501A

RGB 60 80 26

HSL 82.22, 0.51%, 0.21%

LAB 31.28, -17.48, 28.53

 

CMYK 25 / 0 / 68 / 56

HEX #536F24

RGB 83 111 36

HSL 82.4, 0.51%, 0.29%

LAB 43.26, -22.84, 37.17

 

CMYK 25 / 0 / 68 / 44

HEX #6A8E2E

RGB 106 142 46

HSL 82.5, 0.51%, 0.37%

LAB 54.67, -27.88, 45.31

 

CMYK 26 / 0 / 68 / 32

HEX #81AE38

RGB 129 174 56

HSL 82.88, 0.51%, 0.45%

LAB 65.92, -33.17, 53.4

 

CMYK 23 / 0 / 62 / 23

HEX #96C44B

RGB 150 196 75

HSL 82.81, 0.51%, 0.53%

LAB 73.85, -33.79, 54.32

 

CMYK 26 / 0 / 67 / 45

HEX #698D2E

RGB 105 141 46

HSL 82.74, 0.51%, 0.37%

LAB 54.29, -27.81, 44.9

 

CMYK 68 / 0 / 29 / 44

HEX #2E8E65

RGB 46 142 101

HSL 154.38, 0.51%, 0.37%

LAB 52.8, -37.97, 13.87

 

CMYK 2 / 68 / 0 / 44

HEX #8B2E8E

RGB 139 46 142

HSL 298.13, 0.51%, 0.37%

LAB 36.74, 51.65, -34

 

CMYK 26 / 0 / 67 / 45

HEX #698D2E

RGB 105 141 46

HSL 82.74, 0.51%, 0.37%

LAB 54.29, -27.81, 44.9

 

CMYK 68 / 25 / 0 / 44

HEX #2E6B8E

RGB 46 107 142

HSL 201.88, 0.51%, 0.37%

LAB 42.84, -7.99, -25

 

CMYK 0 / 68 / 25 / 44

HEX #8E2E6B

RGB 142 46 107

HSL 321.88, 0.51%, 0.37%

LAB 35.53, 46.8, -14.04

 

CMYK 26 / 0 / 67 / 45

HEX #698D2E

RGB 105 141 46

HSL 82.74, 0.51%, 0.37%

LAB 54.29, -27.81, 44.9

 

CMYK 68 / 0 / 29 / 44

HEX #2E8E65

RGB 46 142 101

HSL 154.38, 0.51%, 0.37%

LAB 52.8, -37.97, 13.87

 

CMYK 42 / 68 / 0 / 44

HEX #522E8E

RGB 82 46 142

HSL 262.5, 0.51%, 0.37%

LAB 28.64, 38.29, -47.42

 

CMYK 0 / 68 / 38 / 44

HEX #8E2E58

RGB 142 46 88

HSL 333.75, 0.51%, 0.37%

LAB 34.82, 44.33, -2.98

 

CMYK 26 / 0 / 67 / 45

HEX #698D2E

RGB 105 141 46

HSL 82.74, 0.51%, 0.37%

LAB 54.29, -27.81, 44.9

 

CMYK 68 / 0 / 8 / 44

HEX #2E8E82

RGB 46 142 130

HSL 172.5, 0.51%, 0.37%

LAB 53.53, -30.54, -1.75

 

CMYK 42 / 68 / 0 / 44

HEX #522E8E

RGB 82 46 142

HSL 262.5, 0.51%, 0.37%

LAB 28.64, 38.29, -47.42

 

CMYK 0 / 68 / 58 / 44

HEX #8E2E3B

RGB 142 46 59

HSL 351.88, 0.51%, 0.37%

LAB 34.03, 41.47, 14.61

 

Description

Color code: HEX #698D2E | qconv.com Color code: HEX #698D2E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 141 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 141 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 67 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 67% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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