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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #698922 it is the complementary color #9676DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #698922. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #698922 shade: #6E891D, #7F9B30, #90AD43, #A1BF56 and #B2D169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #698922. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #698922 shade: #698922, #58770F, #476500, #365300 and #254100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #698922 shade: #6A8B23, #868B23, #8B7323, #8B5723 and #8B3B23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #698922 shade: #6A8B23, #4E8B23, #328B23, #238B2F and #238B4B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #698922 shade matches the following richer shades: #6A8B23, #709915 and #75A707

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #698922 shade: #6A8B23, #657D31, #606F3F, #5A614D and #55535B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #698922 shade: #8B7223, #878B23, #6C8B23, #508B23 and #348B23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #698922 shade: #384912, #516A1A, #6A8B23, #84AC2B and #9DCC34

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #698922 shade: #698922, #238B57 and #80238B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #698922 shade: #698922, #236C8B and #8B236C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #698922 shade: #698922, #238B57, #42238B and #8B2357

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #698922 shade: #698922, #238B76, #42238B and #8B2337

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 75 / 46

HEX #698922

RGB 105 137 34

HSL 78.64, 0.6%, 0.34%

LAB 52.96, -26.68, 48.37

 

Complementary color

CMYK 32 / 47 / 0 / 13

HEX #9676DD

RGB 150 118 221

HSL 258.64, 0.6%, 0.66%

LAB 56.74, 34.67, -48.4

 

CMYK 20 / 0 / 79 / 46

HEX #6E891D

RGB 110 137 29

HSL 75, 0.65%, 0.33%

LAB 53.27, -24.84, 50.54

 

CMYK 18 / 0 / 69 / 39

HEX #7F9B30

RGB 127 155 48

HSL 75.7, 0.53%, 0.4%

LAB 60.04, -25.45, 50.51

 

CMYK 17 / 0 / 61 / 32

HEX #90AD43

RGB 144 173 67

HSL 76.42, 0.44%, 0.47%

LAB 66.69, -25.88, 49.83

 

CMYK 16 / 0 / 55 / 25

HEX #A1BF56

RGB 161 191 86

HSL 77.14, 0.45%, 0.54%

LAB 73.23, -26.19, 48.87

 

CMYK 15 / 0 / 50 / 18

HEX #B2D169

RGB 178 209 105

HSL 77.88, 0.53%, 0.62%

LAB 79.66, -26.4, 47.78

 

CMYK 23 / 0 / 75 / 46

HEX #698922

RGB 105 137 34

HSL 78.64, 0.6%, 0.34%

LAB 52.96, -26.68, 48.37

 

CMYK 26 / 0 / 87 / 53

HEX #58770F

RGB 88 119 15

HSL 77.88, 0.78%, 0.26%

LAB 46.05, -25.96, 47.65

 

CMYK 30 / 0 / 100 / 60

HEX #476500

RGB 71 101 0

HSL 77.82, 1%, 0.2%

LAB 38.98, -24.91, 45.07

 

CMYK 35 / 0 / 100 / 67

HEX #365300

RGB 54 83 0

HSL 80.96, 1%, 0.16%

LAB 31.74, -23.37, 39.05

 

CMYK 43 / 0 / 100 / 75

HEX #254100

RGB 37 65 0

HSL 85.85, 1%, 0.13%

LAB 24.24, -21.76, 32.27

 

CMYK 24 / 0 / 75 / 45

HEX #6A8B23

RGB 106 139 35

HSL 79.04, 0.6%, 0.34%

LAB 53.65, -27.18, 48.7

 

CMYK 4 / 0 / 75 / 45

HEX #868B23

RGB 134 139 35

HSL 62.88, 0.6%, 0.34%

LAB 55.74, -15, 51.43

 

CMYK 0 / 17 / 75 / 45

HEX #8B7323

RGB 139 115 35

HSL 46.15, 0.6%, 0.34%

LAB 49.34, 0.52, 45.41

 

CMYK 0 / 37 / 75 / 45

HEX #8B5723

RGB 139 87 35

HSL 30, 0.6%, 0.34%

LAB 41.89, 16.79, 37.88

 

CMYK 0 / 58 / 75 / 45

HEX #8B3B23

RGB 139 59 35

HSL 13.85, 0.6%, 0.34%

LAB 35.48, 32.49, 31.03

 

CMYK 24 / 0 / 75 / 45

HEX #6A8B23

RGB 106 139 35

HSL 79.04, 0.6%, 0.34%

LAB 53.65, -27.18, 48.7

 

CMYK 44 / 0 / 75 / 45

HEX #4E8B23

RGB 78 139 35

HSL 95.19, 0.6%, 0.34%

LAB 52.07, -37.93, 46.6

 

CMYK 64 / 0 / 75 / 45

HEX #328B23

RGB 50 139 35

HSL 111.35, 0.6%, 0.34%

LAB 51, -46.21, 45.17

 

CMYK 75 / 0 / 66 / 45

HEX #238B2F

RGB 35 139 47

HSL 126.92, 0.6%, 0.34%

LAB 50.72, -48.14, 39.73

 

CMYK 75 / 0 / 46 / 45

HEX #238B4B

RGB 35 139 75

HSL 143.08, 0.6%, 0.34%

LAB 51.07, -44, 26.02

 

CMYK 24 / 0 / 75 / 45

HEX #6A8B23

RGB 106 139 35

HSL 79.04, 0.6%, 0.34%

LAB 53.65, -27.18, 48.7

 

CMYK 27 / 0 / 86 / 40

HEX #709915

RGB 112 153 21

HSL 78.64, 0.76%, 0.34%

LAB 58.3, -32.03, 57.35

 

CMYK 30 / 0 / 96 / 35

HEX #75A707

RGB 117 167 7

HSL 78.75, 0.92%, 0.34%

LAB 62.87, -36.77, 63.65

 

CMYK 24 / 0 / 75 / 45

HEX #6A8B23

RGB 106 139 35

HSL 79.04, 0.6%, 0.34%

LAB 53.65, -27.18, 48.7

 

CMYK 19 / 0 / 61 / 51

HEX #657D31

RGB 101 125 49

HSL 78.95, 0.44%, 0.34%

LAB 49.08, -21.21, 37.76

 

CMYK 14 / 0 / 43 / 56

HEX #606F3F

RGB 96 111 63

HSL 78.75, 0.28%, 0.34%

LAB 44.54, -14.32, 24.85

 

CMYK 7 / 0 / 21 / 62

HEX #5A614D

RGB 90 97 77

HSL 81, 0.11%, 0.34%

LAB 40.01, -6.73, 10.51

 

CMYK 7 / 9 / 0 / 64

HEX #55535B

RGB 85 83 91

HSL 255, 0.05%, 0.34%

LAB 35.74, 2.56, -4.37

 

CMYK 0 / 18 / 75 / 45

HEX #8B7223

RGB 139 114 35

HSL 45.58, 0.6%, 0.34%

LAB 49.06, 1.09, 45.13

 

CMYK 3 / 0 / 75 / 45

HEX #878B23

RGB 135 139 35

HSL 62.31, 0.6%, 0.34%

LAB 55.82, -14.55, 51.54

 

CMYK 22 / 0 / 75 / 45

HEX #6C8B23

RGB 108 139 35

HSL 77.88, 0.6%, 0.34%

LAB 53.79, -26.35, 48.87

 

CMYK 42 / 0 / 75 / 45

HEX #508B23

RGB 80 139 35

HSL 94.04, 0.6%, 0.34%

LAB 52.17, -37.24, 46.73

 

CMYK 63 / 0 / 75 / 45

HEX #348B23

RGB 52 139 35

HSL 110.19, 0.6%, 0.34%

LAB 51.06, -45.72, 45.25

 

CMYK 23 / 0 / 75 / 71

HEX #384912

RGB 56 73 18

HSL 78.55, 0.6%, 0.18%

LAB 28.51, -16.18, 29.39

 

CMYK 24 / 0 / 75 / 58

HEX #516A1A

RGB 81 106 26

HSL 78.75, 0.61%, 0.26%

LAB 41.43, -21.89, 39.57

 

CMYK 24 / 0 / 75 / 45

HEX #6A8B23

RGB 106 139 35

HSL 79.04, 0.6%, 0.34%

LAB 53.65, -27.18, 48.7

 

CMYK 23 / 0 / 75 / 33

HEX #84AC2B

RGB 132 172 43

HSL 78.6, 0.6%, 0.42%

LAB 65.42, -31.88, 57.83

 

CMYK 23 / 0 / 75 / 20

HEX #9DCC34

RGB 157 204 52

HSL 78.55, 0.6%, 0.5%

LAB 76.44, -36.28, 65.91

 

CMYK 23 / 0 / 75 / 46

HEX #698922

RGB 105 137 34

HSL 78.64, 0.6%, 0.34%

LAB 52.96, -26.68, 48.37

 

CMYK 75 / 0 / 37 / 45

HEX #238B57

RGB 35 139 87

HSL 150, 0.6%, 0.34%

LAB 51.28, -41.66, 19.66

 

CMYK 8 / 75 / 0 / 45

HEX #80238B

RGB 128 35 139

HSL 293.65, 0.6%, 0.34%

LAB 33.25, 52.78, -37.8

 

CMYK 23 / 0 / 75 / 46

HEX #698922

RGB 105 137 34

HSL 78.64, 0.6%, 0.34%

LAB 52.96, -26.68, 48.37

 

CMYK 75 / 22 / 0 / 45

HEX #236C8B

RGB 35 108 139

HSL 197.88, 0.6%, 0.34%

LAB 42.68, -11.4, -23.47

 

CMYK 0 / 75 / 22 / 45

HEX #8B236C

RGB 139 35 108

HSL 317.88, 0.6%, 0.34%

LAB 33.51, 50.38, -17.83

 

CMYK 23 / 0 / 75 / 46

HEX #698922

RGB 105 137 34

HSL 78.64, 0.6%, 0.34%

LAB 52.96, -26.68, 48.37

 

CMYK 75 / 0 / 37 / 45

HEX #238B57

RGB 35 139 87

HSL 150, 0.6%, 0.34%

LAB 51.28, -41.66, 19.66

 

CMYK 53 / 75 / 0 / 45

HEX #42238B

RGB 66 35 139

HSL 257.88, 0.6%, 0.34%

LAB 24.4, 40.4, -52.56

 

CMYK 0 / 75 / 37 / 45

HEX #8B2357

RGB 139 35 87

HSL 330, 0.6%, 0.34%

LAB 32.65, 47.69, -5.61

 

CMYK 23 / 0 / 75 / 46

HEX #698922

RGB 105 137 34

HSL 78.64, 0.6%, 0.34%

LAB 52.96, -26.68, 48.37

 

CMYK 75 / 0 / 15 / 45

HEX #238B76

RGB 35 139 118

HSL 167.88, 0.6%, 0.34%

LAB 51.98, -34.13, 2.9

 

CMYK 53 / 75 / 0 / 45

HEX #42238B

RGB 66 35 139

HSL 257.88, 0.6%, 0.34%

LAB 24.4, 40.4, -52.56

 

CMYK 0 / 75 / 60 / 45

HEX #8B2337

RGB 139 35 55

HSL 348.46, 0.6%, 0.34%

LAB 31.73, 44.66, 14.03

 

Description

Color code: HEX #698922 | qconv.com Color code: HEX #698922 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 137 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 137 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 75 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 75% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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