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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #698712 it is the complementary color #9678ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #698712. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #698712 shade: #6E870D, #7F9920, #90AB33, #A1BD46 and #B2CF59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #698712. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #698712 shade: #698712, #587500, #476300, #365100 and #253F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #698712 shade: #698712, #878512, #876612, #874612 and #872712

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #698712 shade: #698712, #498712, #2A8712, #12871A and #128739

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #698712 shade matches the following richer shades: #698712 and #6F9306

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #698712 shade: #698712, #637A1F, #5D6E2B, #576237 and #515544

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #698712 shade: #876612, #878512, #6A8712, #4B8712 and #2C8712

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #698712 shade: #303E08, #4D620D, #698712, #85AB17 and #A1CF1C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #698712 shade: #698712, #128747 and #751287

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #698712 shade: #698712, #126A87 and #87126A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #698712 shade: #698712, #128747, #2F1287 and #871252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #698712 shade: #698712, #12876A, #2F1287 and #87122F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 87 / 47

HEX #698712

RGB 105 135 18

HSL 75.38, 0.76%, 0.3%

LAB 52.26, -26.45, 52.7

 

Complementary color

CMYK 37 / 49 / 0 / 7

HEX #9678ED

RGB 150 120 237

HSL 255.38, 0.76%, 0.7%

LAB 58.07, 37.69, -55.23

 

CMYK 19 / 0 / 90 / 47

HEX #6E870D

RGB 110 135 13

HSL 72.3, 0.82%, 0.29%

LAB 52.59, -24.44, 54.23

 

CMYK 17 / 0 / 79 / 40

HEX #7F9920

RGB 127 153 32

HSL 72.89, 0.65%, 0.36%

LAB 59.34, -25.36, 55.61

 

CMYK 16 / 0 / 70 / 33

HEX #90AB33

RGB 144 171 51

HSL 73.5, 0.54%, 0.44%

LAB 65.98, -26.04, 55.73

 

CMYK 15 / 0 / 63 / 26

HEX #A1BD46

RGB 161 189 70

HSL 74.12, 0.47%, 0.51%

LAB 72.5, -26.55, 55.2

 

CMYK 14 / 0 / 57 / 19

HEX #B2CF59

RGB 178 207 89

HSL 74.75, 0.55%, 0.58%

LAB 78.93, -26.92, 54.34

 

CMYK 22 / 0 / 87 / 47

HEX #698712

RGB 105 135 18

HSL 75.38, 0.76%, 0.3%

LAB 52.26, -26.45, 52.7

 

CMYK 25 / 0 / 100 / 54

HEX #587500

RGB 88 117 0

HSL 74.87, 1%, 0.23%

LAB 45.36, -25.42, 50.43

 

CMYK 28 / 0 / 100 / 61

HEX #476300

RGB 71 99 0

HSL 76.97, 1%, 0.19%

LAB 38.31, -23.91, 44.56

 

CMYK 33 / 0 / 100 / 68

HEX #365100

RGB 54 81 0

HSL 80, 1%, 0.16%

LAB 31.04, -22.37, 38.51

 

CMYK 41 / 0 / 100 / 75

HEX #253F00

RGB 37 63 0

HSL 84.76, 1%, 0.12%

LAB 23.5, -20.76, 31.53

 

CMYK 22 / 0 / 87 / 47

HEX #698712

RGB 105 135 18

HSL 75.38, 0.76%, 0.3%

LAB 52.26, -26.45, 52.7

 

CMYK 0 / 1 / 87 / 47

HEX #878512

RGB 135 133 18

HSL 58.97, 0.76%, 0.3%

LAB 53.99, -12, 55.1

 

CMYK 0 / 24 / 87 / 47

HEX #876612

RGB 135 102 18

HSL 43.08, 0.76%, 0.3%

LAB 45.22, 5.45, 47.76

 

CMYK 0 / 48 / 87 / 47

HEX #874612

RGB 135 70 18

HSL 26.67, 0.76%, 0.3%

LAB 37.07, 24.1, 40.81

 

CMYK 0 / 71 / 87 / 47

HEX #872712

RGB 135 39 18

HSL 10.77, 0.76%, 0.3%

LAB 30.99, 39.85, 35.48

 

CMYK 22 / 0 / 87 / 47

HEX #698712

RGB 105 135 18

HSL 75.38, 0.76%, 0.3%

LAB 52.26, -26.45, 52.7

 

CMYK 46 / 0 / 87 / 47

HEX #498712

RGB 73 135 18

HSL 91.79, 0.76%, 0.3%

LAB 50.44, -38.92, 50.41

 

CMYK 69 / 0 / 87 / 47

HEX #2A8712

RGB 42 135 18

HSL 107.69, 0.76%, 0.3%

LAB 49.33, -47.71, 49

 

CMYK 87 / 0 / 81 / 47

HEX #12871A

RGB 18 135 26

HSL 124.1, 0.76%, 0.3%

LAB 48.92, -51.1, 46.11

 

CMYK 87 / 0 / 58 / 47

HEX #128739

RGB 18 135 57

HSL 140, 0.76%, 0.3%

LAB 49.19, -47.74, 33.1

 

CMYK 22 / 0 / 87 / 47

HEX #698712

RGB 105 135 18

HSL 75.38, 0.76%, 0.3%

LAB 52.26, -26.45, 52.7

 

CMYK 24 / 0 / 96 / 42

HEX #6F9306

RGB 111 147 6

HSL 75.32, 0.92%, 0.3%

LAB 56.35, -30.01, 58.49

 

CMYK 22 / 0 / 87 / 47

HEX #698712

RGB 105 135 18

HSL 75.38, 0.76%, 0.3%

LAB 52.26, -26.45, 52.7

 

CMYK 19 / 0 / 75 / 52

HEX #637A1F

RGB 99 122 31

HSL 75.16, 0.59%, 0.3%

LAB 47.84, -21.92, 44.35

 

CMYK 15 / 0 / 61 / 57

HEX #5D6E2B

RGB 93 110 43

HSL 75.22, 0.44%, 0.3%

LAB 43.73, -17.35, 34.53

 

CMYK 11 / 0 / 44 / 62

HEX #576237

RGB 87 98 55

HSL 75.35, 0.28%, 0.3%

LAB 39.64, -12.05, 23.05

 

CMYK 5 / 0 / 20 / 67

HEX #515544

RGB 81 85 68

HSL 74.12, 0.11%, 0.3%

LAB 35.33, -5.03, 9.4

 

CMYK 0 / 24 / 87 / 47

HEX #876612

RGB 135 102 18

HSL 43.08, 0.76%, 0.3%

LAB 45.22, 5.45, 47.76

 

CMYK 0 / 1 / 87 / 47

HEX #878512

RGB 135 133 18

HSL 58.97, 0.76%, 0.3%

LAB 53.99, -12, 55.1

 

CMYK 21 / 0 / 87 / 47

HEX #6A8712

RGB 106 135 18

HSL 74.87, 0.76%, 0.3%

LAB 52.33, -26.02, 52.78

 

CMYK 44 / 0 / 87 / 47

HEX #4B8712

RGB 75 135 18

HSL 90.77, 0.76%, 0.3%

LAB 50.53, -38.23, 50.53

 

CMYK 67 / 0 / 87 / 47

HEX #2C8712

RGB 44 135 18

HSL 106.67, 0.76%, 0.3%

LAB 49.38, -47.27, 49.07

 

CMYK 23 / 0 / 87 / 76

HEX #303E08

RGB 48 62 8

HSL 75.56, 0.77%, 0.14%

LAB 23.97, -14.53, 29

 

CMYK 21 / 0 / 87 / 62

HEX #4D620D

RGB 77 98 13

HSL 74.82, 0.77%, 0.22%

LAB 38.45, -20.23, 41.27

 

CMYK 22 / 0 / 87 / 47

HEX #698712

RGB 105 135 18

HSL 75.38, 0.76%, 0.3%

LAB 52.26, -26.45, 52.7

 

CMYK 22 / 0 / 87 / 33

HEX #85AB17

RGB 133 171 23

HSL 75.41, 0.76%, 0.38%

LAB 65.1, -31.84, 63.21

 

CMYK 22 / 0 / 86 / 19

HEX #A1CF1C

RGB 161 207 28

HSL 75.42, 0.76%, 0.46%

LAB 77.45, -37, 73.27

 

CMYK 22 / 0 / 87 / 47

HEX #698712

RGB 105 135 18

HSL 75.38, 0.76%, 0.3%

LAB 52.26, -26.45, 52.7

 

CMYK 87 / 0 / 47 / 47

HEX #128747

RGB 18 135 71

HSL 147.18, 0.76%, 0.3%

LAB 49.39, -45.41, 25.98

 

CMYK 13 / 87 / 0 / 47

HEX #751287

RGB 117 18 135

HSL 290.77, 0.76%, 0.3%

LAB 29.32, 54.96, -41.73

 

CMYK 22 / 0 / 87 / 47

HEX #698712

RGB 105 135 18

HSL 75.38, 0.76%, 0.3%

LAB 52.26, -26.45, 52.7

 

CMYK 87 / 21 / 0 / 47

HEX #126A87

RGB 18 106 135

HSL 194.87, 0.76%, 0.3%

LAB 41.51, -13.62, -22.92

 

CMYK 0 / 87 / 21 / 47

HEX #87126A

RGB 135 18 106

HSL 314.87, 0.76%, 0.3%

LAB 30.94, 54.04, -20.59

 

CMYK 22 / 0 / 87 / 47

HEX #698712

RGB 105 135 18

HSL 75.38, 0.76%, 0.3%

LAB 52.26, -26.45, 52.7

 

CMYK 87 / 0 / 47 / 47

HEX #128747

RGB 18 135 71

HSL 147.18, 0.76%, 0.3%

LAB 49.39, -45.41, 25.98

 

CMYK 65 / 87 / 0 / 47

HEX #2F1287

RGB 47 18 135

HSL 254.87, 0.76%, 0.3%

LAB 19.17, 44.84, -58.75

 

CMYK 0 / 87 / 39 / 47

HEX #871252

RGB 135 18 82

HSL 327.18, 0.76%, 0.3%

LAB 29.89, 51.13, -6.55

 

CMYK 22 / 0 / 87 / 47

HEX #698712

RGB 105 135 18

HSL 75.38, 0.76%, 0.3%

LAB 52.26, -26.45, 52.7

 

CMYK 87 / 0 / 21 / 47

HEX #12876A

RGB 18 135 106

HSL 165.13, 0.76%, 0.3%

LAB 50.09, -37.48, 7.11

 

CMYK 65 / 87 / 0 / 47

HEX #2F1287

RGB 47 18 135

HSL 254.87, 0.76%, 0.3%

LAB 19.17, 44.84, -58.75

 

CMYK 0 / 87 / 65 / 47

HEX #87122F

RGB 135 18 47

HSL 345.13, 0.76%, 0.3%

LAB 28.87, 48.17, 15.38

 

Description

Color code: HEX #698712 | qconv.com Color code: HEX #698712 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 135 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 135 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 87 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 87% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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