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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6983D64C it is the complementary color #967C294C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6983D64C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6983D64C shade: #6E83D14C, #7F95E44C, #90A7F74C, #A1B9FF4C and #B2CBFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6983D64C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6983D64C shade: #6983D64C, #5871C34C, #475FB04C, #364D9D4C and #253B8A4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6983D64C shade: #6B85D6, #6E6BD6, #8B6BD6, #A86BD6 and #C56BD6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6983D64C shade: #6B85D6 and #6B6BD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6983D64C shade matches the following richer shades: #6B85D6, #5C7DE6 and #4C75F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6983D64C shade: #6B85D6, #7A8DC7, #8994B8, #999CA9 and #A8A499

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6983D64C shade: #6BBFD6, #6BA2D6, #6B86D6, #6D6BD6 and #896BD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6983D64C shade: #3354BB, #4A6ACE, #6B85D6, #8B9FDF and #ACBAE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6983D64C shade: #6983D6, #D16BD6 and #B1D66B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6983D64C shade: #6983D6, #D66B86 and #86D66B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6983D64C shade: #6983D6, #D16BD6, #D6BC6B and #70D66B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6983D64C shade: #6983D6, #D66BBC, #D6BC6B and #6BD686

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 12 / 0 / 5

HEX #6983D64C

RGBA 105 131 214 0.3

HSLA 225.69, 0.57%, 0.63%, 0.3

LABA 56.18, 13.79, -45.58, 0.3

 

Complementary color

CMYK 0 / 5 / 22 / 12

HEX #967C294C

RGBA 150 124 41 0.3

HSLA 45.69, 0.57%, 0.37%, 0.3

LABA 53.01, 0.84, 46.9, 0.3

 

CMYK 14 / 11 / 0 / 5

HEX #6E83D14C

RGBA 110 131 209 0.3

HSLA 227.27, 0.52%, 0.63%, 0.3

LABA 56.24, 13.43, -42.64, 0.3

 

CMYK 13 / 10 / 0 / 3

HEX #7F95E44C

RGBA 127 149 228 0.3

HSLA 226.93, 0.65%, 0.7%, 0.3

LABA 63.02, 12.61, -42.51, 0.3

 

CMYK 13 / 10 / 0 / 1

HEX #90A7F74C

RGBA 144 167 247 0.3

HSLA 226.6, 0.87%, 0.77%, 0.3

LABA 69.67, 11.9, -42.43, 0.3

 

CMYK 11 / 8 / 0 / 0

HEX #A1B9FF4C

RGBA 161 185 255 0.3

HSLA 224.68, 1%, 0.82%, 0.3

LABA 75.76, 8.38, -37.18, 0.3

 

CMYK 9 / 6 / 0 / 0

HEX #B2CBFF4C

RGBA 178 203 255 0.3

HSLA 220.52, 1%, 0.85%, 0.3

LABA 81.51, 3.23, -28.23, 0.3

 

CMYK 15 / 12 / 0 / 5

HEX #6983D64C

RGBA 105 131 214 0.3

HSLA 225.69, 0.57%, 0.63%, 0.3

LABA 56.18, 13.79, -45.58, 0.3

 

CMYK 16 / 13 / 0 / 7

HEX #5871C34C

RGBA 88 113 195 0.3

HSLA 225.98, 0.47%, 0.55%, 0.3

LABA 49.28, 14.91, -45.78, 0.3

 

CMYK 18 / 14 / 0 / 9

HEX #475FB04C

RGBA 71 95 176 0.3

HSLA 226.29, 0.43%, 0.48%, 0.3

LABA 42.24, 16.28, -46.03, 0.3

 

CMYK 20 / 15 / 0 / 12

HEX #364D9D4C

RGBA 54 77 157 0.3

HSLA 226.6, 0.49%, 0.41%, 0.3

LABA 35.06, 18.01, -46.32, 0.3

 

CMYK 22 / 17 / 0 / 14

HEX #253B8A4C

RGBA 37 59 138 0.3

HSLA 226.93, 0.58%, 0.34%, 0.3

LABA 27.73, 20.25, -46.61, 0.3

 

CMYK 50 / 38 / 0 / 16

HEX #6B85D6

RGB 107 133 214

HSL 225.42, 0.57%, 0.63%

LAB 56.84, 13.05, -44.53

 

CMYK 49 / 50 / 0 / 16

HEX #6E6BD6

RGB 110 107 214

HSL 241.68, 0.57%, 0.63%

LAB 50.32, 29.41, -54.9

 

CMYK 35 / 50 / 0 / 16

HEX #8B6BD6

RGB 139 107 214

HSL 257.94, 0.57%, 0.63%

LAB 52.8, 36.33, -50.79

 

CMYK 21 / 50 / 0 / 16

HEX #A86BD6

RGB 168 107 214

HSL 274.21, 0.57%, 0.63%

LAB 55.78, 43.94, -45.86

 

CMYK 8 / 50 / 0 / 16

HEX #C56BD6

RGB 197 107 214

HSL 290.47, 0.57%, 0.63%

LAB 59.2, 51.88, -40.25

 

CMYK 50 / 38 / 0 / 16

HEX #6B85D6

RGB 107 133 214

HSL 225.42, 0.57%, 0.63%

LAB 56.84, 13.05, -44.53

 

CMYK 50 / 50 / 0 / 16

HEX #6B6BD6

RGB 107 107 214

HSL 240, 0.57%, 0.63%

LAB 50.09, 28.75, -55.27

 

CMYK 50 / 38 / 0 / 16

HEX #6B85D6

RGB 107 133 214

HSL 225.42, 0.57%, 0.63%

LAB 56.84, 13.05, -44.53

 

CMYK 60 / 46 / 0 / 10

HEX #5C7DE6

RGB 92 125 230

HSL 225.65, 0.73%, 0.63%

LAB 54.72, 19.89, -56.93

 

CMYK 69 / 52 / 0 / 4

HEX #4C75F5

RGB 76 117 245

HSL 225.44, 0.89%, 0.63%

LAB 52.79, 27.34, -68.44

 

CMYK 50 / 38 / 0 / 16

HEX #6B85D6

RGB 107 133 214

HSL 225.42, 0.57%, 0.63%

LAB 56.84, 13.05, -44.53

 

CMYK 39 / 29 / 0 / 22

HEX #7A8DC7

RGB 122 141 199

HSL 225.19, 0.41%, 0.63%

LAB 59.26, 7.74, -32.21

 

CMYK 26 / 20 / 0 / 28

HEX #8994B8

RGB 137 148 184

HSL 225.96, 0.25%, 0.63%

LAB 61.62, 4.19, -20.03

 

CMYK 9 / 8 / 0 / 34

HEX #999CA9

RGB 153 156 169

HSL 228.75, 0.09%, 0.63%

LAB 64.49, 1.55, -7.14

 

CMYK 0 / 2 / 9 / 34

HEX #A8A499

RGB 168 164 153

HSL 44, 0.08%, 0.63%

LAB 67.41, -0.55, 6.21

 

CMYK 50 / 11 / 0 / 16

HEX #6BBFD6

RGB 107 191 214

HSL 192.9, 0.57%, 0.63%

LAB 73.05, -19.31, -19.41

 

CMYK 50 / 24 / 0 / 16

HEX #6BA2D6

RGB 107 162 214

HSL 209.16, 0.57%, 0.63%

LAB 64.82, -3.74, -32.03

 

CMYK 50 / 37 / 0 / 16

HEX #6B86D6

RGB 107 134 214

HSL 224.86, 0.57%, 0.63%

LAB 57.11, 12.46, -44.1

 

CMYK 49 / 50 / 0 / 16

HEX #6D6BD6

RGB 109 107 214

HSL 241.12, 0.57%, 0.63%

LAB 50.24, 29.19, -55.02

 

CMYK 36 / 50 / 0 / 16

HEX #896BD6

RGB 137 107 214

HSL 256.82, 0.57%, 0.63%

LAB 52.61, 35.83, -51.1

 

CMYK 73 / 55 / 0 / 27

HEX #3354BB

RGB 51 84 187

HSL 225.44, 0.57%, 0.47%

LAB 38.95, 24.04, -57.84

 

CMYK 64 / 49 / 0 / 19

HEX #4A6ACE

RGB 74 106 206

HSL 225.45, 0.57%, 0.55%

LAB 47.26, 20.28, -55.36

 

CMYK 50 / 38 / 0 / 16

HEX #6B85D6

RGB 107 133 214

HSL 225.42, 0.57%, 0.63%

LAB 56.84, 13.05, -44.53

 

CMYK 38 / 29 / 0 / 13

HEX #8B9FDF

RGB 139 159 223

HSL 225.71, 0.57%, 0.71%

LAB 66.22, 8.57, -34.68

 

CMYK 26 / 20 / 0 / 9

HEX #ACBAE8

RGB 172 186 232

HSL 226, 0.57%, 0.79%

LAB 75.89, 5.2, -24.52

 

CMYK 51 / 39 / 0 / 16

HEX #6983D6

RGB 105 131 214

HSL 225.69, 0.57%, 0.63%

LAB 56.18, 13.79, -45.58

 

CMYK 2 / 50 / 0 / 16

HEX #D16BD6

RGB 209 107 214

HSL 297.2, 0.57%, 0.63%

LAB 60.72, 55.21, -37.76

 

CMYK 17 / 0 / 50 / 16

HEX #B1D66B

RGB 177 214 107

HSL 80.75, 0.57%, 0.63%

LAB 81.02, -28.96, 48.44

 

CMYK 51 / 39 / 0 / 16

HEX #6983D6

RGB 105 131 214

HSL 225.69, 0.57%, 0.63%

LAB 56.18, 13.79, -45.58

 

CMYK 0 / 50 / 37 / 16

HEX #D66B86

RGB 214 107 134

HSL 344.86, 0.57%, 0.63%

LAB 58.54, 44.75, 4.9

 

CMYK 37 / 0 / 50 / 16

HEX #86D66B

RGB 134 214 107

HSL 104.86, 0.57%, 0.63%

LAB 78.59, -44.19, 44.93

 

CMYK 51 / 39 / 0 / 16

HEX #6983D6

RGB 105 131 214

HSL 225.69, 0.57%, 0.63%

LAB 56.18, 13.79, -45.58

 

CMYK 2 / 50 / 0 / 16

HEX #D16BD6

RGB 209 107 214

HSL 297.2, 0.57%, 0.63%

LAB 60.72, 55.21, -37.76

 

CMYK 0 / 12 / 50 / 16

HEX #D6BC6B

RGB 214 188 107

HSL 45.42, 0.57%, 0.63%

LAB 76.87, -1.13, 44.09

 

CMYK 48 / 0 / 50 / 16

HEX #70D66B

RGB 112 214 107

HSL 117.2, 0.57%, 0.63%

LAB 77.64, -50.84, 43.55

 

CMYK 51 / 39 / 0 / 16

HEX #6983D6

RGB 105 131 214

HSL 225.69, 0.57%, 0.63%

LAB 56.18, 13.79, -45.58

 

CMYK 0 / 50 / 12 / 16

HEX #D66BBC

RGB 214 107 188

HSL 314.58, 0.57%, 0.63%

LAB 60.29, 52.22, -23.64

 

CMYK 0 / 12 / 50 / 16

HEX #D6BC6B

RGB 214 188 107

HSL 45.42, 0.57%, 0.63%

LAB 76.87, -1.13, 44.09

 

CMYK 50 / 0 / 37 / 16

HEX #6BD686

RGB 107 214 134

HSL 135.14, 0.57%, 0.63%

LAB 77.84, -48.11, 30.28

 

Description

Color code: HEX #6983D64C | qconv.com Color code: HEX #6983D64C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 131 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 131 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 12 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 12% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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