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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #697F50 it is the complementary color #9680AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #697F50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #697F50 shade: #6E7F4B, #7F915E, #90A371, #A1B584 and #B2C797

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #697F50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #697F50 shade: #697F50, #586D3D, #475B2A, #364917 and #253704

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #697F50 shade: #6A8151, #778151, #817D51, #817051 and #816351

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #697F50 shade: #6A8151, #5D8151, #518151, #51815E and #51816B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #697F50 shade matches the following richer shades: #6A8151, #6B9240, #6CA22F, #6DB31E and #6EC40D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #697F50 shade: #6A8151, #697061, #685F72, #674E83 and #663D94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #697F50 shade: #817D51, #778151, #6A8151, #5D8151 and #518151

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #697F50 shade: #404E31, #556741, #6A8151, #7F9A60 and #93AB79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #697F50 shade: #697F50, #518171 and #81517D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #697F50 shade: #697F50, #516A81 and #81516A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #697F50 shade: #697F50, #518171, #675181 and #815161

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #697F50 shade: #697F50, #51817F, #675181 and #815152

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 37 / 50

HEX #697F50

RGB 105 127 80

HSL 88.09, 0.23%, 0.41%

LAB 50.41, -16.86, 22.99

 

Complementary color

CMYK 14 / 27 / 0 / 31

HEX #9680AF

RGB 150 128 175

HSL 268.09, 0.23%, 0.59%

LAB 57.09, 17.78, -21.74

 

CMYK 13 / 0 / 41 / 50

HEX #6E7F4B

RGB 110 127 75

HSL 79.62, 0.26%, 0.4%

LAB 50.69, -15.52, 26.22

 

CMYK 12 / 0 / 35 / 43

HEX #7F915E

RGB 127 145 94

HSL 81.18, 0.21%, 0.47%

LAB 57.63, -15.58, 24.99

 

CMYK 12 / 0 / 31 / 36

HEX #90A371

RGB 144 163 113

HSL 82.8, 0.21%, 0.54%

LAB 64.42, -15.6, 23.83

 

CMYK 11 / 0 / 27 / 29

HEX #A1B584

RGB 161 181 132

HSL 84.49, 0.25%, 0.61%

LAB 71.07, -15.61, 22.75

 

CMYK 11 / 0 / 24 / 22

HEX #B2C797

RGB 178 199 151

HSL 86.25, 0.3%, 0.69%

LAB 77.61, -15.61, 21.72

 

CMYK 17 / 0 / 37 / 50

HEX #697F50

RGB 105 127 80

HSL 88.09, 0.23%, 0.41%

LAB 50.41, -16.86, 22.99

 

CMYK 19 / 0 / 44 / 57

HEX #586D3D

RGB 88 109 61

HSL 86.25, 0.28%, 0.33%

LAB 43.28, -16.88, 24.26

 

CMYK 22 / 0 / 54 / 64

HEX #475B2A

RGB 71 91 42

HSL 84.49, 0.37%, 0.26%

LAB 35.96, -16.84, 25.58

 

CMYK 26 / 0 / 68 / 71

HEX #364917

RGB 54 73 23

HSL 82.8, 0.52%, 0.19%

LAB 28.41, -16.66, 26.78

 

CMYK 33 / 0 / 93 / 78

HEX #253704

RGB 37 55 4

HSL 81.18, 0.86%, 0.12%

LAB 20.57, -16.22, 26.8

 

CMYK 18 / 0 / 37 / 49

HEX #6A8151

RGB 106 129 81

HSL 88.75, 0.23%, 0.41%

LAB 51.1, -17.37, 23.36

 

CMYK 8 / 0 / 37 / 49

HEX #778151

RGB 119 129 81

HSL 72.5, 0.23%, 0.41%

LAB 52.08, -12.05, 24.82

 

CMYK 0 / 3 / 37 / 49

HEX #817D51

RGB 129 125 81

HSL 55, 0.23%, 0.41%

LAB 51.76, -5.6, 24.56

 

CMYK 0 / 13 / 37 / 49

HEX #817051

RGB 129 112 81

HSL 38.75, 0.23%, 0.41%

LAB 48.07, 1.81, 19.7

 

CMYK 0 / 23 / 37 / 49

HEX #816351

RGB 129 99 81

HSL 22.5, 0.23%, 0.41%

LAB 44.5, 9.44, 14.88

 

CMYK 18 / 0 / 37 / 49

HEX #6A8151

RGB 106 129 81

HSL 88.75, 0.23%, 0.41%

LAB 51.1, -17.37, 23.36

 

CMYK 28 / 0 / 37 / 49

HEX #5D8151

RGB 93 129 81

HSL 105, 0.23%, 0.41%

LAB 50.24, -22.41, 22.06

 

CMYK 37 / 0 / 37 / 49

HEX #518151

RGB 81 129 81

HSL 120, 0.23%, 0.41%

LAB 49.55, -26.73, 21.02

 

CMYK 37 / 0 / 27 / 49

HEX #51815E

RGB 81 129 94

HSL 136.25, 0.23%, 0.41%

LAB 49.81, -24.31, 13.94

 

CMYK 37 / 0 / 17 / 49

HEX #51816B

RGB 81 129 107

HSL 152.5, 0.23%, 0.41%

LAB 50.11, -21.55, 6.82

 

CMYK 18 / 0 / 37 / 49

HEX #6A8151

RGB 106 129 81

HSL 88.75, 0.23%, 0.41%

LAB 51.1, -17.37, 23.36

 

CMYK 27 / 0 / 56 / 43

HEX #6B9240

RGB 107 146 64

HSL 88.54, 0.39%, 0.41%

LAB 56.14, -27.77, 38.63

 

CMYK 33 / 0 / 71 / 36

HEX #6CA22F

RGB 108 162 47

HSL 88.17, 0.55%, 0.41%

LAB 60.99, -36.35, 51.5

 

CMYK 39 / 0 / 83 / 30

HEX #6DB31E

RGB 109 179 30

HSL 88.19, 0.71%, 0.41%

LAB 66.2, -44.28, 61.98

 

CMYK 44 / 0 / 93 / 23

HEX #6EC40D

RGB 110 196 13

HSL 88.2, 0.88%, 0.41%

LAB 71.44, -51.29, 69.64

 

CMYK 18 / 0 / 37 / 49

HEX #6A8151

RGB 106 129 81

HSL 88.75, 0.23%, 0.41%

LAB 51.1, -17.37, 23.36

 

CMYK 6 / 0 / 13 / 56

HEX #697061

RGB 105 112 97

HSL 88, 0.07%, 0.41%

LAB 46.25, -5.67, 7.44

 

CMYK 9 / 17 / 0 / 55

HEX #685F72

RGB 104 95 114

HSL 268.42, 0.09%, 0.41%

LAB 41.76, 7.6, -9.42

 

CMYK 21 / 40 / 0 / 49

HEX #674E83

RGB 103 78 131

HSL 268.3, 0.25%, 0.41%

LAB 37.79, 21.83, -25.92

 

CMYK 31 / 59 / 0 / 42

HEX #663D94

RGB 102 61 148

HSL 268.28, 0.42%, 0.41%

LAB 34.6, 36.12, -41.38

 

CMYK 0 / 3 / 37 / 49

HEX #817D51

RGB 129 125 81

HSL 55, 0.23%, 0.41%

LAB 51.76, -5.6, 24.56

 

CMYK 8 / 0 / 37 / 49

HEX #778151

RGB 119 129 81

HSL 72.5, 0.23%, 0.41%

LAB 52.08, -12.05, 24.82

 

CMYK 18 / 0 / 37 / 49

HEX #6A8151

RGB 106 129 81

HSL 88.75, 0.23%, 0.41%

LAB 51.1, -17.37, 23.36

 

CMYK 28 / 0 / 37 / 49

HEX #5D8151

RGB 93 129 81

HSL 105, 0.23%, 0.41%

LAB 50.24, -22.41, 22.06

 

CMYK 37 / 0 / 37 / 49

HEX #518151

RGB 81 129 81

HSL 120, 0.23%, 0.41%

LAB 49.55, -26.73, 21.02

 

CMYK 18 / 0 / 37 / 69

HEX #404E31

RGB 64 78 49

HSL 88.97, 0.23%, 0.25%

LAB 31.26, -11.55, 15.4

 

CMYK 17 / 0 / 37 / 60

HEX #556741

RGB 85 103 65

HSL 88.42, 0.23%, 0.33%

LAB 41.24, -14.26, 19.27

 

CMYK 18 / 0 / 37 / 49

HEX #6A8151

RGB 106 129 81

HSL 88.75, 0.23%, 0.41%

LAB 51.1, -17.37, 23.36

 

CMYK 18 / 0 / 38 / 40

HEX #7F9A60

RGB 127 154 96

HSL 87.93, 0.23%, 0.49%

LAB 60.31, -19.98, 27.41

 

CMYK 14 / 0 / 29 / 33

HEX #93AB79

RGB 147 171 121

HSL 88.8, 0.23%, 0.57%

LAB 67.06, -17.4, 23.08

 

CMYK 17 / 0 / 37 / 50

HEX #697F50

RGB 105 127 80

HSL 88.09, 0.23%, 0.41%

LAB 50.41, -16.86, 22.99

 

CMYK 37 / 0 / 12 / 49

HEX #518171

RGB 81 129 113

HSL 160, 0.23%, 0.41%

LAB 50.27, -20.17, 3.54

 

CMYK 0 / 37 / 3 / 49

HEX #81517D

RGB 129 81 125

HSL 305, 0.23%, 0.41%

LAB 41.27, 27.48, -16.63

 

CMYK 17 / 0 / 37 / 50

HEX #697F50

RGB 105 127 80

HSL 88.09, 0.23%, 0.41%

LAB 50.41, -16.86, 22.99

 

CMYK 37 / 18 / 0 / 49

HEX #516A81

RGB 81 106 129

HSL 208.75, 0.23%, 0.41%

LAB 43.72, -3.06, -15.71

 

CMYK 0 / 37 / 18 / 49

HEX #81516A

RGB 129 81 106

HSL 328.75, 0.23%, 0.41%

LAB 40.56, 23.96, -6.01

 

CMYK 17 / 0 / 37 / 50

HEX #697F50

RGB 105 127 80

HSL 88.09, 0.23%, 0.41%

LAB 50.41, -16.86, 22.99

 

CMYK 37 / 0 / 12 / 49

HEX #518171

RGB 81 129 113

HSL 160, 0.23%, 0.41%

LAB 50.27, -20.17, 3.54

 

CMYK 20 / 37 / 0 / 49

HEX #675181

RGB 103 81 129

HSL 267.5, 0.23%, 0.41%

LAB 38.47, 19.48, -23.64

 

CMYK 0 / 37 / 25 / 49

HEX #815161

RGB 129 81 97

HSL 340, 0.23%, 0.41%

LAB 40.27, 22.47, -0.87

 

CMYK 17 / 0 / 37 / 50

HEX #697F50

RGB 105 127 80

HSL 88.09, 0.23%, 0.41%

LAB 50.41, -16.86, 22.99

 

CMYK 37 / 0 / 2 / 49

HEX #51817F

RGB 81 129 127

HSL 177.5, 0.23%, 0.41%

LAB 50.67, -16.71, -4.08

 

CMYK 20 / 37 / 0 / 49

HEX #675181

RGB 103 81 129

HSL 267.5, 0.23%, 0.41%

LAB 38.47, 19.48, -23.64

 

CMYK 0 / 37 / 36 / 49

HEX #815152

RGB 129 81 82

HSL 358.75, 0.23%, 0.41%

LAB 39.85, 20.26, 7.82

 

Description

Color code: HEX #697F50 | qconv.com Color code: HEX #697F50 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 127 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 127 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 37 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 37% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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