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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #697ED0CE it is the complementary color #96812FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #697ED0CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #697ED0CE shade: #6E7ECBCE, #7F90DECE, #90A2F1CE, #A1B4FFCE and #B2C6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #697ED0CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #697ED0CE shade: #697ED0CE, #586CBDCE, #475AAACE, #364897CE and #253684CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #697ED0CE shade: #687DCF, #6F68CF, #8B68CF, #A668CF and #C268CF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #697ED0CE shade: #687DCF and #6868CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #697ED0CE shade matches the following richer shades: #687DCF, #5873DF and #486AEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #697ED0CE shade: #687DCF, #7886BF, #8890AF, #989A9F and #A8A38F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #697ED0CE shade: #68B5CF, #689ACF, #687ECF, #6D68CF and #8968CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #697ED0CE shade: #374FAE, #4862C5, #687DCF, #8798D9 and #A7B3E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #697ED0CE shade: #697ED0, #CE68CF and #A8CF68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #697ED0CE shade: #697ED0, #CF687E and #7ECF68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #697ED0CE shade: #697ED0, #CE68CF, #CFB968 and #6ACF68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #697ED0CE shade: #697ED0, #CF68B2, #CFB968 and #68CF85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 32 / 0 / 15

HEX #697ED0CE

RGBA 105 126 208 0.81

HSLA 227.77, 0.52%, 0.61%, 0.81

LABA 54.53, 14.94, -44.8, 0.81

 

Complementary color

CMYK 0 / 11 / 56 / 33

HEX #96812FCE

RGBA 150 129 47 0.81

HSLA 47.77, 0.52%, 0.39%, 0.81

LABA 54.44, -1.62, 45.73, 0.81

 

CMYK 37 / 31 / 0 / 17

HEX #6E7ECBCE

RGBA 110 126 203 0.81

HSLA 229.68, 0.47%, 0.61%, 0.81

LABA 54.6, 14.62, -41.83, 0.81

 

CMYK 35 / 28 / 0 / 10

HEX #7F90DECE

RGBA 127 144 222 0.81

HSLA 229.26, 0.59%, 0.68%, 0.81

LABA 61.42, 13.79, -41.69, 0.81

 

CMYK 33 / 27 / 0 / 4

HEX #90A2F1CE

RGBA 144 162 241 0.81

HSLA 228.87, 0.78%, 0.75%, 0.81

LABA 68.11, 13.08, -41.6, 0.81

 

CMYK 30 / 24 / 0 / 0

HEX #A1B4FFCE

RGBA 161 180 255 0.81

HSLA 227.87, 1%, 0.82%, 0.81

LABA 74.47, 11.15, -39.18, 0.81

 

CMYK 24 / 18 / 0 / 0

HEX #B2C6FFCE

RGBA 178 198 255 0.81

HSLA 224.42, 1%, 0.85%, 0.81

LABA 80.22, 5.92, -30.2, 0.81

 

CMYK 40 / 32 / 0 / 15

HEX #697ED0CE

RGBA 105 126 208 0.81

HSLA 227.77, 0.52%, 0.61%, 0.81

LABA 54.53, 14.94, -44.8, 0.81

 

CMYK 43 / 35 / 0 / 21

HEX #586CBDCE

RGBA 88 108 189 0.81

HSLA 228.12, 0.43%, 0.54%, 0.81

LABA 47.59, 16.05, -45.02, 0.81

 

CMYK 47 / 38 / 0 / 27

HEX #475AAACE

RGBA 71 90 170 0.81

HSLA 228.48, 0.41%, 0.47%, 0.81

LABA 40.5, 17.41, -45.29, 0.81

 

CMYK 52 / 42 / 0 / 33

HEX #364897CE

RGBA 54 72 151 0.81

HSLA 228.87, 0.47%, 0.4%, 0.81

LABA 33.25, 19.14, -45.6, 0.81

 

CMYK 58 / 48 / 0 / 39

HEX #253684CE

RGBA 37 54 132 0.81

HSLA 229.26, 0.56%, 0.33%, 0.81

LABA 25.86, 21.37, -45.91, 0.81

 

CMYK 50 / 40 / 0 / 19

HEX #687DCF

RGB 104 125 207

HSL 227.77, 0.52%, 0.61%

LAB 54.15, 15, -44.84

 

CMYK 46 / 50 / 0 / 19

HEX #6F68CF

RGB 111 104 207

HSL 244.08, 0.52%, 0.61%

LAB 49.23, 29.35, -52.64

 

CMYK 33 / 50 / 0 / 19

HEX #8B68CF

RGB 139 104 207

HSL 260.39, 0.52%, 0.61%

LAB 51.72, 36.23, -48.53

 

CMYK 20 / 50 / 0 / 19

HEX #A668CF

RGB 166 104 207

HSL 276.12, 0.52%, 0.61%

LAB 54.57, 43.45, -43.83

 

CMYK 6 / 50 / 0 / 19

HEX #C268CF

RGB 194 104 207

HSL 292.43, 0.52%, 0.61%

LAB 57.92, 51.21, -38.32

 

CMYK 50 / 40 / 0 / 19

HEX #687DCF

RGB 104 125 207

HSL 227.77, 0.52%, 0.61%

LAB 54.15, 15, -44.84

 

CMYK 50 / 50 / 0 / 19

HEX #6868CF

RGB 104 104 207

HSL 240, 0.52%, 0.61%

LAB 48.7, 27.77, -53.53

 

CMYK 50 / 40 / 0 / 19

HEX #687DCF

RGB 104 125 207

HSL 227.77, 0.52%, 0.61%

LAB 54.15, 15, -44.84

 

CMYK 61 / 48 / 0 / 13

HEX #5873DF

RGB 88 115 223

HSL 228, 0.68%, 0.61%

LAB 51.46, 22.95, -58.24

 

CMYK 70 / 56 / 0 / 6

HEX #486AEF

RGB 72 106 239

HSL 227.78, 0.84%, 0.61%

LAB 49.4, 31.52, -70.59

 

CMYK 50 / 40 / 0 / 19

HEX #687DCF

RGB 104 125 207

HSL 227.77, 0.52%, 0.61%

LAB 54.15, 15, -44.84

 

CMYK 37 / 30 / 0 / 25

HEX #7886BF

RGB 120 134 191

HSL 228.17, 0.36%, 0.61%

LAB 56.88, 9.06, -31.39

 

CMYK 22 / 18 / 0 / 31

HEX #8890AF

RGB 136 144 175

HSL 227.69, 0.2%, 0.61%

LAB 60.14, 3.98, -17.2

 

CMYK 4 / 3 / 0 / 38

HEX #989A9F

RGB 152 154 159

HSL 222.86, 0.04%, 0.61%

LAB 63.58, 0.27, -2.87

 

CMYK 0 / 3 / 15 / 34

HEX #A8A38F

RGB 168 163 143

HSL 48, 0.13%, 0.61%

LAB 66.9, -1.69, 11.04

 

CMYK 50 / 13 / 0 / 19

HEX #68B5CF

RGB 104 181 207

HSL 195.15, 0.52%, 0.61%

LAB 69.82, -16.75, -20.51

 

CMYK 50 / 26 / 0 / 19

HEX #689ACF

RGB 104 154 207

HSL 210.87, 0.52%, 0.61%

LAB 62.13, -2.02, -32.32

 

CMYK 50 / 39 / 0 / 19

HEX #687ECF

RGB 104 126 207

HSL 227.18, 0.52%, 0.61%

LAB 54.42, 14.39, -44.42

 

CMYK 47 / 50 / 0 / 19

HEX #6D68CF

RGB 109 104 207

HSL 242.91, 0.52%, 0.61%

LAB 49.08, 28.89, -52.9

 

CMYK 34 / 50 / 0 / 19

HEX #8968CF

RGB 137 104 207

HSL 259.22, 0.52%, 0.61%

LAB 51.52, 35.71, -48.85

 

CMYK 68 / 55 / 0 / 32

HEX #374FAE

RGB 55 79 174

HSL 227.9, 0.52%, 0.45%

LAB 36.86, 23.09, -53.57

 

CMYK 63 / 50 / 0 / 23

HEX #4862C5

RGB 72 98 197

HSL 227.52, 0.52%, 0.53%

LAB 44.44, 21.85, -54.74

 

CMYK 50 / 40 / 0 / 19

HEX #687DCF

RGB 104 125 207

HSL 227.77, 0.52%, 0.61%

LAB 54.15, 15, -44.84

 

CMYK 38 / 30 / 0 / 15

HEX #8798D9

RGB 135 152 217

HSL 227.56, 0.52%, 0.69%

LAB 63.85, 9.86, -35.08

 

CMYK 26 / 21 / 0 / 11

HEX #A7B3E3

RGB 167 179 227

HSL 228, 0.52%, 0.77%

LAB 73.55, 6.36, -25.42

 

CMYK 50 / 39 / 0 / 18

HEX #697ED0

RGB 105 126 208

HSL 227.77, 0.52%, 0.61%

LAB 54.53, 14.94, -44.8

 

CMYK 0 / 50 / 0 / 19

HEX #CE68CF

RGB 206 104 207

HSL 299.42, 0.52%, 0.61%

LAB 59.46, 54.57, -35.8

 

CMYK 19 / 0 / 50 / 19

HEX #A8CF68

RGB 168 207 104

HSL 82.72, 0.52%, 0.61%

LAB 78.43, -29.37, 46.62

 

CMYK 50 / 39 / 0 / 18

HEX #697ED0

RGB 105 126 208

HSL 227.77, 0.52%, 0.61%

LAB 54.53, 14.94, -44.8

 

CMYK 0 / 50 / 39 / 19

HEX #CF687E

RGB 207 104 126

HSL 347.18, 0.52%, 0.61%

LAB 56.75, 42.89, 6.87

 

CMYK 39 / 0 / 50 / 19

HEX #7ECF68

RGB 126 207 104

HSL 107.18, 0.52%, 0.61%

LAB 76.11, -44.12, 43.25

 

CMYK 50 / 39 / 0 / 18

HEX #697ED0

RGB 105 126 208

HSL 227.77, 0.52%, 0.61%

LAB 54.53, 14.94, -44.8

 

CMYK 0 / 50 / 0 / 19

HEX #CE68CF

RGB 206 104 207

HSL 299.42, 0.52%, 0.61%

LAB 59.46, 54.57, -35.8

 

CMYK 0 / 11 / 50 / 19

HEX #CFB968

RGB 207 185 104

HSL 47.18, 0.52%, 0.61%

LAB 75.43, -2.72, 43.67

 

CMYK 49 / 0 / 50 / 19

HEX #6ACF68

RGB 106 207 104

HSL 118.83, 0.52%, 0.61%

LAB 75.26, -50.09, 42.02

 

CMYK 50 / 39 / 0 / 18

HEX #697ED0

RGB 105 126 208

HSL 227.77, 0.52%, 0.61%

LAB 54.53, 14.94, -44.8

 

CMYK 0 / 50 / 14 / 19

HEX #CF68B2

RGB 207 104 178

HSL 316.89, 0.52%, 0.61%

LAB 58.4, 49.97, -20.89

 

CMYK 0 / 11 / 50 / 19

HEX #CFB968

RGB 207 185 104

HSL 47.18, 0.52%, 0.61%

LAB 75.43, -2.72, 43.67

 

CMYK 50 / 0 / 36 / 19

HEX #68CF85

RGB 104 207 133

HSL 136.89, 0.52%, 0.61%

LAB 75.61, -46.13, 27.82

 

Description

Color code: HEX #697ED0CE | qconv.com Color code: HEX #697ED0CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 126 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 126 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 32 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 32% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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