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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #697DBB it is the complementary color #968244. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #697DBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #697DBB shade: #6E7DB6, #7F8FC9, #90A1DC, #A1B3EF and #B2C5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #697DBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #697DBB shade: #697DBB, #586BA8, #475995, #364782 and #25356F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #697DBB shade: #687CBB, #6A68BB, #8068BB, #9768BB and #AD68BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #697DBB shade: #687CBB and #6868BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #697DBB shade matches the following richer shades: #687CBB, #5673CD, #446ADE and #3261F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #697DBB shade: #687CBB, #7985A9, #8B8E98, #9D9786 and #AFA074

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #697DBB shade: #68A9BB, #6893BB, #687DBB, #6968BB and #7F68BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #697DBB shade: #415490, #4D64AC, #687CBB, #8495C8 and #A1ADD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #697DBB shade: #697DBB, #B768BB and #9EBB68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #697DBB shade: #697DBB, #BB687D and #7DBB68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #697DBB shade: #697DBB, #B768BB, #BBA668 and #6CBB68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #697DBB shade: #697DBB, #BB68A6, #BBA668 and #68BB7D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 33 / 0 / 27

HEX #697DBB

RGB 105 125 187

HSL 225.37, 0.38%, 0.57%

LAB 53.23, 9.18, -34.89

 

Complementary color

CMYK 0 / 13 / 55 / 41

HEX #968244

RGB 150 130 68

HSL 45.37, 0.38%, 0.43%

LAB 54.93, -0.61, 36.01

 

CMYK 40 / 31 / 0 / 29

HEX #6E7DB6

RGB 110 125 182

HSL 227.5, 0.33%, 0.57%

LAB 53.34, 9.07, -31.82

 

CMYK 37 / 29 / 0 / 21

HEX #7F8FC9

RGB 127 143 201

HSL 227.03, 0.41%, 0.64%

LAB 60.23, 8.5, -31.81

 

CMYK 35 / 27 / 0 / 14

HEX #90A1DC

RGB 144 161 220

HSL 226.58, 0.52%, 0.71%

LAB 66.97, 8.01, -31.85

 

CMYK 33 / 25 / 0 / 6

HEX #A1B3EF

RGB 161 179 239

HSL 226.15, 0.71%, 0.78%

LAB 73.58, 7.58, -31.93

 

CMYK 30 / 23 / 0 / 0

HEX #B2C5FF

RGB 178 197 255

HSL 225.19, 1%, 0.85%

LAB 79.96, 6.47, -30.6

 

CMYK 44 / 33 / 0 / 27

HEX #697DBB

RGB 105 125 187

HSL 225.37, 0.38%, 0.57%

LAB 53.23, 9.18, -34.89

 

CMYK 48 / 36 / 0 / 34

HEX #586BA8

RGB 88 107 168

HSL 225.75, 0.31%, 0.5%

LAB 46.2, 9.97, -34.99

 

CMYK 52 / 40 / 0 / 42

HEX #475995

RGB 71 89 149

HSL 226.15, 0.35%, 0.43%

LAB 38.99, 10.95, -35.15

 

CMYK 58 / 45 / 0 / 49

HEX #364782

RGB 54 71 130

HSL 226.58, 0.41%, 0.36%

LAB 31.58, 12.21, -35.39

 

CMYK 67 / 52 / 0 / 56

HEX #25356F

RGB 37 53 111

HSL 227.03, 0.5%, 0.29%

LAB 23.96, 13.93, -35.69

 

CMYK 44 / 34 / 0 / 27

HEX #687CBB

RGB 104 124 187

HSL 225.54, 0.38%, 0.57%

LAB 52.89, 9.52, -35.42

 

CMYK 43 / 44 / 0 / 27

HEX #6A68BB

RGB 106 104 187

HSL 241.45, 0.38%, 0.57%

LAB 47.69, 22.19, -43.62

 

CMYK 32 / 44 / 0 / 27

HEX #8068BB

RGB 128 104 187

HSL 257.35, 0.38%, 0.57%

LAB 49.59, 28.06, -40.49

 

CMYK 19 / 44 / 0 / 27

HEX #9768BB

RGB 151 104 187

HSL 273.98, 0.38%, 0.57%

LAB 51.91, 34.66, -36.67

 

CMYK 7 / 44 / 0 / 27

HEX #AD68BB

RGB 173 104 187

HSL 289.88, 0.38%, 0.57%

LAB 54.42, 41.21, -32.57

 

CMYK 44 / 34 / 0 / 27

HEX #687CBB

RGB 104 124 187

HSL 225.54, 0.38%, 0.57%

LAB 52.89, 9.52, -35.42

 

CMYK 44 / 44 / 0 / 27

HEX #6868BB

RGB 104 104 187

HSL 240, 0.38%, 0.57%

LAB 47.54, 21.68, -43.88

 

CMYK 44 / 34 / 0 / 27

HEX #687CBB

RGB 104 124 187

HSL 225.54, 0.38%, 0.57%

LAB 52.89, 9.52, -35.42

 

CMYK 58 / 44 / 0 / 20

HEX #5673CD

RGB 86 115 205

HSL 225.38, 0.54%, 0.57%

LAB 50.27, 16.56, -49.93

 

CMYK 69 / 52 / 0 / 13

HEX #446ADE

RGB 68 106 222

HSL 225.19, 0.7%, 0.57%

LAB 48.02, 24.98, -63.26

 

CMYK 79 / 60 / 0 / 6

HEX #3261F0

RGB 50 97 240

HSL 225.16, 0.86%, 0.57%

LAB 46.34, 35.1, -76.18

 

CMYK 44 / 34 / 0 / 27

HEX #687CBB

RGB 104 124 187

HSL 225.54, 0.38%, 0.57%

LAB 52.89, 9.52, -35.42

 

CMYK 28 / 21 / 0 / 34

HEX #7985A9

RGB 121 133 169

HSL 225, 0.22%, 0.57%

LAB 55.79, 4.08, -20.5

 

CMYK 9 / 7 / 0 / 40

HEX #8B8E98

RGB 139 142 152

HSL 226.15, 0.06%, 0.57%

LAB 59.07, 0.95, -5.68

 

CMYK 0 / 4 / 15 / 38

HEX #9D9786

RGB 157 151 134

HSL 44.35, 0.11%, 0.57%

LAB 62.53, -0.81, 9.74

 

CMYK 0 / 9 / 34 / 31

HEX #AFA074

RGB 175 160 116

HSL 44.75, 0.27%, 0.57%

LAB 66.15, -1.25, 24.96

 

CMYK 44 / 10 / 0 / 27

HEX #68A9BB

RGB 104 169 187

HSL 193.01, 0.38%, 0.57%

LAB 65.68, -15.96, -15.74

 

CMYK 44 / 21 / 0 / 27

HEX #6893BB

RGB 104 147 187

HSL 208.92, 0.38%, 0.57%

LAB 59.34, -3.91, -25.4

 

CMYK 44 / 33 / 0 / 27

HEX #687DBB

RGB 104 125 187

HSL 224.82, 0.38%, 0.57%

LAB 53.17, 8.92, -34.99

 

CMYK 44 / 44 / 0 / 27

HEX #6968BB

RGB 105 104 187

HSL 240.72, 0.38%, 0.57%

LAB 47.61, 21.93, -43.75

 

CMYK 32 / 44 / 0 / 27

HEX #7F68BB

RGB 127 104 187

HSL 256.63, 0.38%, 0.57%

LAB 49.5, 27.78, -40.64

 

CMYK 55 / 42 / 0 / 44

HEX #415490

RGB 65 84 144

HSL 225.57, 0.38%, 0.41%

LAB 36.89, 11.06, -35.49

 

CMYK 55 / 42 / 0 / 33

HEX #4D64AC

RGB 77 100 172

HSL 225.47, 0.38%, 0.49%

LAB 43.76, 13.01, -41.25

 

CMYK 44 / 34 / 0 / 27

HEX #687CBB

RGB 104 124 187

HSL 225.54, 0.38%, 0.57%

LAB 52.89, 9.52, -35.42

 

CMYK 34 / 26 / 0 / 22

HEX #8495C8

RGB 132 149 200

HSL 225, 0.38%, 0.65%

LAB 62.14, 6.19, -28.25

 

CMYK 24 / 19 / 0 / 16

HEX #A1ADD5

RGB 161 173 213

HSL 226.15, 0.38%, 0.73%

LAB 71.06, 4.54, -21.62

 

CMYK 44 / 33 / 0 / 27

HEX #697DBB

RGB 105 125 187

HSL 225.37, 0.38%, 0.57%

LAB 53.23, 9.18, -34.89

 

CMYK 2 / 44 / 0 / 27

HEX #B768BB

RGB 183 104 187

HSL 297.11, 0.38%, 0.57%

LAB 55.64, 44.21, -30.57

 

CMYK 16 / 0 / 44 / 27

HEX #9EBB68

RGB 158 187 104

HSL 80.96, 0.38%, 0.57%

LAB 72.1, -23.53, 38.7

 

CMYK 44 / 33 / 0 / 27

HEX #697DBB

RGB 105 125 187

HSL 225.37, 0.38%, 0.57%

LAB 53.23, 9.18, -34.89

 

CMYK 0 / 44 / 33 / 27

HEX #BB687D

RGB 187 104 125

HSL 344.82, 0.38%, 0.57%

LAB 53.97, 35.58, 3.1

 

CMYK 33 / 0 / 44 / 27

HEX #7DBB68

RGB 125 187 104

HSL 104.82, 0.38%, 0.57%

LAB 70.11, -35.6, 35.77

 

CMYK 44 / 33 / 0 / 27

HEX #697DBB

RGB 105 125 187

HSL 225.37, 0.38%, 0.57%

LAB 53.23, 9.18, -34.89

 

CMYK 2 / 44 / 0 / 27

HEX #B768BB

RGB 183 104 187

HSL 297.11, 0.38%, 0.57%

LAB 55.64, 44.21, -30.57

 

CMYK 0 / 11 / 44 / 27

HEX #BBA668

RGB 187 166 104

HSL 44.82, 0.38%, 0.57%

LAB 68.63, -0.94, 34.82

 

CMYK 42 / 0 / 44 / 27

HEX #6CBB68

RGB 108 187 104

HSL 117.11, 0.38%, 0.57%

LAB 69.28, -41.12, 34.54

 

CMYK 44 / 33 / 0 / 27

HEX #697DBB

RGB 105 125 187

HSL 225.37, 0.38%, 0.57%

LAB 53.23, 9.18, -34.89

 

CMYK 0 / 44 / 11 / 27

HEX #BB68A6

RGB 187 104 166

HSL 315.18, 0.38%, 0.57%

LAB 55.3, 41.7, -18.93

 

CMYK 0 / 11 / 44 / 27

HEX #BBA668

RGB 187 166 104

HSL 44.82, 0.38%, 0.57%

LAB 68.63, -0.94, 34.82

 

CMYK 44 / 0 / 33 / 27

HEX #68BB7D

RGB 104 187 125

HSL 135.18, 0.38%, 0.57%

LAB 69.44, -38.88, 23.74

 

Description

Color code: HEX #697DBB | qconv.com Color code: HEX #697DBB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 125 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 125 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 33 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 33% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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