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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #697CE24C it is the complementary color #96831D4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #697CE24C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #697CE24C shade: #6E7CDD4C, #7F8EF04C, #90A0FF4C, #A1B2FF4C and #B2C4FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #697CE24C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #697CE24C shade: #697CE24C, #586ACF4C, #4758BC4C, #3646A94C and #2534964C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #697CE24C shade: #697CE2, #7769E2, #9769E2, #B869E2 and #D969E2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #697CE24C shade: #697CE2 and #6969E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #697CE24C shade matches the following richer shades: #697CE2 and #5B72F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #697CE24C shade: #697CE2, #7886D4, #8690C6, #949AB7 and #A3A4A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #697CE24C shade: #69BEE2, #699EE2, #697DE2, #7569E2 and #9669E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #697CE24C shade: #2842D1, #465EDC, #697CE2, #8C9AE9 and #AEB9F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #697CE24C shade: #697CE2, #E269DE and #AEE269

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #697CE24C shade: #697CE2, #E2697D and #7DE269

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #697CE24C shade: #697CE2, #E269DE, #E2CE69 and #69E26D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #697CE24C shade: #697CE2, #E269BA, #E2CE69 and #69E292

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 14 / 0 / 3

HEX #697CE24C

RGBA 105 124 226 0.3

HSLA 230.58, 0.68%, 0.65%, 0.3

LABA 54.98, 21.77, -54.22, 0.3

 

Complementary color

CMYK 0 / 4 / 24 / 12

HEX #96831D4C

RGBA 150 131 29 0.3

HSLA 50.58, 0.68%, 0.35%, 0.3

LABA 54.87, -3.61, 53.24, 0.3

 

CMYK 15 / 13 / 0 / 4

HEX #6E7CDD4C

RGBA 110 124 221 0.3

HSLA 232.43, 0.62%, 0.65%, 0.3

LABA 55.02, 21.29, -51.33, 0.3

 

CMYK 14 / 12 / 0 / 2

HEX #7F8EF04C

RGBA 127 142 240 0.3

HSLA 232.04, 0.79%, 0.72%, 0.3

LABA 61.78, 20.2, -51.09, 0.3

 

CMYK 13 / 11 / 0 / 0

HEX #90A0FF4C

RGBA 144 160 255 0.3

HSLA 231.35, 1%, 0.78%, 0.3

LABA 68.23, 18.13, -49.03, 0.3

 

CMYK 11 / 9 / 0 / 0

HEX #A1B2FF4C

RGBA 161 178 255 0.3

HSLA 229.15, 1%, 0.82%, 0.3

LABA 73.96, 12.26, -39.98, 0.3

 

CMYK 9 / 7 / 0 / 0

HEX #B2C4FF4C

RGBA 178 196 255 0.3

HSLA 225.97, 1%, 0.85%, 0.3

LABA 79.71, 7.01, -30.99, 0.3

 

CMYK 16 / 14 / 0 / 3

HEX #697CE24C

RGBA 105 124 226 0.3

HSLA 230.58, 0.68%, 0.65%, 0.3

LABA 54.98, 21.77, -54.22, 0.3

 

CMYK 17 / 15 / 0 / 6

HEX #586ACF4C

RGBA 88 106 207 0.3

HSLA 230.92, 0.55%, 0.58%, 0.3

LABA 48.12, 23.19, -54.52, 0.3

 

CMYK 19 / 16 / 0 / 8

HEX #4758BC4C

RGBA 71 88 188 0.3

HSLA 231.28, 0.47%, 0.51%, 0.3

LABA 41.14, 24.91, -54.84, 0.3

 

CMYK 20 / 18 / 0 / 10

HEX #3646A94C

RGBA 54 70 169 0.3

HSLA 231.65, 0.52%, 0.44%, 0.3

LABA 34.04, 27.02, -55.16, 0.3

 

CMYK 23 / 20 / 0 / 12

HEX #2534964C

RGBA 37 52 150 0.3

HSLA 232.04, 0.6%, 0.37%, 0.3

LABA 26.88, 29.59, -55.39, 0.3

 

CMYK 54 / 45 / 0 / 11

HEX #697CE2

RGB 105 124 226

HSL 230.58, 0.68%, 0.65%

LAB 54.98, 21.77, -54.22

 

CMYK 47 / 54 / 0 / 11

HEX #7769E2

RGB 119 105 226

HSL 246.94, 0.68%, 0.65%

LAB 51.29, 36.15, -60.09

 

CMYK 33 / 54 / 0 / 11

HEX #9769E2

RGB 151 105 226

HSL 262.81, 0.68%, 0.65%

LAB 54.21, 43.53, -55.24

 

CMYK 19 / 54 / 0 / 11

HEX #B869E2

RGB 184 105 226

HSL 279.17, 0.68%, 0.65%

LAB 57.83, 51.86, -49.25

 

CMYK 4 / 54 / 0 / 11

HEX #D969E2

RGB 217 105 226

HSL 295.54, 0.68%, 0.65%

LAB 61.95, 60.49, -42.47

 

CMYK 54 / 45 / 0 / 11

HEX #697CE2

RGB 105 124 226

HSL 230.58, 0.68%, 0.65%

LAB 54.98, 21.77, -54.22

 

CMYK 54 / 54 / 0 / 11

HEX #6969E2

RGB 105 105 226

HSL 240, 0.68%, 0.65%

LAB 50.21, 33.26, -61.87

 

CMYK 54 / 45 / 0 / 11

HEX #697CE2

RGB 105 124 226

HSL 230.58, 0.68%, 0.65%

LAB 54.98, 21.77, -54.22

 

CMYK 62 / 53 / 0 / 5

HEX #5B72F1

RGB 91 114 241

HSL 230.8, 0.84%, 0.65%

LAB 52.52, 30.1, -66.6

 

CMYK 54 / 45 / 0 / 11

HEX #697CE2

RGB 105 124 226

HSL 230.58, 0.68%, 0.65%

LAB 54.98, 21.77, -54.22

 

CMYK 43 / 37 / 0 / 17

HEX #7886D4

RGB 120 134 212

HSL 230.87, 0.52%, 0.65%

LAB 57.84, 15.01, -41.76

 

CMYK 32 / 27 / 0 / 22

HEX #8690C6

RGB 134 144 198

HSL 230.63, 0.36%, 0.65%

LAB 60.86, 9.12, -29.1

 

CMYK 19 / 16 / 0 / 28

HEX #949AB7

RGB 148 154 183

HSL 229.71, 0.2%, 0.65%

LAB 64.02, 4.06, -15.75

 

CMYK 4 / 3 / 0 / 34

HEX #A3A4A9

RGB 163 164 169

HSL 230, 0.03%, 0.65%

LAB 67.43, 0.62, -2.71

 

CMYK 54 / 16 / 0 / 11

HEX #69BEE2

RGB 105 190 226

HSL 197.85, 0.68%, 0.65%

LAB 73.1, -15.83, -25.86

 

CMYK 54 / 30 / 0 / 11

HEX #699EE2

RGB 105 158 226

HSL 213.72, 0.68%, 0.65%

LAB 64.12, 1.7, -39.77

 

CMYK 54 / 45 / 0 / 11

HEX #697DE2

RGB 105 125 226

HSL 230.08, 0.68%, 0.65%

LAB 55.24, 21.16, -53.81

 

CMYK 48 / 54 / 0 / 11

HEX #7569E2

RGB 117 105 226

HSL 245.95, 0.68%, 0.65%

LAB 51.12, 35.72, -60.36

 

CMYK 34 / 54 / 0 / 11

HEX #9669E2

RGB 150 105 226

HSL 262.31, 0.68%, 0.65%

LAB 54.11, 43.29, -55.4

 

CMYK 81 / 68 / 0 / 18

HEX #2842D1

RGB 40 66 209

HSL 230.77, 0.68%, 0.49%

LAB 35.89, 42.47, -75.67

 

CMYK 68 / 57 / 0 / 14

HEX #465EDC

RGB 70 94 220

HSL 230.4, 0.68%, 0.57%

LAB 44.91, 32.1, -67.17

 

CMYK 54 / 45 / 0 / 11

HEX #697CE2

RGB 105 124 226

HSL 230.58, 0.68%, 0.65%

LAB 54.98, 21.77, -54.22

 

CMYK 40 / 34 / 0 / 9

HEX #8C9AE9

RGB 140 154 233

HSL 230.97, 0.68%, 0.73%

LAB 65.41, 14.43, -41.45

 

CMYK 28 / 23 / 0 / 6

HEX #AEB9F0

RGB 174 185 240

HSL 230, 0.69%, 0.81%

LAB 76.06, 8.24, -28.57

 

CMYK 54 / 45 / 0 / 11

HEX #697CE2

RGB 105 124 226

HSL 230.58, 0.68%, 0.65%

LAB 54.98, 21.77, -54.22

 

CMYK 0 / 54 / 2 / 11

HEX #E269DE

RGB 226 105 222

HSL 301.98, 0.68%, 0.65%

LAB 62.97, 62.18, -38.56

 

CMYK 23 / 0 / 54 / 11

HEX #AEE269

RGB 174 226 105

HSL 85.79, 0.68%, 0.65%

LAB 84.18, -35.86, 53.08

 

CMYK 54 / 45 / 0 / 11

HEX #697CE2

RGB 105 124 226

HSL 230.58, 0.68%, 0.65%

LAB 54.98, 21.77, -54.22

 

CMYK 0 / 54 / 45 / 11

HEX #E2697D

RGB 226 105 125

HSL 350.08, 0.68%, 0.65%

LAB 59.66, 48.92, 11.96

 

CMYK 45 / 0 / 54 / 11

HEX #7DE269

RGB 125 226 105

HSL 110.08, 0.68%, 0.65%

LAB 81.71, -52.18, 49.56

 

CMYK 54 / 45 / 0 / 11

HEX #697CE2

RGB 105 124 226

HSL 230.58, 0.68%, 0.65%

LAB 54.98, 21.77, -54.22

 

CMYK 0 / 54 / 2 / 11

HEX #E269DE

RGB 226 105 222

HSL 301.98, 0.68%, 0.65%

LAB 62.97, 62.18, -38.56

 

CMYK 0 / 9 / 54 / 11

HEX #E2CE69

RGB 226 206 105

HSL 50.08, 0.68%, 0.65%

LAB 82.56, -5.68, 52.12

 

CMYK 54 / 0 / 52 / 11

HEX #69E26D

RGB 105 226 109

HSL 121.98, 0.68%, 0.65%

LAB 81.02, -57.14, 46.67

 

CMYK 54 / 45 / 0 / 11

HEX #697CE2

RGB 105 124 226

HSL 230.58, 0.68%, 0.65%

LAB 54.98, 21.77, -54.22

 

CMYK 0 / 54 / 18 / 11

HEX #E269BA

RGB 226 105 186

HSL 319.83, 0.68%, 0.65%

LAB 61.5, 56.47, -20.5

 

CMYK 0 / 9 / 54 / 11

HEX #E2CE69

RGB 226 206 105

HSL 50.08, 0.68%, 0.65%

LAB 82.56, -5.68, 52.12

 

CMYK 54 / 0 / 35 / 11

HEX #69E292

RGB 105 226 146

HSL 140.33, 0.68%, 0.65%

LAB 81.55, -51.45, 29.05

 

Description

Color code: HEX #697CE24C | qconv.com Color code: HEX #697CE24C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 124 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 124 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 14 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 14% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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