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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #697CE0 it is the complementary color #96831F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #697CE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #697CE0 shade: #6E7CDB, #7F8EEE, #90A0FF, #A1B2FF and #B2C4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #697CE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #697CE0 shade: #697CE0, #586ACD, #4758BA, #3646A7 and #253494

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #697CE0 shade: #6B7EE1, #786BE1, #986BE1, #B76BE1 and #D76BE1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #697CE0 shade: #6B7EE1 and #6B6BE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #697CE0 shade matches the following richer shades: #6B7EE1, #5C74EF and #4E6AFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #697CE0 shade: #6B7EE1, #7987D2, #8891C4, #969BB5 and #A5A5A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #697CE0 shade: #6BBDE1, #6B9EE1, #6B7EE1, #776BE1 and #966BE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #697CE0 shade: #2A45CF, #4960DA, #6B7EE1, #8D9CE8 and #AFB9EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #697CE0 shade: #697CE0, #E16BDD and #AEE16B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #697CE0 shade: #697CE0, #E16B7E and #7EE16B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #697CE0 shade: #697CE0, #E16BDD, #E1CD6B and #6BE16F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #697CE0 shade: #697CE0, #E16BB9, #E1CD6B and #6BE192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 45 / 0 / 12

HEX #697CE0

RGB 105 124 224

HSL 230.42, 0.66%, 0.65%

LAB 54.87, 21.14, -53.28

 

Complementary color

CMYK 0 / 13 / 79 / 41

HEX #96831F

RGB 150 131 31

HSL 50.42, 0.66%, 0.35%

LAB 54.88, -3.54, 52.57

 

CMYK 50 / 43 / 0 / 14

HEX #6E7CDB

RGB 110 124 219

HSL 232.29, 0.6%, 0.65%

LAB 54.91, 20.68, -50.38

 

CMYK 47 / 40 / 0 / 7

HEX #7F8EEE

RGB 127 142 238

HSL 231.89, 0.77%, 0.72%

LAB 61.68, 19.61, -50.15

 

CMYK 44 / 37 / 0 / 0

HEX #90A0FF

RGB 144 160 255

HSL 231.35, 1%, 0.78%

LAB 68.23, 18.13, -49.03

 

CMYK 37 / 30 / 0 / 0

HEX #A1B2FF

RGB 161 178 255

HSL 229.15, 1%, 0.82%

LAB 73.96, 12.26, -39.98

 

CMYK 30 / 23 / 0 / 0

HEX #B2C4FF

RGB 178 196 255

HSL 225.97, 1%, 0.85%

LAB 79.71, 7.01, -30.99

 

CMYK 53 / 45 / 0 / 12

HEX #697CE0

RGB 105 124 224

HSL 230.42, 0.66%, 0.65%

LAB 54.87, 21.14, -53.28

 

CMYK 57 / 48 / 0 / 20

HEX #586ACD

RGB 88 106 205

HSL 230.77, 0.54%, 0.57%

LAB 48, 22.53, -53.57

 

CMYK 62 / 53 / 0 / 27

HEX #4758BA

RGB 71 88 186

HSL 231.13, 0.45%, 0.5%

LAB 41, 24.22, -53.89

 

CMYK 68 / 58 / 0 / 35

HEX #3646A7

RGB 54 70 167

HSL 231.5, 0.51%, 0.43%

LAB 33.89, 26.29, -54.22

 

CMYK 75 / 65 / 0 / 42

HEX #253494

RGB 37 52 148

HSL 231.89, 0.6%, 0.36%

LAB 26.7, 28.84, -54.46

 

CMYK 52 / 44 / 0 / 12

HEX #6B7EE1

RGB 107 126 225

HSL 230.34, 0.66%, 0.65%

LAB 55.57, 20.67, -52.72

 

CMYK 47 / 52 / 0 / 12

HEX #786BE1

RGB 120 107 225

HSL 246.61, 0.66%, 0.65%

LAB 51.77, 34.9, -58.74

 

CMYK 32 / 52 / 0 / 12

HEX #986BE1

RGB 152 107 225

HSL 262.88, 0.66%, 0.65%

LAB 54.69, 42.42, -53.91

 

CMYK 19 / 52 / 0 / 12

HEX #B76BE1

RGB 183 107 225

HSL 278.64, 0.66%, 0.65%

LAB 58.05, 50.35, -48.34

 

CMYK 4 / 52 / 0 / 12

HEX #D76BE1

RGB 215 107 225

HSL 294.92, 0.66%, 0.65%

LAB 62, 58.84, -41.86

 

CMYK 52 / 44 / 0 / 12

HEX #6B7EE1

RGB 107 126 225

HSL 230.34, 0.66%, 0.65%

LAB 55.57, 20.67, -52.72

 

CMYK 52 / 52 / 0 / 12

HEX #6B6BE1

RGB 107 107 225

HSL 240, 0.66%, 0.65%

LAB 50.78, 32.15, -60.39

 

CMYK 52 / 44 / 0 / 12

HEX #6B7EE1

RGB 107 126 225

HSL 230.34, 0.66%, 0.65%

LAB 55.57, 20.67, -52.72

 

CMYK 62 / 51 / 0 / 6

HEX #5C74EF

RGB 92 116 239

HSL 230.2, 0.82%, 0.65%

LAB 52.95, 28.38, -64.8

 

CMYK 69 / 58 / 0 / 0

HEX #4E6AFE

RGB 78 106 254

HSL 230.45, 0.99%, 0.65%

LAB 50.78, 37.48, -76.68

 

CMYK 52 / 44 / 0 / 12

HEX #6B7EE1

RGB 107 126 225

HSL 230.34, 0.66%, 0.65%

LAB 55.57, 20.67, -52.72

 

CMYK 42 / 36 / 0 / 18

HEX #7987D2

RGB 121 135 210

HSL 230.56, 0.5%, 0.65%

LAB 58.08, 14.1, -40.26

 

CMYK 31 / 26 / 0 / 23

HEX #8891C4

RGB 136 145 196

HSL 231, 0.34%, 0.65%

LAB 61.19, 8.61, -27.45

 

CMYK 17 / 14 / 0 / 29

HEX #969BB5

RGB 150 155 181

HSL 230.32, 0.17%, 0.65%

LAB 64.37, 3.7, -14.08

 

CMYK 1 / 1 / 0 / 35

HEX #A5A5A7

RGB 165 165 167

HSL 240, 0.01%, 0.65%

LAB 67.8, 0.39, -1.04

 

CMYK 52 / 16 / 0 / 12

HEX #6BBDE1

RGB 107 189 225

HSL 198.31, 0.66%, 0.65%

LAB 72.86, -15.17, -25.68

 

CMYK 52 / 30 / 0 / 12

HEX #6B9EE1

RGB 107 158 225

HSL 214.07, 0.66%, 0.65%

LAB 64.17, 1.83, -39.12

 

CMYK 52 / 44 / 0 / 12

HEX #6B7EE1

RGB 107 126 225

HSL 230.34, 0.66%, 0.65%

LAB 55.57, 20.67, -52.72

 

CMYK 47 / 52 / 0 / 12

HEX #776BE1

RGB 119 107 225

HSL 246.1, 0.66%, 0.65%

LAB 51.69, 34.68, -58.87

 

CMYK 33 / 52 / 0 / 12

HEX #966BE1

RGB 150 107 225

HSL 261.86, 0.66%, 0.65%

LAB 54.49, 41.92, -54.24

 

CMYK 80 / 67 / 0 / 19

HEX #2A45CF

RGB 42 69 207

HSL 230.18, 0.66%, 0.49%

LAB 36.47, 40.06, -73.56

 

CMYK 67 / 56 / 0 / 15

HEX #4960DA

RGB 73 96 218

HSL 230.48, 0.66%, 0.57%

LAB 45.42, 30.58, -65.19

 

CMYK 52 / 44 / 0 / 12

HEX #6B7EE1

RGB 107 126 225

HSL 230.34, 0.66%, 0.65%

LAB 55.57, 20.67, -52.72

 

CMYK 39 / 33 / 0 / 9

HEX #8D9CE8

RGB 141 156 232

HSL 230.11, 0.66%, 0.73%

LAB 65.96, 13.26, -40.05

 

CMYK 27 / 23 / 0 / 6

HEX #AFB9EF

RGB 175 185 239

HSL 230.63, 0.67%, 0.81%

LAB 76.1, 8.29, -27.97

 

CMYK 53 / 45 / 0 / 12

HEX #697CE0

RGB 105 124 224

HSL 230.42, 0.66%, 0.65%

LAB 54.87, 21.14, -53.28

 

CMYK 0 / 52 / 2 / 12

HEX #E16BDD

RGB 225 107 221

HSL 302.03, 0.66%, 0.65%

LAB 63.13, 60.82, -37.76

 

CMYK 23 / 0 / 52 / 12

HEX #AEE16B

RGB 174 225 107

HSL 85.93, 0.66%, 0.65%

LAB 83.92, -35.2, 51.85

 

CMYK 53 / 45 / 0 / 12

HEX #697CE0

RGB 105 124 224

HSL 230.42, 0.66%, 0.65%

LAB 54.87, 21.14, -53.28

 

CMYK 0 / 52 / 44 / 12

HEX #E16B7E

RGB 225 107 126

HSL 350.34, 0.66%, 0.65%

LAB 59.92, 47.71, 11.71

 

CMYK 44 / 0 / 52 / 12

HEX #7EE16B

RGB 126 225 107

HSL 110.34, 0.66%, 0.65%

LAB 81.48, -51.25, 48.36

 

CMYK 53 / 45 / 0 / 12

HEX #697CE0

RGB 105 124 224

HSL 230.42, 0.66%, 0.65%

LAB 54.87, 21.14, -53.28

 

CMYK 0 / 52 / 2 / 12

HEX #E16BDD

RGB 225 107 221

HSL 302.03, 0.66%, 0.65%

LAB 63.13, 60.82, -37.76

 

CMYK 0 / 9 / 52 / 12

HEX #E1CD6B

RGB 225 205 107

HSL 49.83, 0.66%, 0.65%

LAB 82.23, -5.42, 50.77

 

CMYK 52 / 0 / 51 / 12

HEX #6BE16F

RGB 107 225 111

HSL 122.03, 0.66%, 0.65%

LAB 80.81, -55.99, 45.48

 

CMYK 53 / 45 / 0 / 12

HEX #697CE0

RGB 105 124 224

HSL 230.42, 0.66%, 0.65%

LAB 54.87, 21.14, -53.28

 

CMYK 0 / 52 / 18 / 12

HEX #E16BB9

RGB 225 107 185

HSL 320.34, 0.66%, 0.65%

LAB 61.68, 55.08, -19.67

 

CMYK 0 / 9 / 52 / 12

HEX #E1CD6B

RGB 225 205 107

HSL 49.83, 0.66%, 0.65%

LAB 82.23, -5.42, 50.77

 

CMYK 52 / 0 / 35 / 12

HEX #6BE192

RGB 107 225 146

HSL 139.83, 0.66%, 0.65%

LAB 81.32, -50.57, 28.76

 

Description

Color code: HEX #697CE0 | qconv.com Color code: HEX #697CE0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 124 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 124 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 45 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 45% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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