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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #697807 it is the complementary color #9687F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #697807. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #697807 shade: #6E7802, #7F8A15, #909C28, #A1AE3B and #B2C04E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #697807. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #697807 shade: #697807, #586600, #475400, #364200 and #253000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #697807 shade: #697807, #786907, #784A07, #782C07 and #780D07

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #697807 shade: #697807, #4B7807, #2C7807, #0E7807 and #07781F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #697807 shade matches the following richer shades: #697807

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #697807 shade: #697807, #626E11, #5A641C, #535A26 and #4B4F30

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #697807 shade: #784907, #786707, #6B7807, #4D7807 and #2F7807

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #697807 shade: #252B02, #475105, #697807, #8C9F09 and #AEC60C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #697807 shade: #697807, #07782B and #580778

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #697807 shade: #697807, #076B78 and #78076B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #697807 shade: #697807, #07782B, #140778 and #780755

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #697807 shade: #697807, #07784D, #140778 and #780733

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 94 / 53

HEX #697807

RGB 105 120 7

HSL 67.96, 0.89%, 0.25%

LAB 47.56, -19.16, 51.17

 

Complementary color

CMYK 40 / 46 / 0 / 3

HEX #9687F8

RGB 150 135 248

HSL 247.96, 0.89%, 0.75%

LAB 62.16, 32.05, -54.8

 

CMYK 8 / 0 / 98 / 53

HEX #6E7802

RGB 110 120 2

HSL 65.08, 0.97%, 0.24%

LAB 47.95, -16.98, 52.68

 

CMYK 8 / 0 / 85 / 46

HEX #7F8A15

RGB 127 138 21

HSL 65.64, 0.74%, 0.31%

LAB 54.81, -18.2, 54.76

 

CMYK 8 / 0 / 74 / 39

HEX #909C28

RGB 144 156 40

HSL 66.21, 0.59%, 0.38%

LAB 61.53, -19.16, 55.44

 

CMYK 7 / 0 / 66 / 32

HEX #A1AE3B

RGB 161 174 59

HSL 66.78, 0.49%, 0.46%

LAB 68.14, -19.91, 55.17

 

CMYK 7 / 0 / 59 / 25

HEX #B2C04E

RGB 178 192 78

HSL 67.37, 0.48%, 0.53%

LAB 74.64, -20.49, 54.42

 

CMYK 13 / 0 / 94 / 53

HEX #697807

RGB 105 120 7

HSL 67.96, 0.89%, 0.25%

LAB 47.56, -19.16, 51.17

 

CMYK 14 / 0 / 100 / 60

HEX #586600

RGB 88 102 0

HSL 68.24, 1%, 0.2%

LAB 40.54, -17.7, 46.79

 

CMYK 15 / 0 / 100 / 67

HEX #475400

RGB 71 84 0

HSL 69.29, 1%, 0.16%

LAB 33.31, -16.04, 40.77

 

CMYK 18 / 0 / 100 / 74

HEX #364200

RGB 54 66 0

HSL 70.91, 1%, 0.13%

LAB 25.81, -14.33, 34.18

 

CMYK 23 / 0 / 100 / 81

HEX #253000

RGB 37 48 0

HSL 73.75, 1%, 0.09%

LAB 17.95, -12.58, 25.4

 

CMYK 13 / 0 / 94 / 53

HEX #697807

RGB 105 120 7

HSL 67.96, 0.89%, 0.25%

LAB 47.56, -19.16, 51.17

 

CMYK 0 / 13 / 94 / 53

HEX #786907

RGB 120 105 7

HSL 52.04, 0.89%, 0.25%

LAB 44.39, -3.79, 49.26

 

CMYK 0 / 38 / 94 / 53

HEX #784A07

RGB 120 74 7

HSL 35.58, 0.89%, 0.25%

LAB 35.8, 14.57, 42.68

 

CMYK 0 / 63 / 94 / 53

HEX #782C07

RGB 120 44 7

HSL 19.65, 0.89%, 0.25%

LAB 28.93, 31.55, 37.51

 

CMYK 0 / 89 / 94 / 53

HEX #780D07

RGB 120 13 7

HSL 3.19, 0.89%, 0.25%

LAB 24.63, 43.34, 33.7

 

CMYK 13 / 0 / 94 / 53

HEX #697807

RGB 105 120 7

HSL 67.96, 0.89%, 0.25%

LAB 47.56, -19.16, 51.17

 

CMYK 38 / 0 / 94 / 53

HEX #4B7807

RGB 75 120 7

HSL 83.89, 0.89%, 0.25%

LAB 45.56, -32.03, 48.71

 

CMYK 63 / 0 / 94 / 53

HEX #2C7807

RGB 44 120 7

HSL 100.35, 0.89%, 0.25%

LAB 44.21, -42.3, 47.05

 

CMYK 88 / 0 / 94 / 53

HEX #0E7807

RGB 14 120 7

HSL 116.28, 0.89%, 0.25%

LAB 43.57, -47.82, 46.25

 

CMYK 94 / 0 / 74 / 53

HEX #07781F

RGB 7 120 31

HSL 132.74, 0.89%, 0.25%

LAB 43.62, -46.89, 38.93

 

CMYK 13 / 0 / 94 / 53

HEX #697807

RGB 105 120 7

HSL 67.96, 0.89%, 0.25%

LAB 47.56, -19.16, 51.17

 

CMYK 13 / 0 / 94 / 53

HEX #697807

RGB 105 120 7

HSL 67.96, 0.89%, 0.25%

LAB 47.56, -19.16, 51.17

 

CMYK 11 / 0 / 85 / 57

HEX #626E11

RGB 98 110 17

HSL 67.74, 0.73%, 0.25%

LAB 43.93, -16.78, 45.53

 

CMYK 10 / 0 / 72 / 61

HEX #5A641C

RGB 90 100 28

HSL 68.33, 0.56%, 0.25%

LAB 40.2, -14.49, 37.72

 

CMYK 8 / 0 / 58 / 65

HEX #535A26

RGB 83 90 38

HSL 68.08, 0.41%, 0.25%

LAB 36.54, -11.31, 28.69

 

CMYK 5 / 0 / 39 / 69

HEX #4B4F30

RGB 75 79 48

HSL 67.74, 0.24%, 0.25%

LAB 32.48, -7.37, 17.79

 

CMYK 0 / 39 / 94 / 53

HEX #784907

RGB 120 73 7

HSL 35.04, 0.89%, 0.25%

LAB 35.54, 15.17, 42.48

 

CMYK 0 / 14 / 94 / 53

HEX #786707

RGB 120 103 7

HSL 50.97, 0.89%, 0.25%

LAB 43.81, -2.64, 48.81

 

CMYK 11 / 0 / 94 / 53

HEX #6B7807

RGB 107 120 7

HSL 66.9, 0.89%, 0.25%

LAB 47.72, -18.24, 51.36

 

CMYK 36 / 0 / 94 / 53

HEX #4D7807

RGB 77 120 7

HSL 82.83, 0.89%, 0.25%

LAB 45.67, -31.24, 48.85

 

CMYK 61 / 0 / 94 / 53

HEX #2F7807

RGB 47 120 7

HSL 98.76, 0.89%, 0.25%

LAB 44.31, -41.49, 47.17

 

CMYK 14 / 0 / 95 / 83

HEX #252B02

RGB 37 43 2

HSL 68.78, 0.91%, 0.09%

LAB 16.13, -9.36, 22.36

 

CMYK 12 / 0 / 94 / 68

HEX #475105

RGB 71 81 5

HSL 67.89, 0.88%, 0.17%

LAB 32.34, -14.16, 38.26

 

CMYK 13 / 0 / 94 / 53

HEX #697807

RGB 105 120 7

HSL 67.96, 0.89%, 0.25%

LAB 47.56, -19.16, 51.17

 

CMYK 12 / 0 / 94 / 38

HEX #8C9F09

RGB 140 159 9

HSL 67.6, 0.89%, 0.33%

LAB 61.99, -23.41, 63.33

 

CMYK 12 / 0 / 94 / 22

HEX #AEC60C

RGB 174 198 12

HSL 67.74, 0.89%, 0.41%

LAB 75.71, -27.87, 74.71

 

CMYK 13 / 0 / 94 / 53

HEX #697807

RGB 105 120 7

HSL 67.96, 0.89%, 0.25%

LAB 47.56, -19.16, 51.17

 

CMYK 94 / 0 / 64 / 53

HEX #07782B

RGB 7 120 43

HSL 139.12, 0.89%, 0.25%

LAB 43.73, -45.51, 33.64

 

CMYK 27 / 94 / 0 / 53

HEX #580778

RGB 88 7 120

HSL 283.01, 0.89%, 0.25%

LAB 22.24, 49.54, -43.97

 

CMYK 13 / 0 / 94 / 53

HEX #697807

RGB 105 120 7

HSL 67.96, 0.89%, 0.25%

LAB 47.56, -19.16, 51.17

 

CMYK 94 / 11 / 0 / 53

HEX #076B78

RGB 7 107 120

HSL 186.9, 0.89%, 0.25%

LAB 41.08, -20.41, -14.52

 

CMYK 0 / 94 / 11 / 53

HEX #78076B

RGB 120 7 107

HSL 306.9, 0.89%, 0.25%

LAB 27.32, 53.02, -27.13

 

CMYK 13 / 0 / 94 / 53

HEX #697807

RGB 105 120 7

HSL 67.96, 0.89%, 0.25%

LAB 47.56, -19.16, 51.17

 

CMYK 94 / 0 / 64 / 53

HEX #07782B

RGB 7 120 43

HSL 139.12, 0.89%, 0.25%

LAB 43.73, -45.51, 33.64

 

CMYK 83 / 94 / 0 / 53

HEX #140778

RGB 20 7 120

HSL 246.9, 0.89%, 0.25%

LAB 13.57, 42.82, -58.56

 

CMYK 0 / 94 / 29 / 53

HEX #780755

RGB 120 7 85

HSL 318.58, 0.89%, 0.25%

LAB 26.16, 50, -14.5

 

CMYK 13 / 0 / 94 / 53

HEX #697807

RGB 105 120 7

HSL 67.96, 0.89%, 0.25%

LAB 47.56, -19.16, 51.17

 

CMYK 94 / 0 / 36 / 53

HEX #07784D

RGB 7 120 77

HSL 157.17, 0.89%, 0.25%

LAB 44.25, -39.28, 15.82

 

CMYK 83 / 94 / 0 / 53

HEX #140778

RGB 20 7 120

HSL 246.9, 0.89%, 0.25%

LAB 13.57, 42.82, -58.56

 

CMYK 0 / 94 / 58 / 53

HEX #780733

RGB 120 7 51

HSL 336.64, 0.89%, 0.25%

LAB 24.9, 46.58, 6.72

 

Description

Color code: HEX #697807 | qconv.com Color code: HEX #697807 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 120 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 120 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 94 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 94% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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