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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6977EC it is the complementary color #968813. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6977EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6977EC shade: #6E77E7, #7F89FA, #909BFF, #A1ADFF and #B2BFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6977EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6977EC shade: #6977EC, #5865D9, #4753C6, #3641B3 and #252FA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6977EC shade: #6977EC, #7F69EC, #A269EC, #C569EC and #E969EC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6977EC shade: #6977EC and #6969EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6977EC shade matches the following richer shades: #6977EC and #5C6DFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6977EC shade: #6977EC, #7782DF, #848DD1, #9297C4 and #A0A2B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6977EC shade: #69BFEC, #699CEC, #6979EC, #7D69EC and #A069EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6977EC shade: #2035E3, #4456E8, #6977EC, #8E99F1 and #B3BAF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6977EC shade: #6977EC, #EC69E2 and #ADEC69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6977EC shade: #6977EC, #EC6979 and #79EC69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6977EC shade: #6977EC, #EC69E2, #ECDD69 and #69EC74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6977EC shade: #6977EC, #EC69BA, #ECDD69 and #69EC9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 50 / 0 / 7

HEX #6977EC

RGB 105 119 236

HSL 233.59, 0.78%, 0.67%

LAB 54.29, 27.96, -60.91

 

Complementary color

CMYK 0 / 9 / 87 / 41

HEX #968813

RGB 150 136 19

HSL 53.59, 0.78%, 0.33%

LAB 56.23, -6.67, 57.26

 

CMYK 52 / 48 / 0 / 9

HEX #6E77E7

RGB 110 119 231

HSL 235.54, 0.72%, 0.67%

LAB 54.32, 27.4, -58.06

 

CMYK 49 / 45 / 0 / 2

HEX #7F89FA

RGB 127 137 250

HSL 235.12, 0.92%, 0.74%

LAB 61.05, 26.11, -57.77

 

CMYK 44 / 39 / 0 / 0

HEX #909BFF

RGB 144 155 255

HSL 234.05, 1%, 0.78%

LAB 66.97, 21, -51.03

 

CMYK 37 / 32 / 0 / 0

HEX #A1ADFF

RGB 161 173 255

HSL 232.34, 1%, 0.82%

LAB 72.68, 15.06, -41.97

 

CMYK 30 / 25 / 0 / 0

HEX #B2BFFF

RGB 178 191 255

HSL 229.87, 1%, 0.85%

LAB 78.43, 9.73, -32.96

 

CMYK 56 / 50 / 0 / 7

HEX #6977EC

RGB 105 119 236

HSL 233.59, 0.78%, 0.67%

LAB 54.29, 27.96, -60.91

 

CMYK 59 / 53 / 0 / 15

HEX #5865D9

RGB 88 101 217

HSL 233.95, 0.63%, 0.6%

LAB 47.48, 29.6, -61.24

 

CMYK 64 / 58 / 0 / 22

HEX #4753C6

RGB 71 83 198

HSL 234.33, 0.53%, 0.53%

LAB 40.58, 31.54, -61.57

 

CMYK 70 / 64 / 0 / 30

HEX #3641B3

RGB 54 65 179

HSL 234.72, 0.54%, 0.46%

LAB 33.6, 33.83, -61.83

 

CMYK 77 / 71 / 0 / 37

HEX #252FA0

RGB 37 47 160

HSL 235.12, 0.62%, 0.39%

LAB 26.63, 36.49, -61.9

 

CMYK 56 / 50 / 0 / 7

HEX #6977EC

RGB 105 119 236

HSL 233.59, 0.78%, 0.67%

LAB 54.29, 27.96, -60.91

 

CMYK 46 / 56 / 0 / 7

HEX #7F69EC

RGB 127 105 236

HSL 250.08, 0.78%, 0.67%

LAB 52.59, 40.75, -63.58

 

CMYK 31 / 56 / 0 / 7

HEX #A269EC

RGB 162 105 236

HSL 266.11, 0.78%, 0.67%

LAB 55.93, 48.66, -58.03

 

CMYK 17 / 56 / 0 / 7

HEX #C569EC

RGB 197 105 236

HSL 282.14, 0.78%, 0.67%

LAB 59.92, 57.26, -51.43

 

CMYK 1 / 56 / 0 / 7

HEX #E969EC

RGB 233 105 236

HSL 298.63, 0.78%, 0.67%

LAB 64.55, 66.4, -43.81

 

CMYK 56 / 50 / 0 / 7

HEX #6977EC

RGB 105 119 236

HSL 233.59, 0.78%, 0.67%

LAB 54.29, 27.96, -60.91

 

CMYK 56 / 56 / 0 / 7

HEX #6969EC

RGB 105 105 236

HSL 240, 0.78%, 0.67%

LAB 50.88, 36.39, -66.42

 

CMYK 56 / 50 / 0 / 7

HEX #6977EC

RGB 105 119 236

HSL 233.59, 0.78%, 0.67%

LAB 54.29, 27.96, -60.91

 

CMYK 63 / 56 / 0 / 2

HEX #5C6DFA

RGB 92 109 250

HSL 233.54, 0.94%, 0.67%

LAB 51.97, 36.28, -72.5

 

CMYK 56 / 50 / 0 / 7

HEX #6977EC

RGB 105 119 236

HSL 233.59, 0.78%, 0.67%

LAB 54.29, 27.96, -60.91

 

CMYK 47 / 42 / 0 / 13

HEX #7782DF

RGB 119 130 223

HSL 233.65, 0.62%, 0.67%

LAB 57.28, 20.38, -48.82

 

CMYK 37 / 33 / 0 / 18

HEX #848DD1

RGB 132 141 209

HSL 232.99, 0.46%, 0.67%

LAB 60.39, 13.23, -36.02

 

CMYK 26 / 23 / 0 / 23

HEX #9297C4

RGB 146 151 196

HSL 234, 0.3%, 0.67%

LAB 63.53, 8.2, -23.79

 

CMYK 12 / 11 / 0 / 29

HEX #A0A2B6

RGB 160 162 182

HSL 234.55, 0.13%, 0.67%

LAB 67.05, 3.34, -10.55

 

CMYK 56 / 19 / 0 / 7

HEX #69BFEC

RGB 105 191 236

HSL 200.61, 0.78%, 0.67%

LAB 73.75, -13.44, -30.28

 

CMYK 56 / 34 / 0 / 7

HEX #699CEC

RGB 105 156 236

HSL 216.64, 0.78%, 0.67%

LAB 64.03, 5.96, -45.42

 

CMYK 56 / 49 / 0 / 7

HEX #6979EC

RGB 105 121 236

HSL 232.67, 0.78%, 0.67%

LAB 54.8, 26.75, -60.1

 

CMYK 47 / 56 / 0 / 7

HEX #7D69EC

RGB 125 105 236

HSL 249.16, 0.78%, 0.67%

LAB 52.42, 40.33, -63.86

 

CMYK 32 / 56 / 0 / 7

HEX #A069EC

RGB 160 105 236

HSL 265.19, 0.78%, 0.67%

LAB 55.72, 48.19, -58.38

 

CMYK 86 / 77 / 0 / 11

HEX #2035E3

RGB 32 53 227

HSL 233.54, 0.78%, 0.51%

LAB 34.8, 55.57, -87.83

 

CMYK 71 / 63 / 0 / 9

HEX #4456E8

RGB 68 86 232

HSL 233.41, 0.78%, 0.59%

LAB 43.82, 40.94, -75.76

 

CMYK 56 / 50 / 0 / 7

HEX #6977EC

RGB 105 119 236

HSL 233.59, 0.78%, 0.67%

LAB 54.29, 27.96, -60.91

 

CMYK 41 / 37 / 0 / 5

HEX #8E99F1

RGB 142 153 241

HSL 233.33, 0.78%, 0.75%

LAB 65.66, 17.73, -45.45

 

CMYK 27 / 24 / 0 / 4

HEX #B3BAF6

RGB 179 186 246

HSL 233.73, 0.79%, 0.83%

LAB 76.89, 10.58, -30.49

 

CMYK 56 / 50 / 0 / 7

HEX #6977EC

RGB 105 119 236

HSL 233.59, 0.78%, 0.67%

LAB 54.29, 27.96, -60.91

 

CMYK 0 / 56 / 4 / 7

HEX #EC69E2

RGB 236 105 226

HSL 304.58, 0.78%, 0.67%

LAB 64.51, 65.5, -38.29

 

CMYK 27 / 0 / 56 / 7

HEX #ADEC69

RGB 173 236 105

HSL 88.85, 0.78%, 0.67%

LAB 86.95, -40.7, 56.29

 

CMYK 56 / 50 / 0 / 7

HEX #6977EC

RGB 105 119 236

HSL 233.59, 0.78%, 0.67%

LAB 54.29, 27.96, -60.91

 

CMYK 0 / 56 / 49 / 7

HEX #EC6979

RGB 236 105 121

HSL 352.67, 0.78%, 0.67%

LAB 61.06, 51.96, 16.44

 

CMYK 49 / 0 / 56 / 7

HEX #79EC69

RGB 121 236 105

HSL 112.67, 0.78%, 0.67%

LAB 84.52, -57.25, 52.85

 

CMYK 56 / 50 / 0 / 7

HEX #6977EC

RGB 105 119 236

HSL 233.59, 0.78%, 0.67%

LAB 54.29, 27.96, -60.91

 

CMYK 0 / 56 / 4 / 7

HEX #EC69E2

RGB 236 105 226

HSL 304.58, 0.78%, 0.67%

LAB 64.51, 65.5, -38.29

 

CMYK 0 / 6 / 56 / 7

HEX #ECDD69

RGB 236 221 105

HSL 53.13, 0.78%, 0.67%

LAB 87.27, -9.2, 57.81

 

CMYK 56 / 0 / 51 / 7

HEX #69EC74

RGB 105 236 116

HSL 125.04, 0.78%, 0.67%

LAB 84.1, -60, 47.13

 

CMYK 56 / 50 / 0 / 7

HEX #6977EC

RGB 105 119 236

HSL 233.59, 0.78%, 0.67%

LAB 54.29, 27.96, -60.91

 

CMYK 0 / 56 / 21 / 7

HEX #EC69BA

RGB 236 105 186

HSL 322.9, 0.78%, 0.67%

LAB 62.91, 59.43, -18.22

 

CMYK 0 / 6 / 56 / 7

HEX #ECDD69

RGB 236 221 105

HSL 53.13, 0.78%, 0.67%

LAB 87.27, -9.2, 57.81

 

CMYK 56 / 0 / 34 / 7

HEX #69EC9C

RGB 105 236 156

HSL 143.36, 0.78%, 0.67%

LAB 84.69, -53.69, 28.16

 

Description

Color code: HEX #6977EC | qconv.com Color code: HEX #6977EC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 119 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 119 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 50 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 50% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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