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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69770F it is the complementary color #9688F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69770F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69770F shade: #6E770A, #7F891D, #909B30, #A1AD43 and #B2BF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69770F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69770F shade: #69770F, #586500, #475300, #364100 and #252F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69770F shade: #68760F, #76680F, #764C0F, #76300F and #76140F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69770F shade: #68760F, #4C760F, #30760F, #14760F and #0F7625

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69770F shade matches the following richer shades: #68760F and #708104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69770F shade: #68760F, #606B19, #586124, #51562F and #494B39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69770F shade: #764D0F, #76680F, #68760F, #4D760F and #31760F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69770F shade: #272D06, #48510A, #68760F, #889B13 and #A9BF18

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69770F shade: #69770F, #0F7631 and #5A0F76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69770F shade: #69770F, #0F6876 and #760F68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69770F shade: #69770F, #0F7631, #1C0F76 and #760F54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69770F shade: #69770F, #0F7650, #1C0F76 and #760F35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 87 / 53

HEX #69770F

RGB 105 119 15

HSL 68.08, 0.78%, 0.26%

LAB 47.28, -18.42, 49.19

 

Complementary color

CMYK 38 / 43 / 0 / 6

HEX #9688F0

RGB 150 136 240

HSL 248.08, 0.78%, 0.74%

LAB 61.98, 29.31, -50.67

 

CMYK 8 / 0 / 92 / 53

HEX #6E770A

RGB 110 119 10

HSL 64.95, 0.84%, 0.25%

LAB 47.66, -16.25, 50.81

 

CMYK 7 / 0 / 79 / 46

HEX #7F891D

RGB 127 137 29

HSL 65.56, 0.65%, 0.33%

LAB 54.55, -17.37, 52.18

 

CMYK 7 / 0 / 69 / 39

HEX #909B30

RGB 144 155 48

HSL 66.17, 0.53%, 0.4%

LAB 61.29, -18.21, 52.19

 

CMYK 7 / 0 / 61 / 32

HEX #A1AD43

RGB 161 173 67

HSL 66.79, 0.44%, 0.47%

LAB 67.92, -18.85, 51.54

 

CMYK 7 / 0 / 55 / 25

HEX #B2BF56

RGB 178 191 86

HSL 67.43, 0.45%, 0.54%

LAB 74.44, -19.35, 50.59

 

CMYK 12 / 0 / 87 / 53

HEX #69770F

RGB 105 119 15

HSL 68.08, 0.78%, 0.26%

LAB 47.28, -18.42, 49.19

 

CMYK 13 / 0 / 100 / 60

HEX #586500

RGB 88 101 0

HSL 67.72, 1%, 0.2%

LAB 40.22, -17.17, 46.55

 

CMYK 14 / 0 / 100 / 67

HEX #475300

RGB 71 83 0

HSL 68.67, 1%, 0.16%

LAB 32.98, -15.49, 40.53

 

CMYK 17 / 0 / 100 / 75

HEX #364100

RGB 54 65 0

HSL 70.15, 1%, 0.13%

LAB 25.46, -13.76, 33.86

 

CMYK 21 / 0 / 100 / 82

HEX #252F00

RGB 37 47 0

HSL 72.77, 1%, 0.09%

LAB 17.58, -11.98, 24.96

 

CMYK 12 / 0 / 87 / 54

HEX #68760F

RGB 104 118 15

HSL 68.16, 0.77%, 0.26%

LAB 46.89, -18.35, 48.83

 

CMYK 0 / 12 / 87 / 54

HEX #76680F

RGB 118 104 15

HSL 51.84, 0.77%, 0.26%

LAB 43.93, -3.98, 46.83

 

CMYK 0 / 36 / 87 / 54

HEX #764C0F

RGB 118 76 15

HSL 35.53, 0.77%, 0.26%

LAB 36.09, 12.63, 40.17

 

CMYK 0 / 59 / 87 / 54

HEX #76300F

RGB 118 48 15

HSL 19.22, 0.77%, 0.26%

LAB 29.41, 28.85, 34.34

 

CMYK 0 / 83 / 87 / 54

HEX #76140F

RGB 118 20 15

HSL 2.91, 0.77%, 0.26%

LAB 24.91, 41.02, 30.26

 

CMYK 12 / 0 / 87 / 54

HEX #68760F

RGB 104 118 15

HSL 68.16, 0.77%, 0.26%

LAB 46.89, -18.35, 48.83

 

CMYK 36 / 0 / 87 / 54

HEX #4C760F

RGB 76 118 15

HSL 84.47, 0.77%, 0.26%

LAB 44.98, -30.44, 46.44

 

CMYK 59 / 0 / 87 / 54

HEX #30760F

RGB 48 118 15

HSL 100.78, 0.77%, 0.26%

LAB 43.68, -40.12, 44.79

 

CMYK 83 / 0 / 87 / 54

HEX #14760F

RGB 20 118 15

HSL 117.09, 0.77%, 0.26%

LAB 42.97, -46.09, 43.89

 

CMYK 87 / 0 / 69 / 54

HEX #0F7625

RGB 15 118 37

HSL 132.82, 0.77%, 0.26%

LAB 43.05, -44.85, 35.73

 

CMYK 12 / 0 / 87 / 54

HEX #68760F

RGB 104 118 15

HSL 68.16, 0.77%, 0.26%

LAB 46.89, -18.35, 48.83

 

CMYK 13 / 0 / 97 / 49

HEX #708104

RGB 112 129 4

HSL 68.16, 0.94%, 0.26%

LAB 50.87, -20.72, 54.58

 

CMYK 12 / 0 / 87 / 54

HEX #68760F

RGB 104 118 15

HSL 68.16, 0.77%, 0.26%

LAB 46.89, -18.35, 48.83

 

CMYK 10 / 0 / 77 / 58

HEX #606B19

RGB 96 107 25

HSL 68.05, 0.62%, 0.26%

LAB 42.87, -15.71, 41.76

 

CMYK 9 / 0 / 63 / 62

HEX #586124

RGB 88 97 36

HSL 68.85, 0.46%, 0.26%

LAB 39.16, -13.13, 32.81

 

CMYK 6 / 0 / 45 / 66

HEX #51562F

RGB 81 86 47

HSL 67.69, 0.29%, 0.26%

LAB 35.22, -8.89, 22

 

CMYK 3 / 0 / 24 / 71

HEX #494B39

RGB 73 75 57

HSL 66.67, 0.14%, 0.26%

LAB 31.22, -4.41, 10.48

 

CMYK 0 / 35 / 87 / 54

HEX #764D0F

RGB 118 77 15

HSL 36.12, 0.77%, 0.26%

LAB 36.35, 12.03, 40.39

 

CMYK 0 / 12 / 87 / 54

HEX #76680F

RGB 118 104 15

HSL 51.84, 0.77%, 0.26%

LAB 43.93, -3.98, 46.83

 

CMYK 12 / 0 / 87 / 54

HEX #68760F

RGB 104 118 15

HSL 68.16, 0.77%, 0.26%

LAB 46.89, -18.35, 48.83

 

CMYK 35 / 0 / 87 / 54

HEX #4D760F

RGB 77 118 15

HSL 83.88, 0.77%, 0.26%

LAB 45.04, -30.04, 46.51

 

CMYK 58 / 0 / 87 / 54

HEX #31760F

RGB 49 118 15

HSL 100.19, 0.77%, 0.26%

LAB 43.72, -39.84, 44.84

 

CMYK 13 / 0 / 87 / 82

HEX #272D06

RGB 39 45 6

HSL 69.23, 0.76%, 0.1%

LAB 17.09, -9.16, 21.96

 

CMYK 11 / 0 / 88 / 68

HEX #48510A

RGB 72 81 10

HSL 67.61, 0.78%, 0.18%

LAB 32.45, -13.46, 36.74

 

CMYK 12 / 0 / 87 / 54

HEX #68760F

RGB 104 118 15

HSL 68.16, 0.77%, 0.26%

LAB 46.89, -18.35, 48.83

 

CMYK 12 / 0 / 88 / 39

HEX #889B13

RGB 136 155 19

HSL 68.38, 0.78%, 0.34%

LAB 60.54, -22.94, 60.33

 

CMYK 12 / 0 / 87 / 25

HEX #A9BF18

RGB 169 191 24

HSL 67.9, 0.78%, 0.42%

LAB 73.39, -26.39, 70.9

 

CMYK 12 / 0 / 87 / 53

HEX #69770F

RGB 105 119 15

HSL 68.08, 0.78%, 0.26%

LAB 47.28, -18.42, 49.19

 

CMYK 87 / 0 / 58 / 54

HEX #0F7631

RGB 15 118 49

HSL 139.81, 0.77%, 0.26%

LAB 43.18, -43.24, 30

 

CMYK 24 / 87 / 0 / 54

HEX #5A0F76

RGB 90 15 118

HSL 283.69, 0.77%, 0.26%

LAB 23.08, 47.51, -41.31

 

CMYK 12 / 0 / 87 / 53

HEX #69770F

RGB 105 119 15

HSL 68.08, 0.78%, 0.26%

LAB 47.28, -18.42, 49.19

 

CMYK 87 / 12 / 0 / 54

HEX #0F6876

RGB 15 104 118

HSL 188.16, 0.77%, 0.26%

LAB 40.1, -18.93, -14.8

 

CMYK 0 / 87 / 12 / 54

HEX #760F68

RGB 118 15 104

HSL 308.16, 0.77%, 0.26%

LAB 27.28, 50.61, -25.27

 

CMYK 12 / 0 / 87 / 53

HEX #69770F

RGB 105 119 15

HSL 68.08, 0.78%, 0.26%

LAB 47.28, -18.42, 49.19

 

CMYK 87 / 0 / 58 / 54

HEX #0F7631

RGB 15 118 49

HSL 139.81, 0.77%, 0.26%

LAB 43.18, -43.24, 30

 

CMYK 76 / 87 / 0 / 54

HEX #1C0F76

RGB 28 15 118

HSL 247.57, 0.77%, 0.26%

LAB 14.93, 39.41, -54.99

 

CMYK 0 / 87 / 29 / 54

HEX #760F54

RGB 118 15 84

HSL 319.81, 0.77%, 0.26%

LAB 26.25, 47.79, -13.73

 

CMYK 12 / 0 / 87 / 53

HEX #69770F

RGB 105 119 15

HSL 68.08, 0.78%, 0.26%

LAB 47.28, -18.42, 49.19

 

CMYK 87 / 0 / 32 / 54

HEX #0F7650

RGB 15 118 80

HSL 157.86, 0.77%, 0.26%

LAB 43.71, -37.12, 13.34

 

CMYK 76 / 87 / 0 / 54

HEX #1C0F76

RGB 28 15 118

HSL 247.57, 0.77%, 0.26%

LAB 14.93, 39.41, -54.99

 

CMYK 0 / 87 / 55 / 54

HEX #760F35

RGB 118 15 53

HSL 337.86, 0.77%, 0.26%

LAB 25.11, 44.5, 5.57

 

Description

Color code: HEX #69770F | qconv.com Color code: HEX #69770F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 119 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 119 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 87 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 87% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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