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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #697582 it is the complementary color #968A7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #697582. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #697582 shade: #6E757D, #7F8790, #9099A3, #A1ABB6 and #B2BDC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #697582. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #697582 shade: #697582, #58636F, #47515C, #363F49 and #252D36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #697582 shade: #687582, #686E82, #6A6882, #716882 and #786882

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #697582 shade: #687582, #686E82 and #686882

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #697582 shade matches the following richer shades: #687582, #557495, #4273A8, #2F73BB and #1C72CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #697582 shade: #687582, #7B766F, #8E765C, #A17749 and #B47836

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #697582 shade: #688282, #687C82, #687582, #686E82 and #6A6882

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #697582 shade: #444C54, #56606B, #687582, #7D8997 and #949EA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #697582 shade: #697582, #7B6882 and #7F8268

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #697582 shade: #697582, #826875 and #758268

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #697582 shade: #697582, #7B6882, #827668 and #708268

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #697582 shade: #697582, #826882, #827668 and #688269

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 10 / 0 / 49

HEX #697582

RGB 105 117 130

HSL 211.2, 0.11%, 0.46%

LAB 48.68, -1.49, -8.63

 

Complementary color

CMYK 0 / 8 / 17 / 41

HEX #968A7D

RGB 150 138 125

HSL 31.2, 0.11%, 0.54%

LAB 58.17, 2.22, 8.58

 

CMYK 12 / 6 / 0 / 51

HEX #6E757D

RGB 110 117 125

HSL 212, 0.06%, 0.46%

LAB 48.91, -0.88, -5.3

 

CMYK 12 / 6 / 0 / 44

HEX #7F8790

RGB 127 135 144

HSL 211.76, 0.07%, 0.53%

LAB 55.94, -1.01, -5.83

 

CMYK 12 / 6 / 0 / 36

HEX #9099A3

RGB 144 153 163

HSL 211.58, 0.09%, 0.6%

LAB 62.81, -1.14, -6.34

 

CMYK 12 / 6 / 0 / 29

HEX #A1ABB6

RGB 161 171 182

HSL 211.43, 0.13%, 0.67%

LAB 69.53, -1.26, -6.85

 

CMYK 11 / 6 / 0 / 21

HEX #B2BDC9

RGB 178 189 201

HSL 211.3, 0.18%, 0.74%

LAB 76.12, -1.39, -7.34

 

CMYK 19 / 10 / 0 / 49

HEX #697582

RGB 105 117 130

HSL 211.2, 0.11%, 0.46%

LAB 48.68, -1.49, -8.63

 

CMYK 21 / 11 / 0 / 56

HEX #58636F

RGB 88 99 111

HSL 211.3, 0.12%, 0.39%

LAB 41.45, -1.36, -8.19

 

CMYK 23 / 12 / 0 / 64

HEX #47515C

RGB 71 81 92

HSL 211.43, 0.13%, 0.32%

LAB 33.98, -1.22, -7.75

 

CMYK 26 / 14 / 0 / 71

HEX #363F49

RGB 54 63 73

HSL 211.58, 0.15%, 0.25%

LAB 26.22, -1.07, -7.32

 

CMYK 31 / 17 / 0 / 79

HEX #252D36

RGB 37 45 54

HSL 211.76, 0.19%, 0.18%

LAB 18.08, -0.89, -6.91

 

CMYK 20 / 10 / 0 / 49

HEX #687582

RGB 104 117 130

HSL 210, 0.11%, 0.46%

LAB 48.61, -1.83, -8.75

 

CMYK 20 / 15 / 0 / 49

HEX #686E82

RGB 104 110 130

HSL 226.15, 0.11%, 0.46%

LAB 46.59, 2.3, -11.79

 

CMYK 18 / 20 / 0 / 49

HEX #6A6882

RGB 106 104 130

HSL 244.62, 0.11%, 0.46%

LAB 45.05, 6.6, -14.11

 

CMYK 13 / 20 / 0 / 49

HEX #716882

RGB 113 104 130

HSL 260.77, 0.11%, 0.46%

LAB 45.67, 9.06, -13.11

 

CMYK 8 / 20 / 0 / 49

HEX #786882

RGB 120 104 130

HSL 276.92, 0.11%, 0.46%

LAB 46.32, 11.57, -12.06

 

CMYK 20 / 10 / 0 / 49

HEX #687582

RGB 104 117 130

HSL 210, 0.11%, 0.46%

LAB 48.61, -1.83, -8.75

 

CMYK 20 / 15 / 0 / 49

HEX #686E82

RGB 104 110 130

HSL 226.15, 0.11%, 0.46%

LAB 46.59, 2.3, -11.79

 

CMYK 20 / 20 / 0 / 49

HEX #686882

RGB 104 104 130

HSL 240, 0.11%, 0.46%

LAB 44.88, 5.91, -14.38

 

CMYK 20 / 10 / 0 / 49

HEX #687582

RGB 104 117 130

HSL 210, 0.11%, 0.46%

LAB 48.61, -1.83, -8.75

 

CMYK 43 / 22 / 0 / 42

HEX #557495

RGB 85 116 149

HSL 210.94, 0.27%, 0.46%

LAB 47.74, -2.07, -21.42

 

CMYK 61 / 32 / 0 / 34

HEX #4273A8

RGB 66 115 168

HSL 211.18, 0.44%, 0.46%

LAB 47.3, 0.02, -33.35

 

CMYK 75 / 39 / 0 / 27

HEX #2F73BB

RGB 47 115 187

HSL 210.86, 0.6%, 0.46%

LAB 47.56, 3.65, -44.02

 

CMYK 86 / 45 / 0 / 19

HEX #1C72CE

RGB 28 114 206

HSL 211.01, 0.76%, 0.46%

LAB 47.93, 9.64, -54.38

 

CMYK 20 / 10 / 0 / 49

HEX #687582

RGB 104 117 130

HSL 210, 0.11%, 0.46%

LAB 48.61, -1.83, -8.75

 

CMYK 0 / 4 / 10 / 52

HEX #7B766F

RGB 123 118 111

HSL 35, 0.05%, 0.46%

LAB 49.88, 0.58, 4.53

 

CMYK 0 / 17 / 35 / 44

HEX #8E765C

RGB 142 118 92

HSL 31.2, 0.21%, 0.46%

LAB 51.24, 5.38, 17.83

 

CMYK 0 / 26 / 55 / 37

HEX #A17749

RGB 161 119 73

HSL 31.36, 0.38%, 0.46%

LAB 53.22, 10.91, 31.53

 

CMYK 0 / 33 / 70 / 29

HEX #B47836

RGB 180 120 54

HSL 31.43, 0.54%, 0.46%

LAB 55.48, 17.3, 44.58

 

CMYK 20 / 0 / 0 / 49

HEX #688282

RGB 104 130 130

HSL 180, 0.11%, 0.46%

LAB 52.42, -9.27, -3.09

 

CMYK 20 / 5 / 0 / 49

HEX #687C82

RGB 104 124 130

HSL 193.85, 0.11%, 0.46%

LAB 50.65, -5.88, -5.71

 

CMYK 20 / 10 / 0 / 49

HEX #687582

RGB 104 117 130

HSL 210, 0.11%, 0.46%

LAB 48.61, -1.83, -8.75

 

CMYK 20 / 15 / 0 / 49

HEX #686E82

RGB 104 110 130

HSL 226.15, 0.11%, 0.46%

LAB 46.59, 2.3, -11.79

 

CMYK 18 / 20 / 0 / 49

HEX #6A6882

RGB 106 104 130

HSL 244.62, 0.11%, 0.46%

LAB 45.05, 6.6, -14.11

 

CMYK 19 / 10 / 0 / 67

HEX #444C54

RGB 68 76 84

HSL 210, 0.11%, 0.3%

LAB 31.89, -1.25, -5.82

 

CMYK 20 / 10 / 0 / 58

HEX #56606B

RGB 86 96 107

HSL 211.43, 0.11%, 0.38%

LAB 40.26, -1.25, -7.55

 

CMYK 20 / 10 / 0 / 49

HEX #687582

RGB 104 117 130

HSL 210, 0.11%, 0.46%

LAB 48.61, -1.83, -8.75

 

CMYK 17 / 9 / 0 / 41

HEX #7D8997

RGB 125 137 151

HSL 212.31, 0.11%, 0.54%

LAB 56.57, -1.28, -8.94

 

CMYK 12 / 7 / 0 / 34

HEX #949EA9

RGB 148 158 169

HSL 211.43, 0.11%, 0.62%

LAB 64.66, -1.27, -6.94

 

CMYK 19 / 10 / 0 / 49

HEX #697582

RGB 105 117 130

HSL 211.2, 0.11%, 0.46%

LAB 48.68, -1.49, -8.63

 

CMYK 5 / 20 / 0 / 49

HEX #7B6882

RGB 123 104 130

HSL 283.85, 0.11%, 0.46%

LAB 46.61, 12.66, -11.59

 

CMYK 2 / 0 / 20 / 49

HEX #7F8268

RGB 127 130 104

HSL 66.92, 0.11%, 0.46%

LAB 53.47, -5.88, 13.73

 

CMYK 19 / 10 / 0 / 49

HEX #697582

RGB 105 117 130

HSL 211.2, 0.11%, 0.46%

LAB 48.68, -1.49, -8.63

 

CMYK 0 / 20 / 10 / 49

HEX #826875

RGB 130 104 117

HSL 330, 0.11%, 0.46%

LAB 46.88, 12.68, -3.32

 

CMYK 10 / 0 / 20 / 49

HEX #758268

RGB 117 130 104

HSL 90, 0.11%, 0.46%

LAB 52.67, -9.84, 12.5

 

CMYK 19 / 10 / 0 / 49

HEX #697582

RGB 105 117 130

HSL 211.2, 0.11%, 0.46%

LAB 48.68, -1.49, -8.63

 

CMYK 5 / 20 / 0 / 49

HEX #7B6882

RGB 123 104 130

HSL 283.85, 0.11%, 0.46%

LAB 46.61, 12.66, -11.59

 

CMYK 0 / 9 / 20 / 49

HEX #827668

RGB 130 118 104

HSL 32.31, 0.11%, 0.46%

LAB 50.34, 2.17, 9.39

 

CMYK 14 / 0 / 20 / 49

HEX #708268

RGB 112 130 104

HSL 101.54, 0.11%, 0.46%

LAB 52.3, -11.77, 11.93

 

CMYK 19 / 10 / 0 / 49

HEX #697582

RGB 105 117 130

HSL 211.2, 0.11%, 0.46%

LAB 48.68, -1.49, -8.63

 

CMYK 0 / 20 / 0 / 49

HEX #826882

RGB 130 104 130

HSL 300, 0.11%, 0.46%

LAB 47.31, 15.22, -10.47

 

CMYK 0 / 9 / 20 / 49

HEX #827668

RGB 130 118 104

HSL 32.31, 0.11%, 0.46%

LAB 50.34, 2.17, 9.39

 

CMYK 20 / 0 / 19 / 49

HEX #688269

RGB 104 130 105

HSL 122.31, 0.11%, 0.46%

LAB 51.76, -14.59, 10.51

 

Description

Color code: HEX #697582 | qconv.com Color code: HEX #697582 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 117 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 117 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 10 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 10% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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