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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69749E it is the complementary color #968B61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69749E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69749E shade: #6E7499, #7F86AC, #9098BF, #A1AAD2 and #B2BCE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69749E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69749E shade: #69749E, #58628B, #475078, #363E65 and #252C52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69749E shade: #6A759E, #6E6A9E, #7B6A9E, #896A9E and #976A9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69749E shade: #6A759E and #6A6A9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69749E shade matches the following richer shades: #6A759E, #5769B2, #435EC5, #2F52D9 and #1B47ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69749E shade: #6A759E, #7E818A, #928C76, #A69862 and #BAA34F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69749E shade: #6A919E, #6A839E, #6A769E, #6D6A9E and #7B6A9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69749E shade: #48506E, #586287, #6A759E, #838CAE and #9CA3BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69749E shade: #69749E, #9D6A9E and #8A9E6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69749E shade: #69749E, #9E6A76 and #769E6A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69749E shade: #69749E, #9D6A9E, #9E936A and #6B9E6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69749E shade: #69749E, #9E6A8F, #9E936A and #6A9E79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 27 / 0 / 38

HEX #69749E

RGB 105 116 158

HSL 227.55, 0.21%, 0.52%

LAB 49.45, 6.3, -23.97

 

Complementary color

CMYK 0 / 7 / 35 / 41

HEX #968B61

RGB 150 139 97

HSL 47.55, 0.21%, 0.48%

LAB 57.86, -2.47, 23.98

 

CMYK 28 / 24 / 0 / 40

HEX #6E7499

RGB 110 116 153

HSL 231.63, 0.17%, 0.52%

LAB 49.62, 6.51, -20.74

 

CMYK 26 / 22 / 0 / 33

HEX #7F86AC

RGB 127 134 172

HSL 230.67, 0.21%, 0.59%

LAB 56.63, 6.14, -20.91

 

CMYK 25 / 20 / 0 / 25

HEX #9098BF

RGB 144 152 191

HSL 229.79, 0.27%, 0.66%

LAB 63.46, 5.8, -21.11

 

CMYK 23 / 19 / 0 / 18

HEX #A1AAD2

RGB 161 170 210

HSL 228.98, 0.35%, 0.73%

LAB 70.16, 5.5, -21.33

 

CMYK 22 / 18 / 0 / 10

HEX #B2BCE5

RGB 178 188 229

HSL 228.24, 0.5%, 0.8%

LAB 76.73, 5.22, -21.58

 

CMYK 34 / 27 / 0 / 38

HEX #69749E

RGB 105 116 158

HSL 227.55, 0.21%, 0.52%

LAB 49.45, 6.3, -23.97

 

CMYK 37 / 29 / 0 / 45

HEX #58628B

RGB 88 98 139

HSL 228.24, 0.22%, 0.45%

LAB 42.27, 6.81, -23.91

 

CMYK 41 / 33 / 0 / 53

HEX #475078

RGB 71 80 120

HSL 228.98, 0.26%, 0.37%

LAB 34.87, 7.42, -23.92

 

CMYK 47 / 39 / 0 / 60

HEX #363E65

RGB 54 62 101

HSL 229.79, 0.3%, 0.3%

LAB 27.21, 8.22, -24.02

 

CMYK 55 / 46 / 0 / 68

HEX #252C52

RGB 37 44 82

HSL 230.67, 0.38%, 0.23%

LAB 19.24, 9.33, -24.23

 

CMYK 33 / 26 / 0 / 38

HEX #6A759E

RGB 106 117 158

HSL 227.31, 0.21%, 0.52%

LAB 49.8, 6, -23.41

 

CMYK 30 / 33 / 0 / 38

HEX #6E6A9E

RGB 110 106 158

HSL 244.62, 0.21%, 0.52%

LAB 47.09, 13.87, -27.59

 

CMYK 22 / 33 / 0 / 38

HEX #7B6A9E

RGB 123 106 158

HSL 259.62, 0.21%, 0.52%

LAB 48.24, 17.95, -25.71

 

CMYK 13 / 33 / 0 / 38

HEX #896A9E

RGB 137 106 158

HSL 275.77, 0.21%, 0.52%

LAB 49.61, 22.51, -23.49

 

CMYK 4 / 33 / 0 / 38

HEX #976A9E

RGB 151 106 158

HSL 291.92, 0.21%, 0.52%

LAB 51.1, 27.19, -21.07

 

CMYK 33 / 26 / 0 / 38

HEX #6A759E

RGB 106 117 158

HSL 227.31, 0.21%, 0.52%

LAB 49.8, 6, -23.41

 

CMYK 33 / 33 / 0 / 38

HEX #6A6A9E

RGB 106 106 158

HSL 240, 0.21%, 0.52%

LAB 46.77, 12.65, -28.13

 

CMYK 33 / 26 / 0 / 38

HEX #6A759E

RGB 106 117 158

HSL 227.31, 0.21%, 0.52%

LAB 49.8, 6, -23.41

 

CMYK 51 / 41 / 0 / 30

HEX #5769B2

RGB 87 105 178

HSL 228.13, 0.37%, 0.52%

LAB 46.1, 14.13, -41

 

CMYK 66 / 52 / 0 / 23

HEX #435EC5

RGB 67 94 197

HSL 227.54, 0.53%, 0.52%

LAB 43.11, 23.56, -56.9

 

CMYK 78 / 62 / 0 / 15

HEX #2F52D9

RGB 47 82 217

HSL 227.65, 0.69%, 0.52%

LAB 40.65, 35.93, -72.45

 

CMYK 89 / 70 / 0 / 7

HEX #1B47ED

RGB 27 71 237

HSL 227.43, 0.85%, 0.52%

LAB 39.33, 48.58, -86.02

 

CMYK 33 / 26 / 0 / 38

HEX #6A759E

RGB 106 117 158

HSL 227.31, 0.21%, 0.52%

LAB 49.8, 6, -23.41

 

CMYK 9 / 7 / 0 / 46

HEX #7E818A

RGB 126 129 138

HSL 225, 0.05%, 0.52%

LAB 54, 0.76, -5.24

 

CMYK 0 / 4 / 19 / 43

HEX #928C76

RGB 146 140 118

HSL 47.14, 0.11%, 0.52%

LAB 58.2, -1.62, 12.57

 

CMYK 0 / 8 / 41 / 35

HEX #A69862

RGB 166 152 98

HSL 47.65, 0.28%, 0.52%

LAB 62.88, -2.79, 30.27

 

CMYK 0 / 12 / 58 / 27

HEX #BAA34F

RGB 186 163 79

HSL 47.1, 0.44%, 0.52%

LAB 67.43, -2.04, 46

 

CMYK 33 / 8 / 0 / 38

HEX #6A919E

RGB 106 145 158

HSL 195, 0.21%, 0.52%

LAB 57.83, -10.13, -11.2

 

CMYK 33 / 17 / 0 / 38

HEX #6A839E

RGB 106 131 158

HSL 211.15, 0.21%, 0.52%

LAB 53.78, -2.22, -17.33

 

CMYK 33 / 25 / 0 / 38

HEX #6A769E

RGB 106 118 158

HSL 226.15, 0.21%, 0.52%

LAB 50.08, 5.41, -22.98

 

CMYK 31 / 33 / 0 / 38

HEX #6D6A9E

RGB 109 106 158

HSL 243.46, 0.21%, 0.52%

LAB 47.01, 13.56, -27.72

 

CMYK 22 / 33 / 0 / 38

HEX #7B6A9E

RGB 123 106 158

HSL 259.62, 0.21%, 0.52%

LAB 48.24, 17.95, -25.71

 

CMYK 35 / 27 / 0 / 57

HEX #48506E

RGB 72 80 110

HSL 227.37, 0.21%, 0.36%

LAB 34.48, 4.74, -18.29

 

CMYK 35 / 27 / 0 / 47

HEX #586287

RGB 88 98 135

HSL 227.23, 0.21%, 0.44%

LAB 42.09, 5.66, -21.77

 

CMYK 33 / 26 / 0 / 38

HEX #6A759E

RGB 106 117 158

HSL 227.31, 0.21%, 0.52%

LAB 49.8, 6, -23.41

 

CMYK 25 / 20 / 0 / 32

HEX #838CAE

RGB 131 140 174

HSL 227.44, 0.21%, 0.6%

LAB 58.64, 4.43, -18.95

 

CMYK 18 / 14 / 0 / 25

HEX #9CA3BE

RGB 156 163 190

HSL 227.65, 0.21%, 0.68%

LAB 67.26, 3.22, -14.71

 

CMYK 34 / 27 / 0 / 38

HEX #69749E

RGB 105 116 158

HSL 227.55, 0.21%, 0.52%

LAB 49.45, 6.3, -23.97

 

CMYK 1 / 33 / 0 / 38

HEX #9D6A9E

RGB 157 106 158

HSL 298.85, 0.21%, 0.52%

LAB 51.77, 29.21, -19.98

 

CMYK 13 / 0 / 33 / 38

HEX #8A9E6A

RGB 138 158 106

HSL 83.08, 0.21%, 0.52%

LAB 62.42, -16.35, 24.91

 

CMYK 34 / 27 / 0 / 38

HEX #69749E

RGB 105 116 158

HSL 227.55, 0.21%, 0.52%

LAB 49.45, 6.3, -23.97

 

CMYK 0 / 33 / 25 / 38

HEX #9E6A76

RGB 158 106 118

HSL 346.15, 0.21%, 0.52%

LAB 50.55, 22.55, 1.82

 

CMYK 25 / 0 / 33 / 38

HEX #769E6A

RGB 118 158 106

HSL 106.15, 0.21%, 0.52%

LAB 61.09, -23.88, 22.89

 

CMYK 34 / 27 / 0 / 38

HEX #69749E

RGB 105 116 158

HSL 227.55, 0.21%, 0.52%

LAB 49.45, 6.3, -23.97

 

CMYK 1 / 33 / 0 / 38

HEX #9D6A9E

RGB 157 106 158

HSL 298.85, 0.21%, 0.52%

LAB 51.77, 29.21, -19.98

 

CMYK 0 / 7 / 33 / 38

HEX #9E936A

RGB 158 147 106

HSL 47.31, 0.21%, 0.52%

LAB 60.94, -2.39, 23.22

 

CMYK 32 / 0 / 33 / 38

HEX #6B9E6A

RGB 107 158 106

HSL 118.85, 0.21%, 0.52%

LAB 60.44, -27.75, 21.92

 

CMYK 34 / 27 / 0 / 38

HEX #69749E

RGB 105 116 158

HSL 227.55, 0.21%, 0.52%

LAB 49.45, 6.3, -23.97

 

CMYK 0 / 33 / 9 / 38

HEX #9E6A8F

RGB 158 106 143

HSL 317.31, 0.21%, 0.52%

LAB 51.34, 26.72, -11.82

 

CMYK 0 / 7 / 33 / 38

HEX #9E936A

RGB 158 147 106

HSL 47.31, 0.21%, 0.52%

LAB 60.94, -2.39, 23.22

 

CMYK 33 / 0 / 23 / 38

HEX #6A9E79

RGB 106 158 121

HSL 137.31, 0.21%, 0.52%

LAB 60.69, -25.34, 13.94

 

Description

Color code: HEX #69749E | qconv.com Color code: HEX #69749E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 116 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 116 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 27 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 27% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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