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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #695D5ACE it is the complementary color #96A2A5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #695D5ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #695D5ACE shade: #6E5D55CE, #7F6F68CE, #90817BCE, #A1938ECE and #B2A5A1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #695D5ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #695D5ACE shade: #695D5ACE, #584B47CE, #473934CE, #362721CE and #25150ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #695D5ACE shade: #695C59 and #695959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #695D5ACE shade: #695C59, #696059, #696559, #696959 and #646959

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #695D5ACE shade matches the following richer shades: #695C59, #785349, #88493A, #98402A and #A7371A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #695D5ACE shade: #695C59, #596669, #496F79, #3A7888 and #2A8298

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #695D5ACE shade: #69595E, #69595A, #695C59, #696059 and #696559

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #695D5ACE shade: #3C3533, #524946, #695C59, #7F706C and #948581

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #695D5ACE shade: #695D5A, #626959 and #595C69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #695D5ACE shade: #695D5A, #59695C and #5C5969

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #695D5ACE shade: #695D5A, #626959, #596669 and #5F5969

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #695D5ACE shade: #695D5A, #5E6959, #596669 and #645969

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 12 / 48

HEX #695D5ACE

RGBA 105 93 90 0.81

HSLA 12, 0.08%, 0.38%, 0.81

LABA 40.52, 4.27, 3.48, 0.81

 

Complementary color

CMYK 7 / 1 / 0 / 29

HEX #96A2A5CE

RGBA 150 162 165 0.81

HSLA 192, 0.08%, 0.62%, 0.81

LABA 65.78, -3.62, -3.02, 0.81

 

CMYK 0 / 13 / 18 / 46

HEX #6E5D55CE

RGBA 110 93 85 0.81

HSLA 19.2, 0.13%, 0.38%, 0.81

LABA 40.9, 5.48, 7.14, 0.81

 

CMYK 0 / 10 / 15 / 41

HEX #7F6F68CE

RGBA 127 111 104 0.81

HSLA 18.26, 0.1%, 0.45%, 0.81

LABA 48.11, 5.02, 6.19, 0.81

 

CMYK 0 / 8 / 12 / 35

HEX #90817BCE

RGBA 144 129 123 0.81

HSLA 17.14, 0.09%, 0.52%, 0.81

LABA 55.13, 4.64, 5.32, 0.81

 

CMYK 0 / 7 / 10 / 30

HEX #A1938ECE

RGBA 161 147 142 0.81

HSLA 15.79, 0.09%, 0.59%, 0.81

LABA 62, 4.3, 4.51, 0.81

 

CMYK 0 / 6 / 8 / 24

HEX #B2A5A1CE

RGBA 178 165 161 0.81

HSLA 14.12, 0.1%, 0.66%, 0.81

LABA 68.71, 4, 3.76, 0.81

 

CMYK 0 / 9 / 12 / 48

HEX #695D5ACE

RGBA 105 93 90 0.81

HSLA 12, 0.08%, 0.38%, 0.81

LABA 40.52, 4.27, 3.48, 0.81

 

CMYK 0 / 12 / 16 / 53

HEX #584B47CE

RGBA 88 75 71 0.81

HSLA 14.12, 0.11%, 0.31%, 0.81

LABA 33.05, 4.71, 4.39, 0.81

 

CMYK 0 / 16 / 22 / 58

HEX #473934CE

RGBA 71 57 52 0.81

HSLA 15.79, 0.15%, 0.24%, 0.81

LABA 25.3, 5.26, 5.43, 0.81

 

CMYK 0 / 23 / 32 / 64

HEX #362721CE

RGBA 54 39 33 0.81

HSLA 17.14, 0.24%, 0.17%, 0.81

LABA 17.2, 6, 6.69, 0.81

 

CMYK 0 / 35 / 50 / 69

HEX #25150ECE

RGBA 37 21 14 0.81

HSLA 18.26, 0.45%, 0.1%, 0.81

LABA 8.67, 7.14, 7.18, 0.81

 

CMYK 0 / 12 / 15 / 59

HEX #695C59

RGB 105 92 89

HSL 11.25, 0.08%, 0.38%

LAB 40.21, 4.69, 3.64

 

CMYK 0 / 15 / 15 / 59

HEX #695959

RGB 105 89 89

HSL 0, 0.08%, 0.38%

LAB 39.36, 6.52, 2.42

 

CMYK 0 / 12 / 15 / 59

HEX #695C59

RGB 105 92 89

HSL 11.25, 0.08%, 0.38%

LAB 40.21, 4.69, 3.64

 

CMYK 0 / 9 / 15 / 59

HEX #696059

RGB 105 96 89

HSL 26.25, 0.08%, 0.38%

LAB 41.36, 2.28, 5.29

 

CMYK 0 / 4 / 15 / 59

HEX #696559

RGB 105 101 89

HSL 45, 0.08%, 0.38%

LAB 42.81, -0.71, 7.36

 

CMYK 0 / 0 / 15 / 59

HEX #696959

RGB 105 105 89

HSL 60, 0.08%, 0.38%

LAB 43.98, -3.07, 9.02

 

CMYK 5 / 0 / 15 / 59

HEX #646959

RGB 100 105 89

HSL 78.75, 0.08%, 0.38%

LAB 43.56, -5.11, 8.35

 

CMYK 0 / 12 / 15 / 59

HEX #695C59

RGB 105 92 89

HSL 11.25, 0.08%, 0.38%

LAB 40.21, 4.69, 3.64

 

CMYK 0 / 31 / 39 / 53

HEX #785349

RGB 120 83 73

HSL 12.77, 0.24%, 0.38%

LAB 39, 14.04, 12.03

 

CMYK 0 / 46 / 57 / 47

HEX #88493A

RGB 136 73 58

HSL 11.54, 0.4%, 0.38%

LAB 38.38, 25.17, 20.78

 

CMYK 0 / 58 / 72 / 40

HEX #98402A

RGB 152 64 42

HSL 12, 0.57%, 0.38%

LAB 38.74, 35.44, 31.29

 

CMYK 0 / 67 / 84 / 35

HEX #A7371A

RGB 167 55 26

HSL 12.34, 0.73%, 0.38%

LAB 39.62, 44.65, 41.56

 

CMYK 0 / 12 / 15 / 59

HEX #695C59

RGB 105 92 89

HSL 11.25, 0.08%, 0.38%

LAB 40.21, 4.69, 3.64

 

CMYK 15 / 3 / 0 / 59

HEX #596669

RGB 89 102 105

HSL 191.25, 0.08%, 0.38%

LAB 42.23, -4.24, -3.37

 

CMYK 40 / 8 / 0 / 53

HEX #496F79

RGB 73 111 121

HSL 192.5, 0.25%, 0.38%

LAB 44.47, -10.63, -9.8

 

CMYK 57 / 12 / 0 / 47

HEX #3A7888

RGB 58 120 136

HSL 192.31, 0.4%, 0.38%

LAB 47.12, -15.07, -14.81

 

CMYK 72 / 14 / 0 / 40

HEX #2A8298

RGB 42 130 152

HSL 192, 0.57%, 0.38%

LAB 50.36, -18.24, -19.31

 

CMYK 0 / 15 / 10 / 59

HEX #69595E

RGB 105 89 94

HSL 341.25, 0.08%, 0.38%

LAB 39.51, 7.46, -0.46

 

CMYK 0 / 15 / 14 / 59

HEX #69595A

RGB 105 89 90

HSL 356.25, 0.08%, 0.38%

LAB 39.39, 6.71, 1.84

 

CMYK 0 / 12 / 15 / 59

HEX #695C59

RGB 105 92 89

HSL 11.25, 0.08%, 0.38%

LAB 40.21, 4.69, 3.64

 

CMYK 0 / 9 / 15 / 59

HEX #696059

RGB 105 96 89

HSL 26.25, 0.08%, 0.38%

LAB 41.36, 2.28, 5.29

 

CMYK 0 / 4 / 15 / 59

HEX #696559

RGB 105 101 89

HSL 45, 0.08%, 0.38%

LAB 42.81, -0.71, 7.36

 

CMYK 0 / 12 / 15 / 76

HEX #3C3533

RGB 60 53 51

HSL 13.33, 0.08%, 0.22%

LAB 22.81, 2.68, 2.38

 

CMYK 0 / 11 / 15 / 68

HEX #524946

RGB 82 73 70

HSL 15, 0.08%, 0.3%

LAB 31.81, 3.19, 3.16

 

CMYK 0 / 12 / 15 / 59

HEX #695C59

RGB 105 92 89

HSL 11.25, 0.08%, 0.38%

LAB 40.21, 4.69, 3.64

 

CMYK 0 / 12 / 15 / 50

HEX #7F706C

RGB 127 112 108

HSL 12.63, 0.08%, 0.46%

LAB 48.49, 5.13, 4.36

 

CMYK 0 / 10 / 13 / 42

HEX #948581

RGB 148 133 129

HSL 12.63, 0.08%, 0.54%

LAB 56.74, 4.95, 4.21

 

CMYK 0 / 11 / 14 / 59

HEX #695D5A

RGB 105 93 90

HSL 12, 0.08%, 0.38%

LAB 40.52, 4.27, 3.48

 

CMYK 7 / 0 / 15 / 59

HEX #626959

RGB 98 105 89

HSL 86.25, 0.08%, 0.38%

LAB 43.39, -5.92, 8.09

 

CMYK 15 / 12 / 0 / 59

HEX #595C69

RGB 89 92 105

HSL 228.75, 0.08%, 0.38%

LAB 39.24, 1.79, -7.82

 

CMYK 0 / 11 / 14 / 59

HEX #695D5A

RGB 105 93 90

HSL 12, 0.08%, 0.38%

LAB 40.52, 4.27, 3.48

 

CMYK 15 / 0 / 12 / 59

HEX #59695C

RGB 89 105 92

HSL 131.25, 0.08%, 0.38%

LAB 42.76, -8.87, 5.29

 

CMYK 12 / 15 / 0 / 59

HEX #5C5969

RGB 92 89 105

HSL 251.25, 0.08%, 0.38%

LAB 38.62, 4.75, -8.72

 

CMYK 0 / 11 / 14 / 59

HEX #695D5A

RGB 105 93 90

HSL 12, 0.08%, 0.38%

LAB 40.52, 4.27, 3.48

 

CMYK 7 / 0 / 15 / 59

HEX #626959

RGB 98 105 89

HSL 86.25, 0.08%, 0.38%

LAB 43.39, -5.92, 8.09

 

CMYK 15 / 3 / 0 / 59

HEX #596669

RGB 89 102 105

HSL 191.25, 0.08%, 0.38%

LAB 42.23, -4.24, -3.37

 

CMYK 10 / 15 / 0 / 59

HEX #5F5969

RGB 95 89 105

HSL 262.5, 0.08%, 0.38%

LAB 38.89, 5.87, -8.28

 

CMYK 0 / 11 / 14 / 59

HEX #695D5A

RGB 105 93 90

HSL 12, 0.08%, 0.38%

LAB 40.52, 4.27, 3.48

 

CMYK 10 / 0 / 15 / 59

HEX #5E6959

RGB 94 105 89

HSL 101.25, 0.08%, 0.38%

LAB 43.07, -7.52, 7.59

 

CMYK 15 / 3 / 0 / 59

HEX #596669

RGB 89 102 105

HSL 191.25, 0.08%, 0.38%

LAB 42.23, -4.24, -3.37

 

CMYK 5 / 15 / 0 / 59

HEX #645969

RGB 100 89 105

HSL 281.25, 0.08%, 0.38%

LAB 39.37, 7.77, -7.52

 

Description

Color code: HEX #695D5ACE | qconv.com Color code: HEX #695D5ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 93 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 93 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 12 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 12% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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