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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #695D13 it is the complementary color #96A2EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #695D13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #695D13 shade: #6E5D0E, #7F6F21, #908134, #A19347 and #B2A55A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #695D13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #695D13 shade: #695D13, #584B00, #473900, #362700 and #251500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #695D13 shade: #675C13, #674513, #672E13, #671713 and #671313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #695D13 shade: #675C13, #5C6713, #466713, #2F6713 and #186713

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #695D13 shade matches the following richer shades: #675C13 and #716309

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #695D13 shade: #675C13, #5E551D, #544D27, #4A4631 and #403F3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #695D13 shade: #672E13, #674413, #675B13, #5E6713 and #476713

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #695D13 shade: #221E06, #453D0D, #675C13, #8A7B19 and #AD9920

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #695D13 shade: #695D13, #136717 and #391367

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #695D13 shade: #695D13, #13675B and #5B1367

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #695D13 shade: #695D13, #136717, #132067 and #671363

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #695D13 shade: #695D13, #136731, #132067 and #67134A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 82 / 59

HEX #695D13

RGB 105 93 19

HSL 51.63, 0.69%, 0.24%

LAB 39.38, -3.77, 41.03

 

Complementary color

CMYK 36 / 31 / 0 / 7

HEX #96A2EC

RGB 150 162 236

HSL 231.63, 0.69%, 0.76%

LAB 68.3, 13.31, -38.54

 

CMYK 0 / 15 / 87 / 57

HEX #6E5D0E

RGB 110 93 14

HSL 49.38, 0.77%, 0.24%

LAB 39.87, -1.5, 43.36

 

CMYK 0 / 13 / 74 / 50

HEX #7F6F21

RGB 127 111 33

HSL 49.79, 0.59%, 0.31%

LAB 46.96, -2.93, 43.48

 

CMYK 0 / 10 / 64 / 44

HEX #908134

RGB 144 129 52

HSL 50.22, 0.47%, 0.38%

LAB 53.9, -4.03, 42.67

 

CMYK 0 / 9 / 56 / 37

HEX #A19347

RGB 161 147 71

HSL 50.67, 0.39%, 0.45%

LAB 60.69, -4.88, 41.53

 

CMYK 0 / 7 / 49 / 30

HEX #B2A55A

RGB 178 165 90

HSL 51.14, 0.36%, 0.53%

LAB 67.36, -5.57, 40.29

 

CMYK 0 / 11 / 82 / 59

HEX #695D13

RGB 105 93 19

HSL 51.63, 0.69%, 0.24%

LAB 39.38, -3.77, 41.03

 

CMYK 0 / 15 / 100 / 65

HEX #584B00

RGB 88 75 0

HSL 51.14, 1%, 0.17%

LAB 32.05, -2.21, 40.59

 

CMYK 0 / 20 / 100 / 72

HEX #473900

RGB 71 57 0

HSL 48.17, 1%, 0.14%

LAB 24.53, 0.1, 33.58

 

CMYK 0 / 28 / 100 / 79

HEX #362700

RGB 54 39 0

HSL 43.33, 1%, 0.11%

LAB 16.68, 2.65, 24.28

 

CMYK 0 / 43 / 100 / 85

HEX #251500

RGB 37 21 0

HSL 34.05, 1%, 0.07%

LAB 8.39, 5.55, 12.68

 

CMYK 0 / 11 / 82 / 60

HEX #675C13

RGB 103 92 19

HSL 52.14, 0.69%, 0.24%

LAB 38.87, -4.17, 40.5

 

CMYK 0 / 33 / 82 / 60

HEX #674513

RGB 103 69 19

HSL 35.71, 0.69%, 0.24%

LAB 32.23, 9.76, 34.27

 

CMYK 0 / 55 / 82 / 60

HEX #672E13

RGB 103 46 19

HSL 19.29, 0.69%, 0.24%

LAB 26.4, 23.65, 28.52

 

CMYK 0 / 78 / 82 / 60

HEX #671713

RGB 103 23 19

HSL 2.86, 0.69%, 0.24%

LAB 22.1, 35.05, 24.05

 

CMYK 0 / 82 / 82 / 60

HEX #671313

RGB 103 19 19

HSL 0, 0.69%, 0.24%

LAB 21.57, 36.54, 23.47

 

CMYK 0 / 11 / 82 / 60

HEX #675C13

RGB 103 92 19

HSL 52.14, 0.69%, 0.24%

LAB 38.87, -4.17, 40.5

 

CMYK 11 / 0 / 82 / 60

HEX #5C6713

RGB 92 103 19

HSL 67.86, 0.69%, 0.24%

LAB 41.25, -15.71, 42.31

 

CMYK 32 / 0 / 82 / 60

HEX #466713

RGB 70 103 19

HSL 83.57, 0.69%, 0.24%

LAB 39.66, -25.53, 40.26

 

CMYK 54 / 0 / 82 / 60

HEX #2F6713

RGB 47 103 19

HSL 100, 0.69%, 0.24%

LAB 38.47, -34.15, 38.7

 

CMYK 77 / 0 / 82 / 60

HEX #186713

RGB 24 103 19

HSL 116.43, 0.69%, 0.24%

LAB 37.74, -40.07, 37.74

 

CMYK 0 / 11 / 82 / 60

HEX #675C13

RGB 103 92 19

HSL 52.14, 0.69%, 0.24%

LAB 38.87, -4.17, 40.5

 

CMYK 0 / 12 / 92 / 56

HEX #716309

RGB 113 99 9

HSL 51.92, 0.85%, 0.24%

LAB 41.93, -3.68, 46.54

 

CMYK 0 / 11 / 82 / 60

HEX #675C13

RGB 103 92 19

HSL 52.14, 0.69%, 0.24%

LAB 38.87, -4.17, 40.5

 

CMYK 0 / 10 / 69 / 63

HEX #5E551D

RGB 94 85 29

HSL 51.69, 0.53%, 0.24%

LAB 35.92, -3.87, 32.92

 

CMYK 0 / 8 / 54 / 67

HEX #544D27

RGB 84 77 39

HSL 50.67, 0.37%, 0.24%

LAB 32.57, -3.04, 23.44

 

CMYK 0 / 5 / 34 / 71

HEX #4A4631

RGB 74 70 49

HSL 50.4, 0.2%, 0.24%

LAB 29.56, -2.18, 13.3

 

CMYK 0 / 2 / 8 / 75

HEX #403F3B

RGB 64 63 59

HSL 48, 0.04%, 0.24%

LAB 26.62, -0.44, 2.6

 

CMYK 0 / 55 / 82 / 60

HEX #672E13

RGB 103 46 19

HSL 19.29, 0.69%, 0.24%

LAB 26.4, 23.65, 28.52

 

CMYK 0 / 34 / 82 / 60

HEX #674413

RGB 103 68 19

HSL 35, 0.69%, 0.24%

LAB 31.95, 10.38, 34

 

CMYK 0 / 12 / 82 / 60

HEX #675B13

RGB 103 91 19

HSL 51.43, 0.69%, 0.24%

LAB 38.57, -3.58, 40.22

 

CMYK 9 / 0 / 82 / 60

HEX #5E6713

RGB 94 103 19

HSL 66.43, 0.69%, 0.24%

LAB 41.42, -14.77, 42.52

 

CMYK 31 / 0 / 82 / 60

HEX #476713

RGB 71 103 19

HSL 82.86, 0.69%, 0.24%

LAB 39.73, -25.11, 40.34

 

CMYK 0 / 12 / 82 / 87

HEX #221E06

RGB 34 30 6

HSL 51.43, 0.7%, 0.08%

LAB 11.15, -2, 14.09

 

CMYK 0 / 12 / 81 / 73

HEX #453D0D

RGB 69 61 13

HSL 51.43, 0.68%, 0.16%

LAB 25.66, -2.86, 29.21

 

CMYK 0 / 11 / 82 / 60

HEX #675C13

RGB 103 92 19

HSL 52.14, 0.69%, 0.24%

LAB 38.87, -4.17, 40.5

 

CMYK 0 / 11 / 82 / 46

HEX #8A7B19

RGB 138 123 25

HSL 52.04, 0.69%, 0.32%

LAB 51.43, -4.89, 51.04

HEX #8A7B19

CMYK 0 / 12 / 82 / 32

HEX #AD9920

RGB 173 153 32

HSL 51.49, 0.69%, 0.4%

LAB 63.15, -5.01, 60.46

HEX #AD9920

CMYK 0 / 11 / 82 / 59

HEX #695D13

RGB 105 93 19

HSL 51.63, 0.69%, 0.24%

LAB 39.38, -3.77, 41.03

 

CMYK 82 / 0 / 78 / 60

HEX #136717

RGB 19 103 23

HSL 122.86, 0.69%, 0.24%

LAB 37.66, -40.61, 36.11

 

CMYK 45 / 82 / 0 / 60

HEX #391367

RGB 57 19 103

HSL 267.14, 0.69%, 0.24%

LAB 17.06, 36.6, -41.6

 

CMYK 0 / 11 / 82 / 59

HEX #695D13

RGB 105 93 19

HSL 51.63, 0.69%, 0.24%

LAB 39.38, -3.77, 41.03

 

CMYK 82 / 0 / 12 / 60

HEX #13675B

RGB 19 103 91

HSL 171.43, 0.69%, 0.24%

LAB 38.89, -26.93, -0.1

 

CMYK 12 / 82 / 0 / 60

HEX #5B1367

RGB 91 19 103

HSL 291.43, 0.69%, 0.24%

LAB 22.55, 43.39, -32.45

 

CMYK 0 / 11 / 82 / 59

HEX #695D13

RGB 105 93 19

HSL 51.63, 0.69%, 0.24%

LAB 39.38, -3.77, 41.03

 

CMYK 82 / 0 / 78 / 60

HEX #136717

RGB 19 103 23

HSL 122.86, 0.69%, 0.24%

LAB 37.66, -40.61, 36.11

 

CMYK 82 / 69 / 0 / 60

HEX #132067

RGB 19 32 103

HSL 230.71, 0.69%, 0.24%

LAB 16.26, 22.96, -43.06

 

CMYK 0 / 82 / 4 / 60

HEX #671363

RGB 103 19 99

HSL 302.86, 0.69%, 0.24%

LAB 24.48, 45.35, -26.62

 

CMYK 0 / 11 / 82 / 59

HEX #695D13

RGB 105 93 19

HSL 51.63, 0.69%, 0.24%

LAB 39.38, -3.77, 41.03

 

CMYK 82 / 0 / 52 / 60

HEX #136731

RGB 19 103 49

HSL 141.43, 0.69%, 0.24%

LAB 37.95, -37.14, 23.62

 

CMYK 82 / 69 / 0 / 60

HEX #132067

RGB 19 32 103

HSL 230.71, 0.69%, 0.24%

LAB 16.26, 22.96, -43.06

 

CMYK 0 / 82 / 28 / 60

HEX #67134A

RGB 103 19 74

HSL 320.71, 0.69%, 0.24%

LAB 23.15, 41.46, -12.04

 

Description

Color code: HEX #695D13 | qconv.com Color code: HEX #695D13 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 93 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 93 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 82 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 82% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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