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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #695399 it is the complementary color #96AC66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #695399. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #695399 shade: #6E5394, #7F65A7, #9077BA, #A189CD and #B29BE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #695399. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #695399 shade: #695399, #584186, #472F73, #361D60 and #250B4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #695399 shade: #685298, #7B5298, #8E5298, #985290 and #98527D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #695399 shade: #685298, #555298 and #525298

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #695399 shade matches the following richer shades: #685298, #613FAB, #5A2CBE, #5319D1 and #4C06E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #695399 shade: #685298, #6F6586, #767873, #7D8B60 and #849E4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #695399 shade: #526398, #545298, #675298, #7A5298 and #8D5298

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #695399 shade: #443563, #56447E, #685298, #7D67AD and #9482BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #695399 shade: #695399, #985275 and #599852

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #695399 shade: #695399, #986752 and #529867

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #695399 shade: #695399, #985275, #839852 and #529875

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #695399 shade: #695399, #985260, #839852 and #52988A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 46 / 0 / 40

HEX #695399

RGB 105 83 153

HSL 258.86, 0.3%, 0.46%

LAB 40.39, 25.12, -35.16

 

Complementary color

CMYK 13 / 0 / 41 / 33

HEX #96AC66

RGB 150 172 102

HSL 78.86, 0.3%, 0.54%

LAB 67.24, -19.38, 33.47

 

CMYK 26 / 44 / 0 / 42

HEX #6E5394

RGB 110 83 148

HSL 264.92, 0.28%, 0.45%

LAB 40.64, 25.28, -31.73

 

CMYK 24 / 40 / 0 / 35

HEX #7F65A7

RGB 127 101 167

HSL 263.64, 0.27%, 0.53%

LAB 47.76, 24.43, -31.72

 

CMYK 23 / 36 / 0 / 27

HEX #9077BA

RGB 144 119 186

HSL 262.39, 0.33%, 0.6%

LAB 54.73, 23.66, -31.74

 

CMYK 21 / 33 / 0 / 20

HEX #A189CD

RGB 161 137 205

HSL 261.18, 0.4%, 0.67%

LAB 61.55, 22.97, -31.8

 

CMYK 21 / 31 / 0 / 12

HEX #B29BE0

RGB 178 155 224

HSL 260, 0.53%, 0.74%

LAB 68.23, 22.35, -31.88

 

CMYK 31 / 46 / 0 / 40

HEX #695399

RGB 105 83 153

HSL 258.86, 0.3%, 0.46%

LAB 40.39, 25.12, -35.16

 

CMYK 34 / 51 / 0 / 47

HEX #584186

RGB 88 65 134

HSL 260, 0.35%, 0.39%

LAB 33.08, 26.17, -35.3

 

CMYK 38 / 59 / 0 / 55

HEX #472F73

RGB 71 47 115

HSL 261.18, 0.42%, 0.32%

LAB 25.59, 27.36, -35.46

 

CMYK 44 / 70 / 0 / 62

HEX #361D60

RGB 54 29 96

HSL 262.39, 0.54%, 0.25%

LAB 17.95, 28.61, -35.55

 

CMYK 52 / 86 / 0 / 70

HEX #250B4D

RGB 37 11 77

HSL 263.64, 0.75%, 0.17%

LAB 10.32, 29.51, -35.23

 

CMYK 32 / 46 / 0 / 40

HEX #685298

RGB 104 82 152

HSL 258.86, 0.3%, 0.46%

LAB 39.99, 25.18, -35.2

 

CMYK 19 / 46 / 0 / 40

HEX #7B5298

RGB 123 82 152

HSL 275.14, 0.3%, 0.46%

LAB 42.02, 30.82, -31.87

 

CMYK 7 / 46 / 0 / 40

HEX #8E5298

RGB 142 82 152

HSL 291.43, 0.3%, 0.46%

LAB 44.31, 36.65, -28.12

 

CMYK 0 / 46 / 5 / 40

HEX #985290

RGB 152 82 144

HSL 306.86, 0.3%, 0.46%

LAB 45.25, 38.25, -21.76

 

CMYK 0 / 46 / 18 / 40

HEX #98527D

RGB 152 82 125

HSL 323.14, 0.3%, 0.46%

LAB 44.51, 34.94, -11.43

 

CMYK 32 / 46 / 0 / 40

HEX #685298

RGB 104 82 152

HSL 258.86, 0.3%, 0.46%

LAB 39.99, 25.18, -35.2

 

CMYK 44 / 46 / 0 / 40

HEX #555298

RGB 85 82 152

HSL 242.57, 0.3%, 0.46%

LAB 38.26, 19.93, -38.06

 

CMYK 46 / 46 / 0 / 40

HEX #525298

RGB 82 82 152

HSL 240, 0.3%, 0.46%

LAB 38.01, 19.16, -38.46

 

CMYK 32 / 46 / 0 / 40

HEX #685298

RGB 104 82 152

HSL 258.86, 0.3%, 0.46%

LAB 39.99, 25.18, -35.2

 

CMYK 43 / 63 / 0 / 33

HEX #613FAB

RGB 97 63 171

HSL 258.89, 0.46%, 0.46%

LAB 36.05, 40.05, -52.93

 

CMYK 53 / 77 / 0 / 25

HEX #5A2CBE

RGB 90 44 190

HSL 258.9, 0.62%, 0.46%

LAB 33.33, 53.97, -68.66

 

CMYK 60 / 88 / 0 / 18

HEX #5319D1

RGB 83 25 209

HSL 258.91, 0.79%, 0.46%

LAB 32.12, 65.31, -81.81

 

CMYK 67 / 97 / 0 / 11

HEX #4C06E4

RGB 76 6 228

HSL 258.92, 0.95%, 0.46%

LAB 32.41, 73.32, -92.3

 

CMYK 32 / 46 / 0 / 40

HEX #685298

RGB 104 82 152

HSL 258.86, 0.3%, 0.46%

LAB 39.99, 25.18, -35.2

 

CMYK 17 / 25 / 0 / 47

HEX #6F6586

RGB 111 101 134

HSL 258.18, 0.14%, 0.46%

LAB 44.81, 11.12, -16.83

 

CMYK 2 / 0 / 4 / 53

HEX #767873

RGB 118 120 115

HSL 84, 0.02%, 0.46%

LAB 50.12, -1.75, 2.47

 

CMYK 10 / 0 / 31 / 45

HEX #7D8B60

RGB 125 139 96

HSL 79.53, 0.18%, 0.46%

LAB 55.76, -12.88, 21.37

 

CMYK 16 / 0 / 51 / 38

HEX #849E4D

RGB 132 158 77

HSL 79.26, 0.34%, 0.46%

LAB 61.56, -22.38, 38.99

 

CMYK 46 / 35 / 0 / 40

HEX #526398

RGB 82 99 152

HSL 225.43, 0.3%, 0.46%

LAB 42.74, 8.39, -30.99

 

CMYK 45 / 46 / 0 / 40

HEX #545298

RGB 84 82 152

HSL 241.71, 0.3%, 0.46%

LAB 38.17, 19.67, -38.2

 

CMYK 32 / 46 / 0 / 40

HEX #675298

RGB 103 82 152

HSL 258, 0.3%, 0.46%

LAB 39.89, 24.89, -35.37

 

CMYK 20 / 46 / 0 / 40

HEX #7A5298

RGB 122 82 152

HSL 274.29, 0.3%, 0.46%

LAB 41.91, 30.51, -32.05

 

CMYK 7 / 46 / 0 / 40

HEX #8D5298

RGB 141 82 152

HSL 290.57, 0.3%, 0.46%

LAB 44.18, 36.34, -28.32

 

CMYK 31 / 46 / 0 / 61

HEX #443563

RGB 68 53 99

HSL 259.57, 0.3%, 0.3%

LAB 25.79, 17.94, -24.88

 

CMYK 32 / 46 / 0 / 51

HEX #56447E

RGB 86 68 126

HSL 258.62, 0.3%, 0.38%

LAB 33.18, 21.46, -30.21

 

CMYK 32 / 46 / 0 / 40

HEX #685298

RGB 104 82 152

HSL 258.86, 0.3%, 0.46%

LAB 39.99, 25.18, -35.2

 

CMYK 28 / 40 / 0 / 32

HEX #7D67AD

RGB 125 103 173

HSL 258.86, 0.3%, 0.54%

LAB 48.36, 24.15, -34.32

 

CMYK 21 / 30 / 0 / 27

HEX #9482BB

RGB 148 130 187

HSL 258.95, 0.3%, 0.62%

LAB 57.89, 18.74, -27.38

 

CMYK 31 / 46 / 0 / 40

HEX #695399

RGB 105 83 153

HSL 258.86, 0.3%, 0.46%

LAB 40.39, 25.12, -35.16

 

CMYK 0 / 46 / 23 / 40

HEX #985275

RGB 152 82 117

HSL 330, 0.3%, 0.46%

LAB 44.22, 33.67, -6.98

 

CMYK 41 / 0 / 46 / 40

HEX #599852

RGB 89 152 82

HSL 114, 0.3%, 0.46%

LAB 57.26, -34.78, 30.54

 

CMYK 31 / 46 / 0 / 40

HEX #695399

RGB 105 83 153

HSL 258.86, 0.3%, 0.46%

LAB 40.39, 25.12, -35.16

 

CMYK 0 / 32 / 46 / 40

HEX #986752

RGB 152 103 82

HSL 18, 0.3%, 0.46%

LAB 48.24, 17.09, 19.8

 

CMYK 46 / 0 / 32 / 40

HEX #529867

RGB 82 152 103

HSL 138, 0.3%, 0.46%

LAB 57.3, -33.37, 19.11

 

CMYK 31 / 46 / 0 / 40

HEX #695399

RGB 105 83 153

HSL 258.86, 0.3%, 0.46%

LAB 40.39, 25.12, -35.16

 

CMYK 0 / 46 / 23 / 40

HEX #985275

RGB 152 82 117

HSL 330, 0.3%, 0.46%

LAB 44.22, 33.67, -6.98

 

CMYK 14 / 0 / 46 / 40

HEX #839852

RGB 131 152 82

HSL 78, 0.3%, 0.46%

LAB 59.79, -19.17, 34.25

 

CMYK 46 / 0 / 23 / 40

HEX #529875

RGB 82 152 117

HSL 150, 0.3%, 0.46%

LAB 57.59, -30.51, 11.67

 

CMYK 31 / 46 / 0 / 40

HEX #695399

RGB 105 83 153

HSL 258.86, 0.3%, 0.46%

LAB 40.39, 25.12, -35.16

 

CMYK 0 / 46 / 37 / 40

HEX #985260

RGB 152 82 96

HSL 348, 0.3%, 0.46%

LAB 43.59, 30.7, 4.94

 

CMYK 14 / 0 / 46 / 40

HEX #839852

RGB 131 152 82

HSL 78, 0.3%, 0.46%

LAB 59.79, -19.17, 34.25

 

CMYK 46 / 0 / 9 / 40

HEX #52988A

RGB 82 152 138

HSL 168, 0.3%, 0.46%

LAB 58.12, -25.61, 0.51

 

Description

Color code: HEX #695399 | qconv.com Color code: HEX #695399 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 83 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 83 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 46 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 46% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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