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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #694DBB it is the complementary color #96B244. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #694DBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #694DBB shade: #6E4DB6, #7F5FC9, #9071DC, #A183EF and #B295FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #694DBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #694DBB shade: #694DBB, #583BA8, #472995, #361782 and #25056F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #694DBB shade: #694DBB, #874DBB, #A44DBB, #BB4DB4 and #BB4D96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #694DBB shade: #694DBB and #4D4DBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #694DBB shade matches the following richer shades: #694DBB, #5F39CF, #5625E3 and #4C12F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #694DBB shade: #694DBB, #7361A7, #7D7594, #868880 and #909C6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #694DBB shade: #4D6CBB, #4D4FBB, #694DBB, #864DBB and #A34DBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #694DBB shade: #473284, #573DA2, #694DBB, #826BC7 and #9B89D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #694DBB shade: #694DBB, #BB4D8A and #5EBB4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #694DBB shade: #694DBB, #BB694D and #4DBB69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #694DBB shade: #694DBB, #BB4D8A, #A0BB4D and #4DBB7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #694DBB shade: #694DBB, #BB4D69, #A0BB4D and #4DBBA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 59 / 0 / 27

HEX #694DBB

RGB 105 77 187

HSL 255.27, 0.45%, 0.52%

LAB 41.05, 38.25, -54.26

 

Complementary color

CMYK 16 / 0 / 62 / 30

HEX #96B244

RGB 150 178 68

HSL 75.27, 0.45%, 0.48%

LAB 68.56, -25.81, 51.56

 

CMYK 40 / 58 / 0 / 29

HEX #6E4DB6

RGB 110 77 182

HSL 258.86, 0.42%, 0.51%

LAB 41.22, 37.98, -51.04

 

CMYK 37 / 53 / 0 / 21

HEX #7F5FC9

RGB 127 95 201

HSL 258.11, 0.5%, 0.58%

LAB 48.15, 36.8, -50.86

 

CMYK 35 / 49 / 0 / 14

HEX #9071DC

RGB 144 113 220

HSL 257.38, 0.6%, 0.65%

LAB 54.98, 35.73, -50.68

 

CMYK 33 / 45 / 0 / 6

HEX #A183EF

RGB 161 131 239

HSL 256.67, 0.77%, 0.73%

LAB 61.69, 34.74, -50.52

 

CMYK 30 / 42 / 0 / 0

HEX #B295FF

RGB 178 149 255

HSL 256.42, 1%, 0.79%

LAB 68.15, 33.1, -48.98

 

CMYK 44 / 59 / 0 / 27

HEX #694DBB

RGB 105 77 187

HSL 255.27, 0.45%, 0.52%

LAB 41.05, 38.25, -54.26

 

CMYK 48 / 65 / 0 / 34

HEX #583BA8

RGB 88 59 168

HSL 255.96, 0.48%, 0.45%

LAB 34.04, 39.61, -54.44

 

CMYK 52 / 72 / 0 / 42

HEX #472995

RGB 71 41 149

HSL 256.67, 0.57%, 0.37%

LAB 27, 40.97, -54.46

 

CMYK 58 / 82 / 0 / 49

HEX #361782

RGB 54 23 130

HSL 257.38, 0.7%, 0.3%

LAB 20.08, 41.98, -54.06

 

CMYK 67 / 95 / 0 / 56

HEX #25056F

RGB 37 5 111

HSL 258.11, 0.91%, 0.23%

LAB 13.53, 41.97, -52.75

 

CMYK 44 / 59 / 0 / 27

HEX #694DBB

RGB 105 77 187

HSL 255.27, 0.45%, 0.52%

LAB 41.05, 38.25, -54.26

 

CMYK 28 / 59 / 0 / 27

HEX #874DBB

RGB 135 77 187

HSL 271.64, 0.45%, 0.52%

LAB 44.3, 45.28, -48.87

 

CMYK 12 / 59 / 0 / 27

HEX #A44DBB

RGB 164 77 187

HSL 287.45, 0.45%, 0.52%

LAB 47.99, 52.59, -42.76

 

CMYK 0 / 59 / 4 / 27

HEX #BB4DB4

RGB 187 77 180

HSL 303.82, 0.45%, 0.52%

LAB 50.88, 57.31, -33.91

 

CMYK 0 / 59 / 20 / 27

HEX #BB4D96

RGB 187 77 150

HSL 320.18, 0.45%, 0.52%

LAB 49.59, 52.56, -18.26

 

CMYK 44 / 59 / 0 / 27

HEX #694DBB

RGB 105 77 187

HSL 255.27, 0.45%, 0.52%

LAB 41.05, 38.25, -54.26

 

CMYK 59 / 59 / 0 / 27

HEX #4D4DBB

RGB 77 77 187

HSL 240, 0.45%, 0.52%

LAB 38.68, 32.61, -58.22

 

CMYK 44 / 59 / 0 / 27

HEX #694DBB

RGB 105 77 187

HSL 255.27, 0.45%, 0.52%

LAB 41.05, 38.25, -54.26

 

CMYK 54 / 72 / 0 / 19

HEX #5F39CF

RGB 95 57 207

HSL 255.2, 0.61%, 0.52%

LAB 37.6, 53.13, -71.57

 

CMYK 62 / 84 / 0 / 11

HEX #5625E3

RGB 86 37 227

HSL 255.47, 0.77%, 0.52%

LAB 35.69, 66.26, -86.26

 

CMYK 69 / 93 / 0 / 3

HEX #4C12F7

RGB 76 18 247

HSL 255.2, 0.93%, 0.52%

LAB 35.37, 75.9, -98.16

 

CMYK 44 / 59 / 0 / 27

HEX #694DBB

RGB 105 77 187

HSL 255.27, 0.45%, 0.52%

LAB 41.05, 38.25, -54.26

 

CMYK 31 / 42 / 0 / 35

HEX #7361A7

RGB 115 97 167

HSL 255.43, 0.28%, 0.52%

LAB 45.61, 23.25, -35.18

 

CMYK 16 / 21 / 0 / 42

HEX #7D7594

RGB 125 117 148

HSL 255.48, 0.13%, 0.52%

LAB 50.94, 9.65, -15.67

 

CMYK 1 / 0 / 6 / 47

HEX #868880

RGB 134 136 128

HSL 75, 0.03%, 0.52%

LAB 56.32, -2.29, 4.03

 

CMYK 8 / 0 / 31 / 39

HEX #909C6C

RGB 144 156 108

HSL 75, 0.2%, 0.52%

LAB 62.33, -12.65, 23.77

 

CMYK 59 / 42 / 0 / 27

HEX #4D6CBB

RGB 77 108 187

HSL 223.09, 0.45%, 0.52%

LAB 46.83, 13.04, -45.11

 

CMYK 59 / 58 / 0 / 27

HEX #4D4FBB

RGB 77 79 187

HSL 238.91, 0.45%, 0.52%

LAB 39.17, 31.36, -57.42

 

CMYK 44 / 59 / 0 / 27

HEX #694DBB

RGB 105 77 187

HSL 255.27, 0.45%, 0.52%

LAB 41.05, 38.25, -54.26

 

CMYK 28 / 59 / 0 / 27

HEX #864DBB

RGB 134 77 187

HSL 271.09, 0.45%, 0.52%

LAB 44.18, 45.04, -49.06

 

CMYK 13 / 59 / 0 / 27

HEX #A34DBB

RGB 163 77 187

HSL 286.91, 0.45%, 0.52%

LAB 47.86, 52.33, -42.98

 

CMYK 46 / 62 / 0 / 48

HEX #473284

RGB 71 50 132

HSL 255.37, 0.45%, 0.36%

LAB 27.54, 30.58, -43.06

 

CMYK 46 / 62 / 0 / 36

HEX #573DA2

RGB 87 61 162

HSL 255.45, 0.45%, 0.44%

LAB 33.93, 36.48, -51.03

 

CMYK 44 / 59 / 0 / 27

HEX #694DBB

RGB 105 77 187

HSL 255.27, 0.45%, 0.52%

LAB 41.05, 38.25, -54.26

 

CMYK 35 / 46 / 0 / 22

HEX #826BC7

RGB 130 107 199

HSL 255, 0.45%, 0.6%

LAB 51.13, 30.01, -44.94

 

CMYK 26 / 35 / 0 / 18

HEX #9B89D2

RGB 155 137 210

HSL 254.79, 0.45%, 0.68%

LAB 61.23, 22.37, -35.13

 

CMYK 44 / 59 / 0 / 27

HEX #694DBB

RGB 105 77 187

HSL 255.27, 0.45%, 0.52%

LAB 41.05, 38.25, -54.26

 

CMYK 0 / 59 / 26 / 27

HEX #BB4D8A

RGB 187 77 138

HSL 326.73, 0.45%, 0.52%

LAB 49.14, 50.87, -11.77

 

CMYK 50 / 0 / 59 / 27

HEX #5EBB4D

RGB 94 187 77

HSL 110.73, 0.45%, 0.52%

LAB 68.36, -48.78, 46.47

 

CMYK 44 / 59 / 0 / 27

HEX #694DBB

RGB 105 77 187

HSL 255.27, 0.45%, 0.52%

LAB 41.05, 38.25, -54.26

 

CMYK 0 / 44 / 59 / 27

HEX #BB694D

RGB 187 105 77

HSL 15.27, 0.45%, 0.52%

LAB 53.17, 30.06, 29.95

 

CMYK 59 / 0 / 44 / 27

HEX #4DBB69

RGB 77 187 105

HSL 135.27, 0.45%, 0.52%

LAB 68.12, -49.31, 32.32

 

CMYK 44 / 59 / 0 / 27

HEX #694DBB

RGB 105 77 187

HSL 255.27, 0.45%, 0.52%

LAB 41.05, 38.25, -54.26

 

CMYK 0 / 59 / 26 / 27

HEX #BB4D8A

RGB 187 77 138

HSL 326.73, 0.45%, 0.52%

LAB 49.14, 50.87, -11.77

 

CMYK 14 / 0 / 59 / 27

HEX #A0BB4D

RGB 160 187 77

HSL 74.73, 0.45%, 0.52%

LAB 71.93, -25.43, 51.49

 

CMYK 59 / 0 / 32 / 27

HEX #4DBB7F

RGB 77 187 127

HSL 147.27, 0.45%, 0.52%

LAB 68.5, -45.31, 21.23

 

CMYK 44 / 59 / 0 / 27

HEX #694DBB

RGB 105 77 187

HSL 255.27, 0.45%, 0.52%

LAB 41.05, 38.25, -54.26

 

CMYK 0 / 59 / 44 / 27

HEX #BB4D69

RGB 187 77 105

HSL 344.73, 0.45%, 0.52%

LAB 48.12, 46.91, 6.65

 

CMYK 14 / 0 / 59 / 27

HEX #A0BB4D

RGB 160 187 77

HSL 74.73, 0.45%, 0.52%

LAB 71.93, -25.43, 51.49

 

CMYK 59 / 0 / 14 / 27

HEX #4DBBA0

RGB 77 187 160

HSL 165.27, 0.45%, 0.52%

LAB 69.22, -37.95, 4.32

 

Description

Color code: HEX #694DBB | qconv.com Color code: HEX #694DBB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 77 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 77 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 59 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 59% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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